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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Monthly Archives: March 2019

Fantastico Mediterraneo

08 Friday Mar 2019

Posted by asdjfdlkf in Podcasts etc.

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Fantastico Mediterraneo, a video of a one-hour panel on Italian Sword & Sorcery. In Italian, but it may interest those looking for a fanzine article and who are willing to translate.

Aren’t they nice and smart? Good to see they still do things properly in Italy, and don’t look like tramps.

Evidently they also still know how to do fine typography and design, even for a flyer for an evening talk — this is also in Italy, the event being Aperitivo filosofico: Machen, Merritt, Mito, Immaginario, 12th March 2019.

“Among the most important precursors of Howard Phillips Lovecraft, Abraham Merritt and Arthur Machen were among those who made the fantastic into a real vision of the world, combining modernity with ancient suggestions drawn from myths and legends. If beings of Gaelic mythology and Mesopotamian divinities, their message is basically the same, and testifies to the irruption in the modernity of ancestral forces, awakened from their sleep of millenia. We talk about this with Giuseppe Aguanno, director of the series “I Tre Sedili Deserti” (the Palindromo) and translator of Merritt, and with Andrea Scarabelli, author of the afterword to “Il Vascello di Ishtar” by Merritt.”

Friday ‘picture postals’ from Lovecraft: The Endless Caverns

08 Friday Mar 2019

Posted by asdjfdlkf in Historical context, Picture postals

≈ 1 Comment

In his “Observations on Several Parts of America” (written summer 1928) Lovecraft gives a vivid account of his summer excursion… “westward to the Endless Caverns.” He ventured out to these famous caves on a very long train journey of around four hours…

“But the climax of the whole Odyssey was my excursion, by train, to the Endless Caverns in the exquisite Shenandoah Valley. Despite all the fantasy I have written concerning the nether world, I had never beheld a real cave before in all my life…”

S.T. Joshi states in I Am Providence that this was a bus excursion, but Lovecraft clearly states “train” in the above quote. A further Lovecraft quote reveals that a motor coach was used for only a short part(s) of the journey…

New Market was reacht after a four-hour [scenic train] ride, and a coach took the sightseers to the mouth of the actual caverns, some six miles away.

Lovecraft had been lured out there by the rather cheap $2.50 fare, the prospect of a scenic ride during lovely summer weather, and most probably also by the travel brochure leaflets he picked up in Washington. The following samples were obtained in 1931, and have a number of pages that detail the tour Lovecraft must have experienced. His account is to be found in the Travels volume of Collected Essays, where it forms part of “Observations”. Also a slightly different 1929 article form, which is printed at the back of the Travels volume and titled ‘Descent…’.

One can see how such a grand guignol brochure design might have immediately appealed to his sense of the macabre. Nor was not disappointed in what he later called this “subterrene world of wonder!”, stating that the advance publicity contained not the slightest lie.

Possibly these free brochures, or ones very like them, were what he called “the booklets to which I have given such wide circulation” to his friends in the mail, which are mentioned in the essay. One imagines they were freely given out in bundles at the caves, for visitors to distribute to friends and family and thus draw in more tourists (the cave owners conveniently also owned the Eastern Printing Corporation). Lovecraft thus appears to have used these in place of sending postcards of the caverns to his friends. At that time there was no Post Office at the caves, and presumably the tour did not delay at the railway halt, so it seems unlikely he was able to send any postcards from the caves or their visitor centre.

Though Lovecraft did not visit the other nearby attractions pictured in the paper brochure seen above…

I wished that I might visit the Luray and Shenandoah Caverns, not far from New Market; but the schedule of the excursion did not permit of it.

He had been fascinated by caves since childhood and one of his earliest boyhood attempts at a story, “The Beast of the cave”, was set in the real Mammoth Cave, Kentucky. On which he had presumably ‘read up’ and seen pictures.

In 1928 his first ever underground tour of an actual deep cave lasted “over an hour”. While it’s true that Lovecraft had previously and rather trepidaciously entered a cave-like cleft, for a few yards only, in the Bear’s Den in July 1927, that hardly counted as a cave compared to what he now encountered. Lovecraft hung back from his Endless Caverns tour-party as much as the rear guide would let him, which is understandable on such tours. Since one uniquely sensitive to sublime vistas and eerie shadows would naturally wish to be somewhat away from from the bright lighting, the lecturing voice of the tour guide, and the inane comments and chatter of his fellow visitors.

The best photography of the caves from the period looks like it might be found in this 1925 history/geology booklet, though the title is not on Archive.org…

Art folio of the Shenandoah Valley (1924) does however give two good pictures, among a general survey…

He might have been rather scared. It is difficult to imagine Lovecraft, master of fear, feeling it for real. Yet he admitted that…

Of the celebrated “phobias” of the modern psychologists (or of things like them) I have only one; & that, amusingly enough, is one I have never seen cited or named. Probably it has a name & record, but my very superficial knowledge of psychology (a subject which fails to fascinate me greatly, despite its grotesque fictional possibilities) does not include any glimpse of it. I know about claustrophobia & agoraphobia, but I have neither. I have, however, a cross betwixt the two — in the form of a distinct fear of very large enclosed spaces. The dark carriage-room of a stable — the shadowy interior of a deserted gas-house — an empty assembly-room or theatre-auditorium — a large cave — you can probably get the idea. Not that such things throw me into visible & uncontrollable jittery spasms, but that they give me a profound & crawling sense of the sinister — even at my age. I’m not sure of the source of this fear, but I believe it must link up somehow with the black abysses of my infant nightmares.

I would imagine that something of Lovecraft’s experience later emerged in a filtered fictional form, in the exploration depicted by Lovecraft in “At the Mountains of Madness”. The caves also appear to the reader in more recognisable form in “The Shadow Out of Time”…

I was given charge of my funds, and spent them slowly and on the whole wisely, in travel and in study at various centres of learning. My travels, however, were singular in the extreme, involving long visits to remote and desolate places.

In 1909 I spent a month in the Himalayas, and in 1911 roused much attention through a camel trip into the unknown deserts of Arabia. What happened on those journeys I have never been able to learn.

During the summer of 1912 I chartered a ship and sailed in the Arctic, north of Spitzbergen, afterward showing signs of disappointment.

Later in that year I spent weeks — alone beyond the limits of previous or subsequent exploration in the vast limestone cavern systems of western Virginia — black labyrinths so complex that no retracing of my steps could even be considered.

It was only in 1922 that part of the Endless Caverns had been equipped for safety, with miles of electric cables and bright lighting, and opened to public tours. Thus in 1913, as Lovecraft has it, they would indeed have been “black labyrinths”. Lovecraft’s “no retracing of my steps could even be considered” implies that these labyrinthine caves were escaped, and thus that an ‘end’ had been found in some far and secret exit to the outside world.

Yet in reality this vast cave complex has apparently still not been fully mapped even today, and at present is known to extend for five and a half miles. While the Endless Caverns cannot geologically be quite endless, nevertheless their labyrinthine nature means that they are in effect an endless experience for those who descend and foolishly seek to explore off the tourist trails.

The Spine Chillers

07 Thursday Mar 2019

Posted by asdjfdlkf in Lovecraftian arts, New books

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British comedy writer Ben Clark’s The Spine Chillers is a short graphic novel that treats readers to yet another fictional Lovecraft. Only just released, it’s getting good reviews which say it’s a laugh-out-loud comedy.

The set-up is that H.P. Lovecraft lives in a grotty boarding-house with Edgar Allen Poe and Ambrose Bierce. Something is hiding in the attic. Arthur Conan Doyle (Sherlock Holmes) turns up to investigate. Sadly the art is in child-o-vision. Which won’t entice many to part with a hefty £14 for it in paper, but apparently the writing is brilliant. One suspects that it’s a little bit more of a pitch for a TV series or movie than it is a graphic novel. Still, it’s another in the small crop of recent graphic novels featuring Lovecraft as a character.

Giraffes on Horseback Salad

07 Thursday Mar 2019

Posted by asdjfdlkf in New books

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Dali worked with Harpo Marx. That is quite enough to enlarge one’s mind with endless surrealist possibilities. But there’s more. They became friends and devised a screenplay for a movie in which man of mundane reality falls in love with a dream-woman from the realm of comical absurdity. A notebook and treatment was presented to the MGM movie studio, but the studio declined the project. These materials have now been tracked down, and much research undertaken. The resulting ‘graphic novel re-creation’ of the planned movie will be published, sans the Marx Bros. distinctive physical comedy and syncopated wisecrackery, on 19th March 2019 as Giraffes on Horseback Salad.

So far as I know Lovecraft never saw the Marx Bros. movies, though from 1930 to 1935 he could have seen all the classics newly-released at one of the Providence movie-houses: Animal Crackers; Monkey Business; Horse Feathers, Duck Soup, A Night at the Opera, and A Day at the Races.

What would a Dali / Lovecraft collaboration have sired? We can only dream…

Chasing after Monster Talk

06 Wednesday Mar 2019

Posted by asdjfdlkf in Historical context, Podcasts etc., Scholarly works

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I’ve been catching up with the Monster Talk podcast from the worthy Skeptic Magazine. Recent episodes of interest to readers of this blog will be…

* MonsterTalk: The Call of Tut-Thulhu. “This episode spends a lot of time talking about the unusual connection between H. P. Lovecraft and the discovery of King Tut’s Tomb.”

* MonsterTalk: Teaching with Monsters. “Dr. Thor Hansen has been teaching a course at Western Washington University that uses monsters to teach science”.

* MonsterTalk: Spouting off about Gargoyles. “Mathew Duman, author of An Education in the Grotesque: The Gargoyles of Yale University.”

It’s one I hadn’t yet plugged into my recently-discovered OneCast podcasting app on my Amazon Fire tablet. OneCast is genuinely free and ad-free and is very nicely designed, if you were looking for such an app. It has everything you could want, except for an imaginary ‘YouTube subscriptions to MP3, then treated as podcasts’, which would get me regular shows like ‘Ask Lovecraft’ as podcasts. OneCast also has a feed set that discovered everything I wanted, once I learned that it doesn’t like phrases only keywords. For instance, to find ‘The Lovecraft Geek’ don’t search for the full name, just search for ‘Lovecraft’ and then hunt and peck among the ‘Lovecraft’ results.

Elder Props freebies

05 Tuesday Mar 2019

Posted by asdjfdlkf in Fonts, Lovecraftian arts, New books, Odd scratchings

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New on Archive.org… Elder Props (1981), an 84 page compendium of printable pages, presumably for use as photocopies made as RPG game prompts and elements. The artist has a nice clean toony ink style, which I like a lot.

If you wanted these in colour, look at Krita’s 4.0’s new ability to auto-paint line-art.

I see that the same book can also be downloaded from the site of the artist for free, though there’s it’s confusing labelled Evil Dead, which makes one think of tiresome video-nasty zombies movies of the 1980s rather than the Neconomicon.

The artist is still working, and has a similar product for the awesome Gravity Falls series. Also free Fonts…

Drugs, Esoterica, and Visionary Experience in the Seventies

05 Tuesday Mar 2019

Posted by asdjfdlkf in Historical context, New books, Scholarly works

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A major new history book from Erik Davis (author of the superb TechGnosis) is always welcome, especially one edited and designed by MIT Press. His new High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies is pre-ordering now, to ship in July 2019. It’ll be interesting to see if there’s a ‘Lovecraft chapter’ or two.

On the record

04 Monday Mar 2019

Posted by asdjfdlkf in Lovecraftian arts, Podcasts etc.

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Most folks would be content to bung their new Lovecraft story reading on YouTube, along with the 30 others that now appear there each day. But H. P. Lovecraft’s “Dagon”, “The Cats of Ulthar” & “The Music of Erich Zann” does things more elegantly. A vinyl LP record, superb 12″ sleeve art, and a… “new original score by cinematic instrumentalists Anima Morte”.

Worth a peek just for the quality artwork by Karmazid.

“If you go down to the woods in May…”

03 Sunday Mar 2019

Posted by asdjfdlkf in Odd scratchings

≈ 1 Comment

Events at Lincoln Woods, a fave Lovecraft spot…

The Cracks of Doom: Untold Tales in Middle-earth – now in ebook

03 Sunday Mar 2019

Posted by asdjfdlkf in New books

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My new short book The Cracks of Doom: Untold Tales in Middle-earth is now available on Amazon as an ebook. In 22,000 words it carefully identifies 135 points or ‘cracks’ in The Lord of the Rings and related material, ‘cracks’ in which one might write new fan-fiction stories…

The 22,000-word book is a side-project from my forthcoming scholarly book on Tolkien, and as a bonus this new ebook version adds ten more ‘cracks’ not in the print edition.

de Camp on the reception of his Lovecraft biography

03 Sunday Mar 2019

Posted by asdjfdlkf in de Camp, Historical context, Odd scratchings

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From the Science Fiction Review in 1975, de Camp on what he left out of the Lovecraft biography…

This will already have been encountered by those interested in Lovecraft’s young manhood and his attempts to enlighten the local Irish youth. But I wasn’t aware of the information given on the initial sales volume for the biography, and this may interest those looking at the early history of the Lovecraft revival in the 1970s.

Mas alla de los eones

03 Sunday Mar 2019

Posted by asdjfdlkf in New books

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Mas alla de los eones: y otras historias en colaboracion was a 2013 volume collecting Lovecraft’s collaborations and revisions, in good Spanish translation. Seems it’s been rather too popular, and has been fetching silly prices. But it’s now popped back into print again at an affordable price, as a second edition of 688 pages.

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