A Visit with H. P. Lovecraft

Currently for sale at $100 via AbeBooks, Science-Fantasy Correspondent #2 (1937). Containing Bloch’s story “A Visit with H. P. Lovecraft”.

Joshi’s bibliography lists it as “fictional reminiscence” re: its reprint in the book Lovecraft At Last, and comments elsewhere reveal it to be a “hilarious” bit of humorous writing. A little further digging reveals it to have been reprinted more recently in the appendix of H.P. Lovecraft: Letters to Robert Bloch and Others.

An earlier and fuller sales listing for the original zine has found its way to the Amazon description, and this notes…

In the story, Lovecraft is depicted as eating the writer of the story. Lovecraft comments separately “…I seldom eat people alive except for Sunday dinner. As a general thing, I prefer human flesh cooked; and I generally avoid authors as a diet, since they tend to be lean and tasteless.”

Regrettably the story/zine is not scanned and on Archive.org or in the Hevelin online collection. I imagine a crowd-funder for a comics adaptation of it might do rather well.

Call: Archaeology and Popular Culture

Canadian Archaeological Association 53rd Annual Conference, 2020: “Archaeology and Popular Culture”.

This session aims to look at the relationship between archaeology and popular culture.

How has archaeology influenced popular culture (e.g. the influence of archaeologist Margaret Murray’s research on H.P. Lovecraft’s story, “The Call of Cthulhu”)?

How has popular culture influenced archaeology (e.g. the role of Indiana Jones in the origin stories of many archaeologists today)?

How does the appearance of archaeology in various mediums of popular culture influence public perception of our field (e.g. archaeology within video games like The Sims 4: Jungle, Stardew Valley, and the Tomb Raider franchise)?

How can archaeology in popular culture be used to educate the public about our field and the archaeologists within it (e.g. the documentary television show Wild Archaeology)?

And what happens when the archaeology being shared with the public is incorrect, misappropriated, and pseudo-archaeological (e.g. television shows like Ancient Aliens and America Unearthed, books like Chariots of the Gods)?

Strange Tales

I haven’t listened to it yet, but World’s Deadliest Podcast popped up on ListenNotes. A new podcast, and Episode 7 is Strange Adventures with Illustrator and Comic Book Expert Jesse White”. White appears to be a special expert on the art and working methods of John Buscema (Conan and others)…

Jesse has a new Kickstarter for a 1970s style pulp bagazine titled Strange Tales, which will feature an number of adventure stories told in the classic comic-book style. We also discuss John Buscema’s contribution to comic books, and we contrast the differences between the world views of Robert E. Howard and H.P. Lovecraft.

Starblazer

I’m pleased to see that Starblazer has returned, if only as a best-of reprint title. Each volume is an oversized double-issue reprint…

Collating two classic issues from DC Thomson’s archives and blowing them up to full graphic novel size.

Starblazer was the science-fiction sister-title to the UK’s venerable Commando, and ran from 1979-1991.

Deutsche Lovecraft / Lovecrafter

Registration will open soon for the Deutsche Cthulhu Convention in Germany. I spotted a deadline of February 2020 for payment, presumably for a summer 2020 event.

Last noted here very briefly in 2014, the event seems to be a large German Cthulhu convention hosted by the German Lovecraft Society in a castle in Lower Saxony. Their tablet-tastic site doesn’t play nicely with Google Translate, so I can’t quite get a sense of how gamer/scholarly the event’s balance is. But they appear to have some sort of core symposium element.

Finding it made me aware of their Lovecrafter magazine. Here’s the pleasing cover of the July 2018 issue, and paper copies are available by mail-order.

Within are…

* A look at a horror and fantasy fanzine of the 1970s (presumably a German one).

* Lovecraft, the first 50 years – a survey of publishing Lovecraft in Germany, with publisher interviews.

* Fear of the Known – on the myths of Lovecraft in the digital world.

* Between protest and delusion – Cthulthu’s role in 1968.

… and some RPG game stuff.

The Lunatic Plague

I’ve managed to get hold of Wandrei’s I.V. Frost story “The Lunatic Plague” (August 1936). The writing is workmanlike pulp…

In the smoky haze that passed as atmosphere, the outlines of buildings shimmered. The tall apartment houses lining Riverside Drive seemed outlined in flame against the sun and shaken by tremors of earth. New York was suffering one of the annual heat waves that made seven million people wonder why they’d ever arrived at or stayed in that infernal congestion of dirt, detestable odors, torrid humidity, and air, street, and harbor pollution. Inspector Frick punched the bell under a brass plate, green with verdigris that almost concealed the name: I. V. Frost.

Once I got past a certain stiffness felt on the early pages, it proved enjoyable and fast-paced. In a pre Marvel/DC era it must have seemed a very weird plot to many readers used to more mainstream detective-mystery tales. I’m not a DC-fan, but I’d suggest that one might glimpse in this story the pre-DC origins of The Joker (introduced Spring 1940). And the later re-invented Joker, via the obvious surmise of what might have happened had the villain of this story actually made contact with the asylum… and taken it over.

I noted a few possible links with Lovecraft. Frost talks like Lovecraft…

Frost stated, “Insanity as such is not communicable in the sense that various diseases are. However, some infections result in mental derangement, and the person contracting an infection of that kind could loosely be said to have caught insanity as a secondary product of a primary disease. Mob hysteria, war fever, lynch-gang fury, and other mass demonstrations have been considered proof by several psychologists that mental disorders can be contagious, but other authorities have challenged the conclusions. In meanings rather than words, there has not yet appeared the slightest evidence that lunacy can be epidemic, or that a normal person can catch it from a victim of insanity.”

He walks like Lovecraft…

He hiked off, his long legs carrying him out at a pace that would have meant a brisk trot for the average man.

Wry and detached, he appreciates “cosmic” irony like Lovecraft…

Frost smiled at the host of detectives who thronged around him in the Grand Central Terminal. A beatific expression lighted his features, as with secret, supreme appreciation of some cosmic jest. He drawled, “Life is sometimes inspiredly lunatic.”

He even looks somewhat like Lovecraft…

Frost sat on a stool at one of the tables. With his great height and thinness, his ascetic face in profile against a window, he looked like a specter or the incarnation of a bird of prey.

Not having access to the rest of the stories, I can’t say if there are more such Lovecraft-like characterisation of Frost. But it may be something to look out for, if you get the new $50 Frost complete collection.

New books

S.T. Joshi’s blog has updated. On Lovecraft…

Upcoming are the huge volume of Lovecraft’s Letters to Family and Family Friends (the bulk of which consists of his letters to his aunts), a volume of his letters to E. Hoffmann Price and Richard F. Searight, and new editions of the letters to Alfred Galpin and Rheinhart Kleiner, each augmented with letters to several other individuals.

“We have also prepared a new edition of [Samuel] Loveman’s Out of the Immortal Night (2004) — a volume that we thought had included the bulk of his work, but which has now been augmented with a number of additional pieces, along with a long interview of Loveman conducted by a colleague in the 1960s.”

Also what sounds like a useful one-volume collection of Machen’s autobiographical works, now in the public domain…

“I am assembling a volume of Machen’s autobiographical writings (his three formal autobiographies — Far Off Things, Things Near and Far, and The London Adventure, augmented by a few separate essays), as a kind of supplement to my recent edition of Machen’s Collected Fiction.”

One assumes he’s aware of Strange Roads (1924) and will include it.