Doorways to Lovecraft’s world

14 Monday Mar 2022

Posted by in Historical context, Podcasts etc.

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The latest Voluminous podcast reveals part of a Lovecraft letter formerly only partly published, and now part of the “recently acquired letters from HPL to Frank Belknap Long”. These are now being prepared for annotated print publication.

The scan being beautifully read on the podcast mentions “the Mason collection of Rhode-Island Colonial Doorways” which numbered in the “thousands”. Thankfully the collection has not perished and, in the Voluminous show notes, we find that…

Somehow the Providence Public Library came into possession of the George Mason photograph collection

This is now online under Creative Commons, albeit with only 509 items rather than the “thousands” Lovecraft observed. Possibly the collection ranged more widely than Rhode Island, though, and others survive but are not scanned because not local. Lovecraft seemed to imply the collection had such a breadth, when he remarked how it made him aware of the unseen colonial treasures of Philadelphia. Perhaps the various relevant parts of the collection were disparate to other local collections, and Providence only kept their pictures.

1233 Westminster Street, Providence.

The Voluminous letter also has vivid accounts of two urban explorations of the city with Eddy, in search of more decrepit colonial relics. One of these walks is known from Selected Letters Vol. 1, and is in the Morton letters in almost identical form. Possibly also the Moe letters, as I recall. But the letter’s account of a slightly later visit to the Italian quarter seems less familiar. This also has a remark from Lovecraft which indicates that, though he may well have been taking night-walks before late 1923, these had not ventured down into the industrial slums of the south-west waterfront or up into the Federal Hill area of the city. The latter was somewhat dangerous for a non-Italian to enter, especially in the bootlegging era.

There is a letter in the Brown Digital Repository which adds just a touch more to the Voluminous letter. In 1943 Muriel Eddy states that her husband recalled a “Poe Street” being encountered on these walks.

The new Voluminous letter shows Lovecraft enthusing over a “Gould’s Court” there, which he imagined in its “gnawing hideousness” as “Ghoul’s Court”.

But he does not mention Poe, which one might have expected him too if he and Eddy had got down that far on that walk — as there is indeed a waterfront Poe Street far down on the west side. But probably there were multiple Lovecraft-Eddy expeditions that pushed down into that area, and Poe Street was likely encountered after the first visit and the initial enthusing letters to Long and Morton. Hence, no mention of Poe. This supposition can be confirmed by showing that in the 1970s city native Henry Beckwith recalled that “Ghoul’s Court” was…

on Gould Street, just northwest of Pine Street between Claverick and Chestnut Streets

This is the site of the current Beneficent House complex, and quite a way away from Poe Street. It thus puts the “Ghoul’s Court” spot directly back from the bookshop of ‘Uncle Eddy’ and just a little south. I’ve just had a Lovecraft Annual essay on ‘Uncle Eddy’ accepted (for 2022 or 2023, not sure which yet). At one point in this I briefly follow Lovecraft into this area, and so I’m glad of this additional confirmation on location.

‘Picture Postals’ from Lovecraft: Blackstone Park

11 Friday Mar 2022

Posted by in Historical context, Maps, Picture postals

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This week, not postcards but more postcard-like gems from the collection of the Boston Public Library. Here we see Providence’s imminent Blackstone Park, circa the early 1860s. The pictures were in a brochure proposing the establishment of the shore-front park. Blackstone Park was indeed established in 1866, but 40 years later it had become a delight for small boys — since the city had allowed it to fall badly… “into disuse and neglect by the early 1900s”. This was when the young free-range Lovecraft knew the place as a boy, and thought he glimpsed flute-playing fauns in its dappled depths.

I’ve colourised the picture. We have to imagine another 40 years of growth added to this, and trees consequently much larger above the grassy rides and rills. Perhaps some of these watery “brooklets”, as Lovecraft called them, were by then dried up in summer. Since drainage of College Hill and the adjacent shore-line was changed, as the city developed and the local ravines were filled in or blocked.

Here is Lovecraft on the Park, writing in 1918…

Scarce a stone’s throw from the house lie the nearest parts of that beautiful rustick reservation known as “Blackstone Park” — wherein I have been wont to wander some twenty or more years. Here Nature unadorn’d displays a multi-plicity of agreeable phases; ravines, groves, brooklets, thickets, & Arcadian stretches of river-bank — for the park borders on the wide & salty [river] Seekonk. … How beauteous indeed is untainted Nature as beheld in so idyllick a spot as Blackstone Park! … I think this park would explain why such a born & bred town man shou’d possess such a taste for rural musings & Arcadian themes!

Lovecraft occasionally took favoured friends there. Here he is in 1927…

the next day we [he and Cook and Munn] lounged about the Blackstone Park woods beside the Seekonk — agrestick haunt of my earliest infancy, and true genesis of my pastoral soul.

And in the mid 1930s he was sitting on the banks of the Seekonk… “Almost every warm summer afternoon” or else he took a short trip up in the “the fields & woods north of Providence”.

Below we see, from the same Boston collection, Blackstone Park’s grassy water-meadow. Most likely this is the “meadow” marked on one map as being roughly in the middle of the park, and located back across the road from the Boat Club house.

Above we also see the edge of the “meadow” area in winter flood, in the context of the Boat House and the shore road. The river Seekonk often flooded over, and thus the meadow would have been seasonally a boggy salt-meadow in its lowest section. It’s quite possible that this Boat House was the point from which the young Lovecraft set off on his solo rowing expeditions on the Seekonk. It was then a difficult and somewhat dangerous river to be out on in a small boat. Yet he became skilled enough with his boat and the river currents to land on the mud-squelching “Dagon”-like ‘Twin Islands’, so rarely shown on maps. Here is an exception.

This was the landscape of water and mud and washed-in sea-things which stirred his early nightmares of a drained Seekonk, and to which the genesis of his “Dagon” can be traced.

Modern seekers can note the boathouse and the site’s current drainage channel here on the right of the current map. It’s my recent composite of a 1972 bird’s-eye picture I found and a modern outline map of the Park. By 1972 the trees were crowding in. If the river’s salty winter over-wash has since been kept out, then I’m guessing they may have now fully colonised the old meadow.

Book bits

10 Thursday Mar 2022

Posted by in New books, REH, Scholarly works

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Some books bits that don’t seem to justify a post on their own.

The European Conservative journal has a free review-article on the “Afterlife of an American Pulpster”…

Two recent American novels feature not the vivid characters who were products of R.E. Howard’s imaginative pen, but fictionalized versions of the man himself. Teel James Glenn’s A Cowboy in Carpathia was published in 2020 by Pro Se Press. David Pinault’s Providence Blue appeared in 2021 from Ignatius Press.

hplovecraft.com now has the table-of-contents for the third book in The Robert H. Waugh Library of Lovecraftian Criticism. Looks tasty. The entire three-volume set will weigh in at 900 pages.

Taskerland reviews, as a Lovecraft newbie daunted by I Am Providence, the shorter H.P Lovecraft: A Short Biography. This being S.T. Joshi’s 100-page whistle-stop abridgement.

S.T. Joshi’s Miscellaneous Writings and his 1980s Journals have been published.

Cattle-boats and andwheres

09 Wednesday Mar 2022

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I’ve started in on the new and enlarged book of Lovecraft-Galpin letters (thanks to my Patreon patrons for the purchase). These are fronted with the Cole letters, which at first glance promise to be very dull amateur journalism business. But they very soon liven up. Lovecraft starts writing ‘as-if an 18th century gent’ to the new son of the Cole family, and later letters are from New York or illuminate the poverty of the early 1930s. I’m up to about 1934 so far.

We get the name of the 50-cent boat that Lovecraft took to Newport in the depths of the depression, the summer passenger boats having engaged in a price-war. It was not, as it turns out, the salubrious and gleaming liner of postcard dreams. His old tub doubled as the Providence-Newport cow-boat, meaning that Lovecraft shared the journey with moo-ing and slightly bemused cattle. The boat came back later to Providence than the more expensive competitor, and presumably without the cows to provide body-heat, and so Lovecraft found it could be cold even in August.

Also, the book gives the solution to the small problem of the ‘andwheres’. It turns out this curious word was Lovecraft’s own coinage. His friends, being given the whistle-stop tour of Providence in the early 1930s, heard his constant repetition of “And where, but in Providence, would you see such a fine…” used of grassy lanes in the heart of the city, quaint back-street courtyards, relic backyard barns, sublime semi-rural vistas, etc. His friends found this phrase wearing, and so he abbreviated the outburst to a simple one-word “Andwhere…”. This found its way into his letters, when he calls a choice forgotten nook or grassy relic lane an ‘andwhere’ type of place. Thus it was similar, in inventive quality and topophiliac pleasure, to Vita Sackville-West’s later coinage of “through-leaves”. This indicated a small-but-special enjoyment encountered on a walk… such as kicking through dry leaves or running a picked-up stick along iron railings.