The Spectral Arctic: A Cultural History of Ghosts and Dreams in Polar Exploration (2018). Complete and free in open access, as a PDF download.

25 Saturday Aug 2018
Posted in Historical context, Scholarly works
The Spectral Arctic: A Cultural History of Ghosts and Dreams in Polar Exploration (2018). Complete and free in open access, as a PDF download.

25 Saturday Aug 2018
Posted in Odd scratchings, Scholarly works
Fleur De Lys Studio building in Providence. Complete plans, just in case you were wanting the “The Call of Cthulhu” building in your videogame.
14 Friday Aug 2015
Posted in New books, Scholarly works
The Unique Legacy of Weird Tales book of essays is now slated as due in hardback in October 2015. The R.E. Howard blog Two-Gun Raconteur has an interview with co-editor Jeffrey Shanks.
CONTENTS:
Introduction: Weird Tales — Discourse Community and Genre Nexus
PART I: THE UNIQUE MAGAZINE: WEIRD TALES, MODERNISM, AND GENRE FORMATION
Chapter 1: “Something that swayed as if in unison”: The Artistic Authenticity of Weird Tales in the Interwar Periodical Culture of Modernism – Jason Ray Carney
Chapter 2: Weird Modernism: Literary Modernism in the First Decade of Weird Tales – Jonas Prida
Chapter 3: “Against the Complacency of an Orthodox Sun-Dweller”: The Lovecraft Circle and the “Weird Class” – Daniel Nyikos
Chapter 4: Strange Collaborations: Shared Authorship and Weird Tales – Nicole Emmelhainz
Chapter 5: Gothic to Cosmic: Sword and Sorcery Fiction in Weird Tales – Morgan Holmes
II. EICH-PI-EL AND TWO-GUN BOB: LOVECRAFT AND HOWARD IN WEIRD TALES
Chapter 6: A Nameless Horror: Madness and Metamorphosis in H.P. Lovecraft and Post-modernism – Clancy Smith
Chapter 7: Great Phallic Monoliths: Lovecraft and Sexuality – Bobby Derie
Chapter 8: Evolutionary Otherness: Anthropological Anxiety in Robert E. Howard’s “Worms of the Earth” – Jeffrey Shanks
Chapter 9: Eugenic Thought in the Works of Robert E. Howard – Justin Everett
III. MASTERS OF THE WEIRD: OTHER AUTHORS OF WEIRD TALES
Chapter 10: Pegasus Unbridled: Clark Ashton Smith and the Ghettoization of the Fantastic – Scott Connors
Chapter 11: “A Round Cipher”: Word-Building and World-Building in the Weird Works of Clark Ashton Smith – Geoffrey Reiter
Chapter 12: C. L. Moore and M. Brundage: Competing Femininities in the October, 1934 Issue of Weird Tales – Jonathan Helland
Chapter 13: Psycho-ology 101: Incipient Madness in the Weird Tales of Robert Bloch – Paul Shovlin
Chapter 14: “To Hell and Gone”: Harold Lawlor’s Self-Effacing Pulp Metafiction – Sidney Sondergard
14 Friday Aug 2015
Posted in Historical context, Scholarly works
Brown University Library News has announced that the Sonia H. and Nathaniel A. Davis papers (MS.2012.003) are now available for research at the John Hay Library. Perhaps this is actually a re-announcement, I’m not sure, but it seems worth noting. There’s a PDF guide to the collection.
Sonia and Nathaniel circa 1936.
Interestingly, Sonia’s new husband (after Lovecraft)…
“Nathaniel [A. Davis] founded Planetaryan, a humanitarian organization devoted to world peace, for which Sonia was the chief administrator.”
Planetaryan was incorporated 14th June 1938, a little over a year after Lovecraft’s death, and its formal incorporated name was the “American Defense Society, of The United States”.
Co-founded with a Luther Burbank apparently. Could this be the ‘plant wizard’ Burbank, who so usefully genetically modified over 800 useful plants including our now-standard potato, and thus saved the world from hunger? Perhaps not, since he had died in 1926 shortly after being hounded by a national firestorm of hatred whipped up by evangelical Christians. Though I’d guess that it is possible that Planetaryan might have been founded a little before Burbank’s 1926 death, and only incorporated in 1938? Neither Google, Google Books nor Hathi can provide a quick answer to that question. One item that did turn up was a 1st Nov. 1937 letter from M.H. McIntyre, Secretary to the U.S. President, referring to Planetaryan as “a world-wide inter-racial organization”, which suggests it existed before its 1938 incorporation. Much later the Enciclopedia Judaica Resumida refers to it as “pacifist” organisation. The Jewish Yearbook 1945-46 calls it a “peace society”.
Researchers should note that Planetaryan appears to have been different from its namesake the American Defense Society, which had been founded in 1915. This namesake appears to have been a sort of ultra-patriotic anti-socialist organisation involved in lobbying and pamphleteering — I wouldn’t be surprised if we eventually discover the ultra-conservative Lovecraft to have once been a member of that one. So I wonder why Planetaryan was so named? Calling an organisation Planetaryan (which in the 1930s might be mis-understood as implying “Planet-Aryan”) and the American Defense Society could certainly have led to unfortunate political confusions in an era of rabid communism and socialism. Perhaps it was simply a political tactic, meant to forestall any possible re-use of the American Defense Society name for conservative purposes? Or had Nathaniel A. Davis perhaps been involved as an officer in the American Defense Society c.1915-, and then found himself in effective possession of the name at its demise — but with his political views changed? In this respect it is suggestive to find that the Brown guide to the Sonia H. and Nathaniel A. Davis papers states that he wrote unpublished patriotic poetry, poetry that was only published (by Sonia) after his death.
Update:
I’ve found out why Burbank might have been keen to promote a campaign group based around inter-racial marriage. He theoretically extended his very successful plant-breeding principles to hybridisation between races. In his child-rearing book The Training of the Human Plant (1907)…
“he argues for an extensive crossing of different races [in the hope that evolution and environment will eventually act to] combine the best traits in a single individual.” — Chris White, “Eugenics in the 20th Century”.
So we can probably assume that the group was indeed co-founded by the Luther Burbank.
14 Friday Aug 2015
Posted in Scholarly works
* Diana E. Bellonby (2012), A Secret History of Aestheticism: magic-portrait fiction, 1829-1929. (A useful in-depth survey that traces this neglected story type from Walpole through Pater, to later overtly queer uses in Wilde and Orlando. Lovecraft’s work obviously draws here and there on this story tradition, but there is only a very glancing recognition of Lovecraft at the end of the thesis — “American writer H.P. Lovecraft produces two such works in “The Picture in the House” (1920) and “Pickman’s Model” (1927)” — the author being presumably unaware of “Hypnos” (portrait in sculpture), “The Temple” (portrait in carved ivory), “The Outsider” (mirror) and “The Trap” (mirror)).
* J.I.B. Crellin (2014), “Schizo-Gothic Subjectivity: H.P. Lovecraft and William S. Burroughs”. (PhD thesis for Manchester Metropolitan University, 2014. Attempts to use Deleuze and Guattari to open “new conceptual and methodological possibilities for Gothic criticism”, and then tests if this can yield new insights into Lovecraft and Burroughs).
* Scapegoat (2013), “The Sight of a Mangled Corpse: an interview with Eugene Thacker”, Scapegoat journal No. 5, September 2013. (Philosopher who has written on Lovecraft discusses the philosophical lineage of horror, and its relation to contemporary speculative thought).
13 Thursday Aug 2015
Posted in Housekeeping, Scholarly works
Checked and repaired all links on the Open Lovecraft page. The following items have been carried away by night gaunts…
An Awe-ful Integrity: The Science-Fiction Horror of H.P. Lovecraft.
Perceptual and relational deictic shift and the development of ‘atmosphere’ in H.P. Lovecraft’s short story The Colour Out of Space.
The Genetics of Horror: Sex and Racism in H.P. Lovecraft’s Fiction.
Kosmicki horor, gotsko telo i tekst: H.P. Lovecraft “Senka nad Insmutom”.
The Cosmic Angle of Regarding: mathematics and the fiction of H.P. Lovecraft.
Le temps du reve Lovecraftien, ou l’elaboration d’un temps du mythe.
H.P. Lovecraft: a transient speck in wide infinity. (Lovecraft as a poet).
Os Mitos de H.P. Lovecraft e a cultura juvenil.
Antares issues 08 and 00.
11 Tuesday Aug 2015
Posted in REH, Scholarly works
Not added to Open Lovecraft, but noted here because it may interest some readers: Suominen Seppo, “As silently as the ghosts of murdered men”: modification and mind style in Robert E. Howard’s fantasy. Masters disseration for the University of Eastern Finland, May 2015. Close linguistic study of the shift in Howard’s style from the early to later work, with a focus on sensory descriptors.
10 Monday Aug 2015
Posted in Historical context, Scholarly works
Interesting new scholarly thesis by Stephanie Brimson, “Seabury Quinn: a Weird Tales view of gender and sexuality”. Sadly the full-text is not available. This an example of a regrettable recent development among open access repositories, which publicise the thesis as if it were open access but in reality add an embargo of around 12 to 18 months. Anyway, Brimson suggests that…
… a unique male characterization was born in Seabury Quinn’s protagonist Jules de Grandin. Unlike other interwar characters, Quinn’s Jules de Grandin rejected the figure of American bodybuilder in favor of one that emphasized male effeminacy. The sexuality of these effeminate male characters was often unclear, and it is difficult to discern whether this was a serious attempt by Quinn to circulate literature with homosexual elements in the public sphere or just an attempt to lure readers with mentions of social taboos.”
As the “star” author of Weird Tales in Lovecraft’s time, could Quinn’s choice of a lead character — that apparently “emphasized male effeminacy” — have primed the Weird Tales audience for similar characters? Specifically, to more readily accept Lovecraft’s own presentation of his unmanly lead characters?
Or is Brimson just reading too much into the character? Difficult to say, since there’s no full-text for the thesis and I’ve not read the Jules de Grandin stories. Certainly the book Uranian worlds: a guide to alternative sexuality in science fiction, fantasy, and horror (1990) seems to have failed to have noticed this aspect of Jules de Grandin, although it did spot some overt lesbian themes in a late 1947 Jules de Grandin story.
Cowboy-Lucas‘s fan-intepretation of Jules de Grandin.
09 Sunday Aug 2015
Posted in NecronomiCon 2015, Scholarly works
Eight hours to go, on a set of used Selected Letters on eBay, and the seller is offering an affordable shipping rate to the UK. Currently unaffordable for me, sadly, but one day I’ll get a full set of the Selected Letters hardbacks on my Lovecraft shelf.
Although, by then, there may be a good searchable public digital edition of Lovecraft’s letters. On that score I’d suggest that NecronomiCon 2015 seems a suitable venue for some serious pre-production discussion, and initial wallet-tugging for some seed funding. The digital Collected Letters don’t necessarily need to be released as a readily pirate-able DVD or USB stick. The Letters might appear as a website that only serves up Google Books-like page-views, in response to search queries, and only allows copy-paste of one paragraph at a time. An annual subscription fee could give access to such a site ($20 a year for individuals, $300 for libraries and institutions?), or it might be made free and the costs defrayed by ads or sponsors — in fact, a Kickstarter would probably fund it with $500,000 in a few hours if the campaign were to be fronted by Joshi, the HPLHS, leading scholars etc, and the amount was to be match-funded by an institution or foundation. Such an online format would, of course, have the great advantage of allowing a group of approved annotators to easily start work on annotating the letters in a coherent and moderated manner. Plus it would not eat into sales of existing print books of the letters, and might actually stimulate such sales.
09 Sunday Aug 2015
Posted in Historical context, New books, New discoveries, Scholarly works
Forthcoming in mid/late August, a new H.P. Lovecraft Historical Society book The Spirit of Revision: Lovecraft’s letters to Zealia Brown Reed Bishop. Nice to see that it’s both illustrated and rather affordable. The letters are new and previously unpublished…
“In 2014 a collection of [36, 1927 to 1936] letters from H.P. Lovecraft to Zealia Brown Reed Bishop was discovered in an old trunk in a basement.”
These new discoveries have been woven into the “eighteen previously known letters”, and the whole has been annotated.
[ Hat-tip: Ken Faig ]
09 Sunday Aug 2015
Posted in Historical context, Scholarly works
* Gro Oskarson Kindstrand (2014), “Lovecrafts kvinnor: en undersokning av kvinnlig monstrositet i Howard Phillips Lovecrafts litteratur”. (Seems to be a Masters dissertation, for Sodertorn University. “Lovecraft’s inability to [develop his female] monsters forces him to literally put them away – in attics, cellars, or boxes. … these women [then] elaborate a monstrous form that transcends the boundaries of sex, gender, class and race.” In Swedish, with English abstract).
* Gavin Parkinson (2015), “Surrealism and Everyday Magic in the 1950s: between the paranormal and ‘fantastic realism’”, Papers of Surrealism, Issue 11, Spring 2015. (On the ‘return of the fantastic’ in France in the late 1950s and 60s. Touches on the reception of Lovecraft in France, and his probable influence on Morning of the Magicians which was the precursor for a wave of ‘ancient astronauts’ books in the 1970s).
* Tanya Krzywinska (2012), “The Secret World as weird tale”, Well Played journal, Vol.3, No.2, 2012. (On the partly Lovecraft-inspired MMO PC videogame The Secret World)
* James Steintrager (2015), “The Eldritch Voice: H.P. Lovecraft’s weird phonography”, Sounding Out!, 6th August 2015.
I once owned an Edison [phonograph] machine of the primitive type, with recorder and blanks; and I made many vocal records in imitation of the renowned vocalists of the wax cylinder. My colleagues would smile to hear some of the plaintive tenor solos which I perpetrated in the days of my youth!! But sad to say, I gave the old machine away about a year ago to a deserving and not too musical youth who occasionally performs useful labour about the place. I wish now that I had retained it! / … a decade ago [circa 1907, Lovecraft aged 16 or 17], when my phonograph was in constant use … I remember one record — a song called “Starlight”, which was truly Western in its cadences: “Good Nity, my Starrrrlight, hearrrt of my hearrt” … etc. etc.” — Lovecraft letter to Rheinhart Kleiner, April 1917.
An Edison Home Phonograph c.1904. Into which the young Lovecraft may once have crooned a cowboy song or two (the device could record, as well as play). Sadly there is no known surviving recording of Lovecraft’s voice.
08 Saturday Aug 2015
Posted in Lovecraftian arts, Scholarly works
Readers of this blog may be interested to know that Ian Gordon, at The National University of Singapore, is offering a free eight-week online course Superhero Entertainments — with optional Coursera certificate of completion. Starts 28th September 2015.