Fine and Dandy in Hell’s Kitchen

Old-style dandyism is thriving in a new shop not far from the main Kalem Club meeting room at 543 West 49th Street, Hell’s Kitchen (the alley that leads to the 543 door is still there, surprisingly un-photographed). Should you be down that way doing a spot of Lovecraftian tourism, pop into Fine and Dandy, a cool menswear accessories shop for the older man or the young fogey. Located at 445 West 49th Street, NYC.

Could be a useful stop off on your way to NeconomiCon Providence 2013, to ensure you don’t present too disheveled an appearance at the con… 😉

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Complete with accessories such as Lovecraft-style vintage typewriters…

Fine and Dandy

Lovecraft and Moby Dick

Lovecraft did read Moby Dick, it seems, in the spring of 1925. I had assumed Lovecraft had never read the book, since it isn’t listed in S.T. Joshi’s Lovecraft’s Library (2nd ed.). But here is Lovecraft in a letter (Letters from New York, p.122) stating that he was about to read the book…

   [Lovecraft about to depart for Washington, 11th April 1925] “Kleiner and Loveman will wave tear-stain’d handkerchiefs after the tail-lights of the [train] coach that bears Kirk & me away. I shall probably wear my light overcoat, checking it at the Union Station in Washington, where I shall also check the book which is to beguile my hours of idleness — “Moby Dick, or the White Whale”, by Herman Melville”.

In “Suggestions for a Reading Guide” (intended as the final chapter of Lovecraft’s revisory work Well Bred Speech, 1936) he notes… “Of Herman Melville at least Moby Dick deserves a hearing.”

His almost-certain reading of Moby Dick seems fairly interestingly timed, given its ocean monster theme: four months later he wrote out the plot of “The Call of Cthulhu”.

Moby Dick was apparently deemed an obscure and rather neglected work until the Melville centenary in 1919 — and it wasn’t until 1920 that Melville’s own unexpurgated text of the work finally reached a modern audience and triggered “the Melville Revival”. This new text of the book was swiftly followed by the biography Herman Melville, mariner and mystic (1921) and Carl Van Doren’s chapter on Melville in The American Novel (1921). The following year saw publication of Melville’s letters. This scholarly interest led in time to a wider public interest, generated especially by the major Warner Brothers silent film of Moby in January 1926, titled The Sea Beast and starring John Barrymore. Predictably the movie makers managed to add a love interest, as seen in the lavish stills which illustrated Warner’s cash-in reprint of the novel of the book titled “Moby Dick Photoplay”. But this movie tie-in reprint cannot have been the edition Lovecraft took to Washington, since it was released 17th December 1925 according to Catalog of Copyright Entries.

The edition of Moby Dick that Lovecraft intended to read in Washington may instead have been borrowed stock from Kirk’s bookshop, and was presumably one of the early 1920s single-volume unexpurgated editions.

Spore Lovecraft

Lovecraft creatures recreated in the Creature Creator module of the videogame Spore

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To Mary of the Movies

Rheinhart Kleiner, with a New York address of 444 Evergreen Av, Brooklyn, in the mainstream Motion Picture magazine for May 1915…

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This is an appearance three months earlier than the commonly cited “Piper for September 1915″ for this poem. Lovecraft replied to “To Mary…” with “To Charlie of the Comics” (Providence Amateur, February 1916) which started a sort of poetic jousting between the two.

Photograph of the Sentinel Elm at Athol

There has been much debate about the inspiration for the name of “Sentinel Hill” in Lovecraft’s “The Dunwich Horror”. W. Paul Cook declared (Joshi, Annotated Lovecraft, p.114) that the name was the only topographical inspiration Lovecraft took away with him from his Summer 1928 visit to Cook at Athol…

“During most of the years of my acquaintance with Lovecraft I was living in a north central Massachusetts town [Athol] which was the most absolutely devoid of historical, architectural, scenic, archeological [or other inspirations… except the Sentinel]”

I found this mention in the the book Athol, Massachusetts, past and present (1899), which explains Cook’s reference…

“To the west, across the intervening valley, is “West Hill,” one of the locations of the early settlers, with its “Sentinel Elm,” a landmark seen from every direction.”

I also found a postcard photograph of the same Sentinel Elm at Athol. It looks distinctly weather-beaten and not that ancient judging by the size of the trunk. It had presumably vanished by the time of the earliest Lovecraftian geographers, who could only find a nearby Sentinel Elm Farm. The card is currently for auction

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The Elm presumably gave its name to Athol’s first newspaper, Freedom’s Sentinel.

Here it is in colour…

The Sentinel Elm Athol, MA

And here in a Lovecraftian sunset…

The Sentinel Elm at Sunset Athol, MA

The same page of the book Athol, Massachusetts, past and present that talks of the “Sentinel Elm” has a small and rather nice ink sketch of “Round Top Mt” — there is a “Round Mountain” that provides local colour at the start of “The Dunwich Horror”…

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Although the Wilbraham Mountains are also rounded, which was where Lovecraft went directly he left the uninspiring topography of Athol in Summer 1928, to go to nearby East Wilbraham to stay with Mrs Miniter and Miss Beebe.

wilb_mtn_glendaleWilbraham Mountains seen from Glendale Cemetery.