More Handicraft Club

This week in my regular ‘picture postals from Lovecraft’ post, two newly-colourised additions to my Handicraft Club post from a few years ago.

Here we see the corner of Benefit and College Streets, Providence. Behind the magnolia trees are the headquarters of the Handicraft Club. A house in which Lovecraft’s aunt lived in 1927, and Lovecraft undoubtedly visited her there.

The side-buildings on the right were also part of the Club. Lovecraft was very familiar with this spot, and would later live further up the hill at No. 66.

Writer: the shaping of popular fiction

A handsomely designed collection of texts on early pulp writing, by L. Ron Hubbard. Collected in Writer: the shaping of popular fiction (2012). Now available to borrow on Archive.org. An earlier edition was already on there, but was not as nicely designed and the pictures were very dark and murky. Here they’re clear and crisp.

Previously on Tentaclii

Lovecraft once had a long restaurant conversation with the flame-haired and young Hubbard, according to Frank Belknap Long. While impressed by the “extraordinary” lad, he evidently felt Hubbard was too professional and un-cosmic a writer to strike up a correspondence with.

So the interest here is more in Hubbard’s insights into the markets and fans of the period, rather than in any strong connection with Lovecraft.

Cthulhuton in Madrid

In Madrid this weekend, Cthulhuton, the Spanish Lovecraft film festival. Billed as “the first” such. 25th March 2023 is the date.

with the presence of prestigious guests such as the American Sandy Petersen, creator of the well-known role-playing game The Call of Cthulhu and one of the greatest disseminators of Providence writer’s work worldwide.

Three choice vintage movies are to be shown, picked for their faithfulness. Petersen will lead the discussion after the main screening.

OpenChatKit

It was only a matter of time before text-generating AI became as open and free as graphics AI. The first such is here now and ‘live’, OpenChatKit…

“a ChatGPT-like dialogue language model that is fully open-sourced, with full access to code, model weights, and training data. The released OpenChatKit model can perform natural-language reasoning tasks, answer questions about documents with retrieval, and browse the Web much like BingChat. The model has 20 billion parameters and is trained on 43 million instructions. […] The release also comes with fine-tuning guides that allow users to easily fine-tune the model for their own applications. […] Apache-2.0 license.”

20 billion is not enough for complex tasks (it can’t write long working Python scripts, or pop out complete essays/stories), but it’s good enough to be useful so long as you know how to ask the question. For instance…

Show me an example of the use of taskkill in a Windows batch file

… gets a line of valid working code. Though you still need to know to wrap it in @echo off and exit, and then save as a .BAT file.

But this is just the starting release. The initial live/free public demo is here, if you want to see what arcane Lovecraftian blurblings it might produce if given the correct prompt. It’s fast and easy to use. Though obviously knows nothing about R’lyeh as a holiday destination. Pity.

I’m uncertain if it can be operated purely locally on a desktop PC, being open source. (Update: Yes it can, it now has a downloadable “7B” model). If not then such things can only a matter of time and the right slot-in card.

So far, this is the only genuinely free / public and ‘no sign-up’ text-generating AI I know of.

Meanwhile, Grammarly will reportedly be plugging in AI auto-writing assistants sometime in April 2023. For a price, of course.

1899 reviewed

A new Liberty Room review of 1899, which it turns out was a short-lived and not much watched U.S. TV show in 2022.

The show only increases its adoption of Lovecraftian elements from there, featuring mad cults, rooms which defy all rules of geometry and space, and strange structures hidden in the remote arctic, all set in the same era in which many of Lovecraft’s own weird tales take place. Yet the show’s use of these elements is wholly its own, putting far more focus on the human mind and the mysteries that lie within each person than on those which lie in other dimensions.

I see it was a Netflix show, and that the (reportedly costly) first season ended on a monumental chiffhanger. Not that many viewers made it that far, though, with tracking showing only 50% of buyers made it through to watch the final episode. It will now never be completed, unless perhaps in audio / novel / graphic-novel form.

Stepping up…

I’ve had a Covid-like cold and no appetite for the last week, and a certain amount of brain and eye-fog. An AI doc (the only sort you can get in the UK, these days) had earlier chewed on my demographics and the weather/dates, to predict the strong likelihood of this happening. I very rarely get ill, otherwise. The AI was right, and not even wearing a mask for a while (as was suggest) prevented it. I suppose I should think myself lucky, though, because at least it wasn’t the ‘flu.

Anyway, for this reason my regular ‘Picture Postals’ post is necessarily short this week. Just the one picture, but a fine one. The steps of Lovecraft’s Public Library in Providence. Note the rather creepy-looking lamp-holders that once hung over the entrance.

The Paradox of David H. Keller

Up for sale, a 1960s zine I’d not heard of, Paradox #7

Half of this issue is taken up with a bibliography of the fantasy and horror writings of David H. Keller, the [medical] doctor and Lovecraft scholar and Arkham House patron. The bibliography is extensive and is based upon the doctor’s own files, which the editor consulted on a visit to his house.

fanac.org doesn’t appear to have scans, and neither does Archive.org. Comments in other zines of the time suggest Paradox was held in high regard for its content.

His Fancyclopedia page is extensive, but makes no mention of Arkham House and (being focused on his pioneering role in science-fiction, begun at the then-startling age of 47) it makes little of his interest in the macabre and weird. Possibly “patron” is just a bookseller’s come-on, and he was really just a collector rather than an active backer of Derleth? But no, as a hard-working medical man he was well off and he had once kept Arkham afloat at a difficult time.

Keller was also an early Lovecraftian. Yes, he was the author of “Shadows Over Lovecraft” (1948), the medical man’s reply to Winfield Townley Scott’s “His Own Most Fantastic Creation” (1944). He also saved Lovecraft’s astronomy notebook for posterity (Wetzel). This latter is “Astronomical Observations Made by H. P. Lovecraft”.

More interesting to me was that Keller also created a series of historical fantasy stories later called the “Tales of Cornwall” sequence, several of which appeared in Weird Tales in Lovecraft’s time. I’m always curious about forgotten British fantasy. Where can these tales be found? Archive.org to the rescue… it has a home-brewed Magazine of Horror PDF, a fan compilation of the stories in correct order of story-world dating and with new ones added. There are a total of ten, opening with…

The Oak Tree, dated 200 B.C, when Folkes-King Eric rules in Norway, and Olaf is Lord of the House of the Wolves at Jutland. The family name will not be changed to “Hubelaire” until 57 B.C.

… and running through to 1914.

The compiler notes on the listing page…

Lowndes managed to publish ten stories in the Cornwall series before the Magazine Of Horror folded in 1971: the six previously published tales and four of the unpublished stories. Unfortunately, the last five stories remain unpublished to this day.

His long short story “Men of Avalon”, issued in a 15 cent booklet paired with a similarly long Clark Ashton Smith story, was also partly a tale of the British Isles. Also of time-travel…

the ancient bowmen of the beautiful isle of Avalon cross the mighty abyss of Time, to pit their puny weapons against modern implement of slaughter

… though seemingly it is not one of the Cornwall tales. The only criticism of it I can find is that Derleth once called it “mawkish” when compared to the Smith story. Apparently complete in the two copies that survive, but garbled by pagination errors. Not scanned and online.

What is online is his The Last Magician: Nine Stories from Weird Tales (1978), at Archive.org and now forming a handy sampler of his other Weird Tales fantasy outside of the “Cornwall” stories. And with direct reprints of magazine pages…

His own personal introduction to this book also reveals he had another series, a string of detective tales of “Taine of San Francisco”. Here Keller also offers this important little biographical snippet about Farnsworth Wright, editor of Weird Tales

Our meeting was the beginning for me of a very pleasant friendship with a very remarkable editor. Much of that story is confidential, but I can reveal that I was able to attain him a wife and child in spite of his serious handicaps.

A further story collection is the collectable Arkham House volume The Folsom Flint: And Other Curious Tales (1969). A tepid review in The Arkham Sampler for Summer 1948 reveals an earlier collection…

LIFE EVERLASTING AND OTHER TALES OF SCIENCE, FANTASY, AND HORROR, by David H. Keller. Collected by Sam Moskowitz and Will Sykora. With a Critical and Biographical Introduction by Sam Moskowitz. 382 pp.

I see that this is now online to borrow in its 1974 re-printing. Here one can find in good form his horror classic “The Thing in the Cellar”, and sample a Taine of San Francisco detective-horror tale in “The Cerebral Library”. The latter can also be seen in the original in Amazing Stories for May 1931.


Further reading:

“By The Waters of Lethe: or The Forgotten Man of Science-Fiction”, Fantasy Times, December 1945. (The Evening Star was deemed his greatest greatest novel, but alongside some huge plot spoilers. Concludes that despite the lack of a critics-pleasing style… “He was consistently readable and enjoyable to a greater extent then any other writer in the history of fantastic literature.” Indeed, he topped ‘favourite’ polls in the 1930s, but was forgotten by young readers by the end of the war.)

Lovecraft and photography

An unusual academic essay, “H.P. Lovecraft, Photography, and the Transhumanist Imagination” (Fall 2022). Sadly behind a paywall at Project Muse. But it’s the lead article in the issue and, since informed essays on Lovecraft’s understanding of photography are so rare, I’m mentioning it here.

Lovecraft’s seemingly naive conception of photography as unerringly “objective” actually reflects his understanding of photography as a transhuman technology that can transform human consciousness.