Weird vectors

Spotted on Archive.org…

They made ploughs in Batavia, New York.

And after a basic fix with Photoshop and some tickling with the desktop version of Vector Magic…

This is at 3k. Feel free to further fix and add to it. It probably can’t be used commercially as it’s a ’20s or ’30s logo on a 1942 catalogue cover. But you could still use it on a local event poster etc. A “weird poetry” performance night, perhaps?

History Notes: Lovecraft in western Johnston

The Johnston Sunrise local newspaper has a strong new “History Notes” article by Mike Carroll, “H.P. Lovecraft – Footsteps in Johnston”. Good local knowledge and extended use of the letters, re: Lovecraft’s visits to “Thornton and Neutaconkanut Hill”, aka “western Johnston”.

The article should be accessible outside the USA (many U.S. local newspapers block all visits from outsiders), but if not then the article is also saved to Archive.org.

In the fall of 1921 he and his aunt Annie headed west from College Hill toward “that remarkable eminence known as Neutaconhaut Hill” (the spelling is H.P.’s). From there he … took note of an observatory built in the Gothic manner that crowned the hill but was in a state of disrepair. This would have been the King Observation Tower built around 1900 by Abbie King [Abbie A. King] as a memorial to her family which was one of the oldest in that section of town. The tower was used by sight-seers before vandals severely defaced the structure. Eventually it burned down. Perhaps it was the same “incipient gangsters” that had handed Lovecraft their math papers [at school].

Neutaconhaut is the spelling in the Letters for what it today called Neutaconkanut, on which the Rhode Island Collections noted… “for Neutaconkanut, Dr Douglas-Lithgow gives sixty spellings”.


The tower is interesting. The Providence Journal called the Neutaconkanut tower an “enduring structure”, and in 1915 said it had been completed “several years ago” by Abbie A. King. But I can find no picture of it in public material. It might suggest an alternative topographical inspiration for the ‘Tower’ fragment, had Lovecraft later revisited it in the 1930s to find it partly blocked up and vandalised. Lovecraft’s removal of it from a hill to the depths of a ravine is no obstacle, since Lovecraft and his circle were adept at that sort of simple inversion for the purposes of storytelling…

“The Round Tower” (extended story-idea fragment by H.P. Lovecraft, unknown date):

“S. of Arkham is cylindrical tower of stone with conical roof — perhaps 12 feet across & 20 ft. high. There has been a great arched opening ( up?), but it is sealed with masonry. The thing rises from the bottom of a densely wooded ravine once the bed of an extinct tributary of the Miskatonic. Whole region feared & shunned by rustics. Tales of fate of persons climbing into tower before opening was sealed. Indian legends speak of it as existing as long as they could remember — supposed to be older than mankind. Legend that it was built by Old Ones (shapeless & gigantic amphibia) & that it was once under the water. Dressed stone masonry shews odd & unknown technique. Geometrical designs on large stone above sealed opening utterly baffling. Supposed to house a treasure or something which Old Ones value highly. Possibly nothing of interest to human beings. Rumours that it connects with hidden caverns where water still exists. Perhaps old ones still alive. Base seems to extend indefinitely downward — ground level having somewhat risen. Has not been seen for ages, since everyone shuns the ravine.”

Zeitschrift fur Fantastikforschung – now Open Access

Zeitschrift fur Fantastikforschung is a twice-yearly German journal on the fantastic and science-fiction, from the German Association for Research in the Fantastic.

They have just taken the journal open access and Creative Commons, although this doesn’t seem to cover the many volumes of back-issues which are available to purchase in paper. The first open access issue is now online.

They have a standing call for submissions, and appear willing to review published books in English. They’re also open to transcribed and translated interviews with major figures, such as one with Tad Williams.

Houdini in Providence

Sold on eBay last week, a ‘Houdini in Providence’ photo-postcard. He is seen here in Exchange Place hanging in a straightjacket from the Evening News building, before a vast crowd. He is identified by the faint red circle on the card. An unreadable date, March 7th 19??, but Houdini scholars who read this blog may be able to supply the year.

In one 1920s letter to his aunts Lovecraft remarks that he never saw a “whole” show by Houdini, so perhaps this outdoor show was what he had seen at this point? Or perhaps he refers to the time of the “Pyramids” story, when he might have been talking with Houdini in his dressing-room while the warm-up acts of the show were happening on stage? Than he would presumably have gone out front into the audience to see the finale?

Update: Thanks to The Joey Zone for supplying the date. 1917, H.P. Lovecraft being then about age 26.

Update: Got a better, larger version, October 2021.

Cryptobotany Books

Three anthologies of tales of strange plants and fearsome fungi, which appear to have been mostly culled from the public domain. Available in paperback as Flora Curiosa, Botanica Deleria and Arboris Mysterius. There appears to be no ebook or audiobook editions.

Amazon also reveals the anthologist to be the editor of a journal titled Biofortean Notes. Volume 4 (2015) of this had a survey of “Cryptofiction: A Renaissance”. Only eight pages, but it may interest fiction writers who want to learn what’s been done up to circa 2014, and those seeking adaptable work. “Crypto” here meaning cryptozoology rather than Bitcoin.

But before you go cashing in your $8k Bitcoin to buy copies of the journal at Amazon’s often rather silly prices, note that BioFortean Notes is currently free in PDF, and there are free issues up to 2018.

Perhaps S.T. Joshi would also welcome a survey of cryptobotany in fiction and graphic novels, from 2000-2020, for his new journal Penumbra?


Loosely connected to the theme is this curious twisted pear, in Lovecraft’s time located at the old Dyer residence near Providence. Lovecraft had the Dyer name in his family tree, so may well have visited and seen it. One thinks of Lovecraft stories such as “The Tree”.

Memoirs of pulpster

New on Archive.org, “A Penny A Word”, being the detailed and lively memoir of an anonymous pulp writer who entered the field circa 1924-26 and spent a decade in it. The memoir appeared in The American Mercury, March 1936.

Who knew Submarine Stories was ever a real title? It appeared early 1929, but six months later ran into the teeth of the Great Depression and is said to have folded after 13 shaky issues. As such, it can’t have appealed to H.P. Lovecraft as a market, even though he had tried his hand at submarine tales in “The Temple”.

Milan Machinima Festival 2020: “The Weird, the Eerie, and the Unreal”

The 2020 theme of the Milan Machinima Festival is to be “The Weird, the Eerie, and the Unreal”. This is the third Italian festival on machinima, celebrating animations and films made with real-time rendering engines (videogame engines, mostly) and bringing the best of such work to the big screen in Milan as part of its Digital Week. The dates are 9th-13th March 2020 in Milan, Italy.

The Secret Adventures of Jules Verne

I’m pleased to discover The Secret Adventures of Jules Verne, a 22-hour series which was the flagship series for HD TV, back in 1998-2000 when HD was a new thing. They cast well, spent $2m an episode, had lots of VFX, and superb and inventive scripts. Judging by the first few episodes it seems it paid off, and is a welcome reminder of the days when TV stories were stories, not an excuse for a string of political lectures.

But who knew there was such a thing, in steampunk? I’d never heard of the show before, despite it being loved by a hardcore of (rather quiet) fans. Part of the reason for that is that the show has never been released on DVD. Comments in old Starlog magazines suggest there was a very poorly promoted HD showing, and one gets the impression that most sci-fi fans had no clue it was even running. Then it was badly converted to film (too dark and muddy), for showing on the American TV channels. At that point the channels could not handle HD, and the result looked disappointing to many. Thus it appears that the old VHS TV captures are all the fans have in 2020. Not ideal, with the sumptuous costumes being an especially regrettable loss — they get smudged into down into a dark haze. But appears to be quite watchable. A very fractious set of investors apparently prevent any new HD release in the 2020s, with the HD masters presumably crumbling away in a vault somewhere.

Starlog #287 (2001) has the best extended magazine article on the series and what it was trying to do.