“The Other Lovecraft” by science-fiction author James Blish, written 1964 and seemingly still unpublished.

It appears to be mis-described in the sale listing. The later note appended by the editor says “would have appeared”, not “was” published, in “Epilogue magazine”, and the bundle appears to include an earlier announcement page for the article.

But Epilogue was actually George Zebrowski’s fanzine rather than a regular magazine and it appears to have lasted only three issues… and ended with #3 in summer 1964. I can find no trace of this Blish article on Lovecraft, which had been set to appear in the Halloween issue, and thus have to assume this item has never been published. There’s nothing of it in the Bibliography and no other trace of it.

Judging by what can be glimpsed of the first page, it appears not to be a personal memoir, but who know what lurks on the reverse of the sheet?

More production press-stills on eBay, from The Cry of Cthulhu movie. I had a previous post here on this $7m stop-motion Lovecraft movie from 1977 (set for a 1981 release that never happened). The Cthulhu picture adds a new name to the model makers on the failed project, Robert Skotack, who later worked with James Cameron.

Back in 2012 Tentaclii noted that Horacio Lalia was seeking English licensees and translators for his H.P. Lovecraft comics adaptations. At the time I could only find one book collection of his work, and that not in English.

New to me in 2021, I see that there are now four volumes of Lovecraft comics adaptations from this veteran b&w Argentine comics artist. Three were made for publisher Albin Michel and are now collectable at around £60-80 used, plus a later one for Glenat which is still available at a reasonable price. All were published in French in the French ‘BD’ format.

Lovecraft – La Couleur Tombee Du Ciel (1998)
Lovecraft – Le Grimoire Maudit (2000)
Lovecraft – Le Manuscrit Oublie (2003)
Lovecraft – Les Cauchemars de Lovecraft (2014)

Sadly it appears he never found a way to get an English edition, circa 2012. Possibly the b&w was a hard-sell, at a time when publishers assumed that young audiences needed garish re-colouring if they were to buy comics reprints. But British readers may fondly recall his name from 2000AD and StarLord in the late 1970s and early/mid 1980s. Here is an example from what appears to be his 1970s work, with superb layout and fine penmanship, and another showing the woodcut-like style later used in his Lovecraft adaptations.

A stylish bit of b&w showing Lovecraft, for what appears to be a new Spanish illustrated book by Ziperart, of Cuentos de H.P. Lovecraft. I guess he did sometimes type with his hat on, when the weather was especially cold.

Also of note, though not Lovecraftian, over in Canada the new indie publisher Eye of Newt is growing a small range of quality fantastical art-led books.

The new Froud-alike fairies book launches next summer.

Nice to see a new Lovecraftian videogame that’s a rare thing… a roaring success when first released. At least, a success judging by the spoiler-packed reviews.

Trailed a few months back in Digital Art Live, the first reviews for the new Call of the Sea game are now in…

Call of the Sea is an amazing, albeit short, adventure puzzle game. It’s a fully engrossing experience that’s tense, but not scary, and is the perfect game to show to people if they’re interested in the Lovecraftian genre but aren’t fans of [post-1960s] horror. … the thing I love most about Call of the Sea is that it’s not a horror game, yet it’s fully inspired by the Lovecraftian horror genre. A fully optimized and glitchless package. Out of the Blue Games couldn’t have designed a better game for their debut.” (Gaming Trend review).

Call of the Sea is solid adventure with tons of atmosphere [and] shrouded in mystery and easy to dive into. […] it’s hard to ignore just how challenging and charming the title is. (The Escapist)

Call of the Sea is a gorgeous game. It has more of a cartoony style to it, but the levels are highly atmospheric and feature lovely vistas and beautiful use of vibrant color. The areas also feel lived-in and believable. This is certainly the kind of game where you’ll stop and gawk at the scenery every now and again.” (PC Invasion)

There are puzzles, but apparently seamlessly integrated into the story and not fiendish or illogical (as one knocking ‘review’, seemingly from a leftist anti-fan, would have it). The Games Radar review seems to have it about right, on the puzzles…

The puzzles are beautifully balanced too, not so complex you immediately head to YouTube for a solution feeling like your math teacher was totally right about your failures, but not so easy they feel like last-minute set dressing. … It’s a great story, told with heart, and the perfect narration.

It appears to riff on Lovecraft’s idea at the end of “The Shadow Over Innsmouth”, the one encapsulated in the ideas and plans the “Innsmouth” protagonist has for his cousin in the Canton madhouse, as he spirals up to a new sort of ‘sanity’.

Also ‘fresh from the sea’, New Horror Express interviews film-maker Chad Ferrin on The Deep Ones…

A Lovecraftian horror picture done very much in the 80s mould [… the movie] will be released in the U.S. on 1st May 2021.