Biology and Evolution of the Old Ones

Fred S. Lubnow has kindly placed online Part I of the talk, “Human Interpretations on the Biology and Evolution of the Old Ones”, that he gave at NecronomiCon 2013. Once all the parts are posted, then I’ll be adding this to the Open Lovecraft page.

Fred writes…

“The talk is on the biology and evolution of the Old Ones, and I have elaborated on it a bit. A number of people have asked for a copy of the talk, and I thought it would be best to put it onto the blog.”

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Further Open Lovecraft

Added to the Open Lovecraft page…

* Andreas Schardt (2011), “The Gothic Pastoral: terrible idylls in late nineteenth and twentieth-century literature”. (Ph.D for the Faculty of Modern Languages, University of Heidelberg, Germany. In English. Examines “The Colour out of Space” and “The Dunwich Horror” on pp.163-177).

* Mark Blacklock (2013), Final Bibliography for his 2013 Ph.D thesis “The Fairyland of Geometry: a cultural history of higher space, 1869-1909”. (Relevant to the young Lovecraft’s understanding of fourth-dimensional space and similar scientific matters).

tesseractAbove: Inside front fold-out plate of The Fourth Dimension (1904).

The Private Papers of Henry Ryecroft

The Private Papers of Henry Ryecroft (1903), by George Gissing. Apparently one of H.P. Lovecraft’s favorite books, and one on which he based his personal philosophy of life. Sonia stated that she received a copy of it early in their courtship, with instructions to read it to better understand him.

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Curiously the book isn’t listed in Lovecraft’s Library. My guess on that would be that S.T. Joshi had to weigh Sonia’s solo revelation about the book, against Lovecraft’s apparent utter silence on Gissing in all his other walks of life and voluminous correspondence. And the similar silence of his bibliophile friends on the book. But if you’d like to take a look, the book is available here: Dutton U.S. first edition online digital facsimile and as .mobi for Kindle.

Parade of Ancients and Horribles

Hot on the heels of the Junior Burials at Brown I’ve found another Rhode Island tradition of weird parading. Lovecraft and George Kirk took a ten-mile trolley ride from Providence to Chepachet on 4th July 1926 to see the first of the modern ‘Parade of Ancients and Horribles’. This parade was the U.S. Sesquicentennial (150th) anniversary revival of an annual satirical Parade of Ancients and Horribles, an event which had first been recorded in New England in 1851. The visit was mentioned in Kirk’s diary…


This essay has been replaced by the essay in my new book of revised, expanded, and footnoted versions of my recent Tentaclii essays, Lovecraft in Historical Context: fifth collection.

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The Whately Burials

It’s interesting to learn that there was once a weird end-of-term tradition among junior Brown University students in Providence. In early July each year they would parade in a boisterous throng from the University to the Seekonk River by flaming torchlight, in order to “bury Whately”. This appears to have been done from 1833-8, then again from 1853-9 — when the tradition ended due to the advent of the Civil War.

Whately is of course rather a similar name to Whateley, the famous name from Lovecraft’s story “The Dunwich Horror”. Wilbur Whateley ends up horribly dead in the “reading-room” of a university library, you’ll remember. He evaporates, and so cannot be buried.

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“…[the] earliest known program [for the “Junior Burials”] being for the year 1853. On these occasions there was a procession through the city streets with a brass band, banners and burning torches, as the rhetoric textbooks of Richard Whately, George Campbell, and William Spalding were conveyed in a coffin to Ferry Wharf [Fox Point, Providence, at the confluence of the Seekonk and Providence Rivers]. There the students embarked in boats to an offshore spot where the funeral ceremonies were conducted, complete with orations on the textbook authors, a poem and an ode, and the books were thrown overboard [sealed in a coffin].” (Encyclopedia Brunoniana)

According to Encyclopedia Brunoniana the tradition was taken up again in the 1870s, without the books of Whately but with more ghoulish costumes — and this time a burning of the books rather than a burial-at-sea…

“They were later revived as a “cremation,” and the textbook authors singled out [as] Elias Loomis on analytical geometry and Thomas B. Shaw’s Manual of English. The later processions did not head for the boats, but paraded across Red Bridge (and, once across, opened the draw bridge with the approval of the appropriate authorities) and burned the offending books. The cremation held in 1875 was described in rhyme in a local newspaper under the heading, “Brown Boys ‘On the Rampage’”:

“Thursday, by early candle light,
appeared a strange and grotesque sight,
upon the College Campus green,
a sight as queer as e’er was seen.
It was the Brown boys, out in force,
to celebrate in usual course,
their Class Day eve, with mock display,
and mimic funeral pageantry.
The Juniors, in outlandish guise,
bedecked themselves to strike surprise
to all who saw them thus arrayed,
on their accustomed street parade.
Some wrapped in winding sheets were ‘most
too noisy for a sober ghost,
and some wore horns, in travesty
of his Satanic majesty,
The latter seemed, upon the whole,
familiar with the title role,
and many, as the train went by,
inclined to Darwin’s theory.
From street to street the cavalcade,
with blatant hand, its progress made;
red robes, a skull and cross-bones bare,
looked hideous in the torches’ glare.
Beyond the [River] Seekonk’s further shore,
the strange procession marched, and bore
an English text-book, with Greek fire,
burned on a mock funeral pyre.
This frolic o’er, each Junior sped
at midnight to his little bed,
ending in peace this revel queer,
which comes, thank God, but once a year.”

The tradition had its last year in Providence in 1884, when the books documenting the university marking-system were buried (the Brown lecturers had started to complain that the students were becoming embarrassingly likely to burn textbooks written by Brown staff).

What of Whately? Richard Whately (1787-1863) was not actually a Professor at Brown University, but was rather the British free-market intellectual and nominal churchman who was the author of the hugely influential Elements of Rhetoric (1828) and Elements of Logic (1826), and also the editor of Bacon’s Essays with annotations (1857). Lovecraft’s use of the name Wilbur for Wilbur Whateley is a red herring if one looks for it in the real Richard Whately — since it is an obvious nod to Wilbraham, the topographical inspiration for “The Dunwich Horror”.

Could Lovecraft, so ardent a student of his city’s history and of ghoulish burials, have known of the Whately burial tradition? Possibly, although there is no evidence in the surviving letters that I know of. Nor is it in the city histories. A city prefers to forget many things about itself.

The Other Mr. Lovecraft

New on the Kindle store at Amazon, David Acord’s The Other Mr. Lovecraft: A True Story of Tragedy and the Supernatural From H.P. Lovecraft’s Family Tree

“In this original [10,000 word] non-fiction monograph, author David Acord (When Mars Attacked: Orson Welles, The War of the Worlds and The Radio Broadcast That Changed America Forever) shines a light on a forgotten aspect of Lovecraft’s family tree: the troubled life of his [father’s] cousin Frederick [1850-1893], a once-prosperous businessman in 1890s New York City. When Frederick committed suicide in [6th Oct] 1893, it caused a sensation, with wall-to-wall coverage in all of the major papers, including The New York Times. His death triggered a pitched battle over his estate and revealed a secret romance with one of the most beautiful actresses in America [May Brooklyn], who took her life several months later. After her death, a tragic story of grief, spiritualism and obsession with the supernatural was revealed.”

I haven’t yet seen this new work, but the blurb seems factually correct. Although I suspect any spiritualist aspect of the case may be a new discovery(?). How much H.P. Lovecraft knew of the truth of the case is not known, or even if he knew of it at all. Those were the pre-microfilm and pre-Web days when even yesterday’s newspapers were hard to get hold of, still less the newspapers from twenty years before. But there may well have been family stories around the event.

Frederick Lovecraft was a treasurer of Palmer’s theater in New York, and May Brooklyn was its leading lady. Shortly before his death he had lost around $100,000 in…

“numerous schemes which loaded him down with worthless stocks” … “Day by day he grew worse and was finally seized with nervous prostration. Mr. Lovecraft’s delusion was that all his money was gone and that he was a poor man. Col. Kearney went over his friend’s fund account and found $60,000 of his fortune remained, but it was impossible to get Lovecraft to believe this.” (Evening Star, October 27 1893).

Possibly this $100k was the bulk of money he had in the jewellery trade, as he was also… “a partner in the firm of Williamson & Co., 26 Union Square, and a director in the Essex Watch Co.” (Jewelers’ Circular and Horological Review, 1893). The New York Times stated that “he owned outright” Williamson & Co. which was a “jewelry manufacturing concern”. Perhaps he also felt he had let down, or even ruined, other men involved in one or more of these jewellery businesses? Was his cousin, Winfield — Lovecraft’s father — perhaps even one of those men, since there was a vague memory that he had once worked in jewellery? Winfield had gone mad in April 1893, six months before Frederick Lovecraft’s suicide.

His 1894 probate hearing concurred with the diagnosis of acute depression…

“He seemed to be in a very depressed condition,” said Dr. Robertson. “He took no interest apparently in anything that was transpiring, when spoken to, he answered in monosyllables, He was exceedingly pale, and complained of insomnia and nervousness. He said he was hardly able to attend to his business.” Dr Robertson said that Lovecraft was “suffering from melancholia, following delusions.

“What was the condition of his eyes?” asked a lawyer. “Were they vacant or full of life as in ordinary men?”

“I couldn’t tell. I could hardly induce him to look up. He kept his head bowed down. Everything indicated acute melancholia.”

I wonder if the author of this new monograph has discovered that Frederick Lovecraft’s “warm personal friend” in the theatre, Mr. W.B. Palmer, also committed suicide by the same method as Frederick, two years later in early September 1895?

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