New book: The Miscellaneous Writings of Clark Ashton Smith

Coming at the end of November from Night Shade Books, The Miscellaneous Writings of Clark Ashton Smith

“gathers together the adventure, juvenilia and other non-fantastic fiction … editors Scott Connors and Ron Hilger have prepared this volume by comparing original manuscripts, various typescripts, published editions, and Smith’s notes and letters, in order to prepare a definitive set of texts”

Some new scholarship in 2010/11

Some new open dissertations/theses:

From 2010, The Gothic as a Practice: Gothic Studies, Genre and the Twentieth Century Gothic (doesn’t address Lovecraft in any substantial way, but may be conceptually useful to some).

From August 2011, Radical Realms: A Materialist Theory of Fantasy Literature (undergraduate)

Also noted while searching, though either not online or behind a paywall…

* Smith, P. (2011), “Re-visioning Romantic-Era Gothicism: An Introduction to Key Works and Themes in the Study of H.P. Lovecraft”. Literature Compass, 8 (Nov 2011), pages 830–839.

* Aaron Smuts, “Pickman’s Model”: Horror and the Objective Purport of Photographs”. Revue internationale de philosophie, 2010/4 (No. 254).

* David Farnell, “Unlikely Utopians: Ecotopian Dreaming in H.P. Lovecraft’s ‘The Shadow over Innsmouth’ and Octavia Butler’s Lilith’s Brood”, Arena Journal, issue 35-36 (2011)

* A Canadian 2010 M.A. disseration called “Spectres of Darwin: H.P. Lovecraft’s Nihilistic Parody of Religion”.

On the difficulty of Lovecraft

Zompist gives an intelligent newb’s impression of first encountering H.P. Lovecraft (specifically, the classic At the Mountains of Madness). This may just about sum up some people’s reaction to a great deal of Lovecraft and similar ‘old fashioned’ writing, among those who buy such books expecting all the streamlining of a modern ‘speed-read’ supermarket novel…

“What stands out about both stories is the narrative technique, which I find so antiquated that it’s hard to deal with. Bluntly, the narration hides the good stuff as long as possible. It approaches the theme from way off, teases us with ambiguous details, goes out of its way to suggest that there may be rationalistic explanations or it may all be mad hallucinations. This was kind of standard for the period, of course, but Lovecraft takes it to an extreme. I let him go on and on, but I think it’s not to modern tastes.”

New Penguin Machen introductions, for free

Click on the “Look Inside” at the Amazon page for the new The White People and Other Weird Stories — and the 10% Kindle preview gives you the excellent introductions by del Toro and S.T. Joshi, for free…

del Toro: “Philosophers, writers, and artists are rarely emotionally successful human beings.”

S.T. Joshi: “…the supernatural can only manifest itself in literature when a relatively stable and coherent idea of the natural has been arrived at.”

S.T. Joshi: “…the best weird writers understood that supernatural motifs could serve as metaphors for the expression of truths about the human condition (the vampire as social outsider, for example) in a more vivid and pungent manner than in conventional mimetic realism.”

The book is not available in the U.K. Kindle Store (sigh…, when will publishers learn that publicity is now global and not national?), but U.K. readers can read the intro by going to the American Amazon store and clicking “Look Inside”. I guess you may have to be registered with the U.S. Amazon to do this.

On Dover beach…

Yet more H.P. Lovecraft theatricals. Dover Players in the USA get hip with the remix culture, and freely combine and remix “Cool Air”, “Dreams in the Witch House” and “The Rats in the Walls” to make a new Lovecraftian work for the stage…

“the play’s climax perfectly expresses the moral-emotional tone and thematic fixations of a Lovecraft story. The tone is dark, and the themes decidedly bleak. […] But the project is not mere sensationalism. Evangelista’s undertaking is the most ambitious community theater of recent memory, and his boldness pays off for both the Lovecraft devotee and open-minded and strong-stomached theatergoer.”

Lovecraft’s poetry set to music

H.P. Lovecraft’s poetry, set to music in folk, jazz, bluegrass and country styles on the new album Back to Lovecraft

“Back to Lovecraft” is an album by four Corsican artists (Frederic “Tonton” Antonpietri, Paul Cesari, Armand Luciani, Marie Ange Tosi-Abbati) […] finalised in London at the Abbey Road Studios.

[youtube http://www.youtube.com/watch?v=JD46JBxWTHc&w=560&h=315]