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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Category Archives: Scholarly works

Added to Open Lovecraft

25 Wednesday Mar 2015

Posted by asdjfdlkf in Scholarly works

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* William B. Jensen (2015), “Encounters with Chemistry: H.P. Lovecraft“. (Short learned article on Lovecraft’s interest in chemistry, very nicely illustrated. Published online March 2015, and this seems to be its first appearance. The same author has a lengthy essay on silicon monsters in SF)

Fearful Symmetries: Representations of Anxiety in Cultural, Literary and Political Discourses

22 Sunday Mar 2015

Posted by asdjfdlkf in New books, Scholarly works

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A very obscure book of essays, Fearful Symmetries: Representations of Anxiety in Cultural, Literary and Political Discourses, University of Silesia, Poland, 2013. Appears to be in English, though neither Amazon UK or USA has heard of it. It has one Lovecraft essay.

fearful_symmetries_okl

Contents:

* Indian Zigzags – the Industrial Monster. (Cultural reaction to the British industrial imitation of Indian printed cotton fabrics in the 19th century)

* The Victorian Culture and the Fear of the Talented Woman in George Eliot’s Daniel Deronda.

* The Renaissance Plus ultra and the Recurrence of Non plus ultra as Refelcted in the Poetry of John Donne and John Milton’s epic Paradise Lost.

* “To Be Saved by Chaos”: “Emancipation” of Self by Mutilation and Perversion. Chuck Palahniuk’s Invisible Monsters and Choke.

* Who’s Afraid of the Supermarket: A Study of Andrzej Wojcik’s and Ewan Jones-Morris’s Semi-documentary Brand New World.

* Civilisation, Fear and Trauma in Doris Lessing’s writing.

* Masochism and Its (Dis)contents: The Politics of In-Yer-Face Theatre and Mark Ravenhill’s Bodies in Crisis.

* What Else Is Civilization For? Narration Overcoming Fear and Trauma in Graham Swift.

* “Seek and Ye Shall Mind” – Conspiracy Theories and the Mechanisms of Online Exposure.

* Civilization Renewal Project – the Ultimate Solution of Margaret Atwood’s Oryx and Crake.

* Indulging a Terrorist’s Fears: A Critical Evaluation of Theodore Kaczynski’s Industrial Society and Its Future.

* “The Gently Budding Rose”: Greeks and Fear in Teodor Parnicki’s Historical Novel The End of “The Concord of Nations”.

* “Fetch Me my Feathers and Amber”: Gary Snyder on Civilization and the Primitive.

* Original Sin, Fear and Metaphysical Poetry.

* Gods for the Final Days: Selected Religious Systems Devised by Kurt Vonnegut Jr. and Philip K. Dick.

In the mid-twentieth century in the West, the political atmosphere of insecurity spawned religious radicalism and made more and more people pay heed to preachers announcing the approaching doom. L. Ron Hubbard devised and marketed a new religion, the Church of Scientology; Kurt Vonnegut Jr.’s postmodernist novels Sirens of Titan, Cat’s Cradle and Slapstick also describe new religious systems. Philip K. Dick, in turn, presented religions of his own making, Mercerism, and belief in the Four Manifestations of God, in the short story “The Little Black Box” and novels Do Androids Dream of Electric Sheep and Maze of Death. This essay compares these religions in order to show how they take advantage of human fear and anxiety and what they offer to their followers.

* Fear of the Inside: Neurology as a Science of Sensation in Victorian Literature.

Despite the attempts undertaken by nineteenth-century psychologists, philosophers and physiologists to define “sensation,” the latter remained a conspicuously fluid notion. This indefiteness provided a vast hermeneutic space for writers seeking new rhetorical devices to convey the complexity of human nature. This essay examines a variety of diverse accounts of “sensation” in Victorian fiction, discusses their functions and approaches to the mind-body relationship.

* The Black Atlantic Zombie: National Schisms and Utopian Diasporas in Edwidge Danticat’s The Dew Breaker.

* Fears and Fictions of Samuel Beckett.

* Deeper Darkness: Fear of the Dionysian Ultimate in H.P. Lovecraft.

H.P. Lovecraft’s tales of terror strike at key questions of human existence – specifially, the origins of fear. Creating narratives that invoke and capitalize on Nietzsche’s fear of the advent of nihilism, Lovecraft drafted a world that was alternately mysterious and terrifying, and also coldly rooted in the scientific determinism that was at the core of his materialist atheism. In doing so, he uproots Nietzsche’s hope for man to transcend beyond the “death of God” and the subsequent nihilistic retreat into outmoded religious ideas.

* Mr. Turner’s Fears and Fantasies: The Turner Diaries and White Fear in America.

* Gender Implications of Literary Representations of Anxieties about Modernisation in Turkey: Aganta, Burina, Burinata (1945)

Dr. Henry Armitage Memorial Scholarship Symposium

02 Monday Mar 2015

Posted by asdjfdlkf in NecronomiCon 2015, Scholarly works

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The scholarly and academic bit of NecronomiCon 2015 is now calling for papers. The theme is the mythos, its sources and influence…

The Armitage Symposium aims to foster exploration of Lovecraft’s elaborate cosmic mythology, and how this mythology was influenced by, and has come to influence, numerous other authors and artists”

britishmuseum

Added to Open Lovecraft

01 Sunday Mar 2015

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* Samuel Coavoux (2015), “”Life itself”: l’engagement d’Howard Philips Lovecraft dans le journalisme amateur”, COnTEXTES, February 2015. (In French. Examination of the way in which the egalitarian amateur journalism movement gave Lovecraft a platform to re-establish his lost social position as a gentleman leader, albeit at the margins of society, and also contributed to his later ethos of open collaboration for the creation of the Mythos)

Project Aphorism

23 Monday Feb 2015

Posted by asdjfdlkf in New books, Scholarly works

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If you can read Italian, the Italian ‘Project Aphorism’ aims to compile a complete list of aphorisms found in Lovecraft’s Italian translations. Here’s an approximate translation of the blurb…

CONTENT — New research to promote sharing ideas on the thought of HPL as a man, writer and thinker, further increasing the circularity of experience / contacts between magazine, experts and readers. The course aims to collect in an agile book the APHORISMS contained in the correspondence, in fiction, non-fiction of Lovecraft.

HOW TO ENTER — Are you a fan of HPL? Want to be a STAR of literary research? Now you can. How? Any fan can “adopt” a text of Lovecraft, [and] move in search of aphorisms through the reading of texts. You should reference your found quotations to the text of an Italian edition. And add more precise data: title of the story, the book / anthology from which the quotation is taken, publisher, year of publication, the translator. We will consider only complete reports on a Lovecraft work.

Comics Studies masters in Dundee

19 Thursday Feb 2015

Posted by asdjfdlkf in Lovecraftian arts, Scholarly works

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Scotland now has a Masters degree course in Comics Studies, the first in the UK.

Added to Open Lovecraft

16 Monday Feb 2015

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* Nathaniel R. Wallace (2014), H.P. Lovecraft’s Literary “Supernatural Horror” in Visual Culture (PhD thesis at Ohio University. Asks if Lovecraft’s aesthetic theories on disruption can be applied to visual culture, and examines visual adaptations of Lovecraft’s work for traces of his use of repetition and symmetry in time, and repetition and symmetry in space)

Journal of Lovecraftian Science

13 Friday Feb 2015

Posted by asdjfdlkf in New books, Scholarly works

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Fred Lubnow has a Kickstarter for a book Journal of Lovecraftian Science, Volume 1, which will contain expanded versions of his blog posts on Lovecraft and science.

photo-1024x768

Added to Open Lovecraft

12 Thursday Feb 2015

Posted by asdjfdlkf in Scholarly works

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* John Conway (2012), “Monstrous Labyrinths: Hellish Prisons, Liberated Language“, in proceedings of the conference Monsters and the Monstrous: Monstrous Spaces. (Lovecraft’s use of the labyrinthine in “At the Mountain of Madness”)

* Ardila Rodriguez and Miguel Angel (2009), El horror cosmico de H.P. Lovecraft: una corriente estetica en la literatura de horror contemporanea. (In Spanish)

* Dora Nunes Gago (2013), “Representacoes das cidades em ruinas de H.P. Lovecraft”, Mathesis, 22, 2013, pp.67-84. (In Spanish. Discusses ruins in Lovecraft’s fiction)

* Wojciech Kalinowski (2013), “Nowelistyka Stefana Grabinskiego: genologia, estetyka, wizja czlowieka i swiata”. (In Polish. ‘The author Stefan Grabinski: his influences, aesthetics, his vision of man and of the world’. Appears to contain extensive comparison with Lovecraft)

Scholarly works from the 1980s and 90s

12 Thursday Feb 2015

Posted by asdjfdlkf in Scholarly works

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Outside the date range for Open Lovecraft, but freely available online and noted here…

* M.G. Kutrieh (1988), “H.P. Lovecraft’s quest for harmony”, Bulletin of the Faculty of Humanities and Social Sciences. Quatar University, 1988.

* Rene Galand (1999), “The Wounded Ego of Howard Phillips Lovecraft”, French Faculty Scholarship, Paper 12.

* D.A. Oakes (1992), “The Realistic Fantasy: the creation of a new literary genre in the works of H.P. Lovecraft” (Masters thesis)

Added to Open Lovecraft

05 Thursday Feb 2015

Posted by asdjfdlkf in Scholarly works

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* Dale A. Crowley (2015), “The Arcane and The Rational: Lovecraft’s development of a unique mythos”, Discussions : undergraduate research journal of CWRU, Vol. 11, No. 1, 2015.

Added to Open Lovecraft

01 Sunday Feb 2015

Posted by asdjfdlkf in Scholarly works

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* Jeff Lacy & Steven J. Zani (2007), “The Negative Mystics of the Mechanistic Sublime: Walter Benjamin and Lovecraft’s Cosmicism”, Lovecraft Annual No.1, pp. 65-83.

* James Machin (2015), “Fellows Find: H.P. Lovecraft letter sheds light on pivotal moment in his career”, Cultural Compass, the scholarly blog of the Harry Ransom Center, University of Texas, 28th January 2015. (An account of finding a new and unknown 5,000 word letter by Lovecraft during archival research in the Ransom Center. The full text of the important 1924 letter is given as readable scans. The letter reveals Lovecraft’s initial ideas for shaping his planned novel Azathoth and the plot of the opening section of his apparently already plotted novel The House of the Worm).

* Chris J. Karr (2007, 2014), “The Black Seas of Copyright”, Chris J. Karr’s blog, 2014. (Updated 2014 edition of a collection of scholarly footnoted essays, on the topic of Lovecraft’s copyrights and the later Arkham House claims to these. Titles for sub-sections include: Lovecraft’s Fiction; Arkham House Publishers and the H.P. Lovecraft Copyrights; The Arkham House Copyright Hypothesis; The “Donald Wandrei v. The Estate of August Derleth” Hypothesis; Observations; and Conclusion)

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