The Selenite Invaders / Listing of Lovecraft in paperback 1944-1994

S.T. Joshi’s blog has updated with a post giving lots of news. Take a look to see everything. The three items that stood out for me were: i) the first part of his massive survey-history of atheism (from prehistory to 1600) is now in proof, and is being hand-indexed; and ii) Ken Faig Jr. has a Lovecraft-as-character novel out, The Selenite Invaders

This engaging novel features a character (Herbert Hereward) clearly based on Lovecraft, and other elements of this science fiction tale echo events in the life of Lovecraft or his relatives. The novel spans much of the twentieth century, showing Hereward (unlike Lovecraft) repurchasing his birthplace at 454 Angell Street [plot spoilers … ] all while battling [plot spoilers].

I’m pleased to see there’s an affordable Kindle ebook edition of this on Amazon UK. Don’t read the blurb there, unless you want possible plot spoilers.

Also iii) news of the forthcoming booklet H.P. Lovecraft in Paperback Books: The First 50 Years. The page linked suggests the full title is A Complete Listing Of All the English Language Editions Of The Collected Works of H.P. Lovecraft In Paperback Books With Cover Art And Printing History 1944-1994.

L’ Antique Sentier

In French, the elegant new blog L’ Antique Sentier peeps into Lovecraft’s collection of The Old Farmer’s Almanac. The blog is subtitled “H.P. Lovecraft, New England, old books, antique photos…” and has some fine photography of books and the man himself.

Incidentally, I read in the Sully letters that at least one 5″ x 7″ negative of Lovecraft was made by Barlow, and in (presumably) the good light of a Florida summer too. I wonder what happened to those negatives?

A survey of Burroughs

New on Archive.org, a good scan of the 1965 hardback of Edgar Rice Burroughs: Master Of Adventure, and with a downloadable PDF.

There is a useful reading guide at the end… “A Princess of Mars [is highly recommended and forms] a single long story that also fills The Gods of Mars (probably the best single volume in the series) and The Warlord of Mars”.

Sounds like the place to start, if you’re not so interested in the Tarzan character. The question then is, where are the best audiobooks? I see all three as Tantor audiobooks (aka Trantor, before copyright trolls forced a name change), read by the excellent Scott Brick circa 2012. Looks good.

Chile in 1956

I found an early South American evaluation of Lovecraft, in Chile’s newspaper La Nacion (‘The Nation’) for 8th July 1956, titled ‘Science-Fiction — a new form of literature’.

[Introduction, a little history, the early H.G. Wells, noting of Ray Bradbury’s then-recent work].

It is difficult to set limits between the literature of anticipation [of the future] or ‘scientific fiction’, and the traditional fantasy. For instance we cannot consider Lovecraft to be simply ‘science-fiction’ or fantasy literature. His central explanation of a universe of ‘n’ dimensions is of a scientific order, yet he has at the same time created a mythological universe, within which there can be human talk of demonology and teratology. A powerful visionary, Lovecraft moves in horror with astonishing force and is the creator of monsters, a great many monsters, that take us back to the era of primitive magic. He also gives us the keys to many other enchantments. Therefore, we do not have to resort to the arbitrariness of estimating and assigning [literary critical] values ​​because his work is in ‘this’ or ‘that’ genre — he is without borders.

We must all stop to appreciate, apart from those with a strict literary mind, this new literature which allows us to penetrate more deeply into the inner universe of man, where realities and myths, logical ideas and eccentric ideas coexist and attack each other. Where we encounter ancestral fears, dreams and traumas, passions and illusions, the angel and the beast. It seems there is everything in this new ‘science-fiction’.

In November 1957, the same newspaper published a translation of “The Terrible Old Man”. Possibly there are more to be found in the late 1950s, but Archive.org has just ingested a run of La Nacion and no others suggest themselves after a keyword search.

Gordon Gould, 1930-2023 – narrator of Lovecraft’s tales

I was sorry to hear that Gordon Gould, the excellent ‘Books for the Blind’ narrator of Lovecraft’s tales, has passed away at age 93, in February 2023. I discovered this via a short alt.obituaries newsgroup post…

Gordon Gould was also noted for recording an astonishing 600+ books over several decades for American Foundation for the Blind’s (AFB) Talking Book Studios under the auspices of the National Library Service for the Blind and Physically Handicapped (NLS) division of the Library of Congress.

Possibly more than that, as I see a LoC search has 1,133 titles for him, as narrator, in the online AFB catalogue. It might be useful if someone could go through them all and winnow out a links-list of all the fantastic fiction readings. I also see other interesting items there, such as Lovecraft’s Selected Letters I as an Arkham House audiobook (though not read by Gould).

His ‘Books for the Blind’ reading of the Lovecraft collection Dagon and Other Macabre Tales can be found on Archive.org and despite the title it includes many Dreamlands tales. This appears to be the only Lovecraft he recorded, and he never read Dream Quest. What a treat that would have been.

On searching, I find The Putney Post had an obituary and small photo…


Gordon Gould Jr. passed away peacefully in his Manhattan apartment on February 26, 2023. He was 92 years old. He will be remembered not only as a talented professional, but also as a loving family man and friend.

Gordon joined the Chicago Tribune as a feature writer in June 1956. Gordon was awarded the 1961 Edward Scott Beck Award for Excellence in Foreign News Reporting for his story of an adventure-packed, four and one-half month trip in which he and 11 others were the first to drive passenger cars — three bright red Corvairs — from Chicago to the Panama Canal along the Inter-American Highway. At the time, the route included a then-unfinished link through the virtually unmapped Darién jungle.

Growing up before the advent of television, Gordon yearned to be a radio actor. But by the time he was old enough to be one, radio dramas had largely disappeared. When he moved to New York, he was overjoyed to discover the CBS Radio Mystery Theater and to be invited to join its pool of actors. Gordon eventually played in 60 episodes of Mystery Theater from 1974 to 1982, and was the last American actor to portray Sherlock Holmes on a nationally syndicated radio show. Gordon played villain General Veers in the radio adaptation of The Empire Strikes Back, alongside Mark Hamill (as Luke Skywalker), Billy Dee Williams (as Lando Calrissian) and John Lithgow (as Yoda). The program first aired on NPR in the United States in 1983.

Gordon was the voice of countless radio and TV commercials. And, over 34 years, Gordon brought books to life for the visually impaired, recording more than 600 Talking Books for the Blind for the Library of Congress. Gordon was also a regular on-stage presence.

Gordon and his beloved wife of 51 years, Mary, were avid patrons of the arts, particularly opera. They regularly traveled across the United States and Europe to attend operas and music concerts. Their Manhattan apartment was a modern-day Parisian salon with friends gathering regularly to listen to music (including a recital of all of Chopin’s piano études) and exchange ideas. They frequently discussed the arts, travels, and global affairs. Gordon’s career and mind were impressive, but no more so than his gentle, loving nature. He was predeceased by his wife, Mary, and his dear son John Kinzie Gould. Gordon is survived by his beloved daughter and grandsons, Nell Gould, and Cooper and Griffin Gould.


CBS Radio Mystery Theater website has a listing of his programmes, and another small picture in uniform (perhaps made in the early 1950s).

Not to be confused with his namesake, who invented the laser.

Vita (e morte) di un gentiluomo

New to me, a 376-page 2022 Italian bio-book on Lovecraft that’s not a translation of Joshi.

It’s not a complete life, which would require 3,500 not 350 pages, but instead focusses on the childhood and the death…

With this volume, edited by Pietro Guarriello, we have tried to look more deeply into these two aspects, the most hidden, of Lovecraft’s life: his childhood and his death, essential phases to understand how he developed his philosophical though and then his mature thought. We therefore find collected here a series of biographical materials, some of which are truly rarities, documenting those still rather elusive years of HPL’s life. Between testimonies of those who knew him as a young man and critical writings by major specialists, aspects of Lovecraft as a man are reconstructed which will not fail to illuminate and surprise, but also to move. These testimonies range through the memories and tributes of his friends in Weird Tales, or the reconstruction of his last harrowing days in hospital which also saw him draw up an infamous Death Diary, translated here for the first time in Italy. All documents have been meticulously annotated by the editor, and are important to understanding who Howard Phillips Lovecraft was and why he wrote what he wrote. As Gianfranco de Turris underlines in his Preface, “this is not a picky snooping, but a sincere interest in details, even minor and minimal, of a life which deserves to be investigated to fully understand this personality who endlessly fascinates us.”” (Auto-translation, tweaked for sense in English).

Well-illustrated, according to the blurb.

“Go West, young man…”

Newly listed at Hippocampus, In the Shadow of Boulder Ridge: The Complete California Tales of Clark Ashton Smith… “this volume emphatically demonstrates how vital his birthplace in the Golden State was central to his life and imagination”. Also includes relevant “poems and prose poems”. No mention of maps, for the orientation of those who only know ‘California is always sunny’ (and are wrong about even that, as apparently it’s cycled between drought and deluge for centuries).

I guess now there’s an opportunity for someone to make/sell a nice hand-drawn map though, as a postcard bookmark to slip into the book on the bookshelf. Possibly the cover-artist. The pleasing cover artwork is by Gregory Nemec.

Here is Lovecraft in 1934 talking of…

the typical Placer County landscape — American River, Donner Lake, Crater Ridge etc — so familiar to me through the view cards and descriptions now and then furnished by Kkarkash-Ton [Smith]

And in 1935, on what lay below

I wish that I could be in on the expedition to Placer County, where the thousand-mile shaft to evil Tsathoggua’s nighted abode hits the surface of the planet.

The Club on College Street

This week in my regular ‘Picture Postals from Lovecraft’ slot, a picture via the archives of the Rhode Island School of Design. A side-on look at College Street on College Hill in Providence, as Lovecraft knew it in spring 1936 when he lived a little further up the hill.

Illustrator and Club member Helen M. Grose offers a postcard view across the street toward the Handicraft Club. This was a place well known to Lovecraft’s aunt and her friends. Lovecraft’s aunt lived here in 1927, and he sometimes harked back to its earlier days in letters and called it “the old Truman Beckwith house”. He enjoyed its “old-fashion’d terraced garden” and we know he took his friend Morton round it when he visited. Probably other visitors too, if he felt they would appreciate it. At Christmas 1933 Lovecraft was even to be found cheerily listening to carols sung in the Club’s courtyard…

… a stroll half-way down the hill to hear the carol-singing at the old Truman Beckwith mansion.

This 1936 drawing seems to confirm that (by mutual agreement and common sense) the university students traditionally used only one side of the street, while the residents had the other. Note also the upper ‘monitor’ roof section with small windows, looking similar to the one on Lovecraft’s last home at the top of the hill (he had access to it, and Brobst managed to work out how to open its door to the outside roof/railing).

The Club was one of thousands of examples of the tradition of free association, in what some have called the ‘little platoons’ of civic society. No permission from the state / church was required to establish or run a group of like-minded people of proven interests and skill. Nor did the state regulate who could or could not be admitted to membership, or require onerous and disfiguring accommodations to ‘the legal regulations’ etc. Not did the state send secret police to monitor the Club’s exhibitions for political correctness. Things were very different elsewhere in the world in 1936, where many people found themselves hurrying quickly through the murderous springtimes of the new political religion of Soviet Socialism or its heresy National Socialism.

More LORAs of possible interest

Newly-spotted AI image generation plugins, of possible Lovecraftian interest. For use with Stable Diffusion 1.5 models running locally in InvokeAI, ComfyUI or similar.

Carcosa City.

Ivan Aivazovsky style, for atmospheric sea-scape images (just add monsters). Could be used with the new Cinematic Tools – Volumetric Lighting for backdrops needing more eerie depth-haze/fog.

A few creature plugins of note. Auraplanktons for slides of lit deep-sea specimens.

Swamp Mysteries generates ‘somewhat toony but still mysterious’ swamp monsters in swamps.

And today there’s Black Cat. Seemingly meant to be an eldritch mystery moggie so it looks a bit rough, more Lovecraft’s battered ‘Old Man’ cat than kute kitten. Still, all the more suitable for a desperate messenger from Ulthar, etc.

For steampunk and 1920s RPG makers, Style of patent drawing may interest.

Annals of the Jinns / Sorcery of Aphlar

New on Librivox, The Weird Fiction of The Fantasy Fan. Including R.H. Barlow’s complete ‘Annals of the Jinns’ series. Also Lovecraft’s possible 1934 revision of a short tale by the emerging young Rimel, “The Sorcery of Aphlar”…

“Very glad to see the new tale [Sorcery of Aphlar] — which reminds me somewhat of Dunsany. I’m returning it with a few changes which I think would help somewhat. … [also] I’ve taken the liberty of changing the name of the hero …” (23rd July 1934)

Which could be Lovecraft-ese for ‘I’ve ripped it to shreds and re-written it’, or perhaps he did make only a few tweaks. We don’t know. The first two thirds often reads like a Lovecraft tale of the Dreamlands. However, we do know from the letters that Lovecraft finds Rimel’s next tale much better, and therefore he only gives it a light revision…

“The Jewels of Sharlotte” … marks a vast amount of progress … Good work! … as you may see I haven’t made a single major change. Just a few re-arrangements and substitutions, & it stands as originally written.” (23d August 1934, Lovecraft’s emphasis).

This might be taken to mean that the previous and lesser tale had had major changes and re-writing to make it fit for publication. The same letter reveals no quibbles from Rimel about the revision, but celebrates in passing that “Sorcery of Aphlar” had just “landed with Hornig” in The Fantasy Fan.

The tale adds a new and very minor Tolkien/Lovecraft comparison. Both managed to anthropomorphise a snail in fiction, though it was probably Rimel’s idea to do so here.

Success with VoiceMacro for ebooks

An update on the genuine Windows freeware VoiceMacro 1.4, which I found as a replacement for Cortana voice control (removed from Windows 10 by Microsoft, who want to force people to use Windows 11 and AI). VoiceMacro has now been tested. The freeware enables ‘speak a simple word to turn a page’ on a Microsoft Surface tablet.

On testing I find that ‘nine’ and ‘he’ are trigger words that, even when softly spoken, are always recognised via the built-in pinhead microphone. These have been set to trigger ‘previous page’ / ‘next page’ in the target ebook reader(s), and work perfectly. Hands-free page turning of ebooks! This was probably ‘a thing’ a decade ago, for many, but it’s new to me.

However, it means I’ll be sounding like a cackling German scholar who’s just read Ludwig Prinn’s De Vermis Mysteriis… “Nine, he he he he, Nine!” etc. (Nein is German for ‘no!’).

Update: I found the recognition problem. The Windows 10 app-style for-dummies controls give you no control over adjusting mic levels, which are set too low (by default seemingly). You need to go into the proper Windows Control Panel and then | Sound | Recording | Microphone Array | Properties | Levels – set these to 65 | Advanced – uncheck both ‘Exclusive mode’ boxes | Apply | OK | Exit. Word recognition accuracy via the built-in mic and VoiceMacro then goes to 95-98%. You of course also need to have your microphone set to ‘Array’ in the for-dummies control settings. At a setting of 65 you would also need a fairly quiet environment.