de Camp in 1966

A large collection of science-fiction convention programmes have recently arrived on Archive.org. Among these is the Tricon 1966 (a Worldcon, Ohio) convention booklet. This features a cover by Kelly Freas depicting Lovecraft’s first full-length biographer L. Sprague de Camp.

And another inside, an ink drawing by Joseph Wehrle.

And Progress Report 1 has a good photo, which I’ve enhanced a bit.

Incidentally, there’s a new blog dedicated to de Camp and his fiction, at Sprague de Camp Fan.

Notes on Lovecraft’s Selected Letters III

Notes on Lovecraft’s Selected Letters Vol. III.

* “I am very fond of gardens – in fact they are among the most potent of all imaginative stimuli with me.” (page 29). Later he implies they formed his “earliest dreams”… I have actually found the garden of my earliest dreams – and in no other city than Richmond, home of my beloved Poe! Maymont!” (page 151). He also refers to an early, lost tale or long poem… “In childhood I used to haunt such places [florists’ shops] about February, when the strain of hated winter became unbearable. I liked to walk through the long greenhouses & imbibe the atmosphere of warm earth & plant-life, & see the vivid masses of green & floral colour. One of my early doggerel attempts was a description of an hypothetical glass-covered, furnace-heated world of groves & gardens …” (page 138). He had early read Erasmus “Darwin’s ‘Botanick Garden’ … my early reading” (page 419), a likely influence on such early writing.

* He was taking night-walks in Providence in the Autumn / Fall of 1929… “the Hunter’s Moon last week was exceptionally fine. I took several walks to get the benefit of the mystic moonbeams on particular bits of landscape & architecture-river reflections” (page 38). Later he explores the far south of the city on foot, and later still (Vol. IV) parts of the north of the city.

* On everyday Christianity vs. its often pagan material trappings: “We have mouthed lying tributes to meekness and brotherhood under Gothic roofs whose very pinnacled audacity bespeaks our detestation of lowliness and our love for power and strength and beauty.” (page 45).

* On his Zimbabwe poem “The Outpost”, set in Rhodesia, he gives a linkage with Ophir which is not in the poem… “smart Arab and Phoenician Kings reign’d within the walls of the great Zimbabwe … and work’d the illimitable mines of Ophir”. The poem’s protagonist “K’nath-Hothar the Great King … [born of] great King Zothar-Nin [who] was born in Sidon of pure Phoenician stock” (page 55).

* He reads “The Netopian, house organ of Providence’s most influential bank”, which has some antiquarian articles. (Page 56). This is not online, but Brown holds the 1920-31 run at its Rockefeller Library.

* Ashton Smith’s “The Tale of Satampra Zeiros” features Commorium, which Lovecraft deems buried under the ice of Lothar. “It is this crux of elder horror, I am certain, that the mad Arab Abdul Alhazred was thinking when he – even he – left something unrnention’d & signdfy’d by a row of stars in the surviving codex of his accursed & forbidden Necronomicon!” (page 87). Lovecraft later refers to… “the mildew’d palimpsets of Commoriom” (page 242).

* Lovecraft hints at a “Cthulhu” sequel, having elsewhere suggested the possibility of a sequel story set on Cthulhu’s “home planet”. The following seems the match with that idea… “I shall sooner or later get around to the interplanetary field myself … I doubt if I shall have any living race upon the orb whereto I shall – either spiritually or corporeally – precipitate my hero. But there will be Cyclopean ruins – god! what ruins! – & certain presences that haunt the nether vaults.” (page 88) “It would begin as a dream-phenomenon creeping on the victim in the form of recurrent nightmares, as a result of his concentration of mind on some dim transgalactic world. Eventually it would enmesh him totally — leaving his body to vegetate in a coma in some madhouse whilst his mind roamed desolate & unbodied for ever above the half-litten stones of an aeon-dead civilisation of alien Things on a world that was in decay before the solar system evolved from its primal nebula. I doubt if I’d handle it as, phantasy so much as a stark, macabre bit of quasi-realism.” (pages 95-96).

* “The cuttings you enclosed are of extreme interest – that about the “star jelly” being absorbingly & superlatively so. … It is really improbable that any matter in the condition we recognise as “organic” could manage to get from one orb to another under the strenuous conditions of meteoric flight, though these occasional reports certainly do have their puzzling aspects. I have used the idea once – in “The Colour Out of Space” – & may yet use it again in a different way.” (page 136).

* In 1930 “the covers as well as the contents of rags like Snappy Stories represent true pornography” (page 108).

* “I’d damn well like to come out with a book [of philosophy] some day, even though I might never win a place beside Schopenhauer, Nietzsche, or Bertrand Russell.” (page 110). On learning philosophy he suggests to Toldridge… “You ought most emphatically to read The Story of Philosophy by Dr. Will Durant” (page 146).

* The “Fungi from Yuggoth” sonnet “series” was actually a modest and immediate financial success at a difficult time, netting him “$52.50 to date” (page 129).

* The writing of “The Whisperer in Darkness” was interrupted… “I am still stall’d on p.26 of my new Vermont horror, since revision (which I can’t refuse if I expect to make my trip!) has overwhelm’d me.” (page 130).

* In June 1930 he gives the place of a recent meeting with Dwyer… “the genial and fantastic Bernard Dwyer, whom I visited in antient Dutch Wiltwyck, up the placid Hudson” (page 159).

* In October 1930 he really does believe in witches… “the traditional features of witch-practice and Sabbat-orgies were by no means mythical. … Something actual was going on under the surface … scholars now recognise that all through history a secret cult of degenerate orgiastic nature-worshippers, furtively recruited from the peasantry and sometimes from decadent characters of more select origin, has existed throughout northwestern Europe; practicing fixed rites of immemorial antiquity for malign objects, having a governing system and hierarchy as well·defined and elaborate as that of any established religion, and meeting secretly by night in deserted rustic places. … the first mediaeval opposers of witchcraft were not mere fanatics fighting a shadow. They were deluded in that they thought themselves to be fighting something supernatural, but they were most certainly right in believing that they were fighting a genuine menace. … The witch-cult itself is probably now extinct, but no one can say just when it perished.” (pages 179-181) He later borrows many books on the topic from Keonig… “H. C. Koenig who has for some time been lending me books on witchcraft from his remarkably extensive library.” (Vol IV).

* There is a joking incantation on page 185, not in The Ancient Track

N’ggah-kthn-y’hhu! Cthua t’lh gup r’lhob-g’th’gg Igh thok! G’llh-ya, Tsathoggua! Y’kn’nh, Tsathoggua!

It hath come!
Homage, Lord Tsathoggua, Father of Night!
Glory, Elder One, First-Born of Outer Entity!
Hail, Thou Who wast Ancient beyond Memory
Ere the Stars Spawned Great Cthulhu !
Power, Hoary Crawler over Mu’s fungoid places!
Ia! Ia! G’noth-ykagga-ha!
Ia! Ia! Tsathoggua!!!

* He is chided by Morton on his disregard of mineralogy in science… “No, Sir, I am not insensible of the importance of mineralogy in science… The fact is, I am perhaps less anti-mineralogical than the rest of the herd; insomuch as I realise that the trouble is with myself rather than with mineralogy.” (pages 200-201). One wonders if this chiding contributed to the mineralogy aspects of “At The Mountains of Madness”?

* In 1930 he recalls a past era when normal magazines would take weird fiction… “it often amuses me to note how the sedate & established magazines used to take horror-tales & phantasies without hesitation. Those were free & unstandardised days; & the prevailing view of the cosmos was one of awe & wonder, amidst which a bit of weird fiction was not at all incongruous. But all is changed now.” (page 203).

* He itemises the personal libraries of the circle… “The really big libraries owned by our crowd – beside which mine sinks into insignificance – are those of James F. Morton (general belles-lettres, specialising in Elizabethan literature), Loveman, (poetry, rare bibliophilic items), Orton (modern first editions – for which I wouldn’t give a plugged nickel), Cook (weird material), Munn (popular weird material), & young Derleth (everything under the sun — weird & modern fiction predominating).” (page 211). Curious, since I thought that Loveman was the Elizabethan specialist? Nor does he mention political works as an aspect of Morton’s library.

* On the prospects of his once again writing like Dunsany, in 1930… “In my hands, the result tends to resemble “The Land of Lur” more than it resembles the products” of Dunsany. What was “The Land of Lur”? He refers to a story in the May 1930 Weird Tales.

* “I am as geographic-minded as a cat” (page 214).

* He is still thinking in terms of ether-waves in 1930, albeit poetically… “after the destruction, the ether waves resulting therefrom might roll still farther out into some other realm of entity, where they – or part of them-might curiously reintegrate.” (page 217). In science he is also thinking of a ‘circular time’ in a similar way… “a curved time corresponding to Einsteinian curved space, you might have the voyager make a complete circuit of the chronological dimension-reaching the ultimate future by going beyond the ultimate past, or vice versa” (page 218) In relativistic terms, in space… “Straight lines do not exist, nor does theoretical infinity. What seems infinite extension is simply part of an inevitable returning curve, so that the effect of proceeding directly away from any given point in space is to return at length to that same point from the opposite direction. What lies ultimately beyond the deepest gulf of infinity is the very spot on which we stand.” (page 388). See also “Through the Gates of the Silver Key” (1934), though note that the maths in that were from his collaborator Price.

* In late 1931 he hears a lecture on the “expanding universe” theory, re:… “all spiral nebulae – external galaxies – are retreating rapidly into outer space” (page 438). But then he has second thoughts in early 1932… “Probably the expansive effect now perceived is in part illusory & in part due to one phase of a general pulsation of alternate expansions & contractions.” (Vol. IV, page 6).

* “As for Irem, the City of Pillars … The mad Arab Abdul Alhazred is said to have dwelt therein for a time in the 8th century A.D., prior to the writing of the abhorred & unmentionable Necronomicon. … some timid reader has torn out the pages where the Episode of the Vault under the Mosque [i.e. a CAS story] comes to a climax – the deletion being curiously uniform in the copies at Harvard & at Miskatonic University. When I wrote to the University of Paris for information about the missing text, a polite sub-librarian, M. Lean de Vercheres, wrote me that be would make me a photostatic copy as soon as he could comply With the formalities attendant upon access to the dreaded volume. Unfortunately it was not long afterward that I learned of M. de Vercheres’ sudden insanity incarceration, & of his attempt to burn the hideous book which he had just secured & consulted. Thereafter my requests met with scant notice.”

* On what would today be called jet-set ‘globalists’… “We cannot judge cultures, and their deep instinctive attitudes toward one another, by the unctuous amenities of the few internationally-minded aristocrats, intellectuals, and aesthetes who form a cosmopolitan and friendly group because of the common pull of surface manners or special interests. Of course these exotic specimens get on well enough together…” (page 272)

* His… “dream-self has come to represent me so perfectly that in waking hours I sometimes feel odd for lack of my three-cornered hat, powdered periwig, satin small-clothes, silver sword, and buckled shoes.” (page 283). Although elsewhere he remarks that the bulk of his dreams involve his childhood.

* “I first read up on the Hellenistic [ancient Greek] period back in ’04 and ’05.” (page 288). He reckons just 2,400 years since the height of Periclean Athens. Which makes 2022 around 2,500 years.

* The young Lovecraft, at around age 12, always carried a real revolver with him (page 290). He also had a set of disguises and false beards. This was presumably to do with his boyhood detective work. He later had “an endless succession of guns and pistols” (Vol IV, page 158) and became a crack shot until his eyesight gave out.

* He alludes to the British scientist Sir Oliver Lodge without naming him, re: spiritualism… “the nostalgic & unmotivated ‘overbeliefs’ of elderly & childhood-crippled physicists” (page 295) and “the side-line tripe cooked up by bullhead-brained physicists on their mental vacations!” (page 302). Alongside Conan Doyle, Lodge was a leading public champion of spiritualist nonsense.

* He recalls that… “from the age of three my mother always took me walking in the fields & ravines, & along the high wooded riverbank, (the latter still unchanged, thanks to the Met. Park System.).” … “the old countryside is almost gone; though one farm still remains as a farm with a few acres of antient field & orchard & garden around the antient (1735) house, & forms the goal of many a walk of mine.” The “Met. Park System” means the park formed along the banks of the Seekonk. (Pages 317 and 318).

* Early 1931. “All winter, as I told you, I have been studying Quebec; & all this spring I have been studying the Dutch Hudson Valley” (page 327).

* Lovecraft and Middle-earth, 1931… “a cold winter twilight calls up all sorts of images of shadowy shapes marching imperiously in some Northerly middle region just beyond the Earth” (page 394)

* The out-of-Africa theory was not then know. “That the human race started on some plateau in central Asia is almost certain” he writes (page 412). This out-of-Asia theory would have been a supported scientific position as late as the 1950s. Only in the 1970s and 80s did the ‘out-of-Africa’ theory become the new consensus.

* On sister-marriage and consanguinity, pre-genetics, he writes… “science long ago exploded the myth that there is necessarily anything unhealthy about the offspring of close kin.” (page 424). I’m not sure where he was getting that from, but it might argue that he had radically departed from the accepted eugenic science of the time re: the dangers of in-breeding.

* Writing to young Shea, he foresees a future time of at least partial erotic liberation… “At present, the [active] following of an alternative course [to normal sexuality] involves so much commonness & ignominious furtiveness that it can hardly be recommended for a person of delicate sensibilities except in extreme cases. It remains to be seen what sort of middle course the future will work out.” (page 425).

* Loveman was riding out the worst of the Great Depression quite well, at least in summer 1931… “Loveman gets $60.00 per week as an expert cataloguer for the well-known N.Y. firm of Dauber & Pine”. (page 416)

* Lovecraft’s younger aunt spoke with a Boston accent. (page 420).

* A revision job… “this week I have received impressions from the book-revision job which slightly alter my picture of 18th century life in the Connecticut Valley”. I can’t immediately find which book this might have been. (Page 426). The letter was October 1931, so if the work was published as a book then it might have been anywhere from Christmas 1931 to around 1935.

* “Deeps of Gba-Ktan, beyond Devil’s Reef off the coast of Innsmouth.” (page 435). Appears not to have found its way into Mythos encyclopedias.

* And finally, an item that might have made an entry in his Commonplace Book, but didn’t. “Wind in hollow walls mistaken for spectral music. Actual case in Halsey Mansion around the corner from 10 Barnes St. … actually feared by the ignorant” (pages 444-445).

New book: Pike’s Peak or Bust: The Life and Works of David V. Bush

S.T. Joshi’s blog brings news of a new book by Ken Faig Jr, in the form of Pike’s Peak or Bust: The Life and Works of David V. Bush (Sarnath Press, June 2022). Available now in paper, or as a budget Kindle ebook.

The new book is described by the blurb as an “exhaustive biography of Bush … a dynamic salesman with boundless self-confidence who was part guru and part charlatan”, and typical of a type that emerged in the 1920s.

He had his poetry and some of his booklets revised by H.P. Lovecraft. Bush gave Lovecraft steady revision work in the 1920s, which helped Lovecraft to get through that decade. Bush was also an early promoter of ‘marital advice’ sex books as I recall, some of which Lovecraft may have perused before his marriage. So far as we know he never ghosted any of the sex material, though he is said to have done whole chapters of Bush’s homespun popular psychology booklets. No doubt Ken Faig Jr. has all the details on that.

Archive.org’s search has become as flaky and unreliable as Amazon, and is no longer trustworthy as a guide to what an author has in there. But here are the Bush-isms I could find there after some digging and round-the-houses trips.

What to Eat (1924)

Psychology of Sex : how to make love and marry (1924)

Affirmations and how to use them (1923)

Character Analysis (1923)

Applied Psychology and Scientific Living (1923)

Psycho-analysis, kinks in the mind : how to analyze yourself and others for health and prosperity (1923)

Poems of Mastery and Love Verse (1922)

Grit and Gumption (1921)

The Silence: What It Is, How To Use It (unknown date, audiobook version only)

Inspirational poems (1921)

Humorous verse on current events and other topics (1916)

Soul poems, and other verse (1916)

Peace poems and sausages (1916)

eBay shows he was still trying to pack them in to his lectures, by then for ‘health foods’, in 1950…

A little more data on Willoughby St.

A little more data on Willoughby St., Brooklyn, which was looked at in depth in recent posts.

1) A 1914 ad for “Bristol’s”, which was next to “John’s” in Brooklyn.

Their office address was No. 3, but the Dining Rooms were classed as 3-5. Thus Lovecraft was aware of this double-frontage numbering when he said in a letter that John’s was “next door” to Bristol’s… at No. 7.

In 1914 Bristol’s was advertising itself as “always open”. J.E. Bristol is the owner.

2) By mid 1922 Harry E. Spilbor, Sign Writer, was listed as at No. 7 Willoughby, presumably in the sub-shop that was photographed when empty in 1916. By the mid 1930s the New York State Manufacturers directory puts him next door at No. 9. My guess is he started in the sub-shop at No. 7 at the start of the 1920s, and then later moved next-door when No. 7’s frontage was “boxed” (as seen on 1930s photos). He also writes sign cards for show-windows in stores.

The empty sub-shop in 1916.

3) Next door to “John’s” in 1923 at No. 9 was Mike’s Radio Shop (the Kranz Brothers), in either the upstairs or the sub-shop. Still in business in 1925 because they were recorded making a payment to the city, though no address is stated alongside. Barbers don’t tend to go out of business, so my guess would be the 1916 barber’s was still there in 1925 and the radio shop was in the sub-shop below it. This would be a good location for such a store because the big new Edison Electric office block was next door at the former 11-17 (subsumed circa 1923 as No. 15, still standing today).


So, that all fills in a little more mid-1920s detail on the immediate surroundings for Lovecraft’s favourite Italian eatery at John’s. The long-standing Bristol’s Dining Rooms at 3-5 with Lovecraft’s friend and fellow revisionist la Touche Hancock in an office above. Then John’s at No. 7, with Mr. Spilbor the sign-writer below in the sub-shop. Next door at No. 9 was probably a barber shop, with Mike’s Radios below.

Lovecraft and E.E. ‘Doc’ Smith

My Patreon patron John Millar asks: “Did HPL read the work of the American science-fiction writer E.E. “Doc” Smith? Did he offer an opinion about it?”


Born in 1890, the early science-fiction pulp writer E.E. “Doc” Smith was the same age as Lovecraft. Like Lovecraft he was also a doughnut enthusiast. But in Smith’s case, he didn’t just dunk the ‘nuts in his four-sugar coffee. He made a career out of the food science of making doughnuts. On the side he also wrote implausible super-science ‘space operas’, complete with immense and ever-expanding spaceships. Tales which — some might now wryly observe — bear a certain resemblance to his light air-pumped doughnuts. But nevertheless, like Lovecraft’s work, his interstellar tales pioneered what later became a vast sub-genre.

A liking for doughnuts was not the only similarity in the youth of the two writers. Like the young Lovecraft, as a youth Smith took avidly to rifles and amateur chemistry sets. Hobbies that might have a kooky kid locked up and sedated in today’s America were then quite normal. Possibly there are other such comparisons to be drawn.

Like Lovecraft, Smith’s breakthrough in writing fiction came in the early 1920s. However, publishing was a different matter. Smith had far more trouble seeing his work published than Lovecraft who had the Weird Tales market. Only in April 1927 did the breakthrough The Skylark of Space begin to appear in the magazines. It had been completed years before. Other Skylark novels were published and then Spacehounds of IPC in 1931, Triplanetary in 1934. Thus Lovecraft might at least have noticed these and the Skylark series, though he was largely averse to actually reading the ‘scientifiction’ pulps. Smith only seems to have enjoyed book publication after the war. Also, Smith’s famous Lensman series only began to arrive after Lovecraft’s death.

In 1929 Lovecraft considered getting into the game himself, but he did not think much of the competition…

A good interplanetary or interstellar tale has yet to adorn the pages of [Weird Tales] … I shall sooner or later get around to the interplanetary field myself — & you may depend upon it that I shall not choose Edmond Hamilton, Ray Cummings, or Edgar Rice Burroughs as my model!”

So we know he was reading or had read some examples of the type, and was aware of the emerging sub-genre. Thus it’s not impossible that he at least noticed the emergence of Smith. However, in 1934’s essay “Notes on Interplanetary Fiction” Lovecraft does not mention Smith. The nearest equivalent cited, in terms of galactic scope, is Olaf Stapledon’s seminal classic Last and First Men (1930).

Confirmation of Smith’s non-reading by Lovecraft comes in his letter to Conover in 1936…

About The Skylark of Space — I’ve never read it, since a vast majority of the mature critics who have tell me it has no serious literary merit. From what I hear, it has some clever theories as background, but is essentially a juvenile action-adventure story [of the stock type, and] one can’t spare the time to read everything” (Letters to Robert Bloch and others, page 390).

Again, he recommends that the lad take Olaf Stapledon’s Last and First Men over Smith.

The approaches of the two writers to cosmicism have been compared in one essay, Rolf Maurer’s “Through a Lens Dark and Lightly: The Cosmicism of E.E. Smith and H.P. Lovecraft”, presented at the Armitage Symposium in 2017. But seemingly not then published in Lovecraftian Proceedings #3. Smith’s “irrepressibly optimistic, learn-as-you-go heroes” are contrasted by Maurer with “Lovecraft’s characters as learned-but-fragile pawns of higher powers”.

In his essay “The Epic of Space” (1947) Smith name-checked Lovecraft as a writer he enjoyed, and later in the same essay he implies influence when he states that “Lovecraft was the master craftsman” in atmosphere. Lovecraft’s sense of the vastness of time and space, and the sense of burning curiosity for knowledge may also have been influential, though that’s not stated in the essay. What Smith did not take from Lovecraft, if take he did, was the sense of the un-breakable rules of the cosmos. Galactic space-opera, by definition, must bend the rules.

“New England Fallen”

Now online at Brown, a scan of the poem “New England Fallen” (1912). It’s not in the second edition of The Ancient Track, though the far longer and different poem of the same name is there. The text of this (presumably newly-found) shorter and more personal version is to be found in good form in the 2021 The Lovecraft Annual, given there without commentary.

No sign of the scans of the Belknap Long letters at the Brown online repository, as yet.

Over on YouTube, a new reading of Lovecraft’s poem from a few years later, “The Garden” (1917).

‘Picture Postals’ from Lovecraft: Lovecraft at the Automat

This week on my Friday ‘Picture Postals’, back to Brooklyn and to another type of food “filling station” frequented by Lovecraft. Thanks to the wonders of the Interwebz we can actually go inside the very Automat that was fitted into the space of the former Bristol’s at 3-5 Willoughby Street.

You’ll recall that Lovecraft’s favourite restaurant of “John’s” was next door to this, at No. 7. This Automat wasn’t constructed until after Lovecraft left New York City. The available evidence suggests this Automat arrived in 1933 and lasted until about 1954. This is what it looked like inside and it was fairly typical of the type…

Its big plate-glass windows usefully show us what was on the other side of Willoughby and thus was opposite “John’s”, albeit about a decade later than the 1925-1930 period in which John’s existed at No. 7. The cigar store seen on the Transit Authority glass-plates of 1916 is still there, but by this date has rather incongruously added “Luncheons”. Perhaps there was a demand for places to eat lunch where one could also smoke a cigar? Across the road in the far distance we see the other entrance to the platform on the Elevated railway line…

Lovecraft may not have used this automat, but he patronised plenty of the earlier mid-1920s automats while living in and visiting New York City. Also in the various large cities visited on his travels. This particular automat was part of a chain which had over 150 branches in New York and Philadelphia by the mid 1920s. Here is the card for their Broadway branch, which has the chain information on the back…

Evidently before the vogue for Art Deco they were rather more Gothic in feel. Thus, it would be wrong to imagine an Art Deco background for a meeting of Lovecraft and Loveman at an automat in 1925. A combination of glitzy fairground Wurlitzer and a wall of dispensers resembling a Gothic church organ seems to be ‘the look’.

‘Wurlitzer’ 1910s and 20s

‘Deco’ 1930s

Frank Gruber’s pulp-writer’s memoir The Pulp Jungle explains how they worked…

The Automat restaurants, which are peculiar to the East [of the USA], are just what the name implies. You get a flock of nickels from the cashier, then go down the battery of little cubicles, inside of which repose the articles of food that appeal to you. Pie, sandwiches, whatnot. In 1934 a sandwich was ten cents. You put two nickels into a slot, turned a knob and you were then able to open the little door and take out the sandwich. There were a few things the inventors of the Automat were not able to lick, such as coffee. You put a nickel into a slot, held a cup under a nozzle and got a cupful of black coffee. Sugar and cream, however, had to be on the table.

Lovecraft’s 1925 Diary is peppered with instances of automat meals, especially when meeting Samuel Loveman. I was also pleased to find one of these Diary instances reveals he did visit the Botanic Garden in Brooklyn, a place which was the subject of a Tentaclii ‘Picture Postals’ post a few weeks ago…

April 16. Out early — Mc[Crory?] — meet JR, [at] Zoolog. Park — Botanic Garden — down to Boat — explore &c. — Automat.

For Lovecraft, unlike many others, an automat was also an opportunity for a cash-saving takeout. For ten cents extra at one of these places he could also pocket..

my breakfast supply of cheese and peanut butter sandwiches

Such just-in-time delivery was often useful in terms of preventing “rodent marauders” from visiting his room. In many cheap places Lovecraft stayed, there might really be rats in the walls. Many New York City automats were 24-hour places, so could be visited after a long night-walk through the city. Probably they were also 24-hour in Philadelphia and elsewhere.

Another automat favourite was the Hot Chocolate “potion”, as he called it. He found that it and cocoa were unavailable at regular restaurants.

In the above picture of the Willoughby Street interior you can also see the upper balcony on the left. Such places became a haunt of the earliest science-fiction fans, possibly attracted by the Art Deco futurist vibes. Charles Hornig recalls, of the time he was writing to Lovecraft, that…

We had a series of impromptu meetings, mostly on the balconies of automat restaurants, where we would spend hours discussing our favorite topic [science fiction], until we were thrown out by the management.

Lovecraft adaptation on American TV

Guillermo del Toro’s Cabinet of Curiosities is a “coming later in 2022” anthology TV series “by a team of writers and directors personally chosen by del Toro”. The advance blurb now notes…

There’s also one episode based on an H.P. Lovecraft story.

But it doesn’t say which. “Cool Air” would probably be the most viable cheap-to-film idea. Being short enough and mostly filmed in a one-room set with a cast of two. But with the potential to have a bit of retro dieselpunk-ery injected into it in terms of the apparatus and city, maybe done in a slightly over-the-top Terry Gilliam manner.

Also, a British indie movie of “H.P. Lovecraft’s the Shadow over Innsmouth” is in production in 2023, at least according to the IMdB. Though only “loosely based”, and possibly the same as the already available full-length movie Markham (2020) from the same scriptwriter.

Another “loosely based” forthcoming movie is “H.P. Lovecraft’s Witch House”, said to be very amateur and going straight to steaming in July 2022.

Old-Time New England, 1910-1981

Back in March I noted that the journal Old-time New England was freely available to 1925.

Hathi now has a few more into 1926, though the issues from 1926/27 onward are in a pointless copyright lockdown.

You won’t find them at Archive.org via the title search-box, curiously. But Google sees them there, and reveals that Archive.org now has them (from microfilm) all the way to 1981, as Old-Time New England 1910-1981.