Diacritik

Diacritik has a long review by Yann Etienne of volume one of the new French translation of Lovecraft.

Of the former key edition in French, that earlier… “edition remains essential but it sometimes suffers from editorial faults attributable to another era: truncated texts, missing paragraphs, incomplete source text, imprecise translations.”

The new Mnemos edition retains the story-titles of the old one, to avoid future confusions… “…and volume 1 has a focus on the Dreamlands [with 17 stories, fragments or prose poems, including Dream Quest…] ‘This is not a book, it is a territory’ warns David Camus in his introduction. This would be valid for the full range of Lovecraft’s work, yet it resonates all the more more for the Dreamlands cycle. A superb map by Maxime Plasse allows us to savour the terrain.”

On Dream Quest… “we know without a doubt that we are in the presence of a unique text. This is how we recognise great texts: not by their hypothetical perfection, but by their extreme singularity. […] it creates its own space and a genre apart. […] The fairest comparison would be to shelve it alongside Dante’s Comedy”.

Lovecraft was… “a more eloquent letter writer than Voltaire”.

Sully’s violin

Bobby Derie has a new excellent blog post giving an account, with plenty of letter extracts, of Helen V. Sully’s 1933 visit to Lovecraft and the New York Circle.

What did she play, though? A quick tickle of Archive.org puts some detail on her talents as a musician, at least in terms of what she played (and thus was likely teaching by 1933). It shows her playing publicly in a string quartet in both 1923 and 1928. 1921 also saw her playing the piano in public. In her music review for the Auburn Journal for 1st August 1935 she reveals her own instruments, calling herself “a violinist and pianist”. This was in the context of the success of the first annual Carmel Music Festival, in which she had participated and played in public.

Lovecraft had also been a child violinist, arduously practising for two years (1897-1899, aged 7-9) under close professional tuition… until it “became such a nightmare” and a complete nervous rejection of classical music set in. He would thus have had a certain appreciation of the training needed in youth to later become a public performer on the violin. Interestingly Lovecraft had kept his boyhood violin…

Three or four years ago I picked up my little neglected violin, tuned it after purchasing new strings, & thought I would amuse myself with its sound, even though I did no better than a rustic village fiddler.

One then wonders if he still had it when Sully arrived? And if she stringed and tuned it up and played it for him? Although he tells Sully in a letter, discussing another musician she had seen, that…

my unmusical ear would be deaf to much of the subtle & unique charm of the rendition.

In a letter of about the same date to Galpin he similarly remarks…

I wish to Hades I had facilities for hearing music well-rendered


The Music of Erich Zann

Toadstool Wine

New on Archive.org is W. Paul Ganley’s ‘zine Toadstool Wine (1975). The lead article was the non-fiction “The Literature of Cosmic Dread” by Fritz Leiber. Page 46 of the ‘zine also offers an October 1935 letter from Lovecraft on the craft of story-writing.

“He [Wright] says my stories are too long — and then proceeds to accept some interminable series from one of his regular hacks”.

Call: Pulpster 2022

The 2022 issue of The Pulpster journal is now calling for contributors. This year’s convention themes will be: ‘A Half-Century of Pulp Conventions’; ‘Action for a Dime!’ (Dime Western and Dime Mystery); and the centennial of Fiction House (Jungle Stories, Planet Stories, Sheena, Queen of the Jungle etc). But they are open to considering articles on other topics within pulp publishing and collecting.

Psychedelic Baby and Necronomicon

A curious bit of prog-rock Lovecraftian history and a new interview, new on the prog-tastic Psychedelic Baby magazine’s website

The legendary underground album ‘Tips zum Selbstmord’ by Lovecraftian prog rockers Necronomicon was originally released in a complex fold-out cover in 1972. The band formed in Aachen and was one of the few progressive groups that dared to perform songs in their native language. [English was then the default language for pop/rock in continental Europe] Lyrics and the band name were taken from the legendary H.P. Lovecraft.

Uninteresting cover artwork, from a Lovecraftian perspective. But possibly the music still has appeal for German Lovecraftians?

Collected Letters of Robert E. Howard, Volume 1 – paperback listing on Amazon

Amazon is now listing the Robert E. Howard Foundation’s The Collected Letters of Robert E. Howard, Volume 1 in the long-awaited paperback edition, with a publication date of 22nd January 2022.

Now seems to be shipping in both the UK and the USA. I recall that there was said to be a new cover for the paperback, different than the hardback’s cover. But that doesn’t now seem to be the case.

While you’re waiting for it to arrive you might peruse The World of Robert E. Howard. This website has scans of original letters to read online, and a call for “digital copies of any [original] letters” to show on the page.

A little more on the Almanacs

Added to my recent post on Lovecraft’s Almanac collection:

Having sent some introductory astronomy books, Lovecraft also sent young Rimel a copy of the latest Old Farmer’s Almanac for 1935. In a later letter to Rimel of 28th January 1935, Rimel has obviously been a little puzzled by the gift. Lovecraft has to explicitly explain that he recommends it for astronomy. The Almanac being…

capable of assisting the study of astronomy quite a bit.

Fourteen Weeks

In a 1934 letter to Rimel Lovecraft remarks…

I have the entire series of Steele’s old ’14 Weeks’ textbooks […] which were wildly popular half a century ago [circa 1885] and which I still think are almost unsurpassed in giving beginners a good introduction to the science they cover.

These included Joel Dorman Steele’s A Fourteen Weeks Course in Descriptive Astronomy (1873), found in his library after his death. Joshi remarks in I Am Providence that of the old astronomy books found there…

some at least must have come from [his grandmother] Robie’s [astronomy] library. Of course, Lovecraft, ever the ardent used-bookstore hunter, could have picked up some of these titles on various book-hunting expeditions throughout his life.

Archive.org has several of the “Fourteen Weeks” series as scans, including the one on Descriptive Astronomy, though an 1875 edition.

In his reading guide for Anne Tillery Renshaw he calls the one in Physics “antediluvian” and classes it among the “whiskered reliques”, but still rates the ones on Chemistry and Zoology

For a sound elementary introduction read Steele’s ancient Fourteen Weeks in Chemistry

Steele’s old Fourteen Weeks in Zoology is an easy start, and not at all misleading.

This might sound strange to us, but it’s no different than someone in 2022 recommending books from 1972 or thereabouts. Just as we might now still want to recommend a Carl Sagan or a Richard Feynman book to a beginner.

None of the mentions tell us when he acquired the set, though it must have been before 1934.

‘Picture postals’ from Lovecraft: Uncle Eddy

This was H.P. Lovecraft’s Providence bookseller, the uncle of his sometime-friend and fellow-writer Eddy. Here I’ve de-screened from newsprint and colorised as best I can. Until someone comes up with a magic ‘AI newsprint de-screener’ this is as good as it gets, even from a big 600dpi scan.

This comes from the now-found ‘Uncle Eddy’ cutting I referred to some posts back. Evidently the ‘RIAMCO listing’ is actually for the Brown University holdings of Lovecraft, which are now online as hi-res scans along with their enclosures and cuttings. Good to know. Thus we now have a very good picture of Lovecraft’s favourite Providence book-dealer, albeit in dotty newsprint.

It’s from the Providence News-Tribune, 22nd July 1931. Lovecraft and the visiting Morton happened to pop in to the Eddy bookshop shortly after it had been published, and thus were presumably able to rush around and find some local news-stores that had not sent back their ‘returns’ copies of the paper. Copies were duly purchased and the clippings sent to correspondents who knew and had patronised Eddy.

What appears to be a Frankenstein-like scar on the right of his face seems to be his glasses-chain.

What do we learn from the article?

1) His shop was “probably the largest of its kind in the city” at 1931. A massive 200,000 volumes (and, as we know from Lovecraft, more in his attic store at home). Thus Lovecraft’s joking in a letter to the effect that ‘Cook had cleaned Eddy out’ on a spending spree, must refer to the weird and supernatural items only.

2) He looks as though he might be in his early 60s in 1931, although several scratches suggest the press used a picture dated earlier. Possibly came of age circa 1887-90? He had not yet retired at the point of publication. Indeed, he had taken on and recently sold the Bargain Book Shop on Empire Street, which suggest he was still very much in business and had money to invest in new stock.

3) Modern poetry was then “much in demand”, which would be unthinkable today when contemporary poets can only sell to other poets. “Modern” here may not necessarily mean modernist poetry, as this is Providence in 1931.

4) The article hints at his willingness to sell the sort of “paperback” items that would bring fulminating religious ministers into the store to berate him. He would stand up to them. Possibly the books were the Haldeman-Julius ‘Blue Books’ line.

5) He started the business as a side-line, though to what is not stated.

The final part of the article covers the city’s Dana bookstore, and another shop run by Livsey and Knight. This section has other detail on the state of the book trade in Providence during the early years of the Great Depression.