‘Picture postals’ from Lovecraft: family carriages and fine views

This week, more on the transport theme. Letters to Family briefly reveals that, as a young boy, Lovecraft and his grandfather used to drive out in a horse and carriage/gig named “Tom”. Evidently they would enjoy getting purposely lost in the country east of Providence…

… we wandered interestingly in the young dusk, and became picturesquely lost — as when Grandpa and I used to get lost driving “Tom” in East Providence — on some unknown height…

The implication here is that, being lost, he and Grandpa would then need to find elevated viewing points to drive up to or halt by, presumably partly to-reorient themselves but also to enjoy unexpected views.

(The above quote is not indexed: in the Index to Letters to Family add “p. 145” to Phillips, Whipple and to Lovecraft, H.P. … and Whipple Phillips).

Not Lovecraft and his grandfather, but evocative of riding “Tom” into a field to enjoy a sunset vista.

These were the days before any substantial automobile ownership, and it would have been very safe and quiet on the roads and lanes. Most likely the field and track gates were only latched, not padlocked as they might be now. The only danger and noise was likely from the occasional fierce farm-dog, but dog training was far better in those days and they were also trained not to spook horses.

What was “Tom”? Possibly Lovecraft’s “Tom” was a large four-seater family ‘city carriage’ with the sides down or off for the better weather, but the type of East Providence backroads and lanes travelled probably meant this was not practical. The roads, especially back-roads on which one might become lost, would not have been as good as today. True, the turnpikes (toll-roads) had been abandoned in Rhode Island by the 1880s, and a decade or two later one could go where one liked. But the patchwork of local upkeep is said to have left much to be desired, being good in places, but poor and uneven a mile further on, then good again. Rhode Island’s famous scientific ‘road surfacing’ experiment was not until 1907. This saw the laying of 14 ‘experimental sections’ to discover which was the best-wearing and most dust-free option. They were, surprisingly, the first such state in the nation to actually do such rigorous tests and the results came in 1909. A simple mix of “tar with natural stone macadam” beat all the fancy expensive mixes that contractors recommended. But the state’s new roads were not laid until after 1909. Thus the pre-tarmac roads encountered by Lovecraft and his grandpa circa 1895-1900 would have been quite varied, especially if one was trying to take a semi-random route in outlying rural districts.

The unpaved road to Warren, in the far south of East Providence.

This means that a city-type carriage was probably not practical. Could there have been another lighter buggy-style carriage? Well we know the family kept several “carriages”, before financial problems meant…

the horses and carriages were sold too, so that I had a gorgeous, glorious, titanic, and unbelievable new playhouse — the whole great stable with its immense carriage room, its neat-looking ‘office’, and its vast upstairs, with the colossal (almost scareful) expanse of the grain loft…

Lovecraft somewhat hazily recalled this loss/gain as being “ca. 1895”, but S.T. Joshi dates the departure of the carriages and live-in coachman-groom a little later…

“when the coachmen left (probably around 1900)” (I Am Providence).

Whatever the dating we can thus be sure there were once several horse-drawn vehicles, hence the large size of the stable. The trips with his grandfather could then equally have been in a lighter runabout gig of the sort seen above. Possibly the formative vista-seeking trips were enjoyed when Lovecraft aged four or five, but if Joshi’s “1900” dating is a better informed guess they may have been a little later, perhaps at age seven or eight.

Anyway the dating of the stable probably does not matter for the dating of the trips. Since I assume that a sixty-something businessman like Grandpa Whipple would have still required hired horse transport to get around, even if he could no longer afford to have it located in the home stable. Experts on the Whipple finances may know more, but my guess is that he retained local access to at least a horse and buggy, even if it had to be hired in from nearby. He also likely retained the local ‘pull’ to borrow one from a friendly neighbour on a fine evening, even if finances were tight.

As quick-eyed photographers know, being on a bicycle (ideally tirelessly electric, or in this case a horse-buggy) enables one to discover exponentially more photographic possibilities than when plodding along on foot. If getting psychogeographically lost on purpose to find “picturesque” sights, Grandpa’s random turnings and likely exploration of spectrally embowered by-ways must have had much the same effect, offering many more ‘picture views’ than for the walker. I assume that the views were not simply for mundane re-orientation after becoming lost, and would have been enjoyed for their own sake.

But I also suspect the apparently random nature of the trips were about more than stacking up the probabilities of finding a really good near-sunset view. Recall, for instance, that his grandfather also gave the boy other forms of training at this time, such as finding his way through what Lovecraft called “a certain chains of dark rooms” to cure his fear of the dark. On a New York walk he recalled that he had also enjoyed becoming purposely lost in the local Cat Swamp as a boy…

Remembering that I had no map & knew nothing of the country, [I went] trusting with chance with a very agreeable sense of adventure into the unknown; just as I used to enjoy getting “lost” on walks around Cat Swamp, East Providence, or somewhere, with you [his aunt], Gramp, or my mother in the early and middle ‘nineties.” Letters to Family, page 421.

These things were also a form of navigation training. Thus getting lost with “Tom” could also have been another form of training, with purposeful random turnings aiming to teach the boy some skills of ‘natural navigation’ (the sort of things now found in best-selling books such as The Natural Navigator). But, if finding the way home at dusk, then also navigation by key stars and the moon. The adult Lovecraft often displayed an aristocrat’s hazy sense of time re: being less than prompt for meetings, but he seems to have had a countryman’s navigational skills. He was able to quickly find his way in situations when his clueless companions had their heads spinning. One suspects that this innate skill was honed early, firstly with his grandfather and later independently on his bicycle.

His grandfather had, once, been a rural man likely to value such skills. There was still at the back of the family horse-stable “the orchard”, which the boy Lovecraft would regularly raid for summer fruit. And there was also a field beside the house which pastured the family cow

… the family cow — a beloved possession reminiscent of the prehistoric Greene days ere my grandfather became an urban dweller.” (Lovecraft, letter to Kleiner)

Again, not actually the boy Lovecraft and the family cow, but somewhat evocative of the likely scene.

It was, he later recalled…

an open field with a stone wall where great elms grew [and] a cow pastured under the gardener’s care. Here, when I was five, they built me a playhouse…

“What’s that you say, kitty..?”

Well, another April Fools’ Day gone. My favorite was Vet Times, which reported… “Tech breakthrough translates cat calls, meows and purrs”. The runner up was the report that French scientists have cross-bred and tweaked banana plants… to grow meaty-tasting sausages instead of bananas. And solar panels that work in the dark, though I think that one’s been done before.

The favourite “not an April Fools’ Day joke” is Project Gemini which revives Gopher, and has built a lightweight texty altWeb with ascii-art and Atom RSS on top. There’s a Windows browser for it and a search engine [gemini://geminispace.info/documentation/searching]. Homepages are ‘capsules’, blogs are ‘gemlogs’. No pictures allowed, except ascii-art [gemini://dgold.eu/17.gmi]. You could probably do dancing hamsters, if you scrolled a page of that stuff fast enough.

Sadly WordPress can’t handle gemini: links, and thus they’re here given [in the WordPress 'code' tags]. But once you have the Gemini browser installed and are at a live gemini: protocol link, your regular Web browser should ask if you always want the Gemini browser to open links of that type. The browser can also handle gopher: links. Bring on the dancing gophers…

March on Tentaclii

I’m pleased to say that Tentaclii Towers has survived the first plague-winter. Not that there was much to survive, other than the lockdown itself. My fairly large electoral area registers just 17 deaths since last March, little more than the usual flu might bring. But now the winter is over and the surrounding rolling acres of inner-city Stoke-on-Trent are looking rather pleasant again, as the early springtime simmers through a string of warm days. A rhyme of magpies performs delightful acrobatics across the wide gravel driveway of the Towers. At night a peculiar smell bubbles up from ripening ponds.

This month my weekly ‘Picture Postals’ post looked at: Lovecraft and the Providence Opera house; discovered that a giant octopus and squid had once hung from the roof of the Brooklyn Museum; climbed aboard a typical motor-coach interior of the early-mid 1930s; and eyed the Museum of Natural History, Roger Williams Park, with particular reference to the ‘cosmic’ Lowell exhibition held there in 1916. As a post for a Patreon patron I also made a quick preliminary survey of ‘Poe’s home places and H.P Lovecraft’, with pictures. There were also photo-surveys which ventured inside both Weird Tales buildings in Chicago, the Dunham Building and then the Michigan-Chestnut, during the prime ‘Lovecraft years’.

I looked briefly at Samuel Loveman’s “young” friend Gervaise Butler and found two candidates. I suspect he is the younger of the two, a Gervaise Butler born 1904. Lovecraft knew him in 1929, and seems to have thought enough of him to have given him a little one-to-one mentoring in early 1929. In return Gervaise gave Lovecraft a scarce anthology of New England children’s rhymes and games. I also took a look for “Bernstein, late of the Golden Ball Inn”, Lovecraft’s alterations tailor in Providence. I found a fine picture of the young Robert Bloch at his typewriter, and new auction pictures of Lovecraft’s poem “Despair” (c. February 1919). I also rescued an engraving of the Ladd Observatory, 1890. I’ve started reading Lovecraft’s Letters to Family, and it should prove a mine of information. More on that and other volumes of letters over the coming months.

In new books I noted the non-fiction guidebook Le guide Lovecraftien de Providence; the revisionist The Emotional Life of the Great Depression from Oxford University Press; and Joshi’s new essay collection Progression of the Weird Tale as an ebook. Over on S.T. Joshi’s blog he noted that “Lovecraft’s Letters to E. Hoffmann Price and Richard F. Searight … will be out soon from Hippocampus.” I also came across an overlooked non-fiction book from 2018, El sonador de Providence. In imaginative works I see that The Last Oblivion: Best Fantastic Poems of Clark Ashton Smith has appeared in an affordable format, and I also took a look at the Sonia/Lovecraft play “Lovecraft, mon amour” which is now being staged in France.

In new resources, I was pleased to find the Spanish comics journal Cuadernos de Comic (CuCo) has issues online from 2013-2020 in open access. Also a Lovecraft-era run of the journal Old-time New England. Elsewhere The Story Paper Collector (1941-66) is now freely available. Which reminds me that we really could do with the run of Lovecraft Studies online in full, at some point.

I surveyed DeviantArt for a choice gallery of recent new pictures of Lovecraft himself, and brought news that Archive.org has loaded up a million Thingiverse 3D models under Creative Commons, thus providing abundant artist reference and source material. Also in art, Lovecraft paperback-cover artist Ian Miller now has prints of the cover-paintings available. In comics I untangled and surveyed the various Toutain-edited and Toutain-sourced comics magazines of the 1970s and 80s, and suggested where one might find these amazing cultural artefacts today.

Not much in games this month, worth noting. The usual flow of indie-student ‘Lovecraft inspired’ games continues, but nothing big or remarkable. In RPGs the German Lovecraft Society has kindly been able to provide Germans with a full Lovecraftian open-source game framework based on Delta Green, which may bear fruit in due course. In the precarious world of movie-making it seems the suddenly ‘greenlit’ Lovecraft trilogy, being two movies set to follow the big-screen success of The Colour out of Space, has now been just as abruptly cancelled. Oh well, ‘easy come, easy go’.

There was very little new in audio this month, but the curious New England field recordings The Swamp In June and The Frog Pond were discovered on Archive.org. On YouTube there was the usual tidal-wave of Lovecraft readings, but in other types of material only a long survey-lecture of Lovecraft’s influence in Chile. In podcasts I find that the PodCatr service has become a lazy moggie and has failed to purr in my ear about the three new Voluminous episodes so far in 2021. Go get ’em.

As always, please consider becoming my Patron on Patreon. Even getting a boost of $1 a month is an encouragement. This month my Patrons have enabled me to grab a £12 bargain in the form of the new expanded Letters To Reinhardt Kleiner and Others (inc. 100 pages of letters and cards to Arthur Leeds), and also to pop the Lovecraft Annual 2020 into the same order for an extra £9. Expect a review in due course.

New book: Le guide Lovecraftien de Providence

French tourists to Providence now have a new guidebook, Le guide Lovecraftien de Providence (2021). So far as I know this is the first since Jean-Christophe Requette’s in 1993, which had b&w photos from the mid 1980s.

From a review in French…

… the first real book in French on the city of the Master. And this is not a guide to Providence, but a Lovecraftian guide to Providence, listing the sites surveyed by the writer or mentioned in his short stories. The book is beautifully presented, with colour photos and numerous quotes from his correspondence and fiction. Everything is soberly written, but with a personal tone that conveys all the passion felt by the editor during her journey. Well done, and and perhaps we will soon see a Lovecraftian Guide to New York City?

Another review specifies that there are…

… four routes carefully prepared by field research in 2018 and 2019, with maps and original photos, quotes, biographical insights, showing you the historical and topographical landmarks.

Which reminds me, now NecronomiCon 2022 is scheduled, that a suitable fundraiser for the convention would be an ebook of Henry Beckwith’s Lovecraft’s Providence & Adjacent Parts. In paper it’s now become a £70 ‘collectable’.

Clark Ashton Smith in Brazil

A new blog post from S.T. Joshi. Among other items of note, two volumes of Clark Ashton Smith are now available in Brazil in translation.

Talking of South America, new on Archive.org under Creative Commons is Les Historietas: Un Survol De La BD Argentine, being a sumptuously illustrated fannish history of Argentine comics and their creators. There are several pages on Breccia and Lovecraft.

Trans: “The tale you have told is terrifying, Malinche…”

Lovecraft, mon amour

Martine Chifflot’s Lovecraft-Sonia stage play “Lovecraft, mon amour” will be staged in Burgundy, France, in September 2021…

It appears to have premiered(? on Zoom?) in March in Clermont-Ferrand, which is smack in the middle of France about 40 miles west of Lyon…

A fantastic theatrical and musical biopic, written for the centenary (1921-2021) of the meeting of H.P. Lovecraft and Sofia Greene Davis, his only wife. The play immerses the audience in American popular music from the years 1920-47. It opens in 1947 when Sonia learns of the passing of her husband H.P. Lovecraft, ten years after his death. This news upsets her and causes memories to flood back. But then a strange feeling grows — Howard is here [to speak to]. From recollections to confidences, these two people reconstruct the course of their thwarted love, so extraordinary and overwhelming. Will Sonia understand Howard [at last]? Is love stronger than death?

The book version of the play appeared in 2018, and was acclaimed by S.T. Joshi…

Update: Apparently there was a “Vichy” date also, now “postponed to 2022”. A first-try “movie of the play” is also being made and said to be “online soon”.

Ian Miller

Ian Miller, cover artist for the British Panther paperback Lovecraft editions, has a new original on sale, “Ghast, dissected” along with a variety of similar pen sketches including Poe illustrations.

Two of the Panther Lovecraft book covers can also be had as large fine-art prints.

The “Haunter” art had to be recreated and is not quite the same as the lost original…

There are also several collectable books…

Subways, street lights and superstitions

More brief notes on interesting items gleaned from Letters to Family

* Lovecraft’s experience of New York City subway travel was likely not the same in 1922 as in 1924-26, due the carriage types. He appears to have been at the cusp of a changeover in the types, from old to modern. In 1922 he remarks on the very old hand-crafted and very large carriages. He preferred travelling on the largest and most palatial of these, and went out of his way to do so.

* Providence had good strong street-lighting at night by 1922, not always the case in comparable provincial cities. Relevant to the inclination to take Providence night-walks, with Eddy and alone.

* In spring 1924 Lovecraft researched and wrote three chapters of a book on “American superstitions”. This was prior to his work for Houdini, and his own Supernatural Literature. There is no footnote detailing the fate of this text, though possibly I’ll encounter more details on later pages. I’d suspect it was later rolled into the Houdini work.