Added to the Directory… Tellers of Weird Tales…
“an online encyclopedia of the men and women, writers and artists, who contributed to Weird Tales and other weird fiction magazines of the pulp era.”
13 Tuesday Mar 2012
Posted in Historical context
Added to the Directory… Tellers of Weird Tales…
“an online encyclopedia of the men and women, writers and artists, who contributed to Weird Tales and other weird fiction magazines of the pulp era.”
22 Wednesday Feb 2012
Posted in Historical context
New article by Karl Beech, Lyonesse and ‘The Foundered Town’ in Romance and Fantasy of the Nineteenth and Early Twentieth Centuries. Lovecraft was aware of the myth, since it is Cornish and his ancestors were more or less from that part of the British Isles (he believed that, as he wrote in one letter, “Cornwall & Devon are pretty much a unit”).
Sam Llewellyn also has a short survey of the monsters and dangerous animals that were said to dwell in that land sunken below the sea…
“When historians write about Lyonesse, they are inclined to concentrate on the exotic monstrosities that rise from the land’s bottomless wells. The original animals were curious in their own way…”
18 Saturday Feb 2012
Posted in Historical context
“Cities of Never” is a new long essay by Jason Thompson, on Lovecraft’s world-building. It accompanies Jason’s excellent new colour wall-map of the Dreamlands.
17 Friday Feb 2012
Posted in Historical context
Spring is just around the corner, so here’s a timely picture of Lovecraft the gardener…

One wonders if he dreamed that night of planting beds of narcotic flowers amid humid seas of weird-perfumed foliage that bring wild and many-coloured dreams, and of weaving his way down neglected sunken paths giving the illusion the garden had no end — and that might it even merge with hoary dream paths older than garden-girdled Babylon…? 😉
11 Saturday Feb 2012
Posted in Historical context
What seems to be the complete run of the Secret Service dime novel magazine (1899-1912, home of the Bradys) is now available in full-text via Google Books. The juvenile Lovecraft was an avid reader in the second half of its run. Search Google Books for: “Secret service” “bradys” -bunch The Bradys frequently ventured to Chinatown and its underground tunnels, into decaying swamp houses, at least once to the Arctic, several times to Africa, exposed numerous fraudluent magicians and spiritualists, and opium dealers — among other themes that Lovecraft fans will be familiar with.
06 Monday Feb 2012
Posted in Historical context
Chris Perridas has details and photos of the St. Lawrence earthquake of 28th February 1925, which was so powerful that Lovecraft even felt it in New York [at magnitude 9:22]. The quake was experienced over a 2 million square-mile region. A press report is given in full by ChthulhuLives, including a line that makes it relevant to the idea that it may have influenced “The Call of Cthulhu”…
“There is a possibility that the earthquake may have taken place at sea.”
I’ve also found that there was apparently another major earthquake in the “New England-New York-Quebec” area on 9th October 1925. In fact, there seems to have been a whole series of them. For a complete summary of the 1925/26 earthquakes see “SUMMARY OF EARTHQUAKES IN NEW ENGLAND AND VICINITY” in The Spectator: Volume 118, 1927…
“Through the kindness of the Acting Director of the United States Coast and Geodetic Survey, Mr. RL Faris, I have come into possession of an extremely valuable summary of earthquakes in New England and vicinity”
The New England Galaxy wrote…
“There were, in fact, five earthquakes in New England in 1925, on January 7, February 28, April 24, October 9, and November 14.”
Lovecraft may well have linked the earthquakes with the Pickwick Club collapse, perhaps surmising that they had weaked the fabric of the building? Severe building collapse or being trapped under buildings features in a number of stories he wrote around this time.
02 Thursday Feb 2012
Posted in Historical context, New discoveries
This is a quick and brief historical summary note in response to a Facebook query by David Milano, who is set to visit New Orleans and has an interest in Lovecraft’s time spent in the city:
H.P. Lovecraft paid a brief one-week visit to New Orleans in June 1932. He was there ‘taken under the wing’ of local resident and fellow Weird Tales writer E. Hoffman Price, who wrote a memoir of the visit (“The Man Who Was Lovecraft” in Something about Cats, and other pieces, Arkham House, 1949). At some point during these several meetings with Price, Lovecraft was apparently given the city tour — although Price missed out the city’s brothels due to Lovecraft’s conservative sensibilities — “I skipped concubines entirely” wrote Price. Lovecraft stayed at “a third class hotel on Charles Street” according to Price. Price’s apartment was at 305 Royal Street, and they had several epic discussion sessions there. Apparently the older French Quarter was a special hit with Lovecraft’s antiquarian architectural sensibility, and this area was also where Price’s apartment was located. Lovecraft later collaborated with Price on “Through the Gates of the Silver Key”, which opens in a New Orleans setting…
“For here, in the New Orleans home of this continent’s greatest mystic, mathematician, and orientalist, there was being settled at last the estate of a scarcely less great mystic, scholar, author, and dreamer who had vanished from the face of the earth four years before.”
Of course, a more substantial use of the locale came earlier. In “the wooded swamps south of New Orleans”, which was one of the key settings in the famous story “The Call of Cthulhu”. The story features an Inspector of Police for the city of New Orleans, who investigates idol worship in the swamps. In real life by 1925 these swamps were apparently threatened by 560 miles of drainage canals, a system which was at that time were increasing and would be increase again under the 1930s work schemes. One of the side effects of draining and logging the swamps would be to cut one of the main arteries by which illegal hard drugs were then entering the USA — the area was reported by police to be one of two main conduits in the 1920s for morphine/opium and cocaine entering the USA. Today, though much depleted by drainage and the heavy logging of the 1930s, some of the swamps are preserved, such as the Barataria Swamp and the Jean Lafitte National Historical Park Preserve south of New Orleans.
Key Lovecraft locations in New Orleans thus seem to be: 305 Royal Street and the French Quarter; the hotels on Charles Street; and places such as the Barataria Swamp and the Jean Lafitte Preserve.
Incidentally, a gruesome Mary Pickford movie Sparrows was released in May 1926, and is set in the swamps of New Orleans. The movie was possibly seen by Lovecraft in New York, since he wrote “The Call of Cthulhu” in the summer of 1926 and he may have visited the movie in order to give him a good visual idea of the swamps? Pickford was a major star of the time, and the movie saw a wide release.
“Sparrows‘ elaborate sets and magnificent cinematography create a nightmare world that later inspired the classic film Night of the Hunter.”
“Sparrows is horrifically good — a bad dream that wakens to a happy ending, a fairy tale told with brilliant style, a comedy, a Grand Guignol, an expressionist thriller” — Eileen Whitfield.
“The “look” of the film reflects the German expressionist style and should delight Lemony Snicket fans and anyone who gets off on creepy-strange beauty.” — Amazon review.
“Art director Harry Oliver transformed 3 acres (12,000 m2) of the [studio] back lot between Willoughby Avenue and Alta Vista Street into a stylized Gothic swamp. The ground was scraped bare in places, 600 trees were carted in, and pits dug and filled with a mixture of burned cork, sawdust and muddy water.”
The Library of Congress apparently has a beautifully restored 2006 print of the movie, but this has yet to be released on DVD. The currently available DVD is not the restored version, it seems.
28 Saturday Jan 2012
Posted in Historical context, Lovecraftian arts
22 Sunday Jan 2012
Posted in Historical context
A complete new scan of a cartoon guide book to New York City in the late 1930s, more than a decade after Lovecraft departed the city, but with the city still much the same as the one Lovecraft would have experienced…

21 Saturday Jan 2012
Posted in Historical context, Lovecraftian arts, New books
Monster Brains unearths an online copy of Edward William Cooke’s Grotesque Animals (1872).
18 Wednesday Jan 2012
Posted in Historical context
Back in May 2011, Fine Books and Collections magazine led with a Lovecraft article, now freely available online…
Lovecraft’s Providence: “The homes and haunts of horror and science fiction writer H. P. Lovecraft”, By Nick Mamatas. With a breakout mini article on the question of “Lovecraft’s First Book?”

15 Sunday Jan 2012
Posted in Historical context, Lovecraftian arts
A long tribute to the Doctor Fate title from the Golden Age era of comic books (it’s the DC equivalent of Marvel’s Doctor Strange title)…
“For the first 135 pages, Doctor Fate Archives [printed volume collects More Fun Comics #55-98] features some of the wildest, eeriest and most entertaining stuff the era has to offer as far as mainstream comics go. […] While Doctor Fate is generally characterized as a sorcerer hero in modern comics, he’s actually presented here as a scientist who has discovered a way to manipulate his atomic structure and the atomic structure of other things as well, thus making it appear that he can do magic. The man who gives Fate his powers is not a sorcerer, but an alien who was worshipped as a god (just like Lovecraft’s great old ones). Fate even denies the existence of vampires and werewolves in one story, just as how Lovecraft often showed contempt for such “traditional” horrors and hardly ever used them. We also have a “witch haunted Salem”, characters who speak in odd, stilted dialogue with truly bizarre tense, hidden races, abandoned megaliths, as well as half man and half fish creatures that clearly were inspired by Lovecraft’s Deep Ones. Doctor Fate may well be the first Lovecraft pastiche in mainstream entertainment.” [my emphasis]