What if… Disney were to make a Lovecraft movie…

20 Monday Feb 2012
Posted in Lovecraftian arts
What if… Disney were to make a Lovecraft movie…

19 Sunday Feb 2012
Posted in Odd scratchings
An original copy of the 1924 issue of Weird Tales edition that published Lovecraft/Houdini’s long story “Imprisoned With The Pharaohs”, has been flogged on eBay for $680.

19 Sunday Feb 2012
Posted in Films & trailers
A quick round-up of a few of the recent reviews I’ve spotted for the excellent feature-length adaptation of Lovecraft’s “The Whisperer in Darkness”:
[youtube http://www.youtube.com/watch?v=A_ee9K9hXtw&w=640&h=360]
18 Saturday Feb 2012
Posted in Odd scratchings
I was recently asked by a student the meaning of H.P. Lovecraft’s famous couplet, which he attributes to Alhazred…
“That is not dead which can eternal lie.
And with strange aeons even death may die.”
I answered that Lovecraft was presenting these lines as having been written in The Necronomicon by a mad 6th century Arab poet called Abdul Alhazred. Lovecraft states that The Necronomicon was originally written in Arabic, then translated into Greek, then Low Latin — and finally this fragment is rendered into English by the narrator of the short story “The Nameless City” (1921) in which the lines appear. That’s what Lovecraft would have the reader believe, and the fact that it is meant to be ‘a translation of a translation of a translation of a translation’ might explain why Lovecraft has his narrator call the couplet “unexplainable”. Yet, in typical Lovecraftian fashion, it is then partly explained: the narrator says the lines are related to a dream of Alhazred’s of “the nameless city” depicted in the story. How he knows this fact is not explained.
This aspect of the couplet’s apparent meaning was later picked up in Lovecraft’s “The Call of Cthulhu”. In this masterpiece the same couplet gets a repeat outing, with the same wording. In that later and more famous story the reader is clearly meant to understand couplet as being a prophesy — of the awakening of Cthulhu from the sunken city of R’lyeh. So once again it is meant to refer, obliquely, to a mysterious forgotten city. Those few fans who remembered the earlier “The Nameless City” story (published in the obscure The Wolverine) while reading “Cthulhu” were thus presumably meant to think that the narrator of that earlier tale was somewhat astray in his understanding of the couplet. For more precise understanding of how the couplet might relate to the idea of immortal beings, sunken cities lying in the deeps of the sea, and the nature of the sleeping Cthulhu, read the famous story itself.
18 Saturday Feb 2012
Posted in Unnamable
After two years of silence (possibly while on a giant-airship expedition to the Antarctic), Steampunk Magazine has finally returned to civilisation with a new issue…

18 Saturday Feb 2012
Posted in Historical context
“Cities of Never” is a new long essay by Jason Thompson, on Lovecraft’s world-building. It accompanies Jason’s excellent new colour wall-map of the Dreamlands.
17 Friday Feb 2012
Posted in Lovecraftian arts, Scholarly works
A special issue of the academic SANE comics journal, Vol.1, No.2 (2011), is on “Teaching the Works of Alan Moore”. Open Access, so the journal is freely available online.
17 Friday Feb 2012
Posted in Historical context
Spring is just around the corner, so here’s a timely picture of Lovecraft the gardener…

One wonders if he dreamed that night of planting beds of narcotic flowers amid humid seas of weird-perfumed foliage that bring wild and many-coloured dreams, and of weaving his way down neglected sunken paths giving the illusion the garden had no end — and that might it even merge with hoary dream paths older than garden-girdled Babylon…? 😉
16 Thursday Feb 2012
Posted in Scholarly works
Interesting article from 2004, online for free…
Evans, Timothy H., “Tradition and illusion: antiquarianism, tourism and horror in H.P. Lovecraft“, Extrapolation 45:2 (2004), pages 176-195.
16 Thursday Feb 2012
Posted in Lovecraftian arts, Podcasts etc.
A new commercial reading of the Lovecraft sonnet cycle, Fungi from Yuggoth…
“A reading of H.P. Lovecraft’s Fungi from Yuggoth, set to music. Written in a short period between 1929-1930, Lovecraft’s sonnet cycle of 36 poems express his own unique visions of horror and wonder in a succinct and atmospheric style. In the Innsmouth House Press edition of this work, HPL’s poetry is read by Paul Maclean and set to specially composed music by Allicorn. The recording also comes with a 25 page booklet which includes the sonnets themselves, a brief history of Fungi from Yuggoth, footnotes on select poems and an introduction by Lovecraftian author, W.H. Pugmire.”
[youtube http://www.youtube.com/watch?v=o8phXiDA3W4&w=640&h=360]
15 Wednesday Feb 2012
Posted in Lovecraftian arts
The new CG Arena, a magazine for 3D creatives, has an article and cover picture illustrating the “Making of a Deep One” in the 3D sculpting software ZBrush…

15 Wednesday Feb 2012
Posted in Lovecraftian arts, Maps, Scholarly works
Jason Thompson has completed his giant colour map of Lovecraft’s Dreamlands…

A giant 24 x 36 inch wall-poster version, printing now, can be purchased here.