Turlogh Dubh

A guest post on spraguedecampfan usefully outlines and surveys Robert E. Howard’s Turlogh Dubh in ‘part one’ . This little-known Howard hero is…

an Irish outlaw whose adventures are laid in the half century preceding the battle of Hastings [in 1066 A.D.].

The three primary stories, “Dark Man,” “Bal-Sagoth,” and “Shadow of the Hun” are so closely connected that they could easily be read as respective chapters in a novel.

Though it seems no-one has yet ‘written the novel’ around Howard’s originals.

There is a slight overlap with Lovecraft, in the form of the somewhat Lovecraftian “Cairn on the Headland”…

Howard also rewrote the [Turlogh] story [“The Spears of Clontarf”] a third time, as a modern horror tale, titled “The Cairn on the Headland.” [The hero] Turlogh is neither present nor mentioned in the story, but many details of the Battle of Clontarf are revisited.

Be warned that the last third of the long blog article has plot-spoilers. There’s also Part 2 which sifts and weighs up what the ideal Turlogh book collection would contain.

Incidentally, spraguedecampfan is looking for guest-bloggers who can provide articles of similar quality.

Update: now with Part 3.

Dream-Quest of Unknown Kadath in audiobook

Something for the weekend? Here are some listenable choices for hearing an unabridged reading of The Dream-Quest of Unknown Kadath, in audiobook.

* By the venerable HorrorBabble, free on YouTube. Four hours. The closest to a British accent.

* By Dagoth Ur, free on YouTube. Three hours and 40 mins. Good, but you may want to de-echo it with iZotope RX 7 and then slow it down a bit in the player. Too fast, too much ballroom echo.

* As the SFFaudio Podcast #354, freely online. Nicely paced in five hours, but still a difficult listen in terms of distinguishing the separate words. That may just be down to a variety of American accent unfamiliar to my ear, though. You may have more success. Download available. The discussion came later, in another podcast.

* In paid-for there’s the HPL Historical Society’s Complete Fiction of H.P. Lovecraft audiobook. A clear steady reading by a professional actor. Probably the best choice if you can afford the £40. Too fast for me, at four hours and 23 minutes. For the AIMP player I used a speed of 93%, ‘Voice’ preset in the Equalizer, and a Bass boost.

* You might even pop the text into a Word .DOC, then make sure there is no text that flows across page-breaks. Then save it to a PDF, and drop that into the Microsoft Edge browser. Edge currently offers sustained text-to-speech reading of a PDF, with Microsoft’s advanced AI TTS voices. These are free in Edge, and would otherwise be paid-for.

There is, as yet, no Phil Dragash-like unabridged ‘fully voice-worked’ reading, with music and environmental FX. Note that there are now AI sound FX makers to help things along. Another local one was released just the other day, Stable Audio Open.

A view of “the town in 1762”

This week’s ‘Picture Postal’, from the Providence Magazine, the local Board of Trade magazine in 1915. This was the ‘early view’ Lovecraft was referring to in a letter written after he visited the Shepley Library in Providence in 1923. I thank Ken Faig Jr. for the identification.

there is one monstrous fine drawing of the town in 1762 […] precisely what I had long wish’d to see

Thus the Curator was not being snide or fobbing off Lovecraft, when he suggested that he could have a copy… if another was found to exist in the archives. It was not an antiquity, and the archives might indeed have a duplicate copy of a liberally-dispensed magazine from less than a decade ago. Or there might be duplicate prints of such a modern item.

It’s possible Lovecraft may have seen the more expansive un-cropped version, and in a less harsh contrast…

His use of the word “monstrous” perhaps even indicates he saw the original large sheets, meant to be transferred by tracing to a stage backdrop.

On the map

The Lands of Dream wall-map of Lovecraft’s Dreamlands, by Jason Bradley Thompson, makes it into the University of Wisconsin Collection. Via their acquisition of the American Geographical Society Library Digital Map Collection. At their page, ‘open image in new tab’ + zoom, for a larger, readable version of the map.

Useful to have as a wallpaper on your tablet while listening to an audiobook of Dream Quest, and with its muted colours it’s not as a super-gloss as other versions. You can also have this in your own collection in super-gloss though, as I see it’s still available as a 24″ x 36″ wall poster.

In the same American Geo. Soc. collection, I see another imaginary world wall-map, The Land of Make Believe (1930).

Also, on looking at Jason’s website I see he has an update on his RPG, with a post on Dreamland 2024 Plans and an accompanying Dreamland PDFs Update to “version 2.0 of the public PDFs” (Quickstart, Character Sheet, and ‘The Paradise of the Unchanging’). Travel rules for the game “have been significantly revised” after playtesting, and he shows a map of the regions around Ulthar together with travel routes…

Tanabe’s Cthulhu – re-dated, in English

After countless aeons of waiting, Gou Tanabe’s mountainous 288-page graphic-novel adaptation of The Call of Cthulhu finally surfaces as an English translation. Due from Dark Horse, 15th October 2024. Re-dated, as it was originally July 2024. Why the heck are translations of graphic novels so slow to appear? It’s 2024 and the AI revolution is full flow. The publishers should have AI and virtual assistants all over this sort of thing, and it should be done in a week.

The Selenite Invaders / Listing of Lovecraft in paperback 1944-1994

S.T. Joshi’s blog has updated with a post giving lots of news. Take a look to see everything. The three items that stood out for me were: i) the first part of his massive survey-history of atheism (from prehistory to 1600) is now in proof, and is being hand-indexed; and ii) Ken Faig Jr. has a Lovecraft-as-character novel out, The Selenite Invaders

This engaging novel features a character (Herbert Hereward) clearly based on Lovecraft, and other elements of this science fiction tale echo events in the life of Lovecraft or his relatives. The novel spans much of the twentieth century, showing Hereward (unlike Lovecraft) repurchasing his birthplace at 454 Angell Street [plot spoilers … ] all while battling [plot spoilers].

I’m pleased to see there’s an affordable Kindle ebook edition of this on Amazon UK. Don’t read the blurb there, unless you want possible plot spoilers.

Also iii) news of the forthcoming booklet H.P. Lovecraft in Paperback Books: The First 50 Years. The page linked suggests the full title is A Complete Listing Of All the English Language Editions Of The Collected Works of H.P. Lovecraft In Paperback Books With Cover Art And Printing History 1944-1994.

L’ Antique Sentier

In French, the elegant new blog L’ Antique Sentier peeps into Lovecraft’s collection of The Old Farmer’s Almanac. The blog is subtitled “H.P. Lovecraft, New England, old books, antique photos…” and has some fine photography of books and the man himself.

Incidentally, I read in the Sully letters that at least one 5″ x 7″ negative of Lovecraft was made by Barlow, and in (presumably) the good light of a Florida summer too. I wonder what happened to those negatives?

A survey of Burroughs

New on Archive.org, a good scan of the 1965 hardback of Edgar Rice Burroughs: Master Of Adventure, and with a downloadable PDF.

There is a useful reading guide at the end… “A Princess of Mars [is highly recommended and forms] a single long story that also fills The Gods of Mars (probably the best single volume in the series) and The Warlord of Mars”.

Sounds like the place to start, if you’re not so interested in the Tarzan character. The question then is, where are the best audiobooks? I see all three as Tantor audiobooks (aka Trantor, before copyright trolls forced a name change), read by the excellent Scott Brick circa 2012. Looks good.

Chile in 1956

I found an early South American evaluation of Lovecraft, in Chile’s newspaper La Nacion (‘The Nation’) for 8th July 1956, titled ‘Science-Fiction — a new form of literature’.

[Introduction, a little history, the early H.G. Wells, noting of Ray Bradbury’s then-recent work].

It is difficult to set limits between the literature of anticipation [of the future] or ‘scientific fiction’, and the traditional fantasy. For instance we cannot consider Lovecraft to be simply ‘science-fiction’ or fantasy literature. His central explanation of a universe of ‘n’ dimensions is of a scientific order, yet he has at the same time created a mythological universe, within which there can be human talk of demonology and teratology. A powerful visionary, Lovecraft moves in horror with astonishing force and is the creator of monsters, a great many monsters, that take us back to the era of primitive magic. He also gives us the keys to many other enchantments. Therefore, we do not have to resort to the arbitrariness of estimating and assigning [literary critical] values ​​because his work is in ‘this’ or ‘that’ genre — he is without borders.

We must all stop to appreciate, apart from those with a strict literary mind, this new literature which allows us to penetrate more deeply into the inner universe of man, where realities and myths, logical ideas and eccentric ideas coexist and attack each other. Where we encounter ancestral fears, dreams and traumas, passions and illusions, the angel and the beast. It seems there is everything in this new ‘science-fiction’.

In November 1957, the same newspaper published a translation of “The Terrible Old Man”. Possibly there are more to be found in the late 1950s, but Archive.org has just ingested a run of La Nacion and no others suggest themselves after a keyword search.

Gordon Gould, 1930-2023 – narrator of Lovecraft’s tales

I was sorry to hear that Gordon Gould, the excellent ‘Books for the Blind’ narrator of Lovecraft’s tales, has passed away at age 93, in February 2023. I discovered this via a short alt.obituaries newsgroup post…

Gordon Gould was also noted for recording an astonishing 600+ books over several decades for American Foundation for the Blind’s (AFB) Talking Book Studios under the auspices of the National Library Service for the Blind and Physically Handicapped (NLS) division of the Library of Congress.

Possibly more than that, as I see a LoC search has 1,133 titles for him, as narrator, in the online AFB catalogue. It might be useful if someone could go through them all and winnow out a links-list of all the fantastic fiction readings. I also see other interesting items there, such as Lovecraft’s Selected Letters I as an Arkham House audiobook (though not read by Gould).

His ‘Books for the Blind’ reading of the Lovecraft collection Dagon and Other Macabre Tales can be found on Archive.org and despite the title it includes many Dreamlands tales. This appears to be the only Lovecraft he recorded, and he never read Dream Quest. What a treat that would have been.

On searching, I find The Putney Post had an obituary and small photo…


Gordon Gould Jr. passed away peacefully in his Manhattan apartment on February 26, 2023. He was 92 years old. He will be remembered not only as a talented professional, but also as a loving family man and friend.

Gordon joined the Chicago Tribune as a feature writer in June 1956. Gordon was awarded the 1961 Edward Scott Beck Award for Excellence in Foreign News Reporting for his story of an adventure-packed, four and one-half month trip in which he and 11 others were the first to drive passenger cars — three bright red Corvairs — from Chicago to the Panama Canal along the Inter-American Highway. At the time, the route included a then-unfinished link through the virtually unmapped Darién jungle.

Growing up before the advent of television, Gordon yearned to be a radio actor. But by the time he was old enough to be one, radio dramas had largely disappeared. When he moved to New York, he was overjoyed to discover the CBS Radio Mystery Theater and to be invited to join its pool of actors. Gordon eventually played in 60 episodes of Mystery Theater from 1974 to 1982, and was the last American actor to portray Sherlock Holmes on a nationally syndicated radio show. Gordon played villain General Veers in the radio adaptation of The Empire Strikes Back, alongside Mark Hamill (as Luke Skywalker), Billy Dee Williams (as Lando Calrissian) and John Lithgow (as Yoda). The program first aired on NPR in the United States in 1983.

Gordon was the voice of countless radio and TV commercials. And, over 34 years, Gordon brought books to life for the visually impaired, recording more than 600 Talking Books for the Blind for the Library of Congress. Gordon was also a regular on-stage presence.

Gordon and his beloved wife of 51 years, Mary, were avid patrons of the arts, particularly opera. They regularly traveled across the United States and Europe to attend operas and music concerts. Their Manhattan apartment was a modern-day Parisian salon with friends gathering regularly to listen to music (including a recital of all of Chopin’s piano études) and exchange ideas. They frequently discussed the arts, travels, and global affairs. Gordon’s career and mind were impressive, but no more so than his gentle, loving nature. He was predeceased by his wife, Mary, and his dear son John Kinzie Gould. Gordon is survived by his beloved daughter and grandsons, Nell Gould, and Cooper and Griffin Gould.


CBS Radio Mystery Theater website has a listing of his programmes, and another small picture in uniform (perhaps made in the early 1950s).

Not to be confused with his namesake, who invented the laser.

Vita (e morte) di un gentiluomo

New to me, a 376-page 2022 Italian bio-book on Lovecraft that’s not a translation of Joshi.

It’s not a complete life, which would require 3,500 not 350 pages, but instead focusses on the childhood and the death…

With this volume, edited by Pietro Guarriello, we have tried to look more deeply into these two aspects, the most hidden, of Lovecraft’s life: his childhood and his death, essential phases to understand how he developed his philosophical though and then his mature thought. We therefore find collected here a series of biographical materials, some of which are truly rarities, documenting those still rather elusive years of HPL’s life. Between testimonies of those who knew him as a young man and critical writings by major specialists, aspects of Lovecraft as a man are reconstructed which will not fail to illuminate and surprise, but also to move. These testimonies range through the memories and tributes of his friends in Weird Tales, or the reconstruction of his last harrowing days in hospital which also saw him draw up an infamous Death Diary, translated here for the first time in Italy. All documents have been meticulously annotated by the editor, and are important to understanding who Howard Phillips Lovecraft was and why he wrote what he wrote. As Gianfranco de Turris underlines in his Preface, “this is not a picky snooping, but a sincere interest in details, even minor and minimal, of a life which deserves to be investigated to fully understand this personality who endlessly fascinates us.”” (Auto-translation, tweaked for sense in English).

Well-illustrated, according to the blurb.