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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Category Archives: Odd scratchings

Old Book Illustrations

18 Tuesday Feb 2020

Posted by asdjfdlkf in Kittee Tuesday, Odd scratchings

≈ Leave a comment

Old Book Illustrations, a large site sourced from Archive.org, Library of Congress etc, with public downloads at a reasonable medium size. The site seems to be curated, or at least has found a way to filter out all the “country house” engravings and similar mundane topographic items.

By Arthur Rackham.

Nice Jacket

17 Monday Feb 2020

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings

≈ Leave a comment

Facsimile Dustjackets LLC has jackets for Lovecraft’s Selected Letters volumes I-III, albeit at a hefty price.

The Wind that Tramps the World

16 Sunday Feb 2020

Posted by asdjfdlkf in Historical context, Odd scratchings

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Two printings of a Weird Tales favourite tale of the 1920s, Frank Owen’s “The Wind that Tramps the World”. Thanks to Archive.org uploaders for the Weird Tales scans.

April 1925 first appearance.

June 1929 reprint appearance.

(Now defunct PDFs, seek the pages on Archive.org).

Note the broad similarity to Lovecraft’s “Erich Zann” (1921, National Amateur 1922), which saw a reprint in the May 1925 Weird Tales, a month after Owen’s “The Wind”. Only those readers who had seen the 1922 publication of “Zann” would have been aware that Lovecraft was not following up on Owen with his own “copy-cat” story.

Lovecrafter #6

15 Saturday Feb 2020

Posted by asdjfdlkf in Odd scratchings, Scholarly works

≈ 1 Comment

Deutsche Lovecraft Gesellschaft, the German Lovecraft forum, brings news of Lovecrafter Nr.6, December 2019. The main article, in German, is “From Sauk City to Arkham – 80 years of Arkham House”.

In Quebec

11 Tuesday Feb 2020

Posted by asdjfdlkf in Odd scratchings

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A small commemoration of Lovecraft’s epic trek to and around old Quebec, and also his subsequent extended travelogue and (effectively) guide-book.

Never have I beheld anything else like it, & never do I expect to! … I can scarcely believe that the place belongs to the waking world at all. A mighty headland rising out of a mile-broad river & topped by a mediaeval fortress—city walls of cyclopean masonry scaling vertical cliffs or towering above green table-lands — great arching city gates & frowning bastions — huddles of pointed red-tiled roofs & silver belfries & steeples — archaic lanes winding uphill or lurking in the beetling shadow of precipices…

The walls in landscape context.

Lower and Upper Town, Quebec.

A lane in Lower Town in the 1920s.

View over Lower Town in the 1950s.

Clark Ashton Smith as an early admirer of Tolkien

09 Sunday Feb 2020

Posted by asdjfdlkf in Historical context, Odd scratchings

≈ 3 Comments

DMR has a new blog post, “When Klarkash-Ton Read The Book of Westmarch”, musing on precisely why Clark Ashton Smith was an early admirer of The Lord of the Rings, in those fallow decades before the book was properly understood by its early fans or was taken seriously by some perceptive critics. I can add a few useful dates and some historical context, which DMR lacks. For instance, in the year Smith died the reviewer Philip Toynbee in the Observer newspaper (6th August 1961, then a leading UK Sunday newspaper) was pleased to note of Tolkien’s works that… “today these books have passed into a merciful oblivion”. Even when the book gained fans in a big way circa 1966, they often deeply mis-understood it, or just saw its surface layer. Many critics seemed to assume it was set on another planet. Thus Smith would likely have regarded Tolkien as akin to Lovecraft in his then-obscurity and tight cadre of (often befuddled) fans, and without even a Derleth to champion him.

DMR suggests that, in what must have been a close reading, Smith had especially noted Gandalf’s passing revelation — made in the context of the secret council on the Pelennor after the defeat of the Witch King — that Sauron “is but a servant or emissary” of a greater evil. At that time Smith would not have been able to discover more about this unknown master in The Silmarillion, as that monumental book was only published in 1977. Thus Smith was seemingly left free to imagine something very dark and chthonic indeed. Such is the implication of the interview with Smith’s friend, linked in the DMR article.

Also interesting is DMR’s suggestion that Smith might have found a distillation of a rooted ancestral homeland in The Lord of the Rings, since…

As with Tolkien, Smith’s father, Timeus, was an Englishman — and Clark’s mother was of predominantly English stock. Did Timeus Smith imbue his son with an interest in the Green and Pleasant Land?

Timeus Ashton-Smith was apparently the son of a wealthy iron manufacturer, in the years before the transition to steel, and one wonders exactly where his formative years were spent before he became an adventurer? Nothing online can tell me the answer to that. But if he grew up in the industrial West Midlands, then that would give Smith another tie to Tolkien via Birmingham.

DMR adds about another eight very likely points of linkage between Smith and Tolkien, or perhaps a better phrase would be ‘natural sympathy’. I think I’d enjoy reading DMR’s blog post as an expanded and footnoted article in a journal, with a dating framework added and a brief survey of the many “horror” elements in The Lord of the Rings that would have appealed to Smith, something DMR doesn’t mention, from the Barrow Downs to Shelob’s Lair. One might also briefly note how the studied lack of tub-thumping Narnia-style Christianity would have eased Smith’s journey into Middle-earth.

Famous Fantastic Mysteries

05 Wednesday Feb 2020

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings

≈ 1 Comment

DMR surveys Famous Fantastic Mysteries & Other Cool Mags with a focus on the art and Virgil Finlay in particular.

I don’t think there’s ever been a Catalogue raisonne for Virgil Finlay. Perhaps there should be.

Fiverr Publishing

04 Tuesday Feb 2020

Posted by asdjfdlkf in Odd scratchings

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Just launched, the Fiverr Book & eBook Publishing Store. An organised portal-page, leading to Fivver people who will help you publish your book.

January on Tentaclii

30 Thursday Jan 2020

Posted by asdjfdlkf in Odd scratchings

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‘Tis the bleak midwinter, and the timbers of Tentaclii Towers drip and shiver in the icy blasts. The mournful wailing of anti-Brexiteers is sometimes heard, far out across the Stoke-on-Trent wastelands as they trudge toward sanctuary in Scotland. But the Towers’ robust truffle-pig herd has been out-and-about… and thus daily posting has resumed here. In January 2020 the blog offered readers a wide range of freshly-snuffled posts, though my in-depth research and reviewing is in abeyance until the early summer. The range of January posts was wide, and as such there’s little coherence for me to pick out here in the usual sort of summary survey.

My thanks again to my Patreon patrons. The monthly total remains stuck at $53 a month, but at least it hasn’t dropped further. This month my patrons have helped fund a purchase of the Lovecraft Annual for 2018 and 2019, bagged at a bargain £15 for both inc. shipping. Half-price, basically. Please encourage others to become my Patreon patrons, if you know of likely Lovecraftians. All it takes is as little as $1 a month.

My patrons have also helped contribute to the cost of my new workstation. This is a decade-old refurbished HP Z600 with 24Gb of RAM and dual Xeon 5670 processors. Originally around the $10,000 mark for a third-generation Z600 circa 2011, they can now be had for £245 including efficient delivery and a cross-over networking cable. They combine a tank-like build-quality with slimline design values (tool-less case and layout, designed by BMW) and should have a decade of life left in them yet. With the original Windows OS and its HP drivers correctly installed the machine is still a beast for those who have specific needs on a very tight budget. Such as a second offline PC as a cheap ‘render farm’ for 3D rendering from Vue 2016, Poser’s Firefly and DAZ’s iRay (contrary to popular belief, iRay can run fine on CPUs). My tests show its 12 cores and 24 render-threads tearing through Vue scenes like it was made for the software, and it does very nicely on iRay too. The Z600 is also still good for junior video-editors in need of a ‘pocket money’ starter rig; and for videogamers on a tight budget who also have a free hand-me-down graphics card for it.

I’m in the Vue/Poser creative camp, and as for videogames I’ll give theHunter and perhaps Morroblivion a try and see how visually buffed and fast they can get. [Update: they chug, because the Z600’s specialist CAD-friendly Quadro graphics-card is both old and not geared for games]. The Z600 purchase was partly enabled by a small bonus from my magazine work, and a surprise $25 from my Lovecraft ‘travel poster’ sales over at RedBubble. After producing a puny total of about $4 in income over the last year, such sales suddenly came to life again. I imagine that someone somewhere was opening a Lovecraft-themed bar for Christmas, and wanted a set of non-gory art posters on the walls. Anyway, there will be a full guide to the Z600 for Vue / Poser / DAZ iRay in the March 2020 Digital Art Live magazine, if you’re interested in such things.

So that’s about it for January 2020 at Tentaclii Towers, apart from my commanding the truffle-pig herd to deck the halls to celebrate our glorious Brexit on the 31st. Hopefully I’ll still be here in February, and won’t have been carried off by either mutinous anti-Brexiteers or the looming plague.

Letters from Cannock

26 Sunday Jan 2020

Posted by asdjfdlkf in Odd scratchings

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New on eBay Selected Letters – H P Lovecraft – Volumes 1 To 5 at £485 inc. shipping from a UK seller, with Buy It Now. Looks like a nice crisp clean matching set, which may mitigate the £100 over-pricing for someone who has plenty of cash to splash.

Cryptobotany Books

24 Friday Jan 2020

Posted by asdjfdlkf in New books, Odd scratchings, Scholarly works

≈ Leave a comment

Three anthologies of tales of strange plants and fearsome fungi, which appear to have been mostly culled from the public domain. Available in paperback as Flora Curiosa, Botanica Deleria and Arboris Mysterius. There appears to be no ebook or audiobook editions.

Amazon also reveals the anthologist to be the editor of a journal titled Biofortean Notes. Volume 4 (2015) of this had a survey of “Cryptofiction: A Renaissance”. Only eight pages, but it may interest fiction writers who want to learn what’s been done up to circa 2014, and those seeking adaptable work. “Crypto” here meaning cryptozoology rather than Bitcoin.

But before you go cashing in your $8k Bitcoin to buy copies of the journal at Amazon’s often rather silly prices, note that BioFortean Notes is currently free in PDF, and there are free issues up to 2018.

Perhaps S.T. Joshi would also welcome a survey of cryptobotany in fiction and graphic novels, from 2000-2020, for his new journal Penumbra?


Loosely connected to the theme is this curious twisted pear, in Lovecraft’s time located at the old Dyer residence near Providence. Lovecraft had the Dyer name in his family tree, so may well have visited and seen it. One thinks of Lovecraft stories such as “The Tree”.

The Secret Adventures of Jules Verne

21 Tuesday Jan 2020

Posted by asdjfdlkf in Films & trailers, Odd scratchings

≈ Leave a comment

I’m pleased to discover The Secret Adventures of Jules Verne, a 22-hour series which was the flagship series for HD TV, back in 1998-2000 when HD was a new thing. They cast well, spent $2m an episode, had lots of VFX, and superb and inventive scripts. Judging by the first few episodes it seems it paid off, and is a welcome reminder of the days when TV stories were stories, not an excuse for a string of political lectures.

But who knew there was such a thing, in steampunk? I’d never heard of the show before, despite it being loved by a hardcore of (rather quiet) fans. Part of the reason for that is that the show has never been released on DVD. Comments in old Starlog magazines suggest there was a very poorly promoted HD showing, and one gets the impression that most sci-fi fans had no clue it was even running. Then it was badly converted to film (too dark and muddy), for showing on the American TV channels. At that point the channels could not handle HD, and the result looked disappointing to many. Thus it appears that the old VHS TV captures are all the fans have in 2020. Not ideal, with the sumptuous costumes being an especially regrettable loss — they get smudged into down into a dark haze. But appears to be quite watchable. A very fractious set of investors apparently prevent any new HD release in the 2020s, with the HD masters presumably crumbling away in a vault somewhere.

Starlog #287 (2001) has the best extended magazine article on the series and what it was trying to do.

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