Lovecraft Artisan Collective

HPL might have balked at the socialistic implications of using the word ‘collective’, especially if he had known of the horrors inflicted in the name of various collectives during the 20th century. I’m with those who call for a strong questioning of any expression of ‘socialist chic’ in the 21st century.

But the new Facebook art group Lovecraft Artisan Collective is well worth a look, and has been primed with examples of work of an obviously high quality.

collect

Meet the Met

Need a book cover for a scholarly book? The Metropolitan Museum of Art now has nearly 400,000 images online in medium-res (72dpi, but around 3000px on the longest side), and…

“that the Museum believes to be in the public domain and free of other known restrictions; these images are now available for scholarly use in any media.”

fury

Above: “A Fury Riding on a Monster”, by Cornelis Saftleven, mid 17th century.

Added to Open Lovecraft

* Sam Gafford (2012), “The Man Who Saved Hodgson!”, williamhopehodgson.wordpress.com, 6th July 2012. (On Herman Charles Koenig, a late associate of Lovecraft. Scholarly blog post, with reference footnotes)

* Lin Wang (2012), Celebration of the Strange : YouYang Zazu and its horror stories (PhD thesis. Chapter five proposes Lovecraft’s concept of cosmic fear as a useful tool for analysis of the… “many zhiguai tales [from China, that] deal with supernatural forces without definite monsters or explicit etiologies”)

Lovecraftian composer nominated for Grammy award

Notes, spring 2014…

compos

Hallman’s “Three Poems of Jessica Hornick” and “Lovecraftian Elsewheres” are featured on the Inscape Chamber Orchestra’s debut album Spring Rhythm […] Of the album, Washington Post writer Charles Downey had this to say: […] Showing off Hallman’s sure handling of instruments even more are the Imagined Landscapes, miniatures based on the nightmarish dreamscapes of H. P. Lovecraft that exploit all sorts of unexpected sounds.”

Lovecraft in Florida

Lovecraft photographed in Florida, with some of Barlow’s cats (note that there’s also a white cat walking on the path behind). Circa 1934…

lovecraft_in_florida

Hat-tip: H. P. Lovecraft Bronze Bust Project. Sadly there appears to be no larger version available.

“We rowed on the lake, and played with the cats, or walked on the highway with these cats as the unbelievable sun went down among pines and cypresses … Above all, we talked, chiefly of the fantastic tales which he wrote and which I was trying to write. At breakfast he told us his dreams.” (Robert Barlow, “The Wind that Is in the Grass”, 1944).

I note there’s also a new 1936 photo dated “September 19 or 20” of “Eunice French and Lovecraft”, on the hplovecraft.com gallery

1936-C

So who was Eunice French? She was a “Master of Arts in Philosophy” student at Brown University, who was then being courted by Robert Moe, the son of Lovecraft’s friend Maurice Moe. Lovecraft had first met Robert as a small boy in 1923, and he seems to have served as a sort of uncle to him, then started a correspondence (now lost?) with Robert in 1934. Robert doesn’t seem to have been able to win Eunice, since in Nov 1938 she married a fellow musician and Harvard man named Cyril Maurice Owen. A letter to Barlow shows that Lovecraft considered her a brilliant savant and, once introduced to Lovecraft, informs us that she went round to see the master several times during her time at Brown.

Eunice kept all her correspondence which is now in a university archive, and one thus wonders if there’s a very slim chance that a Lovecraft postcard or two might lurk therein? Or (more likely) letters from Robert in which he talks of Lovecraft?

This photo also shows Lovecraft’s black writing materials case, which I thought had escaped ever being photographed. Many commented (see Lovecraft Remembered) on its curious and unique appearance. It can also be seen doodled by Lovecraft on this 1934 postcard self portrait…

shepardcaf See it and another snap of it, at the “Lovecraft at the Atheneum” album on Flickr.