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~ News & scholarship on H.P. Lovecraft

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Category Archives: Odd scratchings

Literary Influences of Robert E. Howard

30 Monday Mar 2020

Posted by asdjfdlkf in Historical context, Odd scratchings, REH

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Todd B. Vick has just launched a new blog series, “The Literary Influences of Robert E. Howard”, with the increasingly forgotten James Branch Cabell as the opener.

In his review, Howard calls Cabell the ablest writer of the present age. Along with many other readers back then, Howard was seized by Cabell’s command of the English language.

Carl van Vechten’s portrait of Cabell, 1935. B&W from the Library of Congress, but here newly up-rezzed, tweaked and colourised by me. View on a dark background and good monitor, to see the wooden cane in the lower half. Feel free to use for worthy projects.

DMR also recently had a short post Forefathers of Sword and Sorcery: James Branch Cabell which noted others influenced by Cabell…

Neil Gaiman counts JBC as his favorite author.

The Lovecraft-Barlow letters also reveal that Cabell was a key idol for Barlow. The Lovecraft-Bloch letters also indicate Bloch was an admirer, though perhaps less ardently that Barlow.

What of Lovecraft? He was more tepid. In 1920 he called Cabell a “real thinker”. But while judging most of Cabell’s fiction “sound and admirable”, and often with an enjoyable “light, witty, & sophisticated manner” and a fine ear for “prose rhythm”, for fantasy Lovecraft very much preferred Dunsany for his “genuine magic & freshness”.

He was distinctly sniffy about the politics, though, by 1935. To Bloch he wrote… “Cabell strikes me as a pale-pink Anatole France — with a lot less to say than his prototype had”. Pale-pink here seems to refer to Cabell’s politics. If one was ‘pink’ in the mid 1930s, one was a dupe or a fellow-traveller of the ‘reds’ (the Communist Party). Such people failed to know or recall that when ‘the revolution’ is in its early stages the intellectual comrade — the bookish guy with intellectual theories and a taste for poetry — is the one put up against the wall and shot by the thuggish element among his comrades. Still, even in a letter to Bloch of November 1935 Lovecraft can still be found lauding Cabell and overlooking his political foolishness. In this letter Lovecraft remarked that Cabell had… “one of the finest and maturest styles yet found in American prose”.

Abounding Astounding Stories

28 Saturday Mar 2020

Posted by asdjfdlkf in Odd scratchings

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Astounding Stories Magazine, a new collection category on Archive.org, collecting links and previews for 397 scans. Some are duplicates, and British editions are included in the count. As is nearly always the case, Archive.org’s ‘Sort by Date Published’ filter is useless. So are the year filters over on the left hand side, where they exist. It might however be possible someone to push the RSS through some ninja regex and thus re-sort the links by year, then publish the chronologically sorted links to a blog post.

Reimagining Brooklyn Bridge

27 Friday Mar 2020

Posted by asdjfdlkf in Odd scratchings

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Reimagining Brooklyn Bridge seems somewhat relevant to Lovecraft’s time in New York City, and Brooklyn in particular. The 2020 challenge is to create an unconventional makeover for the iconic bridge…

The New York City Council and Van Alen Institute have launched Reimagining Brooklyn Bridge, an international design competition. [They will pick six] unconventional designs that respect and enhance the bridge’s landmark status [while maintaining safe access and use].

I’m thinking… tentacles…

Deadline: 19th April 2020. Aimed at architects, but there’s no reason why enthusiast teams shouldn’t enter, or that someone couldn’t also start a more artistic ‘fringe’ contest for the bridge over the summer.

“English dreams and memories”

27 Friday Mar 2020

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings

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Seen below are some good photo-reference pictures for an 18th century suit, and these may be useful for artists seeking to depict H.P. Lovecraft as an 18th century Englishman of letters. Interestingly, if Lovecraft had ever acquired the financial means to purchase a steam-heated English mansion in Devonshire, complete with semi-tropical glass-houses, then he could have settled in England. Since he knew of…

… the legal provision which makes me still able, as the grandson in direct male line of a true-born Englishman, to call myself a rightful British subject.

… but otherwise one imagines that our climate would have dampened his ardour for England, even on a summer visit of a few months.

A revision of “The Strange High House in the Mist”?

26 Thursday Mar 2020

Posted by asdjfdlkf in Historical context, Odd scratchings

≈ 3 Comments

Re-reading Barlow’s memoir of Lovecraft, in O Fortunate Floridian, I was struck by the implication of the comment by Barlow that…

Of “The Strange High House in the Mist” (1926) I have a much-interlined and revised typescript; the rhythms (he said) became too obvious in his story and had to be toned down.

Barlow’s reference to “rhythms” is ambiguous. Does it refer to the poetic play of words in lines, or to the larger structure which repeatedly pounds like ocean waves through the last part of the story?

But the clear implication here is that Lovecraft once made a heavily revised version of this typed story. Did Barlow have the early typescript of a revised version, which had then been cleanly re-typed and submitted to Weird Tales in summer 1931? It would seem a natural moment to make some changes. If so, then the further implication of Barlow’s comment is that the November 1926 original (rejected by Weird Tales and due to appear in The Recluse, but never printed there) was markedly different from the 1931 version?

The Lovecraft Encyclopedia makes no mention of any revision in either 1931 or 1934, or of a lost 1926 original which had been typed but then heavily revised. Nor, so far as I can see, is there mention of such on the survey of Lovecraft’s ‘lost’ material in “Locked Dimension Out of Reach” (Lovecraft Annual 2011), or in Joshi’s I Am Providence or his notes for Penguin Modern Classics.

But we can assume Barlow is accurate, and that there was a detailed revision. One then wonders when this was done. If in Florida in 1934 during his visit with Barlow, then the following item from Barlow’s memoir of Lovecraft may have some bearing, perhaps arising from the work in the revision…

At breakfast he told us his dreams; once of how he was a magician standing on a cliff over the ocean sending balls out into space and guiding them back, some of them returning with the scars and mosses of seas and spaces unknown.

A slightly different version of the dream is given on page 402 of O Fortunate Floridian, adding winds and wetness… a “high cliff by the ocean, where winds were blowing” and the balls “would have encrustations of odd growths, or be slimy wet.”

Readers will remember that the setting of “The Strange High House in the Mist” is a tall sea-cliff above the ocean, the original 1926 story being most likely written for a boy who lived on a sea-cliff at the ocean’s edge near Marblehead. Thus this dream, and Barlow’s comment, might hint that Lovecraft revised the story while staying with Barlow in Florida?

The Brown Repository has the story as scans, presumably deposited there by Barlow, and the notes on the record-page suggests a solution to the mystery. Although the item is…

Dated at the end: “Novr. 9, 1926.” This combination of manuscript (pages 1-7 and 10) and typescript (pages 8 and 9) was heavily revised by HPL. He apparently continued to make revisions even after the story was first published in Weird Tales, 18, No. 3 (Oct 1931).

Thus, by the look of it, it seems there was indeed some sort of composite assemblage and accretion on top of the original handwritten story of 1926, consisting of many inserted typed pages among the handwritten leaves and very heavy revision throughout. I imagine that access to Joshi’s Collected Fiction, A Variorum Edition, Volume 2: 1926–1930 would help further unlock the sequencing of this item, since the book has “High House” and it offers…

“all the textual variants in all relevant appearances of a story — manuscript, first publication in magazines, and first book publications.”

Though I’m unsure if it also pares back to what sits underneath all Lovecraft’s crossings out, and attempts a forensic reconstruction of the 1926 original. Unfortunately this book is too expensive for me, even at its current reduction from $180 to $99.

At the Margins

24 Tuesday Mar 2020

Posted by asdjfdlkf in Odd scratchings

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“At the Margins”, a new essay on the pleasures of adding one’s own marks to a physical book, from the smallest marginalia to full-blown annotating.

Asenath in Uniform

23 Monday Mar 2020

Posted by asdjfdlkf in New discoveries, Odd scratchings

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I’m now part of the way through reading O Fortunate Floridian, Lovecraft’s letters to Barlow. Only a few surprises so far, but I’m only up to late summer 1933 and they’re just getting warmed up.

One of the surprises was Lovecraft’s seemingly rather extensive cinema-going circa summer 1933, probably triggered by his spending Christmas 1932/33 in New York and seeing a number of the new movies there.

For instance, who knew that aspects of “The Thing on the Doorstep” were inspired by Lovecraft’s viewing at the cinema of the notorious Madchen in Uniform — just a month before the story was written?

Blank card

19 Thursday Mar 2020

Posted by asdjfdlkf in Odd scratchings

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A nice blank that, printed at 5 inches or so on off-white cardstock, might be of use to RPG gamers as a prop. I’ve up-scaled it to 300dpi…

Strike a light

18 Wednesday Mar 2020

Posted by asdjfdlkf in Odd scratchings

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An interesting real ‘hook’ for a plot-point in a game or story… Ancient secret of lightning strikes at stone circles revealed in Scotland…

Geophysics [of a stone circle, by the University of Saint Andrews] revealed that … there was a massive, star-shaped magnetic anomaly in the centre – either the result of a single, large lighting strike or many smaller strikes on the same spot.

A snippet of Goodenough

18 Wednesday Mar 2020

Posted by asdjfdlkf in Historical context, Odd scratchings

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The local Brattleboro newspaper has a new appreciation of Arthur Goodenough. The newspaper doesn’t appear to block visitors from outside the USA.

Their new local history article focuses on Goodenough’s speaking out against the state-enforced sterilisation of 250 “idiots, imbeciles, feebleminded or insane” in Vermont, to prevent them from having children. That was in 1931, and the Great Depression was beginning to grip. To many at that time, it must have seemed quite a sensible move.

But Goodenough rightly worried about what would now be called ‘mission creep’. Worried that, once such a thing was permitted, the public would come to accept it and doctors would treat it as routine. Then the apparently limited policies would slowly grow into a self-serving bureaucracy that could start to encompass anyone deemed ‘aberrant’…

He stated that it is unknown if physical or mental infirmaries might visit the lawmakers later in life; or find their way into the lives of friends, children or grandchildren. With passage of the law any of them could find themselves visited by the sterilization knife as well.

“Tomorrow I may be swamped with a burden of portentious mail…”

15 Sunday Mar 2020

Posted by asdjfdlkf in Odd scratchings

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Just taken in a consignment of copies your new book or magazine, printed in somewhere like China or Italy? Or had curious Lovecraftian packages in the mail? Then you’ll be needing Less Wrong’s new “Comprehensive COVID-19 Disinfection Protocol for Packages and Envelopes”.

Or, rather more simply, you could just leave them in a hallway or spare room for 15 days, after which time any virus traces should theoretically be kaput — even at chilly temperatures. But it seems a freezing garage is probably not the best place to store the consignment, as such virii can go into cold storage and persist for longer. So if that’s all you have, add a low level of electric trickle-heat.

Also, some may be considering sending glossy cards/postcards to elderly and ill folk in isolation until perhaps the end of May 2020. There are such programmes starting up but they seem like a very bad idea, given the type of surfaces and the hand-contact and envelope-licking involved. Something virtual like Skype or a phone message would be better.

On the Eddy collaborations

14 Saturday Mar 2020

Posted by asdjfdlkf in Odd scratchings

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MPorcius surveys Lovecraft’s Eddy collaborations…

“The Loved Dead” is a masterpiece of horror: economical, perfectly paced, internally consistent and novel

And now in the public-domain, for those looking for an as-yet untouched Lovecraft source for an adaptation.

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