I just finished reading an e-copy of the new book, Stealing Cthulhu ($35). The 30,000-word book was written for those who run tabletop role-play games (RPGs), and who need to devise new scenes, unique plots, and familiar-but-fresh monsters. But the book will also interest writers, especially since the remix culture is now breaking down old writerly taboos around unique ‘authenticity’. Writers won’t be swamped in tedious RPG rules arcana, since that particular monster is safely locked away in a single short appendix (where the author sets out his own simple RPG system called Cthulhu Dark). In the body of the text the reader is offered clear and intelligent breakdowns of what Lovecraft does and how and why he does it, drawing on a clutch of his key stories. The author has obviously wandered freely in the vast catacomb of Lovecraft’s writing (and also a few of the wider Mythos stories), but what he loots from it is then rigourously and sensibly organised. The writing is clear and concise throughout. There may be “how to” books on writing horror (I haven’t bothered to look), but this book is the only writing guide for Lovecraftian horror/SF that I’ve ever heard of. Maybe it’s better than standard “writers guide” tomes, since it doesn’t suggest how to write — simply how to come up with ideas about what to write about and how to structure those ideas. Another advantage is that the author’s approach arises from oral RPG storytelling sessions, not from academic lit-crit theories or writers’ workshop ‘rules’. He simply gets down to giving easy-to-follow guidance on how to recombine and re-work ideas / characters / monsters / settings / atmospheres, etc, to tell new stories that can satisfy tabletop gamers. The structural story breakdowns are followed by light suggestions for adapting these elements so they work with RPG player groups, but the author never gets bogged down in this. Of course, one then needs a slathering of freshly weird imagination laid on top of these basic re-mixes. And a writer may need to insert plot switchbacks, like Lovecraft did. But the book presents a good system for getting a starting base story, and will no doubt help jump-start many blocked writers. For an ebook (I had it as a PDF) it’s rather expensive at $35 (about £23), but not so when you factor in that your $35 will also eventually get you a collectable print copy. A unique and recommended book.

Jason B. Thompson has a Kickstarter project to crowd-fund a new edition of The Dream-Quest of Unknown Kadath and Other Stories in comic book form…

“Here’s my plan: I want to go back to my Dream-Quest comics, retouch the art, and reprint all four stories — Dream-Quest, “Celephais,” “The White Ship” and “The Strange High House” — together in one definitive collection of HPL’s greatest dream stories. The Dream-Quest of Unknown Kadath will have a new cover, a map of the dreamworld, concept art of the various creatures and places, and a comic adaptation of Lovecraft’s four greatest dream stories. Altogether, it’ll be a 176-page, oversize (approximately A4 [about the same as the U.S. Letter] size) book.”

50 days left to go, and he’s currently had $5,888 pledged of the $10,000 goal.

Available now on Lulu, the 52-page catalogue for the Dead and Dreaming art show…

“This tome collects the work from the ‘Dead and Dreaming’ exhibition at Paradigm Gallery, Philadelphia [Fall 2011], showcasing twenty artists interpreting the work of H.P. Lovecraft.”

Lovecraft e-zine issue 6, available now for Kindle or Nook ereaders.

A preview of the children’s picture-book Where’s my Shoggoth? (Arteria, April 2012)…