Lovecraft and Michigan

A new question from a Patreon patron: “Did HPL ever mention the U.S. state of Michigan, or its city of Detroit?”


There is nothing to be found in the fiction or poetry, but small gleanings can be picked up elsewhere.

In his youth Lovecraft would have been aware of the astronomy work at the University of Michigan, and he mentions this in his essays “Are There Undiscovered Planets?” (c. 1906) and “Does ‘Vulcan’ Exist?” (also c. 1906 and about an as-yet undiscovered planet)…

Another remarkable ‘discovery’ was that made by Profs. Watson and Swift at Ann Arbor, Mich., during the eclipse of 1878, when both observers pointed out two objects, one as the hypothetical Vulcan

Lovecraft’s uncle Franklin Chase Clark had published a number of articles in the Detroit Medical Journal. Lovecraft also knew some the very early and tangled history of Detroit and noted its ill-fated Governor of the 1790s and his grisly end…

thirteen of the pirate Blackbeard’s men were subsequently hang’d near by — as well as the royal governor of Detroit, Henry Hamilton

This was as gory as some of the 1920s newspaper reporting it seems, The Unique Legacy of Weird Tales noting that…

Throughout the 1920s, newspapers and journals broke stories about alternative religions (almost always labelled as cults) that made extravagant claims about their ability to secure earthly power and riches for their followers. Additionally, tabloid-style papers like the New York Herald claimed that cultists were responsible for a variety of murders and disappearances (for example … a Detroit murder cult).

… and referencing as the source Phillip Jenkins, Mystics and Messiahs: Cults and New Religions in American History (Oxford University Press, 2000).

Lovecraft was later aware of Detroit as the home of the far more mass-murderous automobile cult. For instance, he writes…

Brattleboro came in the dead of midnight. The rail journey was at an end, and five miles of narrow hill road in a Detroit chaise brought me to the isolated Orton dwelling.

Houdini tried to get Lovecraft to visit Detroit, early in their business relationship. But Lovecraft demurred…

Our slippery friend Houdini, who was here early in the month, and rushed me to hell preparing an anti-astrological article to be finished before his departure — a matter of five days … He says he has a devilish lot more for me to do and has been trying to get me to meet him in Detroit at his own expense to talk things over — but I have maintained that I can do business best within sight of my native town’s Georgian steeples.

The amateur journalist and early Lovecraft collaborator Winifred V. Jackson seems to have had a connection, as she was married there for her first marriage. The amateur whose supernatural desert story provoked Lovecraft’s own “The Transition of Juan Romero” was from Michigan, or at least was educated there…

Philip B. McDonald graduated M.E. (Master of Engineering) from Michigan College of Mines. In Lovecraft’s The Conservative, McDonald was stated to be ‘Assistant Professor of Engineering English, University of Colorado’ in July 1918.

“The Transition of Juan Romero” being a quick ‘demo story’ for Lovecraft’s friends, to demonstrate how a ‘total makeover’ revision could be achieved. Hence the unusual desert setting, which had been in the original tale… and which I later discovered to be ‘Area 52’ of UFO fame.

Lovecraft had a late post-1933 correspondent-protege from Michigan, the telegraphist Richard F. Seawright (see Letters to Richard F. Seawright, 1992).

Major amateur journalist meetings were not unknown in the state, and Lovecraft had verbal and written reports from those who attended. Which may also have given him some impressions of the state…

I had an enjoyable visit from our good old colleague Mocrates the Sage [Moe], now on a visit to various eastern points after a sojourn at the Grand Rapids N.A.P.A. Convention.

Amateurs evidently gleaned some linguistic amusement from listening in on the local lingo during such convention visits, and Lovecraft reported that one…

James F. Morton, Jr., lent a climactic touch [to the end of one meeting of amateurs] with some inimitable stanzas on the pronunciation of English as practiced in various centres of culture, including Kalamazoo.

In chronicling the early interest in Lovecraft, S.T. Joshi observed substantial contributions from Detroit…

In 1958 the University of Detroit’s literary magazine, Fresco, devoted an entire issue to works by and about Lovecraft.

There was also Maurice Levy’s Lovecraft: A Study in the Fantastic (1988) from Detroit and the Wayne State University Press.

“Massive locks and ‘Holy Lord’ hinges form matters of importance to those interested…”

Neale Monks has a new review of Robert H. Waugh’s The Monster In The Mirror: Looking For H.P. Lovecraft (2006) in the latest SF Crowsnest

Waugh argues that Lovecraft was strongly coloured by the Baptist religion of his family and Waugh provides numerous examples of how this religious background comes through in his writing. For example, the sheer variety of Old Testament names given to the characters of his novels, such as Asenath and Zadok, can’t simply be ascribed to chance. At the very least, they demonstrate Lovecraft’s knowledge of scripture. Then there are the incidents in Lovecraft’s stories which seem to have Biblical parallels. ‘The Dunwich Horror’, for example, includes not just events, a virgin birth, but also entire sections of dialogue apparently inspired by scripture.

 
At The Dark Man today there’s also another book review, of Robert Weinberg’s The Weird Tales Story: Expanded and Enhanced (2021). I had the original of this pegged as an early fannish history, light on business history, and would probably have got hold of it when The Thing’s Incredible! The Secret Origins of Weird Tales finally comes down in price (or becomes an affordable ebook).

But now The Weird Tales Story has been substantially expanded, and seemingly has a lot more to say about both R.E. Howard and editor Farnsworth Wright…

the book also exudes an almost hagiographic devotion to Farnworth Wright’s tenure as editor.

Right, sounds good to me.

Diablo II

As a fan of Titan Quest I’ve always wanted to play its spiritual great-grandpa Diablo II at a similar level of visual fidelity and polish. Now I’ll finally get the chance. Diablo II Resurrected apparently lands, at least in a ‘final beta’, on 17th August 2021. This being a “full HD remaster of Diablo II”, a single-player PC game which first appeared in 2000. And of course it’s mentioned here because it’s not just another dingy old dungeon-slogger. In what is held up as one of the greatest of games, your isometric adventurer traverses a veritable list of Lovecraft’s loves… a hoary medieval castle; Ancient Egyptian desert tombs; a Baghdad-like Arabian Nights city, sinister tropical jungles; ancient crumbling mountain-top temples… and all apparently “almost completely unchanged from the original Diablo II” other than to HD them. It’s not otherwise said to be Lovecraftian, though later Diablo games did apparently start to introduce Lovecraftian elements. But I would imagine that there may, in time, be Lovecraftian conversion-mods for Diablo II Resurrected.

Lovecraft Studies #8

Need something to tide you over until the new Lovecraft Annual appears? New on Archive.org is Lovecraft Studies #8 (Spring 1984). Not previously available online as a scan, it seems.

Contents:

* “Demythologizing Cthulhu” by Robert M. Price. (Asking how seriously did Lovecraft take his creations, and how did he demythologise them as time went on?)

* “The Dunwich Chimera and Others” by Will Murray. (Possible undetected influence of classical myth on Lovecraft’s creations?)

* “Cthulhu’s Scald: Lovecraft and the Nordic Tradition” by Jason Eckhart. (Possible undetected influence of Nordic myth on Lovecraft’s creations?)

* “Lovecraft in the Foreign Press, 1971-1982” by S. T. Joshi.

Short reviews:

H.P. Lovecraft, Bloodcurdling Tales of Horror and the Macabre (Ballantine).

H.P. Lovecraft, Uncollected Prose and Poetry (Necronomicon Press).

Cover by Jason Eckhart.

Weird pops

Pulp Flakes pops the covers open on a pop-up book inspired by readers of Weird Tales magazine…

More details at maker Hannah Batsel’s page.

Talking of making and magazines and interactivity… some of my readers, those who are writers or in publishing, may be interested to know that the venerable DTP software QuarkXPress is well and truly back. I recently took a look at it and was pleased to find it very mature, with annual updates since 2015. It’s a one-time purchase of about £360 (disguised as an annual subscription, but you get to keep it after a year even if you cancel). In fact, it’s better than that… the latest QuarkXPress 2021 is now 50% off for August. Which means if you’re quick you can get top-class professional DTP and ebook software for £181.

Its key feature is now absolute reproduction of a DTP print layout in Web browser-friendly HTML5. Plus support within that for animated elements (slide-ins, slow zooms into pictures) and looping animated GIFs and now SVGs. HTML5 is something no key competitors have natively, with the cheap-but-capable Affinity Publisher and Microsoft Publisher having no HTML5 export at all, and Adobe InDesign (subscription) requiring a third-party plugin (subscription) to export HTML5 layouts. As such the QuarkXPress 2021 free-trial is one to look at if you want to make a device-responsive online magazine with print-like layout plus full interactivity, with full control over content and no subscription-shackle or reliance on a cloud-service that could go ‘pop’ or cancel you at any moment. Of course, you can also export the usual .PDF file too, along with new-fangled tablet and ebook reader formats and suchlike.

I have no connection with the makers, it’s just sheer co-incidence that I very recently took a deep-dive into the ‘state of DTP’. I wanted to discover what’s currently possible with embedding creative animation in the magazine format. I came away from the research very lukewarm about the open-source offerings (LibreOffice Draw, Sigil, Scribus). The paid QuarkXPress came out the obvious winner for perfectly exporting fixed layouts to Web browsers in HTML5 and for having a one-time purchase.