In Quebec

A small commemoration of Lovecraft’s epic trek to and around old Quebec, and also his subsequent extended travelogue and (effectively) guide-book.

Never have I beheld anything else like it, & never do I expect to! … I can scarcely believe that the place belongs to the waking world at all. A mighty headland rising out of a mile-broad river & topped by a mediaeval fortress—city walls of cyclopean masonry scaling vertical cliffs or towering above green table-lands — great arching city gates & frowning bastions — huddles of pointed red-tiled roofs & silver belfries & steeples — archaic lanes winding uphill or lurking in the beetling shadow of precipices…

The walls in landscape context.

Lower and Upper Town, Quebec.

A lane in Lower Town in the 1920s.

View over Lower Town in the 1950s.

Clark Ashton Smith as an early admirer of Tolkien

DMR has a new blog post, “When Klarkash-Ton Read The Book of Westmarch”, musing on precisely why Clark Ashton Smith was an early admirer of The Lord of the Rings, in those fallow decades before the book was properly understood by its early fans or was taken seriously by some perceptive critics. I can add a few useful dates and some historical context, which DMR lacks. For instance, in the year Smith died the reviewer Philip Toynbee in the Observer newspaper (6th August 1961, then a leading UK Sunday newspaper) was pleased to note of Tolkien’s works that… “today these books have passed into a merciful oblivion”. Even when the book gained fans in a big way circa 1966, they often deeply mis-understood it, or just saw its surface layer. Many critics seemed to assume it was set on another planet. Thus Smith would likely have regarded Tolkien as akin to Lovecraft in his then-obscurity and tight cadre of (often befuddled) fans, and without even a Derleth to champion him.

DMR suggests that, in what must have been a close reading, Smith had especially noted Gandalf’s passing revelation — made in the context of the secret council on the Pelennor after the defeat of the Witch King — that Sauron “is but a servant or emissary” of a greater evil. At that time Smith would not have been able to discover more about this unknown master in The Silmarillion, as that monumental book was only published in 1977. Thus Smith was seemingly left free to imagine something very dark and chthonic indeed. Such is the implication of the interview with Smith’s friend, linked in the DMR article.

Also interesting is DMR’s suggestion that Smith might have found a distillation of a rooted ancestral homeland in The Lord of the Rings, since…

As with Tolkien, Smith’s father, Timeus, was an Englishman — and Clark’s mother was of predominantly English stock. Did Timeus Smith imbue his son with an interest in the Green and Pleasant Land?

Timeus Ashton-Smith was apparently the son of a wealthy iron manufacturer, in the years before the transition to steel, and one wonders exactly where his formative years were spent before he became an adventurer? Nothing online can tell me the answer to that. But if he grew up in the industrial West Midlands, then that would give Smith another tie to Tolkien via Birmingham.

DMR adds about another eight very likely points of linkage between Smith and Tolkien, or perhaps a better phrase would be ‘natural sympathy’. I think I’d enjoy reading DMR’s blog post as an expanded and footnoted article in a journal, with a dating framework added and a brief survey of the many “horror” elements in The Lord of the Rings that would have appealed to Smith, something DMR doesn’t mention, from the Barrow Downs to Shelob’s Lair. One might also briefly note how the studied lack of tub-thumping Narnia-style Christianity would have eased Smith’s journey into Middle-earth.

Gallery of Screams 2020

Seemingly on tour in the UK in 2020, “H. P. Lovecraft – A Gallery of Screams 2020”. Including Harrogate Theatres on 6th June 2020…

Adapted and Performed by R. M. Lloyd Parry … who has spent the last 13 years enacting the M. R. James Project, a series of one-man shows based on classic English ghost stories. Here he crosses the Atlantic to pay tribute to James’s exact contemporary — a stranger, sadder man but one with an arguably even greater talent for bringing nightmares to life.

Also to be found in Cheltenham in April, so I’m guessing a ‘early spring to midsummer’ tour of the UK’s theatrical hotspots? The same actor also did the acclaimed The Time Machine a few years ago.

Fanciful Tales

Here’s a crisp look at a Donald A. Wollheim Vol. 1, No. 1 magazine from 1936, with Lovecraft on the cover though without a cover illustration. Presumably Lovecraft had a copies of Fanciful Tales in the mail, as he was still alive at the Autumn/Fall of 1936. This scan is from the facsimile published by Necronomicon Press in 1977.

The issue is on Archive.org in full, albeit with a unsatisfactory and blurry scan, or perhaps it was hastily made by a hand-held digital camera with macro…


Also, Wormwoodiana brings news of a new issue of Biblio-Curiosa, dedicated to articles on “unusual writers” and “strange books”.

DeviantArt survey

Another survey of some of the best new Lovecraft art on DeviantArt, since my last look.

The Call of Cthulhu: Tale of Inspector Legrasse by DieNCry.

The Terrible Old Man by tomimt.

Pickman’s Model by nightserpent.

Cthulhu creatures, concept sketch by PRED-ALEX.

Boatman by Gobln.

Hastur, the King in Yellow by hubertspala.

Howard Phillips Lovecraft by Tipthehat.

Howard P. Lovecraft by KipiMichaelis.

And one I missed in the summer, C’mon, Howie -let’s wrassle! by Loneanimator. Imagining what might have happened had Lovecraft and R.E. Howard met in Texas.