NecronomiCon call for papers

NecronomiCon Providence is calling for scholarly papers for the academic strand on Lovecraft and his works…

“…including the influence of history, architecture, science (anthropology, biology, geology, etc), and popular culture (movies, theater, etc), on his works.”

But you have to be able to deliver it in person in Providence on 23rd-25th August 2013, and if selected will be allotted just twenty minutes. Perhaps fannish conferences such as this could also run a more flexible fannish format in parallel, for those unable to attend: “present the talk to video, and ramble on for as long as you want…” 😉

Darger’s Resources

A new book by Michael Moon, Darger’s Resources (Duke University Press, 2012), historically contextualises the American outsider artist Henry Darger, through an examination of his actual and likely sources. One chapter that may interest Lovecraftian scholars is called “Wierd Flesh, World’s Flesh: Darger and the pulps”. Google Books is only letting me have a selection of pages but there appears to be no actual suggestion of direct influence, from Darger having read Lovecraft. But Moon notes that Darger’s work on The Realms was contemporaneous (1908/11-1938) with Lovecraft’s working years and ‘the pulp years’, and Moon draws parallels between the two men’s approaches to evoking horrors.

Possible Bubbles of Spacetime Curvature in the South Pacific

Spoof Halloween submission to arXiv Physics

Benjamin K. Tippett, “Possible Bubbles of Spacetime Curvature in the South Pacific”…

“In 1928, the late Francis Wayland Thurston published a scandalous manuscript in purport of warning the world of a global conspiracy of occultists. Among the documents he gathered to support his thesis was the personal account of a sailor by the name of Gustaf Johansen, describing an encounter with an extraordinary island. Johansen’s descriptions of his adventures upon the island are fantastic, and are often considered the most enigmatic (and therefore the highlight) of Thurston’s collection of documents. We contend that all of the credible phenomena which Johansen described may be explained as being the observable consequences of a localized bubble of spacetime curvature. Many of his most incomprehensible statements (involving the geometry of the architecture, and variability of the location of the horizon) can therefore be said to have a unified underlying cause. We propose a simplified example of such a geometry, and show using numerical computation that Johansen`s descriptions were, for the most part, not simply the ravings of a lunatic…”

The Dark Side of the Poles

The Dark Side of the Poles: Dreams and Nightmares in Polar Exploration runs until 3rd November 2012 in the UK, as part of the University of Cambridge Festival of Ideas…

“Throughout the Festival, explore our trail of polar dreams and nightmares. Find untold secrets hidden in drawers and strange objects that have crept into the cases.”

The BBC has a companion essay on the topic, from Fred Lewsey of the University of Cambridge.

R.E. Howard’s Lovecraftian stories

I thought I might read R.E. Howard’s six ‘Lovecraft influenced’ stories, for Halloween. As best I can make out from twenty minutes of cursory research, the R.E. Howard Lovecraftian-ish tales are…

* The best two:

  “The Black Stone”

  “The Children of the Night”

* Lesser two:

  “The Cairn on the Headland”

  “The Thing on the Roof”

* Two tangential stories:

  “Worms of the Earth” (Generally said to be the best Bran Mak Morn story, with a few Lovecraftian bits and bobs mentioned?)

  “The Fire of Asshurbanipal” (Reportedly, only the ending is relevant?)

All six are available in the audio book form in the collection The Horror Stories of Robert E. Howard [on Amazon USA], read by veteran audio-book reader Robertson Dean. “The Black Stone” is also available for free as a less memorable audio reading.

It’s been quite a long time since I read Howard’s Conan et al, and it’ll be interesting to see what the original Howard experience is like in polished audio-book form. I read Howard as a boy, at about the same time I first read Lovecraft, via the UK Panther paperback collections: Skull-face; The Valley of the Worm; and The Shadow Kingdom. From there I went to the UK Sphere King Kull collection, Tigers of the Sea (Cormac mac Art in the UK paperback), then into the numerous UK Sphere Conan paperbacks (one or two of which were quite rare at that time, and it was difficult to gather a full set) and the Solomon Kane stories (possibly via a tatty import copy of the U.S. Centaur Books paperback). More recently I read one of his werewolf stories, but that’s been it until now.