DeviantArt survey

Another survey of some of the best new Lovecraft art on DeviantArt, since my last look.

The Call of Cthulhu: Tale of Inspector Legrasse by DieNCry.

The Terrible Old Man by tomimt.

Pickman’s Model by nightserpent.

Cthulhu creatures, concept sketch by PRED-ALEX.

Boatman by Gobln.

Hastur, the King in Yellow by hubertspala.

Howard Phillips Lovecraft by Tipthehat.

Howard P. Lovecraft by KipiMichaelis.

And one I missed in the summer, C’mon, Howie -let’s wrassle! by Loneanimator. Imagining what might have happened had Lovecraft and R.E. Howard met in Texas.

Another view of No. 66.

Willis Conover Jr.’s Science-Fantasy Correspondent: One, 1975, with a cover illustration showing the entrance to Lovecraft’s final home at 66 College Street. 100 copies, and no No.2. The substantial ‘zine contained Kenneth Sterling’s “Caverns Measureless to Man” memoir-tribute to Lovecraft, among others.

The pictures above are the best I could find, and are larger than other online copies of the cover. One can thus better discern what appears to be the ‘impression of a ghostly figure’ passing across the hallway. A larger and crisper scan would be more useful here, but the ‘zine is not yet available on Archive.org or the online fanzine archives.

Game for a laff…

A very quick glance at the titles for the usual annual tidal-wave of Lovecraftian videogames, these being those set for the first half of 2020…

* The Innsmouth Case. Hard boiled detectives in Innsmouth, interactive story-based and apparently with “comedy” elements. Cue the “Hmmm, something smells fishy here” jokes.

* World of Horror is a retro text Lovecraft adventure game with b&w manga-style pictures.

* Moons of Madness, Lovecraft in outer spaaacce! A big game delayed from 2019, but promised for 2020.

* Dead Static Drive. A Lovecraftian car-racing game.

* Transient, apparently Lovecraftian cyberpunk. Get ready to strap on your “cosmic radio” headsets.

* It seems the acclaimed The Sinking City is also getting some return-luv as new PC players get past the hate-reviews to find it, and as previous players revisit it with the new gaming PC / graphics-card they got in the January sales. There are also new items for the game such as the long-awaited October 2019 PC patch, free DLC character outfits, and the November 2019 noir reshade mod.

I probably missed a few, but in the absence of a blog-a-list of such things from a hardcore gamer who knows the territory, this’ll have to do.

Also noted in the quick search were tabletop games, such as Fate of Cthulhu, and it seems that the boardgame The Gate of R’lyeh (2019) is gaining ever-more positive reviews.

The Wright stuff

Bobby Derie surveys “Farnsworth Wright’s Favorite Weird Tales”. Lovecraft’s own list is included is the essay, for comparison. The master had trawled his personal file of Weird Tales back-issues, most likely over Christmas 1929/30, and sent the ‘top six’ to Wright in Jan? 1930…

“Beyond the Door” — Paul Suter.
“The Floor Above” — M. Humphreys.
“The Night Wire” — H. F. Arnold.
“The Canal” — Everil Worrell.
“Bells of Oceana” — Arthur J. Burks.

He also remarks “I’d include [Frank Belknap Long’s] “Black Druid” if it were published.”

Discovering H.P. Lovecraft in review

Under their Black Wings has a useful overview review of Discovering H.P. Lovecraft, edited by Darrell Schweitzer, with a focus on “The Derleth Mythos” by Richard L. Tierney.

For those looking for a paper copy I’d add that you should know that there was a “revised and expanded” edition in 2001, so be sure not to get the earlier edition from eBay. Also that the revised edition is now in a budget £3.80 Kindle ebook.

Providence Panorama

Another panorama from Lovecraft’s city, as it was in his youth… and we’re all aware of how he loved his sweeping vistas. One wonders if this was an actual view from a tower, perhaps a view known to Lovecraft, or if a hot-air balloon was involved.

A rather dour picture in b&w, and I’ve done my best to subtly colorise it.

Update: If you want to load up Photoshop, I’ve found a coloured version with better colour…

1937

Dark World Quarterly’s new post “Mark of the Monster: Jack Williamson’s Lovecraftian Lapse” takes a look at the May 1937 Weird Tales cover-story tale “The Mark of the Monster”. Reading it, one glimpses the possibility that editor Farnsworth Wright hoped he had found a somewhat more downmarket and pliable ‘Lovecraft Mk. II’.

But a few issues later the published letters from readers called the cover-story a stolidly written formula shocker, found its clunky ending unworthy of Weird Tales, and observed that the story was… “a blurred carbon copy of late HPL’s classic The Dunwich Horror”. The experiment doesn’t appear to have been repeated.

A few months later one can find Wright trying a different angle on Lovecraft. Tucked away in the back of the August 1937 issue of Weird Tales Wright ran the short and more amusing “The Terrible Parchment” by Manly Wade Wellman. This is not a ‘Lovecraft as character’ tale, though he’s certainly strongly there in the background and is named several times, and there’s a footnote indicating this is a Lovecraft-tribute story. Yet it does feature one of his key creations, The Necronomicon. As such, it would probably merit at least a footnote in a hypothetical “Lovecraft as Character” encyclopaedia.

I suspect there may be more ‘tributes’ and tangential nods like this to be found, before the war broke out and Derleth and his lawyers began firing off warning letters. It might be useful for a future Lovecraft Annual to have a complete survey and chronology of such creative reactions to Lovecraft’s death, April 1937 – summer 1939? I don’t have the collectable source material to be able to do that, but those with a large collection might consider such a thing.

January on Tentaclii

‘Tis the bleak midwinter, and the timbers of Tentaclii Towers drip and shiver in the icy blasts. The mournful wailing of anti-Brexiteers is sometimes heard, far out across the Stoke-on-Trent wastelands as they trudge toward sanctuary in Scotland. But the Towers’ robust truffle-pig herd has been out-and-about… and thus daily posting has resumed here. In January 2020 the blog offered readers a wide range of freshly-snuffled posts, though my in-depth research and reviewing is in abeyance until the early summer. The range of January posts was wide, and as such there’s little coherence for me to pick out here in the usual sort of summary survey.

My thanks again to my Patreon patrons. The monthly total remains stuck at $53 a month, but at least it hasn’t dropped further. This month my patrons have helped fund a purchase of the Lovecraft Annual for 2018 and 2019, bagged at a bargain £15 for both inc. shipping. Half-price, basically. Please encourage others to become my Patreon patrons, if you know of likely Lovecraftians. All it takes is as little as $1 a month.

My patrons have also helped contribute to the cost of my new workstation. This is a decade-old refurbished HP Z600 with 24Gb of RAM and dual Xeon 5670 processors. Originally around the $10,000 mark for a third-generation Z600 circa 2011, they can now be had for £245 including efficient delivery and a cross-over networking cable. They combine a tank-like build-quality with slimline design values (tool-less case and layout, designed by BMW) and should have a decade of life left in them yet. With the original Windows OS and its HP drivers correctly installed the machine is still a beast for those who have specific needs on a very tight budget. Such as a second offline PC as a cheap ‘render farm’ for 3D rendering from Vue 2016, Poser’s Firefly and DAZ’s iRay (contrary to popular belief, iRay can run fine on CPUs). My tests show its 12 cores and 24 render-threads tearing through Vue scenes like it was made for the software, and it does very nicely on iRay too. The Z600 is also still good for junior video-editors in need of a ‘pocket money’ starter rig; and for videogamers on a tight budget who also have a free hand-me-down graphics card for it.

I’m in the Vue/Poser creative camp, and as for videogames I’ll give theHunter and perhaps Morroblivion a try and see how visually buffed and fast they can get. [Update: they chug, because the Z600’s specialist CAD-friendly Quadro graphics-card is both old and not geared for games]. The Z600 purchase was partly enabled by a small bonus from my magazine work, and a surprise $25 from my Lovecraft ‘travel poster’ sales over at RedBubble. After producing a puny total of about $4 in income over the last year, such sales suddenly came to life again. I imagine that someone somewhere was opening a Lovecraft-themed bar for Christmas, and wanted a set of non-gory art posters on the walls. Anyway, there will be a full guide to the Z600 for Vue / Poser / DAZ iRay in the March 2020 Digital Art Live magazine, if you’re interested in such things.

So that’s about it for January 2020 at Tentaclii Towers, apart from my commanding the truffle-pig herd to deck the halls to celebrate our glorious Brexit on the 31st. Hopefully I’ll still be here in February, and won’t have been carried off by either mutinous anti-Brexiteers or the looming plague.