Fifteen Years of Hippocampus Press

Shipping now, the new book Fifteen Years of Hippocampus Press: 2000-2015.

iamprovhardbackPicture: A peek into Hippocampus’s hardback of Joshi’s I Am Providence. Photo by Will Hart.

On new Hippocampus books, S.T. Joshi’s blog recently reported that he is making progress on new (revised?) e-book versions for his…

H.P. Lovecraft: The Decline of the West (Starmont House, 1990), A Subtler Magick: The Writings and Philosophy of H.P. Lovecraft (Starmont House, 1996)”

He also writes…

“we are also planning ebooks of such things as Donald R. Burleson’s H.P. Lovecraft: A Critical Study (Greenwood Press, 1983), Peter Cannon’s H.P. Lovecraft (Twayne, 1989), and perhaps other titles.”

Teaching Tolkien

Waymeet for Tolkien Teachers is a new website / signposting hub for those teaching Tolkien — perhaps alongside Lovecraft, Peake etc. It seems the intention is for the Waymeet to become an open “digital journal” on the topic (see the “submit articles” link on the menu), and as such it may interest readers who teach Tolkien-as-horror (barrow wights, Shelob, tentacled pool-dwellers, Black Riders, Mirkwood spiders etc).

PulpFest 2015

Pulpfest 2015 has just posted its Lovecraft programme for August 2015. It will include…

* “Jon Arfstrom, perhaps the last living artist who contributed covers to the original run of Weird Tales … will talk about his career with pulp art historian, David Saunders.”

* “The Call of Cthulhu: The Development of Lovecraft’s Mythos” … a panel of Lovecraftian and pulp scholars.

2015-Flyer

More new scholarly Lovecraft books

More new scholarly print books from Hippocampus Press…

Donald R. Burleson’s Lovecraft: An American Allegory is a new book collection of his essays from the past 40 or so years. It appears to be shipping now.

burl

* Darkness and Light: Lovecraft’s Impact on My Life

* Thematic Studies

Zen and the Art of Lovecraft
A Note on Lovecraft, Mathematics, and the Outer Spheres
Lovecraft and Chiasmus, Chiasmus and Lovecraft
Lovecraft and the World as Cryptogram
Lovecraft and the Death of Tragedy
Lovecraft and Romanticism
Lovecraft: An American Allegory
Lovecraft and Adjectivitis: A Deconstructionist View
Lovecraft and Chaos
Lovecraft and Interstitiality
Lovecraft and Gender
H.P. Lovecraft: Textual Keys

* Sources and Influences

H.P. Lovecraft: The Hawthorne Influence
Strange High Houses: Lovecraft and Melville
Ambrose Bierce and H.P. Lovecraft
A Note on Lovecraft and Rupert Brooke

* Studies of Individual Tales

Iranon and Kuranes: An Intertextual Gloss
On Lovecraft’s Fragment “Azathoth”
Aporia and Paradox in “The Outsider”
Is Lovecraft’s “Ph’nglui mglw’nafh . . .” a Cryptogram?
The Dream-Quest of Unknown Kadath
The Mythic Hero Archetype in “The Dunwich Horror”
Prismatic Heroes: The Colour out of Dunwich
Humour beneath Horror: Some Sources for “The Dunwich Horror” and “The Whisperer in Darkness”
The Thing: On the Doorstep

* Lovecraft’s Poetry

Lovecraft’s “The Unknown”: A Sort of Runic Rhyme
On Lovecraft’s “Nemesis”
On Lovecraft’s “The Ancient Track”
Scansion Problems in Lovecraft’s “Mirage”
Lovecraft’s Cheshire Cat
Lines of Verse Evoking Close Reading: Acrostics-Formulated Text


Also Lovecraftian Proceedings No. 1, a print collection of the papers read at NecronomiCon 2013, and is set for publication August 2015. I’m unsure if these are verbatim from the conference, or if some have been expanded.

Added to Open Lovecraft

* Brandon Reynolds (2008), “Slumming in the horror-fantasy ghetto: utopian ideals in the work of H.P. Lovecraft” (Masters dissertation for California State University)

* Gavin Weston et al (2015), Anthropologists in Films: “The Horror! The Horror!”, American Anthropologist, Vol. 117, No. 2, pp. 1–13, June 2015. (Finds 53 films featuring fictional representations of anthropologists, 26 of those being horror films. “We examine the role of anthropologists in these films as experts and mediators for seemingly alien “others” and how this lends itself to frequently heroic depictions”)

* Alexander A. G. Gladwin, Matthew J. Lavin, Daniel M. Look (2015), “Stylometry and Collaborative Authorship: Eddy, Lovecraft, and “The Loved Dead””, Digital Scholarship in the Humanities (Oxford), July 2015.

The lost Smith – Howard letters

Bobby Derie muses on the R.E. Howard — Clark Ashton Smith letters, nearly all of which have apparently been lost, and asks: what form did the correspondence take?

howardletters

See also Leo Grin’s 2005 essay “Howard in the Letters of Clark Ashton Smith”.

Artwork: detail from the cover illustration for Bobby Derie’s 2014 The Collected Letters of Robert E. Howard – Index and Addenda.

Athlophoros

Lovecraft didn’t always refer directly to classical sources when using classical sounding names. Here is a small example…

…came upon a black, gleaming specimen which certainly cannot be other than an eikon of Tsuthoggua! It was a semi-shapeless congeries of nighted curves —— squat & swollen, & with a curious suggestion of flabby viscosity despite the superficially petrific composition… [and it] left little room for doubt that it once stood in some curtained niche… of some such arcane delver as Athlophoros, who dwelt in the Street of the Alembics & vanished suddenly shortly before the desertion of the city…” — letter to C.A. Smith, 21st March 1932.

You cannot be freed from Rheumatism until you dispel the Uric acid. Athlophoros will dissolve it, and you will note immediate lessening of pain. Your entire system will feel better…” (Lima News newspaper, Ohio, 4th Sept 1903, representative of ads in other papers of the era).

ice

Athlophoros Co. was involved in a “United States vs. the Athlophoros Company” legal case in California circa 1930, in which “five government witnesses, all physicians, [testified] regarding the inefficacy of the patent medicine Athlophoros”. No-one came forth from the East Coast to contest the case.

Lovecraft’s letter thus appears to assume that the California-based Smith will get the jokey allusion, both to the Athlophoros medicine and its “arcane delv[ings]”, and also to the way that Athlophoros had recently “vanished suddenly” from California’s chemist shops (indicated as “the Street of the Alembics”, an alembic being a small portable distillery vessel for medicines and chemicals) circa 1930/31.

Where did the name come from? In classical Greek times the phoros was the name of the money paid to Athens by the Greek City States, for the upkeep (i.e.: to ensure the victory-worthy status) of the Athenian military forces. In Roman times Athlophoros meant ‘victory/trophy-bearer’, specifically the winner of a chariot race (“Crowning the Athlophoros”, in E. A. Wallis Budge, The Decrees of Memphis and Canopus: Vol. II), and was used thus as a personal common-name by at least one priest of Alexandria. So presumably the patent medicine name tried to borrow a certan lustre from the heroic Roman usage.

Athlophoros

Given the above advert one wonders if Lovecraft may have once used a wash of Athlophoros extract for his own face, since he suffered from thick ingrowing hairs that could not be shaved and thus had to be painfully delved for and plucked. S.T. Joshi has a passage on Lovecraft’s struggles with these “black, gleaming … semi-shapeless congeries of nighted curves”…

Harold W. Munro testifies that as early as his high school years Lovecraft was bothered by ingrown facial hairs; but when Munro speaks of “mean red cuts” on Lovecraft’s face he evidently believes these to have been the product of a dull razor. In fact, as Lovecraft attests, these cuts came from his using a needle and tweezers to pull out the ingrown hairs. This recurring ailment — which did not subside until Lovecraft was well into his thirties — may also have had a negative effect on his perception of his appearance. As late as February 1921, only a few months before his mother’s death, Lovecraft writes to his mother of a new suit that “made me appear as nearly respectable as my face permits.” (S.T. Joshi, I Am Providence)

Athlophoros2