‘Picture Postals’ from Lovecraft: the Providence Woolworth’s

This week, another of my peeps through the door of a store, cafe or soda-bar known to Lovecraft. The Providence Woolworth or Woolworth’s was once a world-famous and much-loved budget department store chain. Here we see the wider urban context for the Providence store. It was just around the corner from the Biltmore Hotel and thus in the centre of the city…

Here we see what the blue-grey ‘tower’ was. The Woolworth building was also next to City Hall, and the store had a similar but presumably less salubrious “Kresge’s 5 & 10c” store opportunistically tagged on behind it.

This store was where, we now know from Letters to Family, Lovecraft acquired his nearly complete set of Our Empire’s Story, told in Pictures. As I wrote earlier…

He found four of this set at 10 cents each, while browsing for bargains before Christmas 1934 in the Providence branch of the Woolworth Store.

We might then assume that in the depths of the Great Depression he found some regular enjoyment in browsing here for small ‘micro bargains’, as people do in a recession, and he likely paid special attention to things like the stationery, budget reprint books, pencils and the sort of bargain candy that Woolworths was once famous for. We definitely know that the 20th century’s all-time champion letter-writer found his envelopes there circa springtime 1934, having finally run out of the supply he had from his friend Kirk. He wrote to Helen Sully in May 1934…

I may reply that the containing envelope (an honest product of my philanthropic stationer-in-chief, Mr. Frank Winfield Woolworth) is infinitely less likely to succumb to disintegration than were the ageing reliquiae of the (to my old correspondents) famous George W. Kirk charity stationery which I have been using for 9 years.

I Am Providence observed the pitiable poverty that lay behind such budget purchases…

In late 1935 we even read of Lovecraft having to conserve on ink: he felt unable to make repeated purchases of his usual Skrip ink, at 25¢ a bottle, and was trying to get by on Woolworth’s 5¢ brand.

In a letter to Rimel at the same time we learn he also uses the Woolworths writing pads and finds they agree tolerably well with his pen and the ink.

Here is a detail from an over-painted card of circa 1940, its impossibly gaudy colours toned down, which broadly indicates Lovecraft’s view on approaching the Providence Woolworth’s on foot…

And another of the same building, perhaps 20 years earlier and from further back…

As one approached, the quality of the window dressing in the various show-windows would attract the eye and would probably cause Lovecraft to linger in front of those showing books. Here we see a typical Woolworth’s children’s book selection for Christmas, with books priced at 25 and 10 cents, and one item vaguely akin to Lovecraft’s Our Empire’s Story 10-cent books.

Since Lovecraft was keen to assure his Welsh correspondent (Harris) that the Our Empire’s Story illustrated books were also valuable as visual reference for adults, we might assume they were marketed to children and thus stocked in the children’s books section of the Woolworth store. In those days an old gent could browse a children’s section alone, without security guards being summoned. He elsewhere notes that books of other types might be found there… “Very fair atlases can be obtained at Woolworth’s”.

There were also displays of goods in the recessed main entrance. As seen below, their Providence store promoted the latest hit music records in this way. Lovecraft’s lowbrow musical taste would likely feel right at home here.

The store may have glittered like this but he liked “Frank’s” lack of pomposity, as evidenced his “To a Sophisticated Young Gentleman” poem (1928). In this he remarked that young Long was as… “devoid of Pomp as Woolworth’s”.

Ken Faig has recently identified “Frank’s” as Lovecraft’s sometime name for Woolworth’s. Evidently the master whimsically felt as if Mr. Frank Winfield Woolworth were a sort of capitalist philanthropist-magician, personally conjuring up for impoverished old gents their affordable boxes of envelopes, 5-cent ink-bottles, 10-cent illustrated history books and atlases, and occasional bags of chocolate creams.

Sonic blasters… and how to avoid them

A note on Asimov’s Foundation series in the BBC audio of 1973. Available on Archive.org, which some may be downloading about now in order to complete the story as the author intended, now the ongoing TV series is getting such poor reviews. The BBC’s ‘Radiophonic’ electronic music was found deafeningly loud by many, compared to the series dialogue.

I’ve found a more suitable way of listening to it, on headphones. Simply get the free AIMP Player, and then use its “Headphones” preset. Presumably this emulates more closely a typical 1970s kitchen-radio speaker, as in the original audio broadcast. The preset dampens the sharps of the music enough (the BBC’s Radiophonic Workshop, at their most future-dissonant) to make it quite listenable. Just tweak the graphic equaliser settings.

Weird Swords and Sandals

Nicholas Diak has a new post that holds up the classic era of European ‘sword-and-sandals’ films to be an unappreciated genre. Mostly these were Italian-made in the 1950s and 1960s, historically themed and relatively authentic and traditional, akin to westerns in the USA. But made before the Italian turn to the ‘spaghetti-westerns’. Diak is an enthusiast who celebrates…

“a new breed of “Criterion-esque physical releases” from “Justin Decloux’s Gold Ninja Video label, an independent boutique label that strives to give the Criterion treatment to forgotten, obscure, and public domain films”

Criterion being buff shorthand for ‘lots of extras, featurettes and commentary’. The latest release being…

a supplemental-laden edition of Marino Girolami’s Fury of Achilles (1962)” … “a good introduction to the genre” though only available now in a 16mm print … “With over 300 titles in the sword-and-sandals canon, Decloux states that finding an entry point into the genre can be problematic. [His first featurette on the disc] proffers eight titles and explains what makes each of them a stand-out film.” His next featurette on the disc… “‘Weird Swords and Sandals: A Video Essay’ has Decloux disclosing a few noteworthy peplum [Italian] films that has weird or fantastique elements, such as giant monsters and magic.

Sounds like one for the collection of some Tentaclii readers, who will probably also want to get onto the Gold Ninja mailing-list.

Elsewhere, John Coulthart surveys Ray Harryhausen’s swords and sorceries, noting the dim prospect for anything similar today…

Epic fantasy is no longer as untouchable as it used to be following the screen success of the Tolkien and George R.R. Martin franchises, but sword and sorcery remains mildly disreputable…

New book: Tour de Lovecraft: The Destinations

It appears that Kenneth Hite’s Tour de Lovecraft: The Destinations has been published at last, after seemingly being trailed for countless aeons. As Atomic Overmind Press now offers a seemingly-firm $15 ‘digital download’ and hplovecraft.com has added a new table-of-contents and page for the book. It appears that it really is out, this time. In the book Hite tours…

Lovecraft’s settings, from Arkham to Antarctica, and from New York City to Hyperspace.

‘Picture Postals’ from Lovecraft: De Leon Springs, De Land.

This week’s Friday ‘Picture Postal’ continues the loose Florida theme, begun for me by a recent Voluminous podcast in which Lovecraft preparing for an epic trip to meet Barlow in De Land, Florida.

After his arrival at De Land, and settling into the Barlow spread some 14 miles away from the town centre, they began to visit such local tourist spots as there were. One of these places was the nearby De Leon Springs. It was an obvious choice, as there was then a choice bit of antiquity for Lovecraft to enjoy.

Among our diversions have been several trips to ancient places of the sort I dote upon…. including a Spanish sugar-mill at De Leon Springs which antedates 1763 (vide enc. [see enclosed free-leaflet or postcard]). … [many such places having] the tropical background & marks of the jungle’s reconquest, being picturesque & exotic to the highest degree” (letter to Helen V. Sulley)

This is what the spot looked like…

“Tall trees casting a sinister twilight over shallow lagoons…” (Lovecraft on a 1931 visit to Florida).

Another card of one of De Land’s springs shows the more vibrant local colours one would see in the bright sunshine. It also perhaps evokes the wild ‘island’ and lake/riverine spread that the Barlow family had ‘out back’ of their isolated place, although it appears that around the house the native vegetation was mixed with belts of “tall Australian pines” (possibly planted as storm-breaks, and to dry out the ground?) as Lovecraft describes them.

This was no fleeting visit and Lovecraft had plenty of time to explore and get to know the environment and its snakes…

De Land, Florida, where I visited the young weird tale enthusiast R. H. Barlow for nearly 2 months in May & June, 1934.

The following summer he spent a mammoth 10 weeks there. It was, arguably, during these times that he was probably most happy/healthy as an adult.

De Land is a modern town which owes all its beauty to its fine subtropical setting — live-oaks, moss, magnolias … The Barlow place is 14 miles west of the village, & out of sight of any other human habitation … The climate is admirable — 85º to 90º day after day, & no chill spells at this season, I feel like a new person — as spry as a youth, & without a trace of the usual trouble which besets me in the north. I go hatless & coatless, & am maintaining an admirable layer of tan. Snakes abound to a picturesque degree; & young Barlow shoots them for their skin — which he uses in amateur bookbinding. The other day I saw him bag a coach-whip snake all of 7 feet long. (from a letter to Helen Sulley, 26th May 1934)

After reading Lovecraft’s letters I sometimes formed the vague impression that young Barlow was almost as blind as a bat (“he is very unfortunately handicapped by poor eyesight” etc). But evidently he could pick off a snake’s head in verdant undergrowth with a rifle, and presumably at some distance? Perhaps the explanation is he had good long-sight, but poor short-sight?


Screenshot of missing pictures: