Lovecraft and Disney

The leading Spanish newspaper El Pais this week featured a nicely stylised Lovecraft in a recent cartoon strip by their Max cartoonist, imagining a conversation between Disney and Lovecraft.

The punchline doesn’t translate at all well, but this is the best I can do with it…

COLOSSUS OF THE ARTS: Lovecraft and Disney.

HPL: Come on, Walt, admit it. You feel, as I do, a morbid fascination with evil things. What’s more, you far surpass me when it comes to expressing horror and the abominable. Your best creations have always been the evil characters, admit it.

Disney: That’s not true, Howard. What about Donald Duck?

HPL: Bah, who cares about that colourless wimp? Whereas your Scrooge McDuck, he would laugh at my Cthulhu and his cultists!

Desultory Notes on Cats

“Desultory Notes on Cats” (1844) by Edgar Allen Poe.

… what is the reason that cats which have that within them which contains such divine melody, should make such execrable music themselves? The answer to this, perhaps, is simple. Cats are modest. They make no show of accomplishments. You never hear of a learned cat. … A cat pretends to no knowledge, not even to that of the piano and singing.

This ‘Notes on Cats’ project was, so far as I can discover, never expanded by Poe beyond being “Desultory”. Nor does it appear to have been accompanied by later essays on or around the topic. But the idea was later magnificently fluffed up to purring perfection by Lovecraft, in his own essay on cats.

ITV Lovecraft documentary

S.T. Joshi’s blog has updated. He notes the passing of Richard L. Tierney, who first revealed the Derleth mythos to the world…

Tierney initiated a revolution in Lovecraft studies with an essay, “The Derleth Mythos,” that occupied exactly one page in the impressive anthology HPL, edited by Meade and Penny Frierson (1972). This article exposed the egregious misinterpretations of Lovecraft’s mythos perpetrated by August Derleth.

Among many current projects noted by Joshi…

a documentary on Lovecraft for ITV, the independent television station in England” and the musical “My Songs from Lovecraft and Others [is set] to appear (with accompanying CD) from Hippocampus Press later this year.

The documentary is being filmed with Joshi in Providence. ITV is a major name in British TV production, and has historically tended to skew more toward the mass-market end of TV viewership. Though (not having had a TV for three decades now) I don’t know if that skew continues. I’d imagine the natural broadcast slot would be just before Halloween 2022.

“Beyond the Walls of the Real” (Pera)

Europe’s CineEuropa magazine has a short review in English of the new film Kinorama – Beyond the Walls of the Real (2021), by acclaimed Portuguese director Edgar Pera (Jackass 3D).

The new film tries…

to connect human primal fears, Lovecraftian monstrosities and modern 3D-movie technology [via a] 62-minute ride into visual obscurity and the depths of philosophy

prose by H.P. Lovecraft [is] performed in a gravelly growl by Keith Esher Davies, as well as statements by interviewees [including] literature critic S.T. Joshi

Apparently at one point a real motorbike literally floats from the screen into the audience…

The astonished spectators will get the chance to interact with a motorcyclist descending into the movie theatre, freed from the two-dimensional limitations of the screen. With Lovecraft, one is never quite sure what the cosmic limits of his gaze are. 3D, too, has only just scratched the surface of what is possible.

Sounds good. Kind of ‘Derek Jarman meets Terence McKenna’, by the sound of it. One wonders what Pera might do with AI visuals in future.

Less alluring and also from that part of the world, Jaume Balaguero’s movie Venus (2022) is set for Amazon Prime and Sony as a forthcoming TV movie. Advanced publicity positions it as as a “loosely” based and very “bloody” version of Lovecraft’s “The Dreams in the Witch House”, transferred to and cheaply filmed in the modern “dirty” slums of Madrid.

Wilbur Smith Adventure Writing Prize

The Wilbur and Niso Smith Foundation has inaugurated a new ‘Wilbur Smith Adventure Writing Prize’ 2022, for the “Author of Tomorrow”…

The competition is open to young people across the world who have completed a short piece of adventure writing in English.

Free to enter. Deadline: 22nd April 2022.

Wilbur Smith (1933-2021) was for many decades the author of bestselling adventure novels, which gave rise to seven movies. More recently he published a series of novels set in Ancient Egypt (1993-2021), one of which became a 1999 TV mini-series. But his later books show a decline and the best starting point to his work is often said to be the much earlier 17th century maritime trilogy, Birds of Prey, Monsoon, and then Blue Horizon. These prequels then lead naturally into one of his best series, the ‘Courtney’ series set in Africa.

‘Picture Postals’ from Lovecraft: High Bridge and the 1925 eclipse

After last week’s ‘Picture Postals’ visit to sunny climes in New Orleans, this week I look at a frozen New York City.

In one of my earliest blog-essays on Lovecraft, way before I knew as much as know now, I suggested that his 1925 solar eclipse viewing from High Bridge or nearby hill might have provided a dramatic sight of a distant New York City. A city plunged into a sinister darkness, giving an appearance akin to R’lyeh risen from the waves. Whatever the facts of the matter, as set out below, this still seems a poetic image of likely use to future bio-pic makers and graphic novelists. Lovecraft gibbering and stuttering with the severe cold, sinking to his knees like a cultist, as a vision of New York as a R’lyeh-like city emerges from the cold mists under the en-darkening eclipse.

But what of the hard facts? I now revisit my old suggestion, and see if I can glean any more data. My thanks to Horace Smith for reminding me of my old post, and prompting me to look again at the relevant entry in Lovecraft’s 1925 Diary.


We know that an initial intention of the Lovecraft eclipse expedition of 24th January 1925 appears to have been to rise from their beds very early, then travel into the ‘zone of totality’ to reach the High Bridge aqueduct. Kirk invites his girlfriend to join the expedition thus…

… we’ll go up to Yonkers and take [smoked] glasses along and walk up on an aqueduct

The distant tower and grey wall below it are part of a gigantic elevated reservoir, and the bridge carries its Old Croton Aqueduct.

This aqueduct / pedestrian bridge was once a haunt of Poe, it being said that… “a walk to High Bridge was one of his favorite and habitual recreations” while living at Fordham. It would thus have a double-attraction for the Lovecraft expedition — to view the eclipse on the bridge where Poe walked.

Poe on the High Bridge.

At the end of January 1925 New York City was still in the depths of a bitter and snowy winter, which had arrived with the worst snowstorm in living memory at the start of January. About the third week of January Lovecraft peered out of Loveman’s picture-window at the cityscape. He noted in a letter that another ‘ponderous’ snowstorm appeared set for imminent arrival. However, his other New York letters from January suggest it was still relatively easy to get around the city. That said, it is quite possible that High Bridge was closed by the authorities for public safety due to the likelihood of surging crowds and icy conditions.

Anyway, such was the apparent plan and the seasonal weather. But what of the actual day? Lovecraft’s 1925 Diary is cryptic on the matter, the January 1925 entry being…

Up 3:30 [a.m.] — to SL’s [Loveman’s] & Van Ct. [Van Cortlandt St] with GK [Kirk] — meet JFM [Morton], Dench, Leeds. M & D [Morton and Dench] walk, [the] rest ride [public transport to] Getty Sq. [Into] Yonkers. Walk up hills — ECLIPSE

This entry indicates that Kirk was staying over at Loveman’s, at whose apartment Lovecraft perhaps arrived 5am. Loveman presumably had to work that day, a Tuesday. Lovecraft and Kirk then went to Van Cortlandt (Lovecraft the antiquarian is using the archaic ‘Van’ in the street name in his Diary, and abbreviating Cortlandt to Ct.). Here we see Van Cortlandt St. in the 1930s, a quarter mile west of the Brooklyn Bridge and with the street running below the 9th Avenue Elevated station.

It was a natural place to meet up at 6 a.m., having a key train station on the Elevated. This was presumably serviced by several nearby early-morning cafes. It was on the verge of becoming a famous place in early mass media. In 1925 Oscar Nadel (‘the king of Cortlandt Street’) had opened his famous ‘Oscars Radio Shop’ there. The shop would trigger a cascade of activity which meant that by 1930 the street was a thriving radio broadcasting and radio retail-sales quarter, a place now known to media historians as ‘Radio Row’. In the following 1925 picture we see a wide view from further back, looking into Cortlandt Street and with the Elevated station just about visible in the deep shadows under the new skyscrapers.

Lovecraft’s friend Morton did not yet have his museum job, and would have been travelling in from Harlem. Dench would have been coming in from Sheepshead Bay. After the expedition had all met up and fuelled up on coffee, the Diary shows that Morton and Dench then walked from Van Cortlandt to Getty Square in Yonkers. If these ardent hikers were walking 12 miles directly north, moving at speed along a well-gritted and otherwise deserted shoreline path, then they might have taken 90 minutes. That then implies that Leeds, Kirk and Lovecraft waited for them for an hour or so in a known-to-all breakfast eatery at Getty Square, after having travelled there in comfort.

We see here a Yonkers candidate for the cafe, ‘Counes’ on the central corner of Getty Square, an establishment offering soda and ‘quality candy’ and likely indicative of the many sugary delights available at this central transport hub…

By January 1925 Lovecraft had chuffed one too many candies. As he later recalled for Morton, he was a bit plump at that point…

that eclipse morning occurred whilst I was still a problem for Sheraton chair-makers, yet scant comfort did my proteid integuments afford me! [in that chill]

This soda bar is a possibility, and perhaps was likely to be open earlier than usual to serve the eclipse crowds. Though a cheaper coffee / ‘all-day lunch’ shop was probably the more likely choice. Here we see several options on Getty Square, circa 1920…

Lovecraft’s “Walk up hills” diary entry implies multiple hills. But this does not get us much further as to the viewing location, because the terrain of Yonkers rather assumes that any route out from Getty Square would have been up and over some rolling hills. Yonkers was well known, then as now, for its many steep hills. As Joseph J. Conte recalled of his 1940s boyhood in his memoir Flies in My Spaghetti

Wintertime was a great time of the year and, with all the hills in Yonkers, we had a big choice of where we would take our sleds.

In 1932 Lovecraft was no more precise, recalling…

… some of us tramped up into the cold of northern Yonkers to see the January eclipse.

Another letter I found recently states that a hillside was the observation point, equally vague.

If the expedition had left their Getty Square cafe and were on the road out of the urban nexus by 8.a.m., then they would have had 70 minutes left to find a suitable spot. This photo is indicative of the initial trek up Main Street from Getty Square in the “marrow-congealing” ice and snow. It shows the top of Main St. as seen circa the 1920s, climbing up from Getty Square below…

But if High Bridge was still the aim of the expedition, as Kirk’s diary suggests, then one has to assume a walk or tram-ride four miles south from Getty Square through Yonkers to reach the High Bridge. Why do it like this? It would enable them to look out for suitable hillside spots facing east and without encumbering trees or buildings (the sun would be quite low at the ‘totality’), while they walked south. Here then are the likely spots marked by me on a terrain map, spots facing east and not wooded or built-up.

And here we see the above terrain continued down to High Bridge. This map extract is from the 1947 USGS 1:24000 map for the Central Park area. It too has the required elevation contours and heights.

Inwood Hill Park, seen on the top map and here located a little off the north of this map extract, was (at least in 1947) too heavily wooded at the high points to provide good views. If the expedition did hike the four miles through from Getty Square to High Bridge, they would pass two or three 200ft east-facing spots just to the north of the reservoir end of the High Bridge. Again, these are marked on the above map.

Of course, it may well be that the expedition never even reached High Bridge or its nearby hills, as was seemingly initially planned. They could have found a better spot on the way there, or run out of time. Or perhaps they simply chose one of the candidate hills a mile or two back from Getty Square, if they had researched their location or read about likely spots in the newspaper beforehand. This latter idea is supported fairly strongly by the fact that Lovecraft’s 1925 Diary continues after the word “ECLIPSE”, indicating post-Eclipse visits to two local landmarks…

Philipse Manor [a restored Dutch manor house just off Getty Square, with fine interiors], St. John [Episcopal Church, with fine exterior fancy-stonework and fancy roof tiling] home — Tiffany [his regular everyday cafe, near his room on the edge of Red Hook] — rest

Philipse Manor. The plain exterior was probably enhanced a bit by snow and ice.

These items must argue against the High Bridge having been reached or even walked toward, unless they shuttled back up to Getty Square on public transport. That they visited two sites just off Getty Square after the eclipse would seem to indicate that the “hills” would have been those within a few miles of that place. Which at least narrows the choice of the hill in Yonkers down to a few.

But even this data is vague and we shall probably never know the exact viewing spot now, unless a new letter or postcard comes to light. But the red dots above show the likely candidates. Take your pick.

We do however have this evocative picture, seen below. It clearly indicates the elevation of the sun in the east relative to the ground, and the snowy ground conditions in New York City. It also demonstrates that the rather low sun at the totality would present viewers with potential problems re: finding a suitable east-facing observing site that was well free of obscuring trees or buildings.

Adolf Fassbender, “Sun’s Total Eclipse. January 24th, 1925, 9:11 a.m. Bronx Park, N.Y.C.” Original held by the New York Historical Society. Here Photoshopped to repair damage and emulsion silvering due to age.

Years later a letter from Lovecraft to Morton described in some detail his second and rather fine solar-eclipse experience in Newburyport. During this account Lovecraft recalled that the flaring corona around the ‘dark sun’ had been very bright in 1925, and thus the earth below had not become as en-darkened as he had expected. This seems to be borne out by the above photograph. The wide blanket of white snow probably kept light levels high, with a bright corona. Note also that the above picture suggests the air was rather still, as the branches are not blurred by wind-movement even in the low light.

Kirk’s diary suggests a further aspect of the experience, and a key reason for seeking an open hillside — the “rushing shadow”. Apparently this is a well-known aspect of viewing a total eclipse. Kirk tried to entice his girlfriend to come on the expedition by noting that…

… it is said that to be on a hill in open country and to see the rushing shadow thrown to Miss Moon is to marvel.

Florida in the springtime

The latest edition of The Fossil (January 2022) has no Lovecraft-related articles, this time around. But there is a short activity-report which brings a snippet of good news on the forthcoming Florida book…

Adventurous Liberation: H.P. Lovecraft in Florida has finally gone to the editor for final review. The book should be out in late spring.

Behind the camera, the likely cross-country stop at which Lovecraft would have arrived, in the centre of De Land.