Hitchhiker’s Guide to the Galaxy as cosmic horror

“Douglas Adams’s” Hitchhiker’s Guide to the Galaxy” as a Representative of Cosmic Horror”, a new B.A. undergraduate dissertation, in English from Hungary. Online and public. At first glance it looks short for a final dissertation, but that’s a trick of the formatting — since it does run to 6,000 words. It puts forward an interesting claim that some of this blog’s readers might want to note…

Douglas Adams’s Hitchhiker series is usually labelled as science fiction. [But] Adams abandons the traditional devices of science fiction and because he borrows from cosmic horror, it could be argued that the Hitchhiker series could be considered a representative of cosmic horror.

Listed as relevant factors are:

* “Cosmos as a threatening entity”.
* “Merciful ignorance”.
* “Merciful lack of self-knowledge”.
* “Irony – the effect and technique”.

Howard Days: recording of a panel on the Lovecraft – Howard letters

From 2015, a one-hour panel discussion by scholars of the two-volume A Means to Freedom: The Letters of H. P. Lovecraft and Robert E. Howard.

Part of Ben Freiberg’s fine and seemingly comprehensive collection of recordings of the ‘Howard Days’ panels and speeches. ‘Howard Days’ look excellent and, as as I’m never likely to get to Texas, a big thanks to Ben for placing clear recordings online.

Tentaclii back at No. 1

I’m pleased to see that Tentaclii is back at No. 1 in the Google Search results, for a simple search for lovecraft blog. Not that you’d know that if you were using Bing or even the DuckDuckGo search-engines. Bing seems to ‘black-hole’ Tentaclii, giving the blog a mere one result and nothing in the ‘last month’ filter. And that’s despite my submitting the blog URL when I re-started posting, just before they announced they were shutting down the Bing URL submission service. I can only assume that Microsoft’s bot runs an algorithm that says “Tentaclii = not a proper word, must be a spam-blog” without actually giving the content a sniff.

The Music of Harold Farnese

Harold S. Farnese didn’t write any stories, poems, or articles for Weird Tales, nor was he a cover artist or illustrator. His eight letters published in “The Eyrie,” the letters column of Weird Tales, failed to land him in the top twenty contributors in that category. [Yet he] may have been the first person to adapt a work by H.P. Lovecraft to a form other than verse or prose.

Harold S. Farnese, Part One.

Harold S. Farnese, Part Two.

Harold S. Farnese, Part Three.

Harold S. Farnese, Part Four.

Harold S. Farnese, Part Five.

Harold S. Farnese, Part Six (final part).

From Tellers of Weird Tales. See also his post on “The Lovecraft-Farnese Correspondence” with a new timeline.

“Robert E. Howard, Bran Mak Morn and The Picts”

A curious thing, but welcome. A 54-minute reading of a scholarly essay, in an audiobook style more suited to reading Conan. The essay is by Rusty Burke and Patrice Louinet, “Robert E. Howard, Bran Mak Morn and The Picts”, and it appears to have been recorded because it was part of the Howard collection Bran Mac Morn: The Last King, Del Rey, 2005. Now on YouTube. Backup: Mirror.

Genuine Pictish or Irish brooch, circa 800 A.D. Note the ‘winged ones’ perched around the edge of the design which circles the amber stones…

Shadows Over Baker Street – the worthy stories

Which stories might I want to read in Shadows Over Baker Street, the well-known Sherlock Holmes-Lovecraft mash-up anthology? I rarely glance at such anthologies and, even when I do, I’m not someone who slogs through all stories. Roll on the day we get ‘the Spotify for stories’ and can do our own remix anthologies. In the meantime I just want the best in any given anthology or collection, and am prepared to do 30 minutes of research to find out which stories are deemed the best.

Nor do I care for ‘sidelong stories’, of the sort that often pad anthologies by strapping a minor character into some tangentially connected setting. For instance, Shadows Over Baker Street has a reportedly good story featuring Sebastian Moran on a tiger-hunt in India. But neither the setting or the minor character appeals to me. I don’t read Sherlock Holmes stories for their jungle settings.

Let’s see what the reviews say about the book:—

Baker St. Dozen has a biting review from a sceptical Sherlockian perspective. They only strongly commend the following stories, which use the expected setting and approach:

* Steven Elliott-Altman, “A Case of Royal Blood”.
* Brian Stableford, “Art in the Blood”.

Kirkus has its usual snippy review, though this one is less cutting than usual. They note:

* Neil Gaiman, “A Study in Emerald”.
* Brian Stableford, “Art in the Blood”.
* F. Gwynplaine McIntyre, “The Adventure of Exham Priory”.

The latter is singled out by Kirkus as a “stunning” and “ingenious reworking of the familiar incident of Holmes’s misadventure at the Reichenbach Falls”. An Amazon review also claims it to be darkly comic, if one reads it in the right way.

The Harrow Review has:

* Neil Gaiman, “A Study in Emerald”.
* Steven-Elliot Altman, “A Case of Royal Blood”.
* James Lowder, “The Weeping Masks”.

Innsmouth Free Press singled out:

* Neil Gaiman, “A Study in Emerald”.
* F. Gwynplaine McIntyre, “The Adventure of Exham Priory”.

Note that several of the more fannish reviewers, who I also consulted, also disliked Neil Gaiman’s “A Study in Emerald”. Apparently for its too-whimsical approach. You either love it or hate it, it seems. My own reaction to it takes the form of a short Holmes pastiche story “The Case of the Purloined Prose”.

I then skittered over the Amazon reviews, but failed to spot claims for as-yet un-noticed gems in the collection. F. Gwynplaine Macintyre’s “The Adventure of Exham Priory” did have another bit of acclaim in one such review.


Thus, for those who don’t want to slog through all 480 pages of what is widely regarded as a very patchy collection, Shadows Over Baker Street appears to boil down to…

* Neil Gaiman, “A Study in Emerald”.
* Steven-Elliot Altman, “A Case of Royal Blood”.
* Brian Stableford, “Art in the Blood”.
* James Lowder, “The Weeping Masks”.
* F. Gwynplaine McIntyre, “The Adventure of Exham Priory”.
* Simon Clarke’s “Nightmare in Wax” – this ends the volume, and does get occasional tepid mentions in the reviews.

Only half a dozen. Still, the book is now on Kindle for just 99 pence (about $1.30). Even just for a handful of such crossover stories, that’s not a bad price.


Finally, talking of Cthulhu and Sherlock, avoid this new book series like the plague. Great covers, but bloody awful books from both a Lovecraftian and Sherlockian perspective. And just plain bad writing too.

Revenant: “Fearful Sounds” special issue

A new 2018 issue of the open access journal Revenant: Critical and Creative Studies of the Supernatural is a “Fearful Sounds” special issue on supernatural sonics.

Looking back over the contents of their two earlier issues, I see that the essay “‘Stop All The Clocks’: Elegy and Uncanny Technology” also fits with the same theme, albeit with reference to establishment authors rather than to weird writers.

They have a page offering Guest Editing Opportunities for complete themed issues.

The Art of Mike Ploog

The Art of Ploog (2015), a comprehensive 9″ x 12″ retrospective of the career of a very fine comics artist, who mostly did weird and horror work with an very polished and recognisable style. Still in print, for now. Many will remember Mike Ploog best for drawing The Planet of the Apes, Man-Thing, and his own Weirdworld in the 1970s for Marvel. Also for strips in Heavy Metal and Epic in the 1980s. He was also a storyboarder for the likes of Carpenter’s The Thing and The Dark Crystal.

Original art from Marvel’s Weirdworld.