Jeffrey E. Barlough

I’m pleased to discover, via an ancient aside on an Archive.org fanzine, a Lovecraftian author of quality who was completely unknown to me.

Jeffrey E. Barlough produced a well-regarded trilogy in the 1990s and early 2020s, and has followed it up with a regular series of books. Anchorwick is a kind of prequel and said to be the best to start with, though The House in the High Wood has an affordable ebook.

The setting is an alternate history in which the last Ice Age never ended and our current interglacial warm period never arrived. A sliver of the olde British civilisation that managed to emerge now clings on down the coastline of North America. Surrounded by Ice Age megafauna, no less. A gaslamp/steampunk blend of Sherlock Holmes and Lovecraft, but with an appealing-sounding dash of eccentric and imaginative whimsy added to the mix.

Sadly no audiobook version, despite the avid fan-base, or even other ebook editions. His website has the full list for the Western Lights series

Dark Sleeper (2000)

The House in the High Wood (2001)

Strange Cargo (2004)

Bertram of Butter Cross (2007)

Anchorwick (2008)

A Tangle in Slops (2011)

What I Found at Hoole (2012)

The Cobbler of Ridingham (2014)

Where The Time Goes (2016)

The Thing in the Close (2018)

Hooting Grange (2021)

Rose of Picardy (in preparation)

“Our Empire’s Story, told in Pictures”

The new Arthur Harris letters (found in the new revised/expanded edition of the Lovecraft-Kleiner letters) reveal the exact details of the British historical survey books which Lovecraft so enjoyed circa the mid-1930s. He found four of this set at 10 cents each, while browsing for bargains before Christmas 1934 in the Providence branch of the Woolworth Store.

He reveals to Harris that the set was edited by one C.W. Airne, and published from Manchester by Sankey, Hudson & Co. They were thus not, as I had assumed by the description that Lovecraft gave to another correspondent, the wonderful Everyday Life / Everyday Things series by the Quennells.

With the editor’s name in hand one can thus discover that Airne edited the following series, with the overall title of “Our Empire’s Story, told in Pictures”:

1. The Story of Prehistoric & Roman Britain Told in Pictures.

2. The Story of Saxon and Norman Britain Told in Pictures.

3. Medieval Britain, Told in Pictures.

4. Tudor & Stuart, Hanoverian & Modern Britain, Told in Pictures.

5. Our Empire’s Story, Told in Pictures.

About 64 – 66 pages in each, containing “450 to 600 captioned illustrations”. Undated internally.

At Christmas 1934 Lovecraft only lacked the last in the series — “the Empire outside Britain” as he termed it — in his personal library. He tells Harris that he was striving to obtain that missing title for his set. Harris found the same set in his British Woolworth, on Lovecraft’s recommendation.

An Abe listing reveals there were also two later titles in the same series, one seemingly published during the war and thus after Lovecraft’s death:

6. Britain’s Story (to 1930’s).

7. Britain’s Story Revised (to 1943) (possibly issued 1944?).

Amazon appears to reveal a 1953 post-war addition:

8. Our Empire’s Story Told in Pictures (1953, revised)

Possibly 7. was a revised and expanded version of 6. And 8. was a post-war revision of 5.

Listed in the copy of Lovecraft’s Library I have, under “Airne” there is only Our Empire’s Story, told in Pictures, as if a single 64-page booklet. The series titles are not then sub-listed. Either Lovecraft had lent out the others in the series by 1937, or the initial cataloguer gave only the series title to save time and assumed a professional bookseller would figure out what the item was.

Variant covers on Abe and eBay show one edition with striking colour covers, possibly for the British gift market.

Though I suspect that the 10-cent Woolworths copies may well have been cheaper run-ons with lesser covers. Although it should be said that other seemingly-early-and-cheap variant covers can be found.

There is no publication-history of the series that I can find, only one blog post that hunts for racism… but the highlighted item is a page on the history of Rhodesia which fails to say anything bad about Cecil Rhodes (founder of Rhodesia).

Only one of the series is currently on Archive.org (linked above) and it seems to be quite an early edition of the first book in the series. (Update, April 2023: two more added, see links above).

I see that Airne’s similar 66-page photographic Castles of Britain is also on Archive.org, and this would have delighted Lovecraft had he seen it. Though it very regrettably omits the central Midlands. I recall from my work on Mary Howitt that the central Midlands were effectively erased (for some unknown reason) from her publisher-led project Ruined Abbeys and Castles of Great Britain (1862), and the effect may have cascaded though later books. Certainly it seems strange that the Gawain scholars so thoroughly overlooked Alton for over a century.

Airne also produced at least one other in the ‘In Pictures’ series, Animals of the World Told in Pictures.

Forthcoming: Dead Season

At last, Claveloux and Zha’s classic Dead Season (aka “Off Season”) in a good English edition. March 2022, apparently.

Possibly inspired by a dream Lovecraft had. In the Selected Letters he notes a somewhat similar dream of Providence…

the street car that went by night over a route that had been dismantled for six years, & that lost five hours in climbing College Hill. Finally plunging off the earth into a star-strewn abyss & ending up in the sand-heaped streets of a ruined city which had been under the sea.

The cover forebodes a new digital colouring, complete with yellow faces, but hopefully the interior will be in black and white. It’s also to be found in late 1970s issues of Heavy Metal magazine.

Great Books podcast: “The Call of Cthulhu”

The National Review magazine’s Great Books podcast is this week Episode 199: ‘The Call of Cthulhu’ by H.P. Lovecraft

John J. Miller is joined by Paul LaFarge of Bennington College to discuss H.P. Lovecraft’s “The Call of Cthulhu”.

Who is LaFarge? He turns out to be the author of a complex ‘what if?’ Barlow-as-character novel The Night Ocean (2017). Another one I missed in the Tentaclii hiatus, then. The only non-Amazon / non-paywall full review I can immediately find by search is by The Hysterical Hamster. Warning, the review has lots of plot spoilers.

Lovecraft in the Argentine

Michel Houellebecq’s early Lovecraft essay is now available in translation in Argentina, and this triggers a local newspaper to note that a copy of the Necronomicon once resided at the University of Buenos Aires, and that the nation’s favourite son Jorge Luis Borges was influenced by Lovecraft. The translation gets colloquially fuzzy from that point on, but seems to imply that Borges once faked and placed a library card for the Necronomicon in the national library card catalogue (libraries used to be indexed with long wooden boxes of paper-cards, kids). What follows then appears to be an amusingly scattergun Borgesian attempt to link Lovecraft with the apparently well-known local pop-singer Gustavo Cerati, so perhaps the article is not quite to be taken at face value.