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Tentaclii

~ News & scholarship on H.P. Lovecraft

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Category Archives: Lovecraftian arts

HPLinks #5 – Endowed Fellowship, shadow-puppets, strange climates, weird law, and more

17 Tuesday Sep 2024

Posted by asdjfdlkf in HPLinks, Lovecraftian arts, Scholarly works

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HPLinks #5.

* Applications for The S.T. Joshi Endowed Research Fellowship in H.P. Lovecraft, at Brown University in Providence, are due by 17th January 2025.

* I note that Brown University has a list of theses and dissertations that were done at Brown and relate to Brown and the parts of Providence adjacent to the university campus. Of possible interest to Lovecraft researchers are: Fox Point: the disintegration of a neighborhood and the related Community building: The Azorean, Cape Verdean, and Continental Portuguese in Fox Point, 1900-1940; Arsenic contamination in Providence’s East Side (relevant to “Colour”?); The problem of academic reputation at Brown University in the 1930’s which might perhaps marginally illuminate Lovecraft’s presence on the edge of the campus at that time; and Choosing Genes: the eugenics of Herbert Eugene Walter [1867-1945]. The latter was a full Biology professor at Brown from 1923, a leading heredity expert, and he later also taught at the Marine Biological Institute of the Brooklyn Institute of Arts and Sciences. As such he sounds like a rather interesting figure to include as a character, or to at least reference, in a 1930s New England Mythos adventure.

* H.P. Lovecraft Film Fest Kickstarter, live and… already funded in a flash! The event is now set for 3rd-6th October, and note that the online “Streaming Program is 18th-22nd October” 2024.

* Nighttide Mag has a report on Dreams of Light and Shadow: TL Wiswell’s Shadow Puppet performances… “At this year’s NecronomiCon, Tonnvane ‘TL’ Wiswell performed shadow play adaptations of two of H.P. Lovecraft’s weirder short stories.”

* The Rise of Cthulhu blog has the post “NecronomiCon Providence 2024 part 1” which has notes on the panels he attended. Part two remembers the spectacular Lovecraftian WaterFire parade of 2013 in Providence.

* In France, Actualitte takes a closer peep at the handsome new Druillet et Lovecraft artbook.

* An Italian Lovecraftian points out that Lovecraft and Barlow did alarmist ‘global warming’ fiction first, with “Till A’ the Seas” (January 1935, for publication in the Californian for summer 1935).

* A call to contribute to The Pulpster #34, which for 2025 will have the theme of ‘Masters of Blood and Thunder’. The theme centering being the writers Edgar Rice Burroughs (John Carter of Mars, Tarzan etc), Rafael Sabatini (Captain Blood), and Edgar Wallace (Sanders of the River, crime novels, original King Kong movie script). The editors also seek articles on your favourite villain from the pulps.

* The new paper “The Law is Weirder than AI” (2024)… “Primarily through the lens of author H.P. Lovecraft’s weird tales, I argue that the law is very weird [and this then leads me] to an assessment of the weird claims surrounding ‘artificial intelligence’.” Freely available online.

* From the Ukraine, a new short discussion paper on “The horrors of Lovecraft: disgust and repulsion”. In English and freely available online.

* Egregoric Times has a blog post that briefly considers “H.P. Lovecraft, Horror Writing and ‘Transliminality’. The author wonders if there may be neurological basis for openness to what appears on the surface to be “paranormal or extrasensory experiences”, especially in certain conducive places and atmospheres. I recall I read a weak one-page guest-article on a very similar topic, in New Scientist magazine, a few weeks ago.

* DMR reviews The Best of Jules De Grandin by Seabury Quinn, one of the most popular Weird Tales writers… “I kept thinking, ‘How on earth was this guy more popular than Robert E. Howard or H.P. Lovecraft?'”.

* Coming in October from Hippocampus, the book Where the Silent Ones Watch, a chunky anthology in which… “twenty-seven authors and poets visit William Hope Hodgson’s worlds and concepts, to dig deep into his mythologies and delve into fresh mysteries in unexpected times, locations, and interpretations.”

* The following paperback covers are completely new to me. I had thought (though not as a collector) that I was broadly familiar by now with the 1970s paperbacks of the British publisher Panther. But who knew they put out two volumes of Machen? Not me. Vol. 2 being dated 1975. Neither appeared later in the used bookshops I frequented, in all the time I was assiduously browsing and purchasing. Ah, for the long-lost days of the 50-pence second-hand paperback, or ‘three for £1’…

* Also new to me, I see The Meeplesmith has a nice line in Lovecraftian miniatures for tabletop gaming. Lots of them, relatively affordable and nothing ‘sold out’ as yet. There’s a tiny figure of Lovecraft himself. But there’s no stylised Lovecraft Circle (imagine: a bespectacled young Barlow, the old anarchist Morton, the New York dandy Belknap Long, straight-man Leeds leading his freak-show friends, etc) as yet, and no Erich Zann-like figure that I could see. Which seems a missed opportunity.

* A real-life “Sahara Expedition – In Search of the Unknown 2024”, happening 23rd – 27th Oct 2024 in Tunisia. A 1930s Lovecraftian LARP adventure in a real desert.

* And finally, the sometime-Lovecraftian creative Alan Moore on language…

Q: Could you disclose to our readers some of your favourite and most interesting occult artifacts?

A: My most powerful, without a doubt, is the Random House Dictionary of the English Language, unabridged. That is the best book anyone will ever read. To understand language is to understand what is hidden, which is to say, the occult.

Moore also has his own book coming soon, The Moon and Serpent Bumper Book of Magic.

HPLinks #4 – table-trembling translations, Polish letters, Martians in 1924, ‘Little Bobby’, Tom Sutton, Lovecraftian tabletop gaming, and more

09 Monday Sep 2024

Posted by asdjfdlkf in Films & trailers, HPLinks, Lovecraftian arts, New books, Scholarly works

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HPLinks #4.

* French publisher Gallimard is to publish a huge table-trembling single-volume slab of Lovecraft’s tales in French. Recits (‘Tales’) is due shortly before Halloween 2024, and has 29 new translations in 1,408-pages. I’m told the La Pleiade imprint being used is highly prestigious in France.

* A new Polish edition of Lovecraft’s selected letters, Lovecraft Listy Wybrane 1906-1927 (‘Lovecraft: Selected Letters 1906-1927’). Due for publication in a 544-page hardback by Vesper, on 13th September 2024. The book’s cover doesn’t inspire, but I dug up the publisher’s page and this reassured me. At the end of the blurb found there, one reads that…

The letters were selected and translated by Mateusz Kopacz. He is a Lovecraft expert and translator of, among others, the major Lovecraft biography by S.T. Joshi.

* Edgar Pera’s new feature-length film Telepathic Letters (2024, 69 mins), now on the film festival circuit. It’s getting a lot of flak from the AI-haters, it seems, as he used Stable Diffusion to make the movie.

   i) The Trailer.

   ii) An ICS review… “avatars of Pessoa and Lovecraft speak to one another … Pera introduces two thematic threads that both Pessoa and Lovecraft believed to be the foundation of humanity – fear and madness – and explores how they both influence artistic expression”.

   iii) A Cineuropa review of Telepathic Letters… “The film seamlessly shifts between documentary and portmanteau horror, and its multifaceted formalism could also be seen as a video-art piece – a collage of bizarre, unsettling and otherworldly imagery”.

   iv) The Hollywood Reporter had an interview with Edgar Pera about the new film, in English. ($ possible paywall, but I had the whole interview).

… while preparing The Nothingness Club, about Pessoa’s heteronyms, I found many more invisible links between them. Now I have tons of their books, [where I have] written in the margins “Link Lovecraft” or “Link Pessoa.” And since we were already preparing then The Spiral of Fear, a Lovecraft feature, I thought that making a film about them might be a good way to make Pessoa and Lovecraft readers meet.” (Pera)

   v) A long interview on Telepathic Letters in the open-access journal Rotura, with choice screenshots. In Portuguese.

   vi) The Portuguese newspaper Espresso has what might be a new profile-interview with Pera, but it’s behind a $ paywall.

* Postscripts to Darkness has a new long article on “”The dread contemplation of infinity”: Some Thoughts on George M. Gould and Cosmic Horror Before Lovecraft”. Continued in the follow-on long post “Lovecraft, Lucretius, and Leonard’s Locomotive-God: Further Thoughts on Cosmic Horror”. The latter essay…

further explores Lovecraft’s developing conception of cosmic horror by focusing on another of Lovecraft’s under-recognized contemporary influences; namely, the American professor, poet, memoirist, and translator, William Ellery Leonard.

* Centauri Dreams tunes in to “The ‘Freakish Radio Writings’ of 1924”. In August 1924 the earth seemed to be receiving radio messages from a fast-approaching Mars, at least according to credulous press reports. It was actually bona-fide research that…

was serious SETI for its day. A dirigible was launched from the U.S. Naval Observatory carrying radio equipment for these observations, with the capability of relaying its signals back to a laboratory on the ground. A military cryptographer was brought in to monitor […] any signals from [the closely approaching] Mars as detected by the airship

Very likely to have been a point of discussion with Lovecraft at the Kalem Club, I would imagine. And even today it may be a real-life hook on which some Mythos writers could hang a 1920s story.

* Congratulations to all involved with The Fossil, journal of the historians of amateur journalism. It has now reached issue 400 (July 2024). The issue is freely available online in PDF, and includes… “Past Editors Ken Faig, Jr. (2024-2012) and Don Peyer (1996-1997) recalling their years editing The Fossil, and Monica Wasserman describing the involvement of Sonia Greene Lovecraft in amateur journalism.” Plus a note about the mysterious listing of a “H.P. Lovecraft in the 1917 Los Angeles City Directory”. Another real-life hook which may interest some Mythos writers, I’d suggest.

* Wormwoodiana reviews the new book L’Affaire Barlow: H.P. Lovecraft and the Battle for His Literary Legacy…

Anyone interested in how a modern literary estate was usurped can learn from the vitriol and scheming profusely detailed in this book. […] Derleth comes across as scheming, duplicitous, and extremely petty. The evidence is all here.

* Deep Cuts has a new long article on the scholarly Mexican work of Lovecraft’s young friend Barlow, “Deeper Cut: R.H. Barlow & the Codex Huitzilopochtli”.

* An article in the Italian open-access journal Classica Vox, “Exotika e Outer Ones”, sees a connection between a 1927 lecture heard by Lovecraft, given by Sir James Rennell Rodd on classical antiquity, and the story “The Whisperer in Darkeness”. In Italian, with English abstract.

* New on Archive.org, a scan of the French journal Revue Roumaine for April 1966. In a review of a volume of the poetry of Emil Botta, one finds…

For in Emil Botta’s poetry there is nothing more striking than this feeling of perpetual flight towards a ‘beyond’ that the poet tries to evoke. Botta’s poetry is an attempt to fly over a territory, completely unknown, in a strange and sad universe above a “no man’s land” located between life and death. Let us note a striking resemblance, although devoid of any material possibility of filiation, between Botta’s lyrical adventures and the dreams of another great dreamer of our time, Lovecraft. There are almost disturbing correspondences here that seem to suggest a coherence of their dream universe. But while Lovecraft is a narrator whose descents into the depths of dreams are pregnant with dark events, Botta’s poetry pilots brief, violent, exhausting plunges into this obscure empire of shadows.

* The Spanish open-access journal Helice: Critical Thinking on Speculative Fiction publishes in Spanish and some English. Of special note is the 2023 English article “A Century of High Fantasy in Latin Europe (1838-1938), and Beyond: A Historical Overview”. Freely available online.

* DMR has new review of Tom Sutton’s “The Dream-Quest of Unknown Kadath” Portfolio (1978). An item new to me, and with impressive penmanship judging by the scans shown…

See also the 2023 Dark Worlds Quarterly article “The Lovecraftian Tom Sutton at Charlton Comics”. I think I actually had a couple of his Charlton issues in my collection, back in the day. Long lost, now. But I see that a 148-page collection of the best of Tom Sutton’s Creepy Things (Charlton) was issued in 2015, and still appears to be available in a $90 hardback in the USA.

* Said to be newly available on a streaming movie service in the USA, the HPLHS movie adaptations The Call of Cthulhu and The Whisperer in Darkness. Though they seem to be region-locked, and thus are not yet available for me in the UK…

* The religious multi-author online magazine Protestia reports “Oldest Baptist Church in America Hosts Cthulhu For Horror-Themed NecronomiCon”, with some interior pictures of the event. Reports ‘with a frown’ and a wry tone, I note. But that modest reaction in itself shows how far we’ve come, from the foaming-at-the-mouth of the 1980s evangelical ‘satanic panic’.

* Mysteries of Montreal has a short overview of the NecronomiCon 2024 RPG gaming-related panel discussions which he attended, and some criticisms.

* RPG maker Chaosium’s Fall and Winter Releases list for 2024. Includes a new Investigator’s Guide for Cthulhu by Gaslight (the Lovecraftian RPG set in late Victorian / early Edwardian Britain, as I recall). I imagine this may interest both Mythos and Sherlock Holmes writers, as well as the intended audience of RPG players. Also due from Chaosium before Christmas is At The Mountains of Madness for Beginning Readers, which looks amusing.

* And finally, an online museum dedicated to the various felines Famous On th InterWebz. Lovecraft’s cat not yet among them.

HPLinks #3 – revisions, the Lovecraft Annual, Old Worm, Lovecraftian theatre in Hamburg, telepathic letters and more

02 Monday Sep 2024

Posted by asdjfdlkf in HPLinks, Lovecraftian arts, Scholarly works

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Welcome to HPLinks #3.

* New as a limited-edition hardcover book from Hippocampus, Lovecraft’s Collected Fiction Volume 4 (Revisions and Collaborations): A Variorum Edition…

“this final collection includes all known revisions and collaborations undertaken by Lovecraft on behalf of his friends and clients. As with previous volumes in this series, the texts preserved herein scrupulously follow archival manuscripts, typescripts, or original publications, and constitute the definitive edition of these stories. For the first time, students and scholars of Lovecraft can see at a glance all the textual variants in all relevant appearances of a story—manuscript, first publication in magazines, and first book publications. The result is an illuminating record of the textual history of the tales, in an edition that supersedes all those that preceded it.”

The Eddy collaboration tales, which I seem to recall are now out-of-copyright, are able to be included.

* The latest Lovecraft Annual scholarly journal also appears to be shipping from Hippocampus Press. Or at least, Amazon UK says it can whizz me a next-day copy if needed, and Joshi reports that he has had his editor’s copies in the mail.

I see that the 2024 contents list includes an essay by Joshi on “The Lovecraft Letters Project”, as well as an advance review of the forthcoming book A Sense of Proportion: The Letters of H.P. Lovecraft and Frank Belknap Long.

Note: If you can’t get to the Hippocampus Press website, change your DNS provider in your Web browser. Cloudflare in particular doesn’t seem to be able to access the site.

* A new book-chapter by philosopher Graham Harman “The Weird and the Absurd” ($ paywall, but with a free abstract). He contrasts the weird (H.P. Lovecraft) with the absurd (Dali), with a view to characterising the contours of knowledge itself.

* EuroSiberia has a new long essay on “Lovecraft and Multipolarity”.

* From Switzerland, a long article in French on “Le naturaliste danois qui avait ete ressuscite par Lovecraft” (‘The Danish naturalist who was resurrected by Lovecraft’). Which means Olaus Wormius (1588-1654), ‘Old Worm’.

* From the Ukraine’s Forum for Linguistic Studies, a new multi-author paper on “Proper Names as Presupposition Triggers in the Horror Story — Semantic and Functional Aspects”. Being a linguistic study of the names in Lovecraft’s “The Lurking Fear”. Freely available online, in English.

* The new short book, Ripples from Carcosa: H.P. Lovecraft, Haunted Landscapes, and True Detective (July 2024) is now available as a 142-page paperback. The Amazon blurb is not especially illuminating. However, the back-cover blurb is much clearer and more enticing. This suggests a close and fan-friendly scholarly study of the sources for the first season of the U.S. True Detective TV series (2014, eight episodes). Of which… “first and foremost, there is H.P. Lovecraft…”. No reviews that I can find as yet, though I see that in 2023 S.T. Joshi perused an advance copy. He described it as… “a searching examination of the first season of True Detective and the influence of Lovecraft, Ligotti, and Chambers upon it.” (Note: buyers should not confuse it with the Chaosium RPG book of the same name).

* I don’t normally note the ongoing wealth of Lovecraftian anthologies, but since I enjoy Sherlock Holmes tales I’ll make an exception for the new Sherlock & Friends: Eldritch Investigations (June 2024). The book arises from a successful $3,000 crowd-funder, and offers “nine adventures” across some 80,000 words. Publisher Tule Fog Press has the contents list, and this also notes the protagonist(s) in each story, e.g. “The Adventure of the Cats of Ulthar” is a tale of “Miss Lois Cayley, a spirited young bicycling adventuress”. No reviews as yet, but one of the editors usefully added on his blog that the aim was for a collection of… “tales [which] ‘channel the spirits’ of the Victorian and Edwardian detectives who graced the dime novels and pulp magazines”. Sounds fun. A free-sample and a £5 Kindle ebook makes it less of a gamble, should you be tempted.

* Also of note, but also an unknown quantity, the anthology Bound in Blood: Stories of Cursed Books, Damned Libraries and Unearthly Authors (Sept 2024).

* Also coming in September 2024, a Kindle ebook in Italian, Atlante delle terre del sogno di Lovecraft (‘Atlas of Lovecraft’s Dreamlands’). The blurb has it as… “compiled by Carlo Baja Guarienti, aided by the pencil of Alberto Ponticelli, with an afterword by S.T. Joshi and the map drawn by Francesca Baerald.” It’s to be an ebook equivalent to 155 pages, according to Amazon. Sounds to me like a gazetteer of places, with a single map, rather than an atlas with lots of map-plates.

* Hamburg, Germany, again. The city seems to have a thing for Lovecraft theatre. Indeed, they now actually have a Lovecraft theatre. In Hamburg… “the new Miskatonic Theater opens on September 6th with the play “The Call of Cthulhu” based on the tale by H.P. Lovecraft.”

The new theatre building, the only dedicated horror theatre in the world, here looking very suitable as a home for a ‘Miskatonic Theater’.

Sadly, after a great deal of hard work to open this new venue, the nearly fitted-out theatre was then gutted by burglars. Who appear to have stolen everything not nailed down. Apparently the police had no cameras in the area, since “unknown persons” is the only description of the crime that I can find. Anyway… no-one has recovered the stolen property and thus the Theatre now has a crowd-funder campaign to replace what was stolen. This campaign is currently only half-way to raising 15,000 euros and still needs support.

* A new movie from the acclaimed director Edgar Pera, billed as Telepathic Letters (2024, 69 mins), imagines that letters flowed between the Portuguese poet Fernando Pessoa and H.P. Lovecraft. But via the dreamlands, and… “with a dreamer’s logic [in which] Pessoa’s multiple personalities meet the nightmare creations of Lovecraft”. The film is currently appearing on the German film-festival circuit, with a mid September date in Oldenburg. I’ll try to link reviews in next week’s HPLinks #4.

* The Ephemeral New York blog investigates a topographic aspect of Lovecraft in New York City, and finds a hidden courtyard and 1820s backhouse, in… “the secret Village behind brick walls, embowering trees, iron fences, and horsewalk doorways”. With photographs.

* A new 23-minute making-of video on YouTube, “Making a Lovecraft-inspired light-up water-well diorama”, as in the well and well-sweep from “The Colour Out of Space”.

* New to me, from France, the free open-access academic journal Imaginaires (2019—). Special issues since 2019 have included: ‘Gothic, Teen, and Pop Culture’ and ‘Ireland: Spectres and Chimeras’.

* At VoegelinView, “The Theology of Fantasy”, reviewing the book Theology, Fantasy, and the Imagination (2023).

* And finally, one of the more pleasing bits of Yog-Sothery I cooked up with the AI image-generator Stable Diffusion, and which was then tickled with Photoshop. Feel free to colorise, use as a book cover or album cover, etc. I place this image under Creative Commons Attribution.

HPLinks #2 – Innsmouth Festival – London Festival – Metal Hurlant special – and more

26 Monday Aug 2024

Posted by asdjfdlkf in HPLinks, Lovecraftian arts

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HPLinks #2.

A new book for August 2024, published a few days ago. H.P. Lovecraft, A Fine Friend — Wilson Shepherd Remembered, 1932–1938, by John Camack Shepherd. Published in hardback and as a $20 paperback, 290 pages…

In a rural Alabama town, during the 1930’s, a teenage boy had dreams of being a science fiction publisher. In a dirt floor cellar, using primitive, second-hand presses, he managed to publish several science fiction/weird fiction magazines. Along the way, he came into contact and developed a correspondence with H.P. Lovecraft, who became his ‘fine’ friend. He was nineteen years old when he wrote his first letter to Lovecraft.

The blurb mentions no discovery of new letters, and I assume that new material would have been mentioned. Shepherd was also the publisher of the History of the Necronomicon. I see Collected Essays V also has “Correspondence between R. H. Barlow and Wilson Shepherd of Oakman, Alabama Sept – Nov 1932”, but this was Lovecraft’s attempt “to unsnarl” a misunderstanding that had arisen between Barlow and Wilson. Joshi calls the farrago “unintentionally comical”.

* Tickets are still available for the Innsmouth Literary Festival here in the UK. The event appears to be a large and well-organised reunion convention, post lockdowns, for British mythos writers and their fans and publishers. On Saturday 28th September 2024 in the town of Bedford. On looking up the town on the map, I see it’s conveniently midway between Birmingham and London, and between Oxford and Cambridge. The map shows it has not one but two railway stations.

* Now published, Michael Bukowski’s H.P. Lovecraft’s Commonplace Book: Weirdly Illustrated (August 2024).

* Goeliminal has a long NecronomiCon 2024 convention report. As yet, I can find no other blogs reporting on NecronomiCon 2024. But, looking for such, I found a gushing new review of the novel I Am Providence by Nick Mamatas (2017)…

“a wonderfully-constructed mystery [which] follows the goings on at the annual Providence-based convention, the Summer Tentacular, where fans gather each year to share their love for all things Lovecraft.”

I see this is now also available as an audiobook.

* There is however one Armitage Symposium 2024 talk on YouTube, “The Shadow Over Lake Erie: Cleveland and H.P. Lovecraft”. Though regrettably, its very poor audio makes it un-listenable. Though I can just about hear something about Lovecraft’s New York friend Kirk hailing originally from Akron, Ohio.

* Dr. Edward Guimont will be giving a talk at the AstroAssembly 2024, “When the Stars are Right, H.P. Lovecraft and Astronomy”. The gathering takes place in early October 2024, at the Seagrave Memorial Observatory in Rhode Island.

* Now available, Metal Hurlant No. 12: H.P. Lovecraft. This is the current incarnation of the famous French comic-strip magazine, here publishing a new 272-page follow-up to the best-selling Lovecraft issue of 1979.

There’s also a Metal Hurlant ‘Special Lovecraft’ YouTube video, in French. No page previews, just interviews about the special.

* XRAY.fm produces a regular music podcast. For Lovecraft’s birthday in 2024, episode 551 was an hour of the best “Mythos In Metal” (August 2024).

* RPG blog Grognardia posts on “The War Against Lovecraft”. Comments arise from the ‘trigger warning’ found in the recent large-format artbook for The Dunwich Horror.

* Deepcuts has a long and detailed overview of what was staged at the 2023 London Lovecraft Festival, a theatre and dramatic-readings festival dedicated to Lovecraft adaptations.

* New on YouTube, a talk on The Metaphysics Of Lovecraft: “Dreams In The Witch House”.

* A new channel on YouTube, a side-project of HorrorBabble called ‘FantasyBabble’. The channel’s first offering is The Complete Hyperborean Cycle by Clark Ashton Smith as a YouTube playlist, six hours of readings in total. Possibly new readings(?), since the old HorrorBabble version of this cycle was 24 minutes longer.

* Reddit reports that film director Richard Stanley (The Color Out of Space) is once again working on The Dunwich Horror as a potential big-screen movie adaptation. Incidentally it appears that he should no longer be deemed ‘cancelled’ (see the bottom post in the Reddit thread). Although I suspect that may not make much difference to the ‘once accused, always guilty’ cancel cultists.

* CounterPunch writes “In Praise of the Weird”, commenting on recent spats occurring as part of the U.S. presidential election campaigning. To repeatedly refer… “to your opposition and their policies as ‘weird’ is to denigrate it as abnormal” [which can seem] a tad ironic coming from the party that preaches ‘diversity & inclusion’.”

* New at the Bowery Boys website, a mega-list of Every Bowery Boys History podcast in chronological order by subject. For free, a great many polished podcasts on the history of New York City. Many of which offer useful background for aspects of Lovecraft’s exploration of the city in the mid 1920s. Including: #274 Ghost Stories of Hell’s Kitchen; #114 Supernatural Stories of New York; and #172 Ghost Stories of Brooklyn.

* I see that the World Fantasy Convention (who knew?) is to be held in here in the UK, from 30th October to 2nd November 2025.

* And finally, 2,000 year old mosaic discovered at Virconium in England. An Ancient Roman site. One creature depicted, if you look at it from a certain angle, almost looks like one of the Old Ones.

The Dreaming Stone (1996)

27 Saturday Jul 2024

Posted by asdjfdlkf in Lovecraftian arts

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New to me, and now new on Archive.org, another Dreamlands RPG book. This one is Call of Cthulhu Dreamlands – The Dreaming Stone (1997). 66 pages, out-of-print and offered for silly prices on Amazon in paper. It begins…

The Dreaming Stone [RPG] is intended as an introduction to H.P. Lovecraft’s Dreamlands, as put forth in Chaosium’s Call of Cthulhu supplement, The Complete Dreamlands. Even if the investigators have already experienced the Dreamlands, The Dreaming Stone still offers a considerable challenge. Though ostensibly written for the 1920s, the adventure can be transferred to the Gaslight or Cthulhu Now settings with relative ease. Any Dreamlands. Even if the investigators have already experienced the Dreamlands, The Dreaming Stone still offers a considerable challenge. Though ostensibly written for the 1920s, the adventure can be transferred to the Gaslight or Cthulhu Now settings with relative ease. Any number of investigators can participate, though groups of at least four to six are recommended. If there are fewer, the keeper may wish to tone down the number of encounters or foes, or let the investigators roll additional Dreamlands-residing characters to bolster their ranks. Investigators are assumed to have a few adventures under their belts before playing this scenario, as their reputations and an already-established rivalry draw them into the action. If you are planning to run [as] an investigator [i.e. player] in The Dreaming Stone, read no further. The remainder of this book is intended for the keeper’s [i.e. game master’s] eyes only.

Reviews note that this is… “The only ever adventure book for H.P. Lovecraft’s Dreamlands”, and that it is a “skeleton” on which to build rather than a mighty Table-Trembling Tome of Total Tale-telling.

Call from Washington / The Nameless City

23 Tuesday Jul 2024

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A review of a recent attempt to put a 75-minute “The Call of Cthulhu” on the theatre stage, in Washington DC.

For a more positive vibe see a review of the new “The Nameless City”, a successful low-poly indie videogame…

It marries the oppressive and mystical atmosphere of Lovecraftian fiction with gameplay elements that both add variety and serve a narrative purpose as well, then caps it all off with an ominous ending that felt just right for a game in this particular genre. I personally found its PSX-style graphics charming

Ah, Wilderness! (1935)

21 Sunday Jul 2024

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings

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I’ve at last been able to see the U.S. movie Ah, Wilderness!, 1935’s gentle celebration of the small-town world of America as it was in 1906. Lovecraft saw it late in life (circa Christmas 1935/36) and revelled in its lavish layers of thirty-years-ago nostalgia. Similar to a movie of today being nostalgic for 1994, or one of the 2010s being nostalgic for 1980.

saw “Ah, Wilderness”, which made me home-sick for the vanish’d world of 1906!

“… revelled in it. Yuggoth, but it made me homesick for 1906! [it] gives all sorts of typical 1906 glimpses, including an old street-car, a primitive steam automobile, &c. It was photographed in Grafton, Mass. […] where the passing years have left little visible toll.

“At times I could well believe that the past had come back, & that the last 3 decades were a bad dream. [the world it depicted] having many a value which might well have been preserved had social evolution been less violently accelerated by the war.”

I recall that Lovecraft also remarked that the family sitting room was almost a double for the one he had known as a boy. Also the hallway.

He also seems to imply that the rural newspaper office which published his astronomy articles, was in appearance similar to the office briefly seen in the movie (the young hero’s father owns the town newspaper).

the articles landed, & I also landed others with a rural weekly …. (this was the Ah, Wilderness year of ’06)

Ah, Wilderness! is very well-made and acted, with lavish costumes and scenes. Worth seeing simply for the very satisfying scene of a steam-car ‘scaring the horses’. But (unless I’m missing something, being British) it is perhaps not the all-time classic that some had claimed. Though, as the 1933 play, it does appear to have become a staple of American repertory theatre.

The film usefully gives one a better feel for Lovecraft’s formative environment and sensibilities. Many of us have been subtly trained by agitprop to casually think of the Victorian and Edwardian periods in bleak b&w Dickensian terms, all grimy urchins, grim school-masters, and grinding urban poverty. The movie is a useful corrective. As with the 1930s, the view of which has been similarly be-grimed for political purposes, most people were actually ‘getting on with getting on’, and rather enjoying the novelty of becoming middle-class.

The cynical young hero is somewhat Lovecraft-like, at least in the early scenes. The concerns of creeping socialism and chronic alcoholism, though treated lightly, are the same ones which permeated young Lovecraft’s world. The hero (Eric Linden), at first a ‘going to Yale’ stiff of a teenager, is perhaps the weakest part of the film and perhaps a little too ‘1930s movie star’ in appearance — this makes it harder for the viewer to suspend disbelief. His youngest brother is the firecracker Mickey Rooney. But the young Rooney’s usual gurning and capering is thankfully kept on a very tight leash, in what must be one of his first film appearances.

Even having seen Ah, Wilderness!, I’m still as a loss as to why the strange title was chosen. No-one gets to look at a sweeping vista and proclaim the words, unless I missed something. I would have called it “Bang goes the Fourth!”, since it’s set on the 4th July.

For another Hollywood view of 1906, this time from the post-war 1940s, I’ve found Ah, Wilderness! also inspired the glossy musical adaptation Summer Holiday (1948).

Lovecraft at SDCC 2024

17 Wednesday Jul 2024

Posted by asdjfdlkf in Lovecraftian arts

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At the San Diego Comic-Con 2024…

Friday 27th July, 4pm—5 pm, Room 4: “Discussing Lovecraft with Gou Tanabe”.

Gou Tanabe (H.P. Lovecraft’s The Shadow Over Innsmouth) and his editor, Hayato Shimizu, join Michael Gombos (senior director international licensing, Dark Horse) and Zack Davisson (translator, H.P. Lovecraft’s The Shadow Over Innsmouth) to discuss the process of adapting H.P Lovecraft’s stories to manga format.

The ‘Hyperborea’ tales by Clark Ashton Smith

15 Monday Jul 2024

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings, Scholarly works

≈ 1 Comment

New on Archive.org, a collection of the strongly Lovecraft-influenced ‘Hyperborea’ tales by Clark Ashton Smith. This has the same cover as the early 1970s 95-cent U.S. Ballantine paperback, but this new upload is probably to be avoided. Because I immediately randomly spotted a typo at the start of a story: the German “die” for “the”.

Better, then, to look for these Lovecraft-influenced cycle of tales among the free texts kindly placed online by Will Murray and made from good corrected texts. These are freely available as HTML pages. Although one has to already know the list of Hyperborean titles and then hunt for them among what is an A-Z list.

So, to save people some time, here is my quick linked contents-list. The links lead to the HTML-format stories which make up the Murray-edited The Book of Hyperborea (Necronomicon Press, 1996). The listing below is in the same order as the book’s contents…

Introduction to ‘The Book of Hyperborea’, by Will Murray *

The Tale of Satampra Zeiros

The Muse of Hyperborea [Fragment, not linked in the A-Z, but it is online] *

The Door to Saturn

The Testament of Athammaus

The Weird of Avoosl Wuthoqquan

Ubbo-Sathla

The Ice-Demon

The White Sybil

The House of Haon-Dor (Fragment) *

The Coming of the White Worm

The Seven Geases

Lament for Vixeela [Poem, not linked in the A-Z, but it is online] *

The Theft of the Thirty-Nine Girdles

[The Coming of the White Worm (Abridged)] *

Postscript by Will Murray *

Altogether, a relatively short collection by modern triple-decker doorstop standards, at around 70,000 words in total including introduction and postscript.


Audiobook? Yes. The tales above can now be found as a free HorrorBabble audiobook playlist The Hyperborean Cycle on YouTube. Around seven hours. This playlist lacks only the above-starred (*) fragments, poem, and introduction / postscript.


Note that the early 1970s Ballantine book (mentioned at the start of this post) also had…

* Hyperborea (simple map).

* About Hyperborea and Clark Ashton Smith: Behind the North Wind (essay by Lin Carter).

[the core stories, then to finish]

* The Abominations of Yondo (story)
* The Desolation of Soom (fragment)
* The Passing of Aphrodite (fragment)
* The Memnons of the Night (fragment)

Of these additional four however, Carter was unsure if they belonged… “I have the feeling that the short tales which follow are the surviving fragments of yet another such cycle: one which was abandoned, or left undeveloped, for some reason we can only conjecture. I may be wrong in this assumption.”

* Notes on the Commoriom Myth-Cycle (essay by Lin Carter) — I. The Genesis of the Cycle, II. The Sequence of the Hyperborean Stories, III. The Geography of the Cycle.


For further tales by others see A Hyperborean Glossary by Laurence J. Cornford, which is an A-Z and its front page lists the additional sources — tales ‘finished’ later by Lin Carter but apparently based on work or notes by CAS (?), plus various Hyperborea related/set tales by others. Many of these appear to be collected in Robert M. Price’s Book of Eibon along with what looks like an expanded map.


More recently there was also a substantial 2013 anthology, containing the work of some notable modern writers, titled Deepest, Darkest Eden, The New Tales of Hyperborea. I see this now has an affordable Kindle ebook on Amazon.

“Even the smallest of them held a hint of the ghastly…”

14 Sunday Jul 2024

Posted by asdjfdlkf in Lovecraftian arts

≈ Leave a comment

The annual Lovecraftian MicroFiction Contest is open for 2024 entries. Part of the Lovecraft Film Festivals. “Microfiction” here means “500 words or less”, and they want a “complete story, [meaning a tale with] a character, situation, beginning, middle, and end”. “All entries must be written by you”, which must imply no AI assistants. Deadline: 9th August 2024.

The Haverhill incident

13 Saturday Jul 2024

Posted by asdjfdlkf in Lovecraftian arts

≈ 2 Comments

WHAV local radio, Haverhill, reports last month’s filming of…

“a new documentary, Strange Magick, filmed partly in Haverhill and with a significant focus on the city in the 1920s […] Haverhill native and WHAV writer Dave Goudsward helps investigate the connection between Howard Philips Lovecraft and infamous occultist Aleister Crowley”

Goudsward is also an executive producer of this…

documentary [that] explores a possible conspiracy between them [Lovecraft and Crowley] produced by their mutual acquaintance with fellow amateur author Myrta Alice Little.

It seems to be taken for granted that the occult loon Crowley was there as a spy or somesuch, and that they knew each other, since there are… “re-enactments of pivotal moments in Lovecraft, Crowley’s and Little’s acquaintanceship” and apparently the makers even rope old ‘Tryout’ Smith(!) into the conspiracy, all in an effort to highlight… “Crowley’s actions in the United States” for British intelligence. Alleged actions, I should add.

But I guess it might actually be a ‘what if’ pseudo-documentary, which an unwary WHAV reporter has wrongly assumed to be a plausible and factual documentary?

“My latest shocker…”

10 Wednesday Jul 2024

Posted by asdjfdlkf in AI, Lovecraftian arts

≈ Leave a comment

HPL would like to read you his latest tale…

Incidentally, August 2026 will be Cthulhu’s 100th birthday.

Generated with Stable Diffusion 1.5, plus a little Photoshop. Pure SD prompt, no LORAs or image-to-image.

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