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~ News & scholarship on H.P. Lovecraft

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Author Archives: asdjfdlkf

“Creepily insistent rhythms…”

25 Thursday Mar 2021

Posted by asdjfdlkf in Lovecraftian arts, Podcasts etc.

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The Swamp In June and The Frog Pond. Both field recordings from Rhode Island, once issued in vinyl form by the Droll Yankees label and now on Archive.org — since they appear to have been abandoned by whoever may have inherited the rights in the 1970s.

“… there are stretches of marshland that one instinctively dislikes, and indeed almost fears at evening when unseen whippoorwills chatter and the fireflies come out in abnormal profusion to dance to the raucous, creepily insistent rhythms of stridently piping bull-frogs.” — “The Dunwich Horror”.

Droll Yankees was a two-man enthusiast record-label devoted in the 1960s to collecting and releasing “the sounds of New England” before they vanished. There was also a seaport series, including “steamboat leaving Newport on a foggy morning”. There’s probably potential here for a new compilation of the most Lovecraftian of the recordings, perhaps interwoven with some of Lovecraft’s topographical weird poems of New England and travel letters.

Ladd Observatory, 1890

24 Wednesday Mar 2021

Posted by asdjfdlkf in Astronomy, Historical context

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The Ladd Observatory, Providence, in a key architects’ drawing of summer 1890. The year of Lovecraft’s birth. It’s from a very poor Google Books scan, with fine details in the sky blown out and most of the small penmanship unreadable, so is not ideal. But it’s the best available. This is what was started with…

Lovecraft knew the Ladd from summer 1903, aged 13, and on Halloween of that year noted that the telescope was haunted by a ‘colour out of space’ where there should be no colour…

The telescope is a 12 inch equatorial, but does not perform in the manner that a glass of its size should. Chromatic aberration is the principal defect. Every lunar crater and every bright object is surrounded by a violet halo.

Cthulhu idol in 3D

23 Tuesday Mar 2021

Posted by asdjfdlkf in Lovecraftian arts

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New on Archive.org, “Cthulhu from Lovecraft’s sketch” in .STL 3D model form, by Perry Engel. Under Creative Commons Non-Commercial. My render…

Also a “Lovecraft bust” by Philipp Franck. Again as a 3D-printable .STL file. The eyes lack detail, but you might do something with it if you can get it into ZBrush.

Archive.org has newly uploaded a million such Thingiverse items. Mostly .STL, mostly under some form of Creative Commons. At present the thingiverse.com site is unreachable.

Lacy, push-up Tolkien…

22 Monday Mar 2021

Posted by asdjfdlkf in New books

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We’ve all suffered from Amazon’s relentless ‘confusion marketing’, but this is a step too far…

This is what I found on first searching for the new book Tolkien’s Modern Reading on Amazon UK. It’s on the list results too. It’s not a result of an infected Web browser, as it’s the same when seen on a clean browser. Anyway, just one more reason why keyword and title search on Amazon is crap. Their advance/recent listings are even more abysmal.

I had thought the book Tolkien’s Modern Reading wasn’t out yet, but a search reveals Amazon UK has had it in Kindle since the end of January 2021. £13.50, which is reasonable for a 580-page book by an academic. It could have gone to an academic libraries publisher and been pushed out at £80. The well-researched book surveys all the various non-medieval authors Tolkien is known to have read or perused at one time or another. He even dipped into James Joyce, fascinated by the complex language-play and allusions, though tended toward interesting genre books. So far as I’m aware he did not read popular magazine fiction. As such the new book also seems to offer a sort of reading guide to pre-1960s books.

Lovecraft at the Sunrise Club

22 Monday Mar 2021

Posted by asdjfdlkf in Historical context

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Well, well, dipping at random into the new Letters to Family books of Lovecraft’s letters, as yet unread by me in a proper manner…

1) I find one H.P. Lovecraft, then editor of The Conservative, sitting down to a chicken dinner with the radical Sunrise Club in New York City in 1922. He had been invited along as a guest by Morton. The meeting was on ‘pro and anti-censorship’. Lovecraft found the speakers risible, shallow and presenting no real logical arguments, except for a crude fellow called “Rinn” (interrupting though not a speaker, seemingly)* and a far more rigorous and longer contribution from Morton. This suggests that — even in his older years — Morton may have had more influence, intellectually and via his public speaking, than might be assumed from a perusal of his earlier pamphlets. I’ve updated the post slightly.

2) Also in Letters to Family, the fact that Lovecraft extensively covered the Brooklyn Museum for a second time in 1922, doing it thoroughly than before. Thus he must have seen the giant octopus (seen recent posts) in the Invertebrates Hall at that time. Again, I’ve updated the post slightly.

* – Joseph Francis Rinn (1868-1952), American magician most active in the early decades of the 20th century, author of Sixty Years of Psychical Research.

The Crossroads

22 Monday Mar 2021

Posted by asdjfdlkf in Lovecraft as character, Lovecraftian arts

≈ 1 Comment

The Crossroads, a new comic featuring Lovecraft in Red Hook, albeit at a hefty $17 in paper (board?) for 24 pages. I’ve never heard of Eventeny, the service listing it, and it seems a strange place to put it. One would have expected it to be on Itch.io’s comics section or IndieGoGo or suchlike. Still, the premise appeals…

New York, 1925. … H.P. Lovecraft, wandering south from Clinton Street into Red Hook. He finds himself standing at water’s edge, face-to-face with Yog-Sothoth … Another night terror… Or just a severe case of writer’s block? … he’ll do just about anything to write the line that unlocks the last barrier …

The Price is right…

22 Monday Mar 2021

Posted by asdjfdlkf in New books, Scholarly works

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S.T. Joshi’s blog has updated. Among the news…

I understand that Lovecraft’s Letters to E. Hoffmann Price and Richard F. Searight … will be out soon from Hippocampus.

Protected: The Sunjammer

21 Sunday Mar 2021

Posted by asdjfdlkf in Odd scratchings

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El sonador de Providence: El legado literario de H. P. Lovecraft y su presencia en los videojuegos (2018)

21 Sunday Mar 2021

Posted by asdjfdlkf in Lovecraftian arts, New books, Scholarly works

≈ 1 Comment

I find I had overlooked a work from 2018, the Spanish book El sonador de Providence: El legado literario de H. P. Lovecraft y su presencia en los videojuegos (‘The Dreamer of Providence: on the literary legacy of H.P. Lovecraft and his influence on videogames’). Published from Seville by Heroes de Papel.

Said when it appeared to be “a detailed review of videogames inspired by Lovecraft’s work, that have appeared since the 1970s.” However the book runs to 320 pages, and seems to be about more than the publisher’s initial “it’s-for-gamers” marketeering might have suggested. The blurb, in approximate translation, gives a fuller picture…

For many the author H.P. Lovecraft (1890-1937) represents the definitive point of connection between the gothic terror tale that culminated in Edgar Allan Poe, and the new weird literature and modern science fiction. We all know his creations such as Cthulhu that have now seeped deep into the culture, thanks in part to their powerful impact on fans. But he also raised important points about the place of mankind in the cosmos, the fear of the possible existence of creatures older than Earth, and the discovery of the absence of gods and protective spirits. Aesthetics also meet philosophy in his work and, when woven into innovative narratives, this admixture allures readers with its dreamlike glitter. The Dreamer of Providence is a detailed study drawing on the latest works on Lovecraft, and also a journey through the works of his own masters and his many correspondents. The aim is to build a new and fuller picture of the author for Spanish readers. The book also analyses the influence his creations have had on the language and mechanics used in videogames, and also board or role-playing games. The book especially considers some of the most important videogames, ones that draw most deeply on his philosophy and aesthetic vision.

A Spanish gamer’s recent review indicates that the videogames take a back seat in the first half, and he comments on the clarity of the writing and the clear conveying of a wealth of new-to-the-Spanish information about Lovecraft and his circle. This half also touches on Lovecraft’s distorted Derleth-ian afterlife. It’s in the second half that the games are considered. Apparently Everybody’s Gone to the Rapture is a Lovecraftian videogame? Well… maybe. It seemed more like a distillation of about 20 old 1970s British sci-fi TV series, to me, with a dash of evangelical Christianity. Some Spanish games are also said to be considered, ones that are rarely if ever considered in the Anglosphere.

“Despair”… at the price

20 Saturday Mar 2021

Posted by asdjfdlkf in Historical context

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Up for sale at Abe, Lovecraft’s poem “Despair” (c. February 1919) in his handwriting and signed.

The back is also interesting, with its address of “Appeal to Reason, Girard, Kans.” In the war years Theodore Roosevelt termed the socialist scandal-sheet Appeal to Reason a… “vituperative organ of propaganda, anarchy and bloodshed.”

But the Encyclopaedia of the Great Plains notes that the newspaper … “lost much of its zeal and readership and wilted under the anti-Red reaction of the early twenties”. Evidently a ‘Book of the Month’ club was then helping the newspaper stay afloat. But one wonders who was so naive as to send the editor of The Conservative (1915-1923) some ‘Book of the Month’ order-sheets for socialist tomes? Anyway, evidently Lovecraft merely considered these to be ‘free stationary’ and wrote on the backs.

The poem appeared in Pine Cones for June 1919, and relates to the severe mental illness of his mother.

Cross purposes

20 Saturday Mar 2021

Posted by asdjfdlkf in Scholarly works

≈ 1 Comment

Are you interested in the depictions of traditional religious knowledge and experience in horror? Here in the UK, the University of Chester has a major new project and a survey for those who encounter religion in horror. Are the religious trappings just lazy go-to “aesthetic set-dressing”, on the part of cliche-ridden writers and producers? Or are deeper currents sometimes at work, either good (e.g. horror as a Biblical good-vs-evil spectacle) or bad (e.g. resembling a slyly re-worked anti-semitism)? After the survey the project researchers will…

move on to in-depth focus groups, allowing for a more detailed examination of these interactions, before finishing with some detailed interviews with participants.

‘Picture postals’ from Lovecraft: in a typical motor-coach of the early-mid 1930s

19 Friday Mar 2021

Posted by asdjfdlkf in Historical context, Picture postals

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H.P. Lovecraft was a veteran traveller by motor-coach in the 1920s and 30s. Here we have a view as if from the back seat in a typical lower-cost local type of motor-coach of the mid 1930s, as photographed at that time (I’ve enlarged and colorised it).

By the mid 1930s there were, of course, expensive lines of streamlined coaches on the cross-country routes. Some even with reclining sleeper-seats and their own refreshments bar in a cubicle at the back with a white-uniformed server in the hatch. But Lovecraft was… “always seeking the cheapest possible route” on his many travels and so, unless an utter bargain of a long-distance ticket was on offer, he chose the lowest priced options. He would also have encountered many passenger transfer coaches, waiting at railway stations.

With clean glass, a good seat behind the driver (as was his wont) and the right weather, one might…

“traverse the long miles [through New England] by motor-coach, eagerly drinking in the green rolling hills, the fragrant, blossoming orchards, and the white steepled towns” (Dexter Ward).

He also appears to have been keen on the “fragrant” bit — a flow of rural air through the motor-coach — having come to detest the “prepayment suffocation chambers” that were the stuffy and smelly New York City equivalents. Possibly a draught was one of the advantages of being seated behind or beside the driver, who likely had a side-window open in summer. It would also have meant he was not forced to converse with a random fellow passenger, but might (if the driver was not the gruff and silent sort) obtain from the driver occasional names of the sights being passed. It would also enable him to easily signal the driver to stop and left him off, easy enough in those days of relatively little motor traffic. This happened at Salem, for instance…

The coach ride was delightful, giving frequent glimpses of ancient houses in a fashion to stimulate the antiquarian soul. Suddenly, at a graceful and shady village corner which the coach was about to turn, I beheld the tall chimneys and ivy’d walls of a splendid brick house of later Colonial design, and espy’d a sign which proclaim’d it open for publick inspection. Captivated by the sight, I signall’d the driver and alighted … I loudly sounded the knocker and awaited developments. Nothing develop’d. I then knock’d at the side door, but with equal futility. Then I noted a door half open in a miserable ‘ell’ at the back of the house; and believing the place tenanted, made a third trial there. My summons was answer’d simultaneously by two of the most pitiful and decrepit-looking persons imaginable — hideous old women more sinister than the witches of 1692, and certainly not under 80. For a moment I believ’d them to be Salem witches in truth; for the peculiarly sardonick face of one of them, with furtive eyes, sneering lips, and a conspicuously undershot lower law, intensify’d the impression produc’d by their incredible age and gauntness …” (1st May 1923).

Lovecraft may also have liked the hand-made and slightly rustic feel in some of lower-cost motor-coaches found in rural and coastal tourist districts, with (as can be seen here) stitched leather seat-top covers, woven wicker chair-frames and polished wooden arm-rests. This was a hand-crafted modernity, put together by artisanal craftsmen in small workshops.

Once in a new town or resort he also hopped aboard such coaches with his fellow tourists. Tourism was then a relatively ‘new thing’ for many towns, and even in the Great Depression there could be enough of this new breed of antiquarian sightseer to make such things viable. In this “rubbernecking” way he made his quick initial tour and assessment of a new place…

“[a] sort of preliminary touring, the standardised service of the various motor-coach sightseeing companies, and of the street-railway corporation, is strongly recommended as the cheapest and most comprehensive method [of first encountering a place].”

His sense of direction was excellent, even in the labyrinth of New York City, and he would also minutely study maps of a place before visiting. So, even while being spun around on a “rubberneck bus”, he could keep his bearings in a new place.

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