Lovecraft and Michigan

A new question from a Patreon patron: “Did HPL ever mention the U.S. state of Michigan, or its city of Detroit?”


There is nothing to be found in the fiction or poetry, but small gleanings can be picked up elsewhere.

In his youth Lovecraft would have been aware of the astronomy work at the University of Michigan, and he mentions this in his essays “Are There Undiscovered Planets?” (c. 1906) and “Does ‘Vulcan’ Exist?” (also c. 1906 and about an as-yet undiscovered planet)…

Another remarkable ‘discovery’ was that made by Profs. Watson and Swift at Ann Arbor, Mich., during the eclipse of 1878, when both observers pointed out two objects, one as the hypothetical Vulcan

Lovecraft’s uncle Franklin Chase Clark had published a number of articles in the Detroit Medical Journal. Lovecraft also knew some the very early and tangled history of Detroit and noted its ill-fated Governor of the 1790s and his grisly end…

thirteen of the pirate Blackbeard’s men were subsequently hang’d near by — as well as the royal governor of Detroit, Henry Hamilton

This was as gory as some of the 1920s newspaper reporting it seems, The Unique Legacy of Weird Tales noting that…

Throughout the 1920s, newspapers and journals broke stories about alternative religions (almost always labelled as cults) that made extravagant claims about their ability to secure earthly power and riches for their followers. Additionally, tabloid-style papers like the New York Herald claimed that cultists were responsible for a variety of murders and disappearances (for example … a Detroit murder cult).

… and referencing as the source Phillip Jenkins, Mystics and Messiahs: Cults and New Religions in American History (Oxford University Press, 2000).

Lovecraft was later aware of Detroit as the home of the far more mass-murderous automobile cult. For instance, he writes…

Brattleboro came in the dead of midnight. The rail journey was at an end, and five miles of narrow hill road in a Detroit chaise brought me to the isolated Orton dwelling.

Houdini tried to get Lovecraft to visit Detroit, early in their business relationship. But Lovecraft demurred…

Our slippery friend Houdini, who was here early in the month, and rushed me to hell preparing an anti-astrological article to be finished before his departure — a matter of five days … He says he has a devilish lot more for me to do and has been trying to get me to meet him in Detroit at his own expense to talk things over — but I have maintained that I can do business best within sight of my native town’s Georgian steeples.

The amateur journalist and early Lovecraft collaborator Winifred V. Jackson seems to have had a connection, as she was married there for her first marriage. The amateur whose supernatural desert story provoked Lovecraft’s own “The Transition of Juan Romero” was from Michigan, or at least was educated there…

Philip B. McDonald graduated M.E. (Master of Engineering) from Michigan College of Mines. In Lovecraft’s The Conservative, McDonald was stated to be ‘Assistant Professor of Engineering English, University of Colorado’ in July 1918.

“The Transition of Juan Romero” being a quick ‘demo story’ for Lovecraft’s friends, to demonstrate how a ‘total makeover’ revision could be achieved. Hence the unusual desert setting, which had been in the original tale… and which I later discovered to be ‘Area 52’ of UFO fame.

Lovecraft had a late post-1933 correspondent-protege from Michigan, the telegraphist Richard F. Seawright (see Letters to Richard F. Seawright, 1992).

Major amateur journalist meetings were not unknown in the state, and Lovecraft had verbal and written reports from those who attended. Which may also have given him some impressions of the state…

I had an enjoyable visit from our good old colleague Mocrates the Sage [Moe], now on a visit to various eastern points after a sojourn at the Grand Rapids N.A.P.A. Convention.

Amateurs evidently gleaned some linguistic amusement from listening in on the local lingo during such convention visits, and Lovecraft reported that one…

James F. Morton, Jr., lent a climactic touch [to the end of one meeting of amateurs] with some inimitable stanzas on the pronunciation of English as practiced in various centres of culture, including Kalamazoo.

In chronicling the early interest in Lovecraft, S.T. Joshi observed substantial contributions from Detroit…

In 1958 the University of Detroit’s literary magazine, Fresco, devoted an entire issue to works by and about Lovecraft.

There was also Maurice Levy’s Lovecraft: A Study in the Fantastic (1988) from Detroit and the Wayne State University Press.

“Massive locks and ‘Holy Lord’ hinges form matters of importance to those interested…”

Neale Monks has a new review of Robert H. Waugh’s The Monster In The Mirror: Looking For H.P. Lovecraft (2006) in the latest SF Crowsnest

Waugh argues that Lovecraft was strongly coloured by the Baptist religion of his family and Waugh provides numerous examples of how this religious background comes through in his writing. For example, the sheer variety of Old Testament names given to the characters of his novels, such as Asenath and Zadok, can’t simply be ascribed to chance. At the very least, they demonstrate Lovecraft’s knowledge of scripture. Then there are the incidents in Lovecraft’s stories which seem to have Biblical parallels. ‘The Dunwich Horror’, for example, includes not just events, a virgin birth, but also entire sections of dialogue apparently inspired by scripture.

 
At The Dark Man today there’s also another book review, of Robert Weinberg’s The Weird Tales Story: Expanded and Enhanced (2021). I had the original of this pegged as an early fannish history, light on business history, and would probably have got hold of it when The Thing’s Incredible! The Secret Origins of Weird Tales finally comes down in price (or becomes an affordable ebook).

But now The Weird Tales Story has been substantially expanded, and seemingly has a lot more to say about both R.E. Howard and editor Farnsworth Wright…

the book also exudes an almost hagiographic devotion to Farnworth Wright’s tenure as editor.

Right, sounds good to me.

Diablo II

As a fan of Titan Quest I’ve always wanted to play its spiritual great-grandpa Diablo II at a similar level of visual fidelity and polish. Now I’ll finally get the chance. Diablo II Resurrected apparently lands, at least in a ‘final beta’, on 17th August 2021. This being a “full HD remaster of Diablo II”, a single-player PC game which first appeared in 2000. And of course it’s mentioned here because it’s not just another dingy old dungeon-slogger. In what is held up as one of the greatest of games, your isometric adventurer traverses a veritable list of Lovecraft’s loves… a hoary medieval castle; Ancient Egyptian desert tombs; a Baghdad-like Arabian Nights city, sinister tropical jungles; ancient crumbling mountain-top temples… and all apparently “almost completely unchanged from the original Diablo II” other than to HD them. It’s not otherwise said to be Lovecraftian, though later Diablo games did apparently start to introduce Lovecraftian elements. But I would imagine that there may, in time, be Lovecraftian conversion-mods for Diablo II Resurrected.

Lovecraft Studies #8

Need something to tide you over until the new Lovecraft Annual appears? New on Archive.org is Lovecraft Studies #8 (Spring 1984). Not previously available online as a scan, it seems.

Contents:

* “Demythologizing Cthulhu” by Robert M. Price. (Asking how seriously did Lovecraft take his creations, and how did he demythologise them as time went on?)

* “The Dunwich Chimera and Others” by Will Murray. (Possible undetected influence of classical myth on Lovecraft’s creations?)

* “Cthulhu’s Scald: Lovecraft and the Nordic Tradition” by Jason Eckhart. (Possible undetected influence of Nordic myth on Lovecraft’s creations?)

* “Lovecraft in the Foreign Press, 1971-1982” by S. T. Joshi.

Short reviews:

H.P. Lovecraft, Bloodcurdling Tales of Horror and the Macabre (Ballantine).

H.P. Lovecraft, Uncollected Prose and Poetry (Necronomicon Press).

Cover by Jason Eckhart.

Weird pops

Pulp Flakes pops the covers open on a pop-up book inspired by readers of Weird Tales magazine…

More details at maker Hannah Batsel’s page.

Talking of making and magazines and interactivity… some of my readers, those who are writers or in publishing, may be interested to know that the venerable DTP software QuarkXPress is well and truly back. I recently took a look at it and was pleased to find it very mature, with annual updates since 2015. It’s a one-time purchase of about £360 (disguised as an annual subscription, but you get to keep it after a year even if you cancel). In fact, it’s better than that… the latest QuarkXPress 2021 is now 50% off for August. Which means if you’re quick you can get top-class professional DTP and ebook software for £181.

Its key feature is now absolute reproduction of a DTP print layout in Web browser-friendly HTML5. Plus support within that for animated elements (slide-ins, slow zooms into pictures) and looping animated GIFs and now SVGs. HTML5 is something no key competitors have natively, with the cheap-but-capable Affinity Publisher and Microsoft Publisher having no HTML5 export at all, and Adobe InDesign (subscription) requiring a third-party plugin (subscription) to export HTML5 layouts. As such the QuarkXPress 2021 free-trial is one to look at if you want to make a device-responsive online magazine with print-like layout plus full interactivity, with full control over content and no subscription-shackle or reliance on a cloud-service that could go ‘pop’ or cancel you at any moment. Of course, you can also export the usual .PDF file too, along with new-fangled tablet and ebook reader formats and suchlike.

I have no connection with the makers, it’s just sheer co-incidence that I very recently took a deep-dive into the ‘state of DTP’. I wanted to discover what’s currently possible with embedding creative animation in the magazine format. I came away from the research very lukewarm about the open-source offerings (LibreOffice Draw, Sigil, Scribus). The paid QuarkXPress came out the obvious winner for perfectly exporting fixed layouts to Web browsers in HTML5 and for having a one-time purchase.

July on Tentaclii

The Great British Summer lasted all of a week here, as usual, with temperatures nicely nudging above 80 degrees each day — while our increasingly ridiculous Met Office sternly warned daily of ‘extreme’ weather. Perfectly normal summer temperatures are not extreme. It’s all vanished now, of course. The mighty walls of Tentaclii Towers are once again bathed in cool rains.

Thanks to my loyal Patreons, who this month helped me restore the Lovecraft Panther paperbacks I had as a lad. These were almost my first encounter with Lovecraft but were lost in 1990s. I’ve now bagged the three key books for a pittance, and yet they are also in excellent condition. It was ‘now or never’, given their increasing scarcity and silly prices. Drool-worthy macro photos are coming soon, possibly for my Patreons only.

Not many new Lovecraft discoveries on Tentaclii this month, but I did find a picture of The Bijou on Westminster St., Providence, which seems to me the most likely candidate for Lovecraft’s cinema ticket-selling job. A new Arthur Leeds article was also found, on movie special effects, along with others newly arrived on Archive.org. Lovecraft’s friend Leeds had been a studio executive before the movie industry moved from New York City to California, a move which left him and McNeil, Dench and Houtain all high-and-dry.

Talking of movies, The Green Knight is a long and fairly faithful adaptation of the supernatural classic. The movie is now widely available in the USA and is being well reviewed. If you’re curious about the background to it, then you want my book Strange Country: Sir Gawain in the moorlands of North Staffordshire. Sadly the movie has been pulled from cinemas here in the UK, where it was due to screen on 6th August.

S.T. Joshi’s blog brought the titles for the forthcoming final books containing Lovecraft’s letters, and also the welcome news that Mark Griffin is making a combined index to all the published letters. In new Lovecraft-related books, I noted the greatly expanded new edition of Out of the Immortal Night: Selected Works of Samuel Loveman, and Born under Saturn: The Letters of Samuel Loveman and Clark Ashton Smith, both of which appear to be set to ship relatively soon — September. Also noted was the hardback for Collected Letters of Robert E. Howard, Volume 1, shipping now.

Tentaclii did not feature a great deal of my research on Lovecraft this month, as I’m taking a bit of a break from that. But my “Notes on Letters to Family, Vol. II – part two” did appeared, and part three may be posted in a week or two. I also mused briefly on Lovecraft’s interest in glands.

Several useful scholarly sources for movies were noted, including the movie-history search tool Lantern and a full searchable run of Variety 1905-2017. I also found the open journal Victorian Popular Fictions. The Tolkien journal Mallorn is also now open, though with a two-year paywall for members. These and others have been added to my JURN search-engine for open-access arts & humanities journals (and now much more). JURN has also had its usual midsummer overhaul and update on the back-end.

Newly arrived on Archive.org I spotted Frank Gruber’s collectable pulp industry memoir The Pulp Jungle, and a readable copy of the Lovecraft-inspired The Werewolf of Ponkert. Also the uploading of a run of microfilmed Popular Mechanics 1902-2016, among which I found an interesting item on infra-red photography — perhaps a partial inspiration for “The Colour Out of Space”. Other new arrivals there were more scans of Derleth’s Arkham Sampler, Popular Astronomy for 1893-1951, and Midwest Folklore 1951-1964 which may interest R.E. Howard scholars. I was pleased to see more issues of Famous Monsters of Filmland arrive there too, and it looks like Archive.org must now be nearing a complete set. Wilum Pugmire, who was once forced by his parents to burn his precious collection of Famous Monsters, must be smiling somewhere.

Not much in podcasts and audio this month, and I imagine several people are holding items back and waiting for Lovecraft’s birthday in August. But I did link to “Howard Days 2021 – all audio recordings”.

In art, I made not one but two surveys of new and Lovecraft-y art on DeviantArt. By chance I found some nice old creepy woodcuts of Newport, a favourite haunt for Lovecraft. I showed these here and rectified/upscaled one of them. I was also pleased to see several new stop-motion Lovecraftian animations, including “The Other Gods”. A ComicCraft sale was noted, and the horror fonts pointed out.

Also in comics, this month I produced a bumper edition of VisNews with a long Kristian Donaldson (The Dark, Supermarket) interview, as well as a bumper “Oceans” issue of the free Digital Art Live magazine. Lovecraft did not make it to the final cut of the DAL Gallery, but he’ll be in the Halloween issue. The “Oceans” issue of DAL should be out in a few days, as I’m not the one who gets to press the ‘publish’ button on it.

I’m pleased to say I’ve now effectively completed the rescue of my old failed PC and have worked through nearly all of the required software wrangling. I had been running the ancient Linkbot Pro link-checking software and the FeedDemon RSS reader software, but I find that SEO Spider and QuietRSS are fine replacements. The new SSD drive is proving very enjoyable in terms of speed, as is my XP-PEN Artist 22 (2021 2nd Gen, a magazine review-unit) draw-on-the-screen monitor. Thanks again to my Patreons for helping out at a difficult time and helping to fund this vital SSD purchase.

If you can spare a few dollars a month via Patreon, please, it really does help me out. Many thanks.