Public domain in 2024

What goodies do we seem to have entering the public domain in January 2024?


70 years:

For nations under ‘the 70 year rule’, the author must have died in 1953. At the current Wikipedia list of such, the major names are the poet Dylan Thomas (Under Milk Wood, though not the LP recording) and Hilaire Belloc (Cautionary Tales for Children and much more). Also the screenwriter Herman J. Mankiewicz (writer on The Enchanted Cottage).

With a little digging I find, for 1953 deaths…

* Gordon MacCreagh, the horror, adventure and travel writer, real-life adventurer and U.S. navy pilot. His White Waters and Black (1926), a book on an expedition up the River Amazon is said to be… “regarded by many as one of the great travel books”. Author of at least five horror stories, a contributor of stirring tales to Adventure and Argosy, and he appears to have produced well over 150 stories in all. There seems potential for a ‘best of’ book, if such does not already exist.

* Sir Arnold Bax. Master of the King’s Musick during the Second World War. Known for the romantic Celtic tone poem “Tintagel” and others. But I find he also… “wrote poetry and short stories set in Ireland under the name of Dermot O’Byrne”. The tales were described at the time as… “studies of romantic life in the West of Ireland to-day”.

* T.F. Powys. One of the Powys brothers, he wrote Christian fantasy stories and novels. Now very obscure, even to Christians. But he attracted a healthy amount of academic and critical interest in the 20th century.

* George Manning-Sanders. British story writer, novelist and playwright. Had a widely acclaimed first novel, Drum and Monkey, but is now forgotten. Drum was “a novel about a dealer in second-hand oddments, and his ambitions for his young son.” His stories were published in the daily press, and seem likely to be human ‘real life’ stories of Britain in the 1930s.

Also of possible interest…

* Charles R. Knight, a major dinosaur artist and painter of prehistoric man in his environment. Inspired Harryhausen. “First published in 1946, Charles R. Knight’s Life Through the Ages” is apparently a major artistic study of humans in the Stone Age.

* “Gordon Jennings, who died in 1953, was a master of special effects” for the movies “who almost single-handedly elevated the art from its primitive beginnings”. The War of the Worlds, When Worlds Collide and many others. He doesn’t appear to have published anything on the craft of special effects, but some readers of Tentaclii may know different.

* H.J. Massingham. British nature writer. Died 1952, thought some say 1953. Any uncertainly on the date will be cleared by 2024.


The U.S.A.

All the films, books and other works published in 1928. Below are some of my picks. Some of these titles here may already be public domain, due to the author’s death date.

Edgar Rice Burroughs, The Master Mind of Mars (Barsoom series), and Tarzan, Lord of the Jungle (book version).

S. Fowler Wright, Deluge. His huge best-seller. Influenced John Wyndham and John Christopher.

E.E. ‘Doc’ Smith, The Skylark of Space (serial version).

Weird Tales and other pulps for 1928. Of possible interest in WT are Wandrei’s “Sonnets of the Midnight Hours” series, re: a new illustrated edition. Munn’s tale “The Werewolf’s Daughter” also enters the public domain via WT, thus completing the release of his three linked ‘Werewolf’ novels (the first two being Werewolf of Ponkert, and Return of the Master).


Ethel Owen, Hallowe’en Tales & Games. Games to play and tales to tell, for children in middle childhood. Wife of Frank Owen (“The Wind that Tramps the World”), the Weird Tales contributor.

Wild Animal Interviews and wild opinions of us. Sounds like a potential source for a new graphic novel or children’s picture-book.

The Giraffe in History and Art. Unusual.


And finally, I noticed some 1928 books that H.P. Lovecraft might have read, or at least browsed in the public library:

H.B. Drake, The Shadowy Thing. A novel praised by Lovecraft.

Virginia Woolf, Orlando: a biography. He must have read reviews, at least.

The Polar Regions in the twentieth century.

The Book of Polar Exploration.

G.B. Harrison, England in Shakespeare’s day. By a Cambridge lecturer. Published in New York.

The Story of the Spectator 1828-1928.

Hare, London in bygone days.

Boys and Girls of Colonial Times.

The Roman World. Knoph edition, New York.

The Rise of American Civilization: Volumes One and Two.

The History of British Civilization.

Oswald Spengler, The Decline of the West: Volume Two. In English. I seem to recall he had only ever read Vol. 1, but he would have seen reviews of Vol. 2.

Vathek. John Day Co. edition, New York. With Introduction, and fine illustrations.

The Day After To-morrow: What is going to happen to the world? A good brisk survey of Lovecraft’s possible future-world, as it would have seemed at 1927-28. Published by Doubleday, so not a crank book. Note the focus on glands, suggesting Lovecraft was not alone in his interest.

On Archive.org as The Day After Tomorrow. Note that the contents-page’s page-numbers are awry.

Ice Cream (the first manual and handbook)


50 years:

In the few nations that follow the 50 year rule, J.R.R. Tolkien. The only notable nation there is New Zealand. But it was reported a while back that NZ bureaucrats have done some shifty shifting about, inside a trade treaty, so as to make it 70 years from 2024. Thus Tolkien may well not be going into the public domain there.

FHTAGN in English

The German Lovecraftians report, of their open-source ‘original Lovecraft’ FHTAGN role-playing game, that…

Dean Engelhardt […] has now translated the FHTAGN game world into English, made his own minor adjustments and published it as The Open Cthulhu Mythos SRD (System Reference Document) (2023).

This is now a pay-what-you-want Open Game License book on the DriveThruRPG store.

There is however still scope for a book designer / illustrator to swoop in and help out…

This PDF contains the text of a full set of game statistics describing the creatures, rituals, and artefacts from Lovecraft’s original Cthulhu Mythos. In OGL terms it is a “System Reference Document” (or SRD). [It is not yet] presented in a fully illustrated and typeset form as you would expect from a core RPG rulebook.

Which means…

[It is not an] all-in-one Cthulhu Mythos RPG corebook (which traditionally cover both rules and “world” in the one volume)

As it stand it may thus interest purist Mythos writers as well as gamers, being only about Lovecraft’s creations and with only a core of RPG mechanics currently added.

At the Smithsonian

I’ve been looking again through the Smithsonian’s collection of online pictures, now they number some 4.5 million. That compares with 2.5 million at launch.

A few finds…

1) There was a Ward Manor in Red Hook, NYC, of all places. Which may be of interest to Mythos writers. It evidently had antiquarian pretensions and ‘had a lake in the ravine’ in its near 1,000-acre grounds. At the time Lovecraft was in New York it was essentially disused by the owner who preferred to live on Long Island. One recalls the mysterious preserved estate in Lovecraft’s “He”. It was purchased from him in 1926 and fitted out as a children’s home, seemingly after Lovecraft had left the city and returned to Providence. All of which could be setting it up for a role in a Mythos story or RPG.

2) The month of May in the back-alleys of Columbia Heights. The locale was where Hart Crane and Loveman lived.

3) Provincetown waterfront, seen from the sea.

I stopped off at Boston for an all-day boat trip to Provincetown, at the tip of Cape Cod. This village I found to be somewhat overrated, but the sail – my first experience on the open sea out of sight of land – was well worth the price of the excursion. To be on limitless water is to have the fantastic imagination stimulated in the most powerful way. …” (24th September, 1930

Just over a year later he wrote “The Shadow over Innsmouth”.

4) Brown University Dept. of Mathematics, the “Great Dodecahedron”. Not the Trapezohedron of “Haunter”, but might Lovecraft have seen a range of such models on a visit with Morton? Including a Trapezohedron? Though doubtless Brown was not alone in modelling such things for display, and they would also have been seen in various museums of science and in magazines such as Popular Mechanics etc.

5) My various searches failed to discover an early ‘faery’ skyline of New York from near the Brooklyn Bridge, seen somewhat as Lovecraft had encountered it. The closest I could find at the Smithsonian was this nocturne by Johann Berthelsen, c. 1913.

6) A nice find. A vivid sketch-recording of “Snowstorm in the Village” (1925). Being Greenwich Village, New York City. Evocative of the harsh winters in New York City in those days. Lovecraft moved to his Red Hook room just a day or so before the biggest snowstorm in living memory hit the city (1st-3rd January 1925), so this is the same snowstorm. The central railway seen here is ‘the Elevated’, which Lovecraft often mentions in his New York letters.

This led me to this fine lithograph by Ellison Hoover, held elsewhere, depicting a circa late-1930s snowstorm. In the middle-ground is one of the key New York City libraries which Lovecraft frequented. I seem to recall this library was where he researched a lot of Supernatural Literature during the winter months of 1925/26. I find that New York also saw several very heavy record-breaking snowstorms in February 1926, though Lovecraft’s letters to his aunt at this time don’t mention any problems arising from these.

“… the flickering of the monstrous lights”

Entry dates and full rules for the H.P. Lovecraft Film Festival, now available.

No “romantic comedies”, I see. They’re banned. Aww. Lovecraft wrote at least one of those (“Sweet Ermengarde”). But it seems the gore-loving masses must be forever deprived of a hilarious makeover for his “Ermengarde”. Imagine a tentacle-filled moustache-twirling Perils of Pauline silent-movie -style big-screen romp.

Anyway, the deadlines are now available:

August 2023 (Providence): 30th May 2023.

October 2023 (Portland): 1st August 2023.

Rodell D. Sanford Jr.

Via eBay, some real non-AI illustration. Here de-curved and colour-cast corrected (to the extent that’s possible without damaging the picture’s night-time mood). Not also up-scaled. Artwork by Rodell D. Sanford Jr., for what appears to be the first edition of Chaosium’s Lurking Fears RPG adventure anthology (inc. a Florida adventure, which it’s possible the cover depicts).

And another, from 1982, a painting but looking like it’s from the same artist…

Inked

I had another play with AI image generation, this time tempted by the new “Ink v2” style-module at the mostly-free Dream by Wombo…

A bit closer to Lovecraft this time, rather than Nick Cage or 1920 silent movie-star Buster Keaton. Although a bit stiff and too much of a ‘the butler bid it’ feel, perhaps. That’s the problem with AI, the faces and heads often have a touch of the showroom dummy about them. But feel free to use this for your Lovecraftian projects, fanzines, blog posts debating AI, etc.

Howard Days 2023

The Silver Key has posted a long recap of the 2023 Robert E. Howard Days which have just successfully finished for this year. Also a “Howard Days Wrap Up” at the Rogues in the House podcast.

SpraguedeCampFan ran day-by-day posts, and his final one “Time to Come Home” has links to all the previous posts. There are abundant clear photographs.

Plus Savage journal entry #41 reports on a trip to Howard Days 2023, with photos.

The R.E. Howard Foundation has a post on “The journey of REH’s writing table: a piece of literary history”, on Howard’s lovingly restored writing table. This was a feature of this year’s Howard Days.

Wild Stars also has a set of pictures.

There was coverage in the local Brookhaven Courier, “Museum celebrates author Robert E. Howard”.

The Robert E. Howard Days: 2023 Events Schedule. No YouTube, podcast or audio files as yet, that I can find. I seem to recall that in previous years, the panel recordings surfaced online in due course.

Also in REH, and available along with the new affordable Collected Letters at Howard Days, I see we have a new edition of The Dark Man scholarly journal. ‘New’ since I last noticed it. Issue 13.1, January 2023 includes what appears to be a substantial survey of Conan’s predecessors. The issue is also interesting re: the editors being open to an essay on Tolkien.

I would assume that we’re moving toward the time of year when potential contributors for January 2024 should be thinking about what they might submit in the late summer?


Coming next, PulpFest 2023.

Forthcoming: Midnight Rambles: H.P. Lovecraft in Gotham

David J. Goodwin’s ‘Lovecraft in New York’ book has a title and a date. According to Amazon UK, Midnight Rambles: H.P. Lovecraft in Gotham will appear in Kindle and hardback on 7th November 2023, and is billed as a 272-page…

chronological micro-biography of Lovecraft’s New York years emphasizing Lovecraft’s exploration of the city environment, the greater metropolitan region, and other locales and how they molded him as a writer and as an individual.

I’ll no doubt be reviewing it when I get a copy, probably in the company of the other 2023-expected book on Lovecraft in Florida.

Also of possible interest, and to be published in the same month, A Lovecraftian Biography of H.P. Lovecraft by Osvaldo Felipe Amorarte. Billed as biography of “Lovecraft’s private life and, using his own writing style and atmosphere” to convey his “relationships, illnesses, disillusions and his own fear of the unknown”. Although it looks like it might be a work assisted by a ChatGTP-type AI re-writer, judging by the descriptions of the author’s previous books.

Still, it’s an interesting idea. Tell of Lovecraft’s life, with factual accuracy, but in a series of linked stories written in his own style. Writing convincingly with Lovecraft’s style and language is easier said than done, of course. But who knows what style-morphing wonders AIs may yet unfold?

Tentaclii in May

Well it’s 1st May, and our Great and Glorious Charlie III has still unaccountably failed to send me an invite to his Coronation bash in London. Oh well. I’m just glad to say that Tentaclii has survived another bout with Covid and another Stoke-on-Trent winter, and that with the heater off for all but a few days of the coldest weather. I always knew there was a good use for that tin-foil hat. It keeps the heat in, as well as warding off the emanations from R’lyeh.

This month my ‘Pictures Postal’ posts looked at: the Moses Brown School in Providence which briefly features in Lovecraft’s Dexter Ward; Lovecraft’s own gravestone (and along the way I found a new vintage view of his bit of the Seekonk River); then a sale listing for a 1975 “MinnConn” paper flyer led me to the sea-cliffs of Magnolia and a newly-expanded picture of Lovecraft; and to the John Carter Brown Library, where I was rather pleased to find Cthulhu lurking on the doorstep. There you are, you see… even the most apparently mundane ‘Picture Postals’ posts can sometimes discover monsters.

Talking of monsters, in an out-of-band ‘picture post’ I was also pleased to find that Lovecraft’s dad’s Gorham Co. silver factory produced stylised silver toads. Indeed, an item which would not look out of place in an Innsmouth museum. Really. This find was due to my perusing the online holdings of the Smithsonian, a rich resource now standing at 4.5 million images. More such Smithsonian finds are coming next week on Tentaclii.

Adding to my own scholarly musings, I posted another of my occasional “Notes on The Conservative” series. In which I combed through Lovecraft’s issue for October 1915. It was interesting to note how closely the world of a 1915 Conservative issue maps onto today’s world. So far as I know I’m the first to translate the heading quotations used in The Conservative. In other scholarly work, I’m about to start reading the Lovecraft Annual 2022 for a summer 2023 review.

I was pleased to find that Lovecraft was correct in surmising there were giant above-ground fungi in the Palaeozoic (“The Shadow out of Time”), as has now been proven by the latest science. The ‘Vikings in North America’ debate, which stretches back to Lovecraft’s time, has also finally been put to rest with an apparently incontrovertible new wood-source analysis. The Vikings were there, and the ‘cranks’ were right. Although, probably not right about Vikings being present so far south as Lovecraft’s own coastal stomping grounds. The climate was a lot warmer back then, and there was no need for them to venture that far south for timber.

Talking of dead trees, it was a ‘no show’ month for new Lovecraft books or journals this month. But a new hardback edition of The Spirit of Revision: Lovecraft’s Letters to Zealia Brown Reed Bishop is due later in May. In new book formats, I spotted that Ken Faig’s Lovecraftian People and Places (April 2022) now has a Kindle ebook edition. In journal articles I noted an interesting new French study of the various posthumous diagnoses Lovecraft had received from armchair psychoanalysts. Sadly it’s behind a paywall.

Another book Lovecraft enjoyed has turned up on Archive.org, The Story of Saxon and Norman Britain Told in Pictures (1935). Intellectual Vagabondage (1925) is also a fascinating and brisk layman’s survey of Lovecraft’s intellectual hinterland, sans Lovecraft himself. It’s also new and free on Archive.org.

Talking of bargain books, I see all the great Amazon Warehouse sub-£10 deals have dried up for books of Lovecraft’s letters. I’m guessing that Lightning Source, the POD printer for these books, has switched to a new post-Covid printer. One that is more efficient, and thus makes no ‘slightly damaged’ books. The volumes of Letters I want are all up around £30+ these days. There’s still no sign of the new Long letters arriving on the public-facing Brown University repository.

In crowdfunders, congratulations to both the Lovecraft Arts & Sciences and to the team for the new REH / HPL letters translation into French. They both struck gold this month with their funding calls.

Nothing much in audio this month, but I was pleased to find a 70-minute public-domain audio reading of “The Call from Beyond” by Clifford D. Simak. This being Simak’s SF sort-of tribute to Lovecraft. Not a great tale, but interesting to see one master creatively responding to the ideas of another.

In music, there was just the release of Music from the H.P. Lovecraft Literary Podcast – Volume Three (2023).

On the big screen, news of a new Lovecraft movie A Suitable Flesh seems to be getting horror-movie fans excited. This will premiere at the Tribeca Film Festival in June 2023. Based on Lovecraft’s “The Thing on The Doorstep”, according to the up-and-coming director. Over on the theatre stage, the stage-play “Lovecraft, mon amour” had another three new performances in France.

Nothing in comics, but the concluding issue of the big Kadath adaptation is imminent if not already released. The collected trade-paperback volume lands in a few weeks, as Unknown Kadath. Ignore the “Volume One” label on this. It’s just an annoying comics-trade naming convention, one that is very off-putting to readers who just want a competed tale in one volume.

In the visual arts, I’ve been playing around with AI art and text generators. Only the free ones, since I can’t afford monthly subscriptions. And I’m not showing too many of the results here, as I know it annoys some people. But it’s important to keep up with such things, as they’re here to stay now and AI will only get better and faster. We may even resurrect Lovecraft via AI, in a few years. I’ve suggested a panel discussion on that for the next NecronomiCon convention…

Should we resurrect Lovecraft? H.P. Lovecraft as the ideal candidate for a near-complete AI-powered personality and memory resurrection.

On the back of this new interest Tentaclii had a new “AI” post tag, to collect any AI-related posts in one place. This even includes my own ‘AI Lovecraft’ story from way back in 2011. If you want more on accessible and free AI image-making, go here. Yes, all the artists in the new-on-Archive.org Science Fiction And Fantasy Artists Of The Twentieth Century: A Biographical Dictionary would surely frown and tut, I know. But like I said, it’s in the wild and here to stay — whatever the EU says. We may as well roll with it.

I still hope to release a new voluntary-work issue of Digital Art Live for the community by the high summer, though it will necessarily have a new name. It will probably be somewhat AI focused. Suggestions for email interviews are welcomed, as are books and other products you’d like to see blurbed in the ‘Imaginarium’ section.

Over in the land of the Tolkien scholars, I released the third issue of my free Tolkien Gleanings PDF ‘zine. The fourth is now well underway and it’s looking like another 48-pages. The reviews slot is currently empty. Surprisingly I don’t actually have a lot left that I want to read and haven’t yet read. Tolkien Dogmatics; The Road Goes Ever On and On; and The Gallant Edith Bratt (still languishing in a £10 paperback) and that’s about it… other than various ‘unobtainable’ old journal articles and the last two paywalled “The Year’s Work in Tolkien” articles in the journal Tolkien Studies. The nice things about Tolkien studies is there are no swathes of expensively out-of-reach volumes, and only one volume of the Letters.

That’s it for this month. As always, Patreon donations, Amazon vouchers, and offers of regular paid work are always welcome please.

“The Face in the Abyss”

New on Librivox, a free reading of “The Face in the Abyss” by Abraham Merritt.

The work was listed as in Lovecraft’s library. An article in the first issue of the Lovecraft Annual made a comparison with Lovecraft’s “The Mound”. This was “They Have Conquered Dream”: A. Merritt’s “The Face in the Abyss” and H.P. Lovecraft’s “The Mound”.

A 1934 reader’s letter explains some of the story’s convoluted history…

Project Gutenberg also has… “First published in Argosy All-Story Magazine, September 8, 1923. A sequel (“The Snake Mother”) was serialized in Argosy, October 25 ff, 1930. Science-fiction, the Early Years remarks “considerably abridged and rewritten for the book version”, before summarising from the magazine version. Encyclopedia of Fantasy and Horror Fiction adds that the magazine version was itself “based on earlier, shorter pieces”. So obviously it has a very complex textual and publication history. Which makes it unfortunate that Librivox doesn’t list at least the date of the source-text being used for its audio readings.

Intellectual Vagabondage (1925)

New on Archive.org, a useful layman’s survey of the intellectual landscape in which Lovecraft has steeped himself and was living through until the mid 1920s, with particular focus on American reception (or not) of such ideas and trends. Intellectual Vagabondage: an apology for the intelligentsia (1925) has an off-putting title, sounding now like some dour treatise against Marxism. But instead we find a crisp and accessible survey, written by one with ‘boots on the ground’ at the time, as can be seen here by the contents list…