“Some were the figures of well-known myth…”
10 Wednesday Nov 2021
Posted in Lovecraftian arts
10 Wednesday Nov 2021
Posted in Lovecraftian arts
09 Tuesday Nov 2021
Posted in Odd scratchings
Currently on Abe, albeit at large prices.
1. HPL (1937)…
Eight poems by Lovecraft … Twenty-five copies were printed and given free to whoever paid a year’s subscription of 25¢ to Stickney’s AMATEUR CORRESPONDENT
I presume these are now published in the Lovecraft-Smith letters.
09 Tuesday Nov 2021
Posted in Kittee Tuesday, Lovecraftian arts
I don’t normally feature the ever-present fiction anthologies or their calls, but Felis Futura: An Anthology of Future Cats fluffed my tail when I read about it. It also seems to have Lovecraftian potential. The anthologist are seeking b&w art as well as stories…
Stories, poetry, and visual art about the future which feature cats. The interior of the book will contain B&W illustrations. Payment: $10 per accepted poem, 1c/word ($5 minimum) for accepted fiction ($15 per page for graphic narrative fiction), $20 per accepted piece of non-narrative internal visual art $100 (negotiable) for the cover illustration. Deadline: 31st December 2021.
Submit to Felis Futura, with publication mooted for Spring/Summer 2022.
Also rather amusing, Carry On, Cthulhu!. A comic as-if presenting a lost film script in the much-loved Carry On feature-film comedy series, that ran from the late-1950s into the mid-1970s. Recently crowd-funded.
08 Monday Nov 2021
Posted in Kipling, Odd scratchings, Podcasts etc.
Further to my interest in Kipling’s A.B.C. universe I’ve now found an Aerial Board of Control RPG from 1993 (revised 1998), set in the alternative world of his “Night Mail” future airship semi-utopia. It’s now free online as Forgotten Futures I: The A.B.C. Files and weighs in at 52,000 words. Also the core Forgotten Futures rulebook, and other similar source books from which to mix and match ideas are to be found here. Useful for writers wanting to write in the A.B.C. universe as well, I’d suggest, what with history, timelines and character generator sheets and all. Author Mark Rowland welcomes PayPal donations.
He had previous done RPGs such as Call of Cthulhu: Nightmare In Norway, which appear to feature trolls that turn out to be a cross between the Martense clan in “The Lurking Fear” and Wells’s Morlocks. His Forgotten Futures series appears to be well-regarded by the RPG crowd and was covered this summer by the 40-minute podcast The GROGNARD Files…
Marcus L Rowland take us on a tour on his works, and the ways that it has been distributed during its years of production.
08 Monday Nov 2021
Posted in Historical context, Kipling, Scholarly works
Following my recent post on Kipling’s classic early science-fiction “With the Night Mail: A Story of 2000 A.D.” (1905, written 1904) I was pleased to find the sequel on YouTube: “As Easy as A.B.C: A Tale of 2150 A.D.” (1912 two-part serial, written circa 1907, in book form 1917). Comparing the two titles might make you think the sequel moves ahead by 150 years. It did, at least for the serial magazine publication. But as the authoritative Kipling Society says, Kipling later rolled the date back to 2065.
The year 2000 is an orderly world of high-technology, in which the British Empire appears to have been untroubled by either world war. The Empire has imperceptibly shrunk and morphed into the relatively light-touch global Aerial Board of Control (A.B.C.). A sort of ‘Commonwealth of the Air’, melded with a global Post Office and Merchant Shipping Service and in efficient charge of the world’s commerce and communications.
Heinlein is said to have been strongly influenced by the overall style of the first story, which was a huge ‘hard sci-fi’ breakthrough for its time. This second story is less serious in tone, probably Kipling’s wise choice. The wry humour sweetens the digestion of a clutch of grim themes.
[Spoilers follow]
By 2065 the A.B.C. has become a no-nonsense world government of-a-kind, with a garden-city London as the capital. It is efficient and incorruptible, partly because a kind of libertarian affluence is now ubiquitous and no-one can be bothered by such hard work. Human “executive capacity” has anyway become so hard to find, in a world in which a plague has reduced the global population to some 500 million, that the A.B.C could not rule the world even if they wanted to. The supine 1920s League of Nations or aggressive 1930s Axis it is not, and the A.B.C. ably services a world in which a plague has caused people to become nomadic and extremely averse to crowds and public touching, and to largely live very private and isolated lives. Under the benign oversight of the A.B.C. the world’s people can seemingly go anywhere they like, affluent and seasonally flitting from place to place in their fliers in search of privacy. Robot-like machines work the farm fields. So long as they do not interfere with commerce or the food supply or badger their neighbours, the tall and long-lived people of the time seem free to go live where they want. Think wild camping, gone high-tech glamping with airships, and with healthy ‘social distancing’ enforced by genetically-engineered screens of super-fast growing trees.
There are of course a tiny number of remaining anti-civilisation luddites, short and aged-looking and emotion-fuelled. Their cult-like groups flare up rarely in places such as the re-forested farming backwater of Chicago, where they aggressively agitate for the old ways and annoy the hell out of normal people. They can sometimes be reasoned out of their madness (as Russia tries to do), or can be persuaded to go about their amusingly primitive ways in a quasi-zoo akin to our ‘living museum’ format.
In terms of the technology Kipling’s ideas about a future ‘world-government based on airpower’ would become a commonplace by the 1930s (the later Wells, etc). Kipling’s original airship utopia had already gone beyond such things (“war went out of fashion”), though a small airship fleet armed with crowd pacifier-rays and sonic-stunners is maintained in case of need.
The talk of “plague” in the second tale throws a rather ghoulish back-light on the ‘isolated Greenland sanitariums’ of the first tale, and perhaps tells us why the airship crew solemnly ‘doffed their caps’ as the hospital ship passed in the dawn. In the second tale there are hints that the plague was linked to a tuberculosis that had developed in the abhorred “crowds” of the old world, who had once engaged in endless “talking” and “touching” due to their “settled living” in one place. There are hints that the Aerial Board of Control’s real problems for the post-2065 future will arise from other factors. The dwindling world birthrates in a post-plague world. The ennui and growing lack of curiosity among small-enclave populations, most still living in a plague-defence mindset. The obsessive yearning for privacy in a world of ubiquitous communication and open travel. It all sounds rather familiar.
Though it should be said that there is one strong hint that the birthrate problem will have a technological solution, so this is not a doomed ‘Radium Age’ civilisation, just one with its own interlocking set of problems to solve. Kipling seems there to be setting himself up for a third story. Yet he wrote no other A.B.C. tales, and not a single later author appears to have adopted Kipling’s Aerial Board of Control universe.
Anyway, I was pleased to find “A.B.C.” available on YouTube. Several other YouTubers have it but in a rather poor bathtub Librivox recording.
For those wanting a text to work from for their own audio production, note that The SF Encyclopedia warns that “Night Mail” is presented “incomplete” in the volume Kipling’s Science Fiction (Tor, 1992), though doesn’t state why or what was cut. I can see no problem with the first story. Perhaps the commenter was not aware of the marked differences to be found between the two 1905 versions, and again with the 1909 version. The British 1905 version has a section of about 20 lines entirely missing from later printings, for instance.
For those wanting the original art, Marcus L. Rowland’s free PDF edition of both tales collects the various original illustrations/paintings and also has the original surrounding…
weather advisories, classified advertisements, shipping notices, and a wide range of other snippets, intended to suggest that the tale was in fact appearing in a magazine published in 2000.
Some of these are delightfully humorous and also informative, so don’t skip them in the audiobook.
08 Monday Nov 2021
Posted in Historical context, Scholarly works
Deuce Richardson celebrates “The Fiftieth Anniversary of DAW Books” and the role of Donald A. Wollheim therein.
For about fifteen years—under Wollheim’s firm guidance — there was an SFF golden age at DAW Books that may never be equalled.
I certainly have fond memories of several of them, though I seem to recall that relatively few made it to the UK other than on the used bookstalls. I’m uncertain if they were ever distributed new on the spinner-racks, over here. Other than in the UK’s rare specialist sci-fi shops and the dealer tables at 1980s conventions. Now there’s a topic for a fannish dissertation if someone is looking for such, Perhaps titled: Laser Focus: how British literary sci-fi fans built collections and developed tastes in the 1970s and 80s.
For those who can afford to collect DAW, rather than just pick up a couple of fondly remembered titles again, there’s a Starmont book which comprehensively covers the period, Future and Fantastic Worlds : A Bibliographical Retrospective of DAW Books (1972-1987) by Sheldon Jaffery. Not on Archive.org.
Gawd, look at those dates though. Actually they help me get into the world of Lovecraft a bit, in that (by comparison with the 2020s), those still living in Lovecraft’s 1920s could easily recall how things were in the 1870s and 80s. Much as many can today. Such drifting-away eras and their worldviews must have still been mentally and emotionally close to many oldsters in 1920s and even into the 1930s.
07 Sunday Nov 2021
Posted in Historical context
Sonia’s amateur journalism The Rainbow, Vol. 2 No. II (1922), now on Archive.org as an excellent scan. With fine pictures of Mrs. Miniter, Morton, Loveman, Lilian Middleton (S. Lilian McMullen), and a picture of a young Moe that I had never seen before. Plus “Celephias” by one H.P. Lovecraft.
No. 1 was reprinted as a facsimile, but No. 2 has never been widely available until now.
Deep Cuts has a new long post on The Rainbow.
07 Sunday Nov 2021
Posted in Historical context
Currently being uploaded to Archive.org from microfilm, Munsey’s Magazine 1891-1929. Not fully loaded yet, it seems, but what there is has been made usefully keyword searchable at the text level.
On its connection with and influence on Lovecraft, Joshi’s I Am Providence has…
One specific type of fiction we know he read in great quantities was the early pulp magazines. … As avid a dime novel reader as Lovecraft appears to have been, it is in no way surprising that he would ultimately find the Munsey magazines a compelling if guilty pleasure. What he did not know at the time was that they would radically transform his life and his career — largely, but not uniformly, for the better. There is no evidence of how long Lovecraft had read Munsey’s prior to the October 1903 issue (which, as with most popular magazines, was on the stands well before the cover date), nor how long he continued to read it.
Joshi explores this further in his essay “Lovecraft and the Munsey Magazines” (in Primal Sources and also the latest collection of Joshi’s essays on Lovecraft).
The first editor of Weird Tales had published many tales in Munsey’s. The magazine published Sax Rohmer in 1923, and was evidently publishing strange stories well into the 1920s.
Lovecraft’s local friend and collaborator C. M. Eddy found it a market…
He began his career writing short stories for a broad range of pulp fiction magazines such as … Munsey’s Magazine
Indeed, in 1923 Lovecraft had tried to break into Munsey’s. Most likely the target was their Argosy All-Story, but presumably the Manager Editor could have placed it in Munsey’s itself if he had a mind. Lovecraft had not yet established himself with Weird Tales and the tale was sent to Munsey’s at Eddy’s insistence…
It will interest you to observe the professional rejection of this piece [“The Rats in the Walls”] by R. H. Davis, Esq. of the Munsey Co., to whom I sent it at the insistence of my adopted son Eddy.” (8th November 1923, to Long)
One wonders what the thinking was here. The All-Story had sentimental value for Lovecraft, and also a wider circulation that would have some impact locally. But at the same time, to ‘land’ there would have then put him in a better bargaining position with Weird Tales, once (as Eddy probably anticipated) he quickly became a regular with WT.
06 Saturday Nov 2021
Posted in New books, Scholarly works
The Robert H. Waugh Library of Lovecraftian Criticism, newly announced in three volumes at Hippocampus.
I’m fairly sure the first two have already been published, though not in this handsome three-volume shelf-trembler set. The third book appears to be new for 2021…
This third volume of his essays continues the pattern of his earlier books, The Monster in the Mirror and A Monster of Voices. Here we have studies of Lovecraft’s use of the imagery of wells in “The Colour out of Space”; the cosmic history of alien species in At the Mountains of Madness and “The Shadow out of Time”; the role that the fictional Miskatonic University plays in Lovecraft’s fiction; and the influence of Sir Arthur Conan Doyle on several Lovecraft tales. Other essays discuss Lovecraft’s influence on such science fiction writers as Arthur C. Clarke, Fritz Leiber, and Philip K. Dick, as well as such understudied tales as “Cool Air” and The Dream-Quest of Unknown Kadath. And Waugh’s long rumination about Lovecraft’s response to the Nobel Prize winners of his day displays to the full the author’s wide-ranging expertise on world literature.
05 Friday Nov 2021
Posted in New books, Scholarly works
Now listing and available on Amazon and in Kindle ebook, S.T. Joshi’s new book The Recognition of H. P. Lovecraft: His Rise from Obscurity to World Renown. 357 pages, with the usual free 10% sample for Kindle owners.
05 Friday Nov 2021
Posted in Historical context, Picture postals
This week, a picture that evokes Lovecraft satisfying his craving for sugar.
Here we see what appears to be typical soda-fountain inside a Rhode Island drug store. The British have never had quite the same thing in retail, but chemist shop would be about the nearest term. That doesn’t quite catch it, though, as in America the retail mix included tobacco sales and the soda-fountain counter/corner. Large doses of sugar and strong tobacco were considered healthy, back then.
The date is perhaps the late 1940s, a few years after the war? Though some may be able to date it more precisely by knowing at what point the wearing of ‘bobbie-sox’ became a student fashion among the girls of Rhode Island.
But even if as late as the early 1950s, it’s still generally indicative both of the look and the all-ages / all-genders nature of such places back in the 1930s. Note the good selection of candy bars, and the Lovecraft-a-like man at the counter. Possibly about to try the ice-cream and give his verdict.
Lovecraft knew East Greenwich, noting in his ‘homecoming from New York’ letter the train passing through… “East Greenwich with its steep Georgian alleys climbing up from the railway”. He had had close family ancestors there, and in the archives is a card he sent from there to Morton. Thus it’s not impossible he may have once stopped for a summer ice-cream at the East Greenwich soda fountain.
Lovecraft notes in Travels in the Provinces of America (1929) the jobs of “Everybody one speaks to”, talking of the usual pattern for his visits to place. His short list includes “soda-fountain men”, which indicates he frequented such places…
hotel clerks, soda-fountain men, [train] conductors, [tram car] motormen, coach-drivers
Why not coffee shops? I assume they might have been more heavily tobacco-smoky sort of places, their ice-cream could have been more expensive and in smaller portions, the staff could have been less buffed, and there could also be less opportunity to select one of the cheaper candy-bars to sustain him on a long walk. Being also a chemist shop, they were probably reliably ‘open all hours’.
They were also suitable place to take young friends. For instance, I recall reading that when Lovecraft arrived in De Land, to meet Barlow for the first time, they immediately repaired to such a place.
Also, back in January 2020 I found a postcard showing Houdini in Providence, performing in 1917 for a vast crowd outside the building showing “Evening News” on its facade. The picture was relatively small, though. I’ve just this week found a better larger version…
04 Thursday Nov 2021
Posted in Lovecraftian arts
Humble Software Bundle: The Maps Bonanza. This is a current fundraiser bundle of fantasy/sci-fi mapping software. £22+ (about $30) gets you the core Campaign Cartographer software for RPG map makers, plus a lot of add-on packs including “The Age of Cthulhu” (not to be confused with the Goodman game of the same name).
I can’t find this “Cthulhu” add-on pack anywhere except for the bundle, and local searches of the Campaign Cartographer site, store and blog all come up empty. I suspect it’s a combo of two of the packs they release inside the Annuals they release each year? One obviously being Cthulhu City (December 2017), which appears to be free if you dig into their blog.