Maxfield’s, at Warren

I had little hope of ever finding a picture of Julia A. Maxfield’s ice-cream parlour, which was something of a repeating rural venue for the Lovecraft circle. But one has popped up at last. I’ve here colourised it. The card is still available, for a hefty price, on eBay.

Saturday morning all three of us went to Colonial Warren — down the east shore of the bay — and staged an ice-cream eating contest at the celebrated emporium of Mrs. Julia A. Maxfield — an aged matron of antient Warren lineage who has won fame by serving more flavours of ice cream than any other purveyor either living or dead. There are twenty-eight varieties this season, and we sampled them all within the course of an hour.

The game was, in the course of one hour…

Each would order a double portion — two kinds — and by dividing equally would ensure six flavours each round. Five rounds took us all through the twenty-eight and two to carry. Mortonius [Morton] and I each consumed two and one-half quarts, but Wandrei fell down toward the last. Now James Ferdinand and I will have to stage an elimination match to determine the champion!”

There were a number of visits and other contests…

Another time we visited the colonial seaport of Warren, down the East shore of the bay — incidentally stopping at a place (quite a rendezvous of our gang) where 28 varieties of ice cream are sold. We had six varieties apiece — my choices being grape, chocolate chip, macaroon, cherry, banana, and orange-pineapple.

Then back home via […] ancient Warren […] at which latter place we paused at the famous Maxfield’s (a rendezvous of Morton, Cook, & other visitors of mine) for a dinner consisting entirely of ice cream – a pint & a half each. HPL: chocolate, coffee, caramel, banana, lemon, strawberry.

After digesting Warren’s quiet lanes and doorways we went across the tracks to Aunt Julia’s, where we tanked up on twelve different kinds of ice cream — all they’re serving at this time of year [March]. The antient gentle-woman, of course, was not there – since (as I wish to gawd I could) she spends all her winters in Florida — but the bimbo in charge was very pleasant, and we got quick service since we were the only customers.

American Biography (1924) confirms the at-or-near 71 Federal Street location. At Warren…

is where ‘Elmhurst’, famous for Mrs. Maxfield’s ice cream, is located on Federal Street.

However the 1932 Providence Directory has it on Narragansett Av. There were likely several different ways of approaching it. Today Federal Street looks like a fine place, but seems too short in terms of numbering. Perhaps it once ran on, and would thus have given us a No. 71? Narragansett Av. also seems gone, but one wonders if it once ran along the shoreline and Federal Street ran on to meet it? But it would probably take a local sleuth to pinpoint the location and say if the building survives.

As for Lovecraft’s ice cream craving, it began early, if the evidence of its use in his seminal poetry is anything to go by. In his early comic/cosmic poem “The Poe-et’s Nightmare” (1916)…

Each eve he sought his bashful Muse to wake
With overdoses of ice cream and cake

The 1925 telegraphic diary has plentiful of mentions of ice cream in New York City.

By 1934 ice cream has become something of a staple meal on his travels south. June 1934, in Charleston…

Still on 20¢ a day for food, but off the canned stuff. Morning — 5¢ cup of ice cream. Evening, 10¢ bowl of Mexican chili and another 5¢ cup of ice cream.” […] I “frequently make a full meal of it (and nothing else) in summer.

December 1936. Ice-cream now a costly luxury, as poverty deepened. But still…

Occasionally, of course, extravagant additions [to one’s meagre diet] occur — such as […] a chocolate bar or ice cream at an odd hour [… and yet] the old man still lives — in a fairly hale & hearty state, at that! Oddly enough, I was a semi-invalid in the old days when I didn’t economise. Porridge? Not for Grandpa!


His ice cream cravings were such that in “The Exiles”, a Ray Bradbury ‘Mars’ story after Lovecraft’s death, Bradbury portrays the Martian Lovecraft as an ice cream-aholic…

Lovecraft hurried to a small icebox which somehow survived this red furnace and brought forth two quarts of ice-cream. Emptying these into a large dish he hurried back to his table and began alternately tasting the vanilla ice and scurrying his pen over crisp sheets of writing paper. As the ice-cream melted upon his tongue, a look of almost dreamful exultancy dissolved his face; then he sent his pen dashing. “Sorry. Really, I am awfully busy, gentlemen, Mr. Poe, Mr. Bierce. I have so many letters to write.” […] The writing man tried another delicate spoonful of the cold treasure. There were six empty vanilla ice-cream boxes piled neatly on the hearth from this day’s feasting. And the ice-box, in the quick flash they had seen of its interior, contained a good dozen quarts more.

Some final notes on the Sully letters

Some final notes on Letters to Wilfred B. Talman, and Helen V. and Genevieve Sully.

Three small typos toward the end of the book, or at least that is what they appear to be: p. 484, begin = begun; p. 482, how = now; p. 478, had = hard.

Page 459. “The ancient brick building at the foot of the hill [is to go, in RISD modernisation, yet]… it will be some consolation to have the old familiar gable still in place, when one starts upwards from Market Square.” This indicates that, at least in 1936, Lovecraft’s route home from the commercial district was straight up College Hill. That would make sense if he was carrying heavy shopping and library books uphill in bags, since it was the shortest route home.

Page 460. He had been inside the cave system under “Lookout Mountain in Tennessee”. In 2020 I had a ‘picture postals’ post on the visit.

Page 460. Years ago, as a boy, he was fascinated by descriptions of Mount Rainier in the “juvenile books of Kirk Munroe”. The tale in question was serialised in Harper’s Round Table, a juvenile magazine, in summer 1896. Thus it’s not certain that Lovecraft read it in book form as Rick Dale, A Story of the Northwest Coast (1896), though he does recall “books”. Which also suggests he read more than one by the author.

Immediately after the Mount Rainier chapter in Harper’s Round Table is a long article for boys about small sail-boats, and we know the young Lovecraft was later a keen sailor on the Seekonk in such boats. I assume ‘keen’, because the Seekonk was a dangerous river and one would have to be keen to sail it alone and also land on its Twin Islands.

Later in his life his good friend Everett McNeil wrote books in much the same vein as Kirk Munroe.

Page 471. 1934. “Trips […] to certain historic of scenic spots […] leave a permanent imaginative residue which crops out again and again in dreams, waking thoughts, and literary attempts.”

Page 478. “… the giant oak with its brooding overtones of Druidic mystery. I have repeatedly dreamed of vast, night-black forests of gnarled, great-boled oaks, such as one sees in pictures of old England”.

Page 478. Lovecraft on swans. He associates the Northern lore of water ‘nixies’ with them.

Page 484. “I welcome any process which permits of duplicate or multiple creation [in works of art and sculpture].”

Page 486, 485. “Back to 1910″ […] I was a Shakespearean enthusiast and more of a theatregoer than I am now”.

Lovecraft at SDCC 2024

At the San Diego Comic-Con 2024

Friday 27th July, 4pm—5 pm, Room 4: “Discussing Lovecraft with Gou Tanabe”.

Gou Tanabe (H.P. Lovecraft’s The Shadow Over Innsmouth) and his editor, Hayato Shimizu, join Michael Gombos (senior director international licensing, Dark Horse) and Zack Davisson (translator, H.P. Lovecraft’s The Shadow Over Innsmouth) to discuss the process of adapting H.P Lovecraft’s stories to manga format.

New book: Fantasy Aesthetics (open access)

Some scholars may be interested in the new book Fantasy Aesthetics: Visualizing Myth and Middle Ages, 1880-2020 (July 2024), which I find can be freely had in open-access, as a .PDF file. It has chapters on, among others, ‘Visualising the Elves throughout the Centuries’; William Morris’s enduring influence on fantasy visuals; the challenges of fantasy maps; medievalism in science-fiction; fantasy novels as shovelware commodity; and… unicorns in contemporary pop culture.

“The theories regarding the source of the cult have been attacked from different angles by scholars…”

Can’t wait for the Lovecraft Annual, due in August or thereabouts? Here’s some new 2024 work on Lovecraft to tide you over…

* “Charles Brockden Brown, George Lippard, H.P. Lovecraft, and the Urban Underworld”.

* “The History of Howard Phillips Lovecraft’s Brand on the Polish Book Market”.

* “The Non-Euclidean Gothic: Weird Expeditions into Higher Dimensions and Hyper-Matter with H.P. Lovecraft” ($ paywall).

The ‘Hyperborea’ tales by Clark Ashton Smith

New on Archive.org, a collection of the strongly Lovecraft-influenced ‘Hyperborea’ tales by Clark Ashton Smith. This has the same cover as the early 1970s 95-cent U.S. Ballantine paperback, but this new upload is probably to be avoided. Because I immediately randomly spotted a typo at the start of a story: the German “die” for “the”.

Better, then, to look for these Lovecraft-influenced cycle of tales among the free texts kindly placed online by Will Murray and made from good corrected texts. These are freely available as HTML pages. Although one has to already know the list of Hyperborean titles and then hunt for them among what is an A-Z list.

So, to save people some time, here is my quick linked contents-list. The links lead to the HTML-format stories which make up the Murray-edited The Book of Hyperborea (Necronomicon Press, 1996). The listing below is in the same order as the book’s contents…

Introduction to ‘The Book of Hyperborea’, by Will Murray *

The Tale of Satampra Zeiros

The Muse of Hyperborea [Fragment, not linked in the A-Z, but it is online] *

The Door to Saturn

The Testament of Athammaus

The Weird of Avoosl Wuthoqquan

Ubbo-Sathla

The Ice-Demon

The White Sybil

The House of Haon-Dor (Fragment) *

The Coming of the White Worm

The Seven Geases

Lament for Vixeela [Poem, not linked in the A-Z, but it is online] *

The Theft of the Thirty-Nine Girdles

[The Coming of the White Worm (Abridged)] *

Postscript by Will Murray *

Altogether, a relatively short collection by modern triple-decker doorstop standards, at around 70,000 words in total including introduction and postscript.


Audiobook? Yes. The tales above can now be found as a free HorrorBabble audiobook playlist The Hyperborean Cycle on YouTube. Around seven hours. This playlist lacks only the above-starred (*) fragments, poem, and introduction / postscript.


Note that the early 1970s Ballantine book (mentioned at the start of this post) also had…

* Hyperborea (simple map).

* About Hyperborea and Clark Ashton Smith: Behind the North Wind (essay by Lin Carter).

[the core stories, then to finish]

* The Abominations of Yondo (story)
* The Desolation of Soom (fragment)
* The Passing of Aphrodite (fragment)
* The Memnons of the Night (fragment)

Of these additional four however, Carter was unsure if they belonged… “I have the feeling that the short tales which follow are the surviving fragments of yet another such cycle: one which was abandoned, or left undeveloped, for some reason we can only conjecture. I may be wrong in this assumption.”

* Notes on the Commoriom Myth-Cycle (essay by Lin Carter) — I. The Genesis of the Cycle, II. The Sequence of the Hyperborean Stories, III. The Geography of the Cycle.


For further tales by others see A Hyperborean Glossary by Laurence J. Cornford, which is an A-Z and its front page lists the additional sources — tales ‘finished’ later by Lin Carter but apparently based on work or notes by CAS (?), plus various Hyperborea related/set tales by others. Many of these appear to be collected in Robert M. Price’s Book of Eibon along with what looks like an expanded map.


More recently there was also a substantial 2013 anthology, containing the work of some notable modern writers, titled Deepest, Darkest Eden, The New Tales of Hyperborea. I see this now has an affordable Kindle ebook on Amazon.

“Even the smallest of them held a hint of the ghastly…”

The annual Lovecraftian MicroFiction Contest is open for 2024 entries. Part of the Lovecraft Film Festivals. “Microfiction” here means “500 words or less”, and they want a “complete story, [meaning a tale with] a character, situation, beginning, middle, and end”. “All entries must be written by you”, which must imply no AI assistants. Deadline: 9th August 2024.

The Haverhill incident

WHAV local radio, Haverhill, reports last month’s filming of…

“a new documentary, Strange Magick, filmed partly in Haverhill and with a significant focus on the city in the 1920s […] Haverhill native and WHAV writer Dave Goudsward helps investigate the connection between Howard Philips Lovecraft and infamous occultist Aleister Crowley”

Goudsward is also an executive producer of this…

documentary [that] explores a possible conspiracy between them [Lovecraft and Crowley] produced by their mutual acquaintance with fellow amateur author Myrta Alice Little.

It seems to be taken for granted that the occult loon Crowley was there as a spy or somesuch, and that they knew each other, since there are… “re-enactments of pivotal moments in Lovecraft, Crowley’s and Little’s acquaintanceship” and apparently the makers even rope old ‘Tryout’ Smith(!) into the conspiracy, all in an effort to highlight… “Crowley’s actions in the United States” for British intelligence. Alleged actions, I should add.

All very implausible from a scholarly perspective. But I guess it might actually be a ‘what if’ pseudo-documentary, which an unwary WHAV reporter has wrongly assumed to be a plausible and factual documentary?

More notes on the Sully letters

More notes on the Sully letters, letters from Lovecraft which are to be found in Letters to Wilfred B. Talman, and Helen V. and Genevieve Sully.

The notes open in November 1933.

Page 327. “… decadence is manifest in one form or another over nearly all the Western World [… yet] It is not too late to hope that revivals of spirit may yet take place here and there — each in accordance with the particular national temper of the group concerned. I have my eye on Sir Oswald Mosley & the element of British fascists.”

Page 330. “… remember that to 1908’s crop of intellectuals softness is the supreme vice”.

Pages 331-32. A long and important explication of Lovecraft’s idea of time, and of his techniques of “time-defying” mental time-travel.

Page 330. [In New York City of 1933] “I feel like an explorer among a queer [primitive tribe …] Some of Loveman’s group — persons interested in the theatre & the dance — impress me more in this way than do even Wandrei’s literary-artistic coterie.”

Page 341. Lovecraft had noticed a… “whole cycle of comment having grown up around the alleged denizen of Loch Ness” in Scotland.

Page 343. April 1934. “New England has been through the worst winter within the memory of living man […] which shattered all records since the establishment of the weather bureau.” Page 403. “… the wasting of the greater part of the year [living] in bleak barrenness & shivers seems doubly criminal as one grows old”.

Page 367. “The real raison d’être of [“weird art”] is to give one a temporary illusion of emancipation from the galling & intolerable tyranny of time, space, change, & natural law. If we can give ourselves even for a brief moment the illusory sensation that some law of the ruthless cosmos has been — or could be — suspended or defeated, we acquire a certain flush of triumphant emancipation comparable in its comforting power to the opiate dreams of religion. Indeed, religion itself is merely a pompous formalisation of fantastic art. Its disadvantage is that it demands an intellectual belief in the impossible, which fantastic art does not.”

Page 377. At the newly opened Poe house [1842-44] in Philadelphia… “I saw copies of nearly all the magazines containing the first publication of various tales and poems” by E.A. Poe.

Page 379. Mentions that his young friend Barlow has a new 5″ x 7″ camera, and with it had made portraits of Lovecraft in Florida. Barlow also anticipated becoming an expert on trick photography, multi-exposure pictures etc, to “create weird synthetic monsters & landscapes”.

Page 384. A note says that Barlow’s Caneviniana was cut in stencil [duplicator] form but not printed, and was later circulated “through FAPA in the early 1940s”. So, do copies thus exist somewhere today? But possibly (my guess) the FAPA release was not the planned edition of Whitehead’s letters of the same name, but rather just Barlow’s Whitehead bibliography and some biographical notes?

Page 385. When in Nantucket, Lovecraft stayed at The Overlook, which was ‘Veranda House’ until 1930.

The view from the Overlook.

Page 393. “We must save all that we can, lest we find ourselves adrift in an alien world with no memories or guideposts or points of reference […] Hence the natural function and social value of the antiquarian & cherisher of elder things. To them we owe much of our sense of comfortable continuity & appropriate placement.”

Page 395-96. “… the architectural modernists who so painfully ‘strive to express our current machine civilisation’ by means of absently ugly concoctions of rootless steel and glass construction. These fellows think they are representing the present […] but if they would stop to think they would realise that Ictinus [co-designer of the Parthenon] and Wren [1632-1723, London] achieved their effects not by grimly resolving to ‘express their periods’, but merely by creating such forms as appealed to them, without any thought of time or place. Moreover, Ictinus and Wren did not exclude elements from the past. Instead they built upon and modified the main streams of art which they inherited. Hence to my mind all these anti-traditional radicals are up a blind alley. Their products are not art, because they come from theory instead of from feeling. And they do not represent this age, because they do not embody those attributes of the European main stream which this age has inherited.”

Page 405. “My own opinion is that an obviously sterile age like the present ought not to try to create anything new. Conditions are not favourable for the expression of the momentary environment — the environment has nothing crystallised enough or certain enough to be expressible.”

Page 407. Lovecraft took the night train to Quebec, both there and back, and thus was not able to appreciate the scenery from the train windows.

Page 419. In Newport in summer 1935 he visited the home of the philosopher Berkeley, then open to the public. And he also went… “down the 40 steps [and] while down on the rocks there I slipped up & got rather soaked in looking for a sea-cave”. Lovecraft seeking a sea-cave below Newport’s cliffs… a point on which Mythos writers may wish to hang a plot or RPG adventure?

Page 429. August 1935. “Every aptitude which I wish I had, I lack. Everything which I wish I could to formulate and express, I have failed to formulate and express. Everything which I value, I have either lost or am likely to lose. Within a decade, unless I can find some job paying at least $10 per week, I shall have to take the cyanide route through inability to keep around me the books, pictures, furniture, and other familiar objects which constitute my only remaining reason for keeping alive. And so far as solitude is concerned, I probably capture all medals. […] even among my correspondents there are fewer and fewer who coincide with me. […] The newer generation has grown away from me […] in everything — philosophy, politics, aesthetics, and interpretation of the sciences — [and] I find myself more and more alone on an island, with an atmosphere almost of hostility gathering around me. With youth and all the possibilities of glamour and adventurous expectancy, departed — leaving me stranded, with nothing to look forward to.”

Page 439. September 1935. On visiting Wilbraham (“Dunwich Horror” and Mrs Miniter country) one last time to scatter the ashes of Miniter’s mother… “The mountain scenery — with endless outspread miles of purple hills beyond hills, and glimpses of distant villages with white steeples piercing the autumn-touched greenery, is ineffably fascinating and imagination stirring.” New England and Mass. in the 1920s and 30s were far less forest-blanketed than today, and the views would likely have been more open.

Wilbraham’s hills, possibly the 1960s or 70s?

Page 441. December 1935. “The autumn in New England has been phenomenally warm” this year. In October he visited Yale and among others sights he enjoyed the Marsh and Farnam botanic gardens. These are not however vast steampunk Victorian ironwork and steam-heat glass-houses, but rather two low and ordinary greenhouses set in outdoor landscaped botanical gardens.

Page 453. Lovecraft outlines his plans to hoax his friend and geologist Morton, then curator at the Paterson Museum. He hopes to send a “millennially palaeogaean” rock sculpture by Clark Ashton Smith, in the hope of causing some “perplexed head-scratching” about its possible origin in a “pre-human school” of art.

Page 453. He recalls ‘Monk’, a boyhood compatriot and schoolyard mucker… “a huge youth from a distant and seedy region who boasted 17 years as opposed to our 11 or 12, & whose voice had changed. […] I can still see ‘Monk’ McCurdy as he lorded it over his chronological inferiors (but scholastic equals) & over-awed them with his gorilla-like physiognomy.” A little later on page 454 he recalls that the ‘Monk’ swore “resounding oaths”. Sounds like a distant model for Wilbur Whateley in “The Dunwich Horror”?

New book: H.P. Lovecraft: Midnight Studies

Scholar Jan B. W. Pedersen’s site has a cover and a table-of-contents for his new 170-page book H.P. Lovecraft: Midnight Studies published by Peter Lang. And I see it’s now on Amazon in ebook and paper, and appears to be shipping.

Foreword by S. T. Joshi.

Introduction.

Chapter 1: On Lovecraft’s Lifelong Relationship With Wonder.

Chapter 2: Howard Phillips Lovecraft: Romantic on the Nightside.

Chapter 3: ‘Now Will You Be Good?’: Lovecraft, Teetotalism and Philosophy.

Chapter 4: Lovecraft’s Garden: Heart’s Blood at the Root.

Chapter 5: Weird Fiction: A Catalyst for Wonder.

Chapter 6: H. P. Lovecraft and the Dunsanian Conjuration.

Afterword.

I recall that one or even two of these have been in The Lovecraft Annual.


Also, in the left-leaning Times Literary Supplement this week ($ paywall), a review of the academic book Horror as Racism in H.P. Lovecraft by another author. Rather amusingly, the reviewer implies that the book’s author has not read “The Horror at Red Hook”, which one might think would be the vital ur-text for such a study. He also notes that several of the biographical details are off…

[his explanations] can seem heavy-handed and his belabouring of the author unconvincing. […] why call Thomas F. Malone the “privileged, white, Anglo-Saxon protagonist” of “The Horror at Red Hook”, when he is an Irish-American policeman, described as “the sensitive Celt”? […] Steadman’s Lovecraft, meanwhile, can do nothing right (his mother’s mental state is blamed on the fourteen-year-old Lovecraft’s inability to get a job)…