Terror Tales as an AI Lora

A new Terror Tales LORA for the Stable Diffusion 1.5 AI. A LORA is a ‘plug-in’ that aims to steer SD’s image generation towards a certain character or type of artwork. In this case the covers of the 1930s Terror Tales pulp magazine. SD is going to mess up the typography, but you could probably cut out the best images and paste onto a template made by vectorising one of the original covers.

Also note the new backdrop generator LORAs Realms of Darkness (generic medieval — streets, castle dungeons, old cemeteries, etc) and Fantasy Underground (generic fantasy) and Fantasy Tavern (generic fantasy). These do look very generic and formula, but you might be able to get something more interesting out of them.

Joschek’s Artstyles: Caspar David Friedrich, possibly useful for eerie sea-views of Innsmouth and its reef. If a full set of Friedrich works was used to train the LORA. Untested by me, as yet.

Droomwereld kitties

An early 1970s Lovecraft book cover I’d not seen before, complete with kitties from Ulthar. De Droomwereld Van Kadath (1972) from Holland. Translates as ‘The Dreamworld of Kadath’, the book being a translation of The Dreamquest of Unknown Kadath.

Looking at the fungi also on the cover, I’m wondering if they also popped in a translation of the “Fungi from Yuggoth”?

Review of L’Affaire Barlow

The Pulp Super-Fan super-swoops, cape rippling in the breeze, down onto the new book L’Affaire Barlow: H.P. Lovecraft and the Battle for His Literary Legacy

This is a well-researched work, and I look forward to further works by this author, who is working on a biography of Barlow. […] The whole story about this affair is pretty sad as many people behaved badly. They pulled in others they shouldn’t have, attacked not only Barlow but others, and led to several proposed publications never seeing the light of day. Worse, some of those are lost, as the only copies were destroyed in a fire.

Meanwhile, down in Mexico the Tabasco Herald compares Tolkien and Lovecraft. I thought this was a review of the new Italian book on the topic, but it seems not.

Bob Fowke art exhibition

British Lovecraftians of a certain age will fondly recall the Panther paperback editions. The cover-artist for two of these is having a exhibition of his 1970s covers, in his home town. Bob Fowke did the covers for the books The Horror in the Burying Ground and The Horror in the Museum.

Also for Poul Anderson’s A Midsummer Tempest, one of Poul Anderson’s English and northern fantasies. I had wondered who did that cover, and thought it might have been one of the Ruralists.

His “exhibition of 70s sci-fi art” runs for three days only, part of the Open Studios in the town of Bishop’s Castle, Shropshire, on the border between England and Wales and about 40 miles west of Birmingham. The dates are 16th, 17th & 18th February 2024.

January 1925

A suitably seasonal ‘picture postals from Lovecraft’ post this week. Lovecraft moved into his under-heated “dismal hovel” of a room at 169 Clinton Street on the edge of Red Hook, on the 31st December (he was then “half moved”) – 1st January 1925 (“moved final load”). In that he was lucky, for if only a little later he would have run smack into the first of the “Worst Snowstorms In New York History”, beginning with two days of “howling gusts” though the city’s canyons on 2rd-3rd…

“New York City was the unwelcome recipient of 27.4 inches of snow [in the month], the most ever recorded for any January up to that time. … A relentless snowstorm that lasted two days occurred from January 2rd-3rd [and landed 12 inches on the city]. On January 12th the city required 12,000 shovelmen to tackle another snowstorm that clogged the streets. January 20th New York City was hit with two blizzards in one day. January 27th more snow fell and then the coup de grace; the giant storm on January 30th that affected the metropolitan area.

Lovecraft’s letter home, his first in January, seems all but oblivious to this. Though his 1925 Diary laconically has “snowstorm” on the 2nd. But possibly he did not wish to alarm his aunts. Also, he was well used to the severe New England winters of the time, and knew how to wrap up if he had to go out. On the 3rd he was out meeting Kirk and the gang at a cafeteria.

Atlantic Avenue, a few blocks east along from the Atlantic Avenue – Clinton St. intersection where his favoured grocery was. But nevertheless the picture evokes Lovecraft venturing out to “send express package” which he did first thing on 5th January.

After all, despite the duration and windiness of the great storm, its 12 inches of snow was a trifle by the weather standards of the period. And it would have been drifted and banked heavily by the extreme winds.

More curious is the 12th January, re: the above “On January 12th the city required 12,000 shovelmen to tackle another snowstorm that clogged the streets”. Lovecraft’s letters mention this date and “to Loveman’s over the icy pavement”, and his Diary has himself “visit[ing] SL [Loveman] in ice storm” and then… he goes strolling over the frozen Brooklyn Bridge with Kirk!

After leaving SL at his airy domicile, and starting on a walk over the Brooklyn Bridge & up through Chinatown, Kirk and I decided to surprise Loveman with a birthday gift…

Not impossible I guess, if thousands of “shovelmen” had been at work at clearing it since 5am, the pedestrian walkways had been gritted, and the storm had just passed leaving a sparkling day and few people to crowd the bridge and obstruct strolling. According to the Diary he reaches and “walk[s] Chinatown” with Kirk. Not bad, for a cold-averse old gent!

Brooklyn Bridge in snow, by Max Kuehne.

And finally here is a picture by Lena Gurr of Brooklyn, possibly made in the 1920s (she was was roughly the same age as Lovecraft), evoking the more salubrious snowy side-streets of Brooklyn once they were made walkable again…

Again, the picture evokes Lovecraft, this time with one of ‘the gang’.

Three new articles

Three new articles from overseas.

A new open-access article on sanity in Lovecraft’s “Dagon”, although the article is in Portuguse.

The videogame Bloodbourne is commonly said to be very Lovecraftian, almost in an exemplary manner. Andrii Isakov tests that claim in his new open-access article in a Ukrainian journal. More musing on the topic at Bloodborne through the lenses of Todorov’s theory of equilibrium”.

In a Russian journal, a new article examining ancestral roots and the re-positioning of sacred symbolism in Lovecraft’s “Innsmouth”.

The Author & Journalist 1916-1969

New on Archive.org, a microfilm run of The Author & Journalist 1916-1969 magazine (initially The Student Writer, to 1923). November 1952 has one of a series giving August Derleth’s memories of “Becoming a writer”. In the same issue “New Pulps”…

“The pulp magazines, booming again [after the post-war shortages and disruption, and] … science-fiction is hot”

There are also short summary articles on the trade, such as “The Pulp Situation” in March 1941, which writes… “The terror and horror mystery period is over” due to the war.

Includes the 1948 “Lovecraft on Story Construction”, via Rimel.

Doubtless there’s more to be found in such a long run, and one can search across the full-text. The run is “to borrow” only.


Popping rather more fully into public availability… the entire digitized copyright-expired artwork of the British Isles. A UK Court of Appeal ruling… “confirms that museums do not have valid copyright in photographs of (two-dimensional) works which are themselves out of copyright. It means these photographs are in the public domain, and free to use.” Feel free to use for book covers, AI training, t-shirts, etc.