Encyclopedia of Weird Westerns

Here’s one more I missed back in 2016. The Encyclopedia of Weird Westerns had an expanded second edition in 2016. It’s from McFarland, so one has to double-check to see if it’s not one of their duff ones (the Dune encyclopedia, etc). But it’s reassuring to see that True West magazine gave the first edition a good review.

The second edition appears to have had no online reviews, other than a single Amazon U.S. one and a short one on a blog. Which carps on and on about ‘masked cowboys’ not being included, so it’s not much use. The lack of proper reviews seems a pity, and the book might be a candidate for someone casting around for a book to review.

By 2025 there’ll likely be a need for a third edition, given all the Weird West material that’ll have appeared in the decade since 2015. Even in the last five five years in comics, the task of updating would appear to be substantial, so a new edition is probably something for a dedicated ‘tracking blog’ to build up to over the next few years.

Eno as weirdist

The Weird Studies podcast’s latest Episode 115 drifts into the observation lounge of Brian Eno’s famous and seminal album Ambient 1: Music for Airports.

This album followed the instrumentals on Another Green World and Before and After Science, and the instrumentals on the Bowie collaboration albums. It then heralded a small but perfectly formed set of such music spread across three solo albums and two made with Cluster.

Much of this then-new type of music could certainly evoke a sense of big weird empty landscapes.

The introductory listening-list of albums would be, in date order:

Another Green World (just the instrumentals)

Before and After Science (just the instrumentals)

Low (with David Bowie, just the instrumentals)

Heroes (with David Bowie, just the instrumentals)

Then the albums:

Ambient 1: Music for Airports

Music for Films

Cluster & Eno (with Cluster)

After the Heat (with Cluster)

Ambient 2: The Plateaux of Mirror

An argument might also be made that Eno’s early lyrics are also profoundly weird, if in a dreamy ‘British surrealist’ way rather than horror-shocker kind of way. But that’s for another post.

News from Germany

The Deutsche Lovecraft Gesellschaft’s report for January 2022 notes two items of interest.

Their free open-source Lovecraft RPG now has a website at https://fhtagn-rpg.de/. The site is in dual English/German, but the rulebook translation to English is not yet complete. As part of this overall project they have a wiki and are currently calling for German-language wiki contributions about the writers Lovecraft classed as his ‘idols’ during his lifetime.

They also notice what sounds like a substantial German screen/theatre piece which will open a major festival in early May 2022…

The summer season of the Kreuzgangspiele begins on 5th May 2022 with a special premiere for Alexander Ourth and Ulrich Westermann’s theatre project based on the work of American author H. P. Lovecraft, considered the most important author of fantastic horror literature of the 20th century and one who influenced numerous successors. There are performances in the Regina Lichtspiele on 5th, 6th and 7th May 2022, each at 8 p.m.

‘Picture postals’ from Lovecraft: New Orleans

This week in ‘Picture Postals’ I take a look at somewhere warm and sunny. As America and the UK shiver (at the huge rise in heating bills, as much as the cold) it seems that this may be welcome.

In June 1932 Lovecraft reached the city of New Orleans on his travels, and there enjoyed a lengthy visit with the help of local resident and fellow Weird Tales writer E. Hoffman Price. Lovecraft was much taken with the old French Quarter, then gentrifying in parts.

Price later recalled that he “skipped the concubines entirely”, and thus Lovecraft would not have seen all in the city. Gentrifying the place may have been, and Lovecraft later recalled it as such. But several candid b&w street pictures from the mid 1920s show that litter (trash) was a problem even in the business parts, and that side-streets could still be seedy-looking and wild with street children.

The Lovecraft-Price letters have recently been published but I don’t yet have that volume. So I may be missing some further data here on locations. But for now here is a StreetView of the relevant street corner, with Price’s No. 305 a few steps away down the same side of the street.

Appropriately enough, No. 305 Royal Street is now a gallery at the heart of the Quarter. Run by, of all people, Nathan Myhrvold. And curiously dedicated to ‘food photography’. Which seems somehow appropriate for a place where H.P. Lovecraft ate nuclear chilli-con-carne and Price brewed his own beer.

The ground floor looks like it has been ‘shelled’ inside for retail, but the historic frontage still gives a good indication of the place that Lovecraft visited and in which he had epic conversations and epic curries with his friend Price. This would also have been the rendezvous point for a meeting with R.E Howard… but REH couldn’t afford the trip.

We can see here that there would have been a street balcony and we can probably assume abundant balcony plants too, more abundant than seems the case today. This postcard is indicative of the plant life and views from such balconies…

The bird-cages indicate that the twittering of birds would have been part of the ambience, enhanced due to the relative lack of noisy cars and taxis at that time. What we don’t get to see is the back courtyard, if there was one, but this fine picture of the back of No. 633 Royal Street may be somewhat indicative.

Lovecraft was not staying overnight at Price’s No. 305. He was in a “third-class” hotel nearby. This was on St. Charles Street. The closest I can get visually is this small hotel on St. Charles St., and a picture of an eatery at 125 Charles St. Both of which may be indicative.

Ray Bradbury: Novels & Story Cycles

I’m pleased to see that the Library of America is giving Ray Bradbury the same fine production values they gave Lovecraft a while back. Bradbury gets two volumes, the first being out now as a $40 900-page table-trembler titled Ray Bradbury: Novels & Story Cycles (2021).

It includes “Bradbury’s settled intention” for the final-cut of the famous Martian Chronicles. Google Books can provide no contents list, but according to one interview with the venerable editor this means it includes the show-stopping satirical “Usher II” horror-story, probably best skipped the first time around.

If you want some ‘starter Bradbury’ that’s a little lighter on the wrists, a fine theatrical audiobook version of The Martian Chronicles is the five and a half hour full-cast audio by Colonial Radio Theatre (they use the British spelling for Theatre). Created for direct-to-CD in 2011, rather than lopped-and-chopped to fit a broadcast time-slot. They spent a lot of time making sure the sequence fitted Bradbury’s final intentions. Again, you might do best to skip “Usher II” on the first hearing.

The Zanetti Mystery

Lovecraft was not the only one ghostwriting popular fiction for Houdini in the mid 1920s. A new book on the topic is The Zanetti Mystery: Plus candidates for ghostwriting the story (December 2021). The book is a $25 paperback, and is shipping now.

The author republishes the ‘Houdini’ detective thriller novel The Zanetti Mystery (1925), with the original magazine serial illustrations, apparently for the first time since it appeared. He also asks, and with new research… ‘who was the likely ghostwriter?’ Candidates include Eddy Jr. and Lovecraft himself. But they are not the only candidates, and it seems to me a little unlikely that an ‘Eddy + Lovecraft lightly revising’ detective novel could have escaped notice until now. True, Lovecraft was experimenting with speed-writing a detective-like tale at about this time (“Red Hook”), but there was a romance element to The Zanetti Mystery which would not have been congenial.

That said, some Tentaclii readers may still be interested in this new book’s evaluation of the most-likely authorship.

Angelo Patri

New on Archive.org is a run of the journal Atlantica. August 1931 has a profile and photo of Angelo Patri, who I’d be willing to bet was a friend of Everett McNeil of the Lovecraft Circle. It’s good to be able to put a face to the name of the man I encountered while writing my book on McNeil.

Patri certainly championed McNeil in reviews and articles, and (though we’ll probably never know now) I suspect they were friends in New York by around the time of the appearance of McNeil’s Tonty novel.

Dream by Wombo

Dream by Wombo, which is the art-generating AI I’ve been tinkering with to make some of the recent pictures on this blog. The trick is not to accept the often rather-icky raw output, and to use it as the starting-point for a makeover.

After a while you get a feel for what can be ‘built on’. As you can see here from a comparison of the raw and final of the recent ‘Young Conan’ picture.

‘Final’, to which one might still add some crawling ‘undead’ creeping up the rocks behind Conan, and more detailing on the clothing and hair.

‘Raw’, promising but only a starting point.

Stamped out

Possibly useful for UK ‘zine-sters, APA mailers and stamp-hoarders to know. Barcodes are being introduced on our postage stamps and thus… “non-barcoded definitive and Christmas stamps will only remain valid until January 2023.” By ‘definitive’ the Royal Mail means the normal postage stamps with a picture of the Queen on.

January 2022 on Tentaclii

Another dull British January is done with and over. Not much is happening generally, but I’ve managed to make a full recovery from Omicron and have managed to keep up the daily posting schedule here at Tentaclii.

My blog has a new ‘Astronomy’ tag for posts, and I went back and retrospectively tagged relevant posts. Hopefully this will be useful for those writing the forthcoming book on Lovecraft and astronomy and the emerging astro-science of his time.

I took deep dives into learning more about Lovecraft’s almanac collection, and his interest in the moon in the context of the science of the time (the ‘volcanic moon’ theory etc). While researching the latter I identified some additional roots for his cosmic imagination re: what types of life might be able to exist in space. I also noted that the non-fiction articles in Munsey’s Magazine have obviously not yet been fully explored by Lovecraftians as a source of influence during Lovecraft’s formative years.

In other discoveries, I was finally able to find the press-clipping that showed a photo of Lovecraft’s favorite Providence bookseller, ‘Uncle Eddy’. This clipping was ‘hiding in plain sight’ at the Brown repository. I also spotted more evidence that Lovecraft’s friend McNeil was a fine photographer. I even made a short foray into Lovecraft’s use of the ant as a metaphor for himself and for humanity in his letters. Also a glance at Joel Dorman Steele’s A Fourteen Weeks Course series, as Lovecraft owned and recommended them.

This month Lovecraft was proven right by modern science, again, re: the news about the number of ‘dark’ sunless planets in the galaxy.

I’m currently reading through the very rewarding book of Lovecraft’s letters to Rimel and others, and for that thanks again to my Patreon patrons for helping me to pick it up when it was spotted very cheap on Amazon as a ‘Warehouse bargain’. As for buying more books myself, cash is the problem there. I’ve managed to survive the winter without once turning on the heater and I also now only heat a tank of water when needed. Which means that the savings gained should help compensate for the hefty rises in electricity and mortgage costs. I’ve also cut down on food bills. Once finances have stabilised in the springtime… then I may be able to risk buying a few more bargain books. I had hoped that my new Tolkien in Cornwall ebook would sell, and bring in some money that way. But so far… only three copies sold.

In new Lovecraft books the big event of a quiet month was the new $20 paperback edition for David E. Schultz’s Fungi from Yuggoth by H.P. Lovecraft: An Annotated Edition. On his blog, S.T. Joshi also confirmed the Letters volumes that should see release in 2022, and he noted a forthcoming book on “Lovecraft’s cosmicism and how it was adapted or amended” by later science-fiction writers.

The French are welcoming the first volume of their sumptuous and painstaking new Lovecraft translation. I noted the first review of Vol. 1 in Diacritik and translated a bit of it. In another post I noted the release of the fine cover-art for this new multi-volume edition.

Several new additions were added to my Open Lovecraft page (which links scholarly work shared in public open-access). The Litteraria Copernicana academic journal has a new Lovecraft special-issued titled “Lovecraftiana”, under Creative Commons, which was not all about adaptation. The Gothic Studies journal Studies in Gothic Fiction also issued a Lovecraft special-issue, albeit very much focused on adaptation. In academic work somewhat relevant to Lovecraft, I noted the new book chapter “Cats and Creativity in Eighteenth-Century Britain”. I’d like to see that adapted as a short graphic novel. I was also pleased to see that the Encyclopaedia Britannica 1926 three-volume supplement had slipped into the public domain. This is now public and online, and thus useful as a reliably snapshot and summary of the state of things in the 1910s and early 20s as Lovecraft emerged from his hermitage.

Various newly-liberated old zines with Lovecraft-relevant material were spotted arriving on Archive.org, such as The Diversifier #21 (July 1977); Toadstool Wine (1975), and an article in the Book Collectors’ Society of Australia newsletter Bibliophile (1948).

‘Tis the time of year for convention announcements, and there were firm dates and details from the likes of Eldritch-con 2022: A Horror and Fantasy Game Writers’ Convention; the new Chaosium Con; the German Lovecraft convention; and NecronomiCon 2022. Pulpfest also has dates and a call for material for the annual convention journal The Pulpster. The organisers of the Howard Days in Cross Plains have already announced their dates, back in December.

For those interested in some TV sci-horror fun in a dull January/February, I also made a “Skip or Watch” guide to the Tom Baker years of the British TV series Doctor Who, and am currently working through them and updating the guide accordingly. I’ve worked through three seasons so far and have finished season 14.

A forthcoming issue of Digital Art Live magazine will be a Carl Sagan tribute issue, so if anyone has anything that can be used for that (i.e. unpublished or otherwise re-printable interview transcript, etc) please get in touch. Also any stills/concept-art from the animations made of his ideas about alien ecologies on other planets.

So that’s it for January. I hope to continue posting daily in February, but the news is very slow and hard to glean at present. As always, please consider supporting me on Patreon. Even $1 a month, or an increase of $1 in your current patronage, is an encouragement.