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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Category Archives: Historical context

Druillet’s Lovecraft

23 Tuesday Feb 2021

Posted by asdjfdlkf in Historical context, Lovecraftian arts

≈ 1 Comment

Now at last I understand why the French so closely associate the Metal Hurlant artist Druillet with Lovecraft. It wasn’t just the Metal Hurlant work etc. His art was used for the covers of their seminal paperback series, and a great many of the French must have first encountered their Lovecraft that way. I’d never seen these before, still less all in one place, and I guess they must be so collectable and/or cherished that they’re rarely seen for sale. Anyway, here’s the set of covers, in the largest versions of each that I could find.

The last appears to be an anomaly in terms of the design. I’m guessing that the “et Derleth” on the cover might mean it’s “The Colour out of Space” fronting some of Derleth’s posthumous collaborations?

“C’mon, Howie – let’s wrassle!”

20 Saturday Feb 2021

Posted by asdjfdlkf in Historical context, REH

≈ 4 Comments

My Pateon patron John Miller writes to ask…

What’s the story behind HPL & Robert E. Howard’s attempt (or attempts?) to meet in person?

“C’mon, Howie – let’s wrassle!” by Loneanimator.

I’m somewhat at a loss on this one. Not having access to the two volumes of Lovecraft – Howard letters, or the latest sound biographies of Howard. I do know that it was in summer 1934 that E. Hoffman Price’s ‘Great Juggernaut’ cross-country Ford rattled through the dust swirls and into Cross Plains. Thus Price became the first Weird Tales author to meet Robert E. Howard in person. Lovecraft commented to Barlow, on the final prep for the trip in April…

Juggernaut has been nobly groomed & supplied with new parts, & stands ready to roll over the plains to the Cimmerian stronghold of Conan the Reaver.

The Patja letters have Lovecraft musing extensively, at this time, on the fact that isolation from likeminded fellows was the natural state of the Weird Tales writer or fan. He starts with R.E. Howard and to prove his point he goes through the names more or less methodically. This is a point that has interesting ramifications. If 20th century weird writers had had the advantages of the mainstream literati — constant big-city mingling, soires and summer writing colonies, conferences and gala readings, stipends from patrons and travel-bursaries from foundations — who knows who they might have picked up or what they might have produced.

As for the Lovecraft-Howard meeting plans, apparently in September 1931 Lovecraft penned lines to the effect of ‘it would be nice to meet… one day’ when funds permitted. But the Great Depression was starting to bite, and ‘funds’ were fizzling out. I guess a full-blown three-week New York visit would have been most useful for Howard, in terms of making magazine editor contacts and perhaps having the trip effectively ‘pay for itself’. With Howard striding out of Pennsylvania Station after a 60+ hour ride, and Lovecraft winging his way around the Elevated rail line to meet him and guide him to the Weird Tales office. But I’m guessing about that. Very probably it would have been way too costly, even with friendly pit-stops and free New York accommodation and food.

Perhaps Lovecraft really did think he might one day get as far as Texas, and by rail and bus. He took a steamer across the Mississippi the next summer, after all, having bagged a new revision client and found the funds. I seem to recall that the most likely meeting point would have been when Lovecraft was in New Orleans with Hoffman Price in summer 1932, but that Howard could not afford the cost to get there. Howard did however rather usefully telegraph Price, to alert him that Lovecraft was in his city. Thus Lovecraft at least met Price.

The second and theoretical possibility is that Lovecraft could have been a passenger in Hoffman Price’s cross-country ‘Juggernaut’ in spring and summer 1934, and thus eventually found himself in Cross Plains. But it wasn’t to be.

E. Hoffmann Price later stated, in a 1937 letter, that he had once mooted a Mexico expedition in the company of H.P. Lovecraft and R.E. Howard…

While unlikely, this even more theoretical trip might have been a viable solution, given a still-living Lovecraft and Howard circa 1937 or 38. Heat and spicy food to pep up Lovecraft; a manly gun-toting environment for Howard (he appears to have felt somewhat intimidated by Lovecraft, and might have felt more so had they ever met in New York City or Providence — although in Mexico he would have found that Lovecraft also knew how to handle a rifle); smiling concubines, cheap beer and adventure for Price, and (perhaps) real ancient ruins and carnivorous plants for Long. Frank Belknap Long being the only one I can think of who might have summoned up four boat-tickets to get them from New Orleans across the Gulf of Mexico, and then found the funds to equip the group to tour the ruined cities and jungle-temples of central America. If this 1912 card is anything to go by, one hopped on an empty freighter-cum-liner sailing back to pick up more citrus fruit and bananas for the American market…

Now, there’s an RPG scenario that some may want to pursue, with a bit of research. Possibly Hoffman Price’s memoirs have more to say on the travel arrangements to Mexico in those days, but I can’t afford the now-collectable book and it’s not on Archive.org or in a cheap budget ebook. But it’s known that, despite the impression given by 1930s musicals such as Flying Down to Rio, the New Orleans – Mexico City scheduled air connections only appear to have begun after the Second World War, and in a stop-start way due to the infernal Mexican bureaucracy. But I suspect that either way Long’s health would likely have precluded such a trip. He appears to have travelled quite well in the company of his family, but that was mostly hopping between plush hotels and country estates. A cockroach infested 1930s one-star bordello in the South American badlands might have been too much for him, though doubtless Mexico City had its high spots in hotels. Any RPG would have to ‘get him on the rejuvenation tablets’, which might even be part of the scenario.

Of course today a crowd-funder would have them all digging into a crypt in Teotihuacan, faster than you could say whereizitagin?

New data on Arthur Leeds

20 Saturday Feb 2021

Posted by asdjfdlkf in Historical context, New discoveries

≈ 1 Comment

New material on Archive.org reveals a wealth of new data on Lovecraft’s friend Arthur Leeds, and even one story now available online. My earlier attempt at a life of Arthur Leeds will certainly need an update and expansion, at some point. That will be even more likely after I’ve properly read the new Letters to Family books, which have a slab of Leeds entries in the Index.

The Editor for Ellery Queen’s Mystery Magazine, January 1947 wrote…

Evidently Leeds was then living at 223 East 19th Street, New York City, in winter 1946/47. There are two such addresses, but his must be the Brooklyn one, a small frame house about four miles north of Coney Island. He might have been a little annoyed that any reader letters subsequently addressed to him could have gone to the Manhattan address, but presumably he took the opportunity to write there and tell them of possible misunderstandings — and possibly make a new useful contact along the way (he was that kind of fellow). His lengthy letter to the editor is not reprinted in the magazine, but we do know from the gist of it that at one time Leeds moved among and knew various popular crime and mystery writers. I don’t recognise any of the names, but crime pulp historians may do. I wonder if the letter might still be found, in the magazine’s archives?

Billboard, May 1930 reported that Arthur Leeds had joined a 10c “Prison Portrayal Show” on Coney Island, which realistically showed the crowds how a prison operated. It appears that Leeds played a “criminologist”, possibly framing the show and explaining certain points to the audience. Billboard reassures readers that the show is realistic but in good taste. Billboard for March 1929 reveals that Leeds was part of the “faithful” crew of this show…

Stepping further back in time, Billboard for May 1927 reveals Leeds was then the “Opener” for a successful Palace of Wonders show at Riverview Park in Chicago. Complete with Two-headed Girls, Sea-Nymphs, a Doll Lady and other human marvels etc…

Front of house, Chicago Riverside ‘Palace of Wonders’, probably late 1940s.


Here is the Leeds story, from Ghost Stories, October 1926. The magazine was obviously competing with the movies by using faux movie stills to illustrate the stories. I Am Providence reveals it paid well, 2 cents a word, and Lovecraft tried three stories on them. He heard nothing back. Several stories in it read like movie scenarios of the time, which were then written up in a plainly-written ‘photoplay’ format. The format was one movie-going readers were familiar with at that time, though it may seem stilted to us today. This Leeds tale is unremarkable and reads like it should have been translated to the screen back in the 1920s rather than read on the page. More generally the magazine doesn’t appear to have been a possible Lovecraft market, since it promoted spiritualism and psychic powers etc, and anyway his work would not really have fitted. Judging from this one issue it appears to have been a side-income for the lower ranks of the movie-making crowd, scenario writers and stills photographers with free access to movie-lot costume-racks. Still, S.T. Joshi hints that it tried to go upmarket before it failed, and at that point Robert E. Howard landed in it. It closed in 1932.

Fly me to the moon…

16 Tuesday Feb 2021

Posted by asdjfdlkf in Astronomy, Historical context, Kittee Tuesday

≈ 1 Comment

In his boyhood article “Can the Moon Be Reached by Man” (October 1906) H.P. Lovecraft opens with the observation that…

In 1649 a Frenchman named Jean Baudoin published a book entitled: A Trip from the Earth to the Moon.

The footnotes in Collected Essays reveals that this was actually a translation of a book by the Englishman Francis Godwin (1562-1633). Though it does not seem likely the boy Lovecraft had yet read either Godwin or Baudoin, since I have found that he was likely borrowing his opening fact from Jules Verne’s From the Earth to the Moon. In Chapter II of this novel Verne has a French speaker addresses the Gun Club in Baltimore, reminding them of various great French ‘firsts’ in the field…

Permit me,” he continued, “to recount to you briefly how certain ardent spirits, starting on imaginary journeys, have penetrated the secrets of our satellite. In the seventeenth century a certain David Fabricius boasted of having seen with his own eyes the inhabitants of the moon. In 1649 a Frenchman, one Jean Baudoin, published a “Journey performed from the Earth to the Moon. At the same period Cyrano de Bergerac published that celebrated ‘Journeys in the Moon’ which met with such success in France.”.

We know that Verne’s From the Earth to the Moon was in Lovecraft’s library in book form. But the young Lovecraft was presumably unaware, in 1906, that Verne had conveniently omitted to inform readers that the work was a translation from the Englishman Francis Godwin (1562-1633, possibly the great uncle of the writer Jonathan Swift). Nor is the reader told that Bergerac, also lauded by Verne’s orator, had actually been parodying the English Godwin. Had Lovecraft known of the English author or the Swift connection in 1906, then he would surely have been mentioned these facts. In his Anglophile fervour he might even have upbraided Verne for his cheek. Not that it would have mattered much to most readers of the Pawtuxet Valley Gleaner, of course.

Godwin had been the Bishop of Hereford at the time he wrote the book circa the 1620s, the tale of a fantastical voyage to the Moon titled The Man in the Moone: or A Discourse of a Voyage Thither. Godwin’s tale was published posthumously in 1638, and tells off a voyage accomplished by the man being carried to the Moon by a flock of powerful one-footed swans (not geese, as one modern encyclopaedia wrongly has it). One might think that his sounds somewhat similar to the dream-leap to the Moon that Carter experiences in Lovecraft’s “Dream Quest”, …

Verily, it is to the moon’s dark side that they go to leap and gambol on the hills and converse with ancient shadows […] upon a signal, the cats all leaped gracefully with their friend packed securely in their midst

This method of flight is also broadly similar to Godwin, in its distributive aspect. Godwin has his hero invent a mechanical device that evenly distributes his weight among the especially powerful swans.

Thus it seems worth asking if Lovecraft happened upon Francis Godwin during his intensive New York research for Supernatural Literature? Or perhaps in his conversations with the members of his New York circle who we know where collecting and reading early science-fiction? If so, the discovery would be conveniently timed, re: the writing of “Dream Quest”. But the publication dates do not fit. The first modern edition of Godwin’s Moone was in 1937, just before Lovecraft’s death. He may have known of it, as it was not only known among cloistered academics but also covered by popular articles such as the one in Flying Magazine (dated February 1937, and likely appearing on the newstands earlier). There had also been a long review-article in 1931 (“Bishop Godwin’s Man in the Moone“, Review of English Studies), which may well have become known to his circle — but again this was far too late to have influenced “Dream Quest” and its visit to the Moon.

However, my feeling is that he would have been encountered references earlier via his study of his favourite poet Samuel Butler. For instance, the author of the Poetical Works of Samuel Butler footnotes an allusion in Hudibras as relating to… “Bishop Godwin … getting to the Moon upon ganzas or wild swans”. Lovecraft knew Samuel Butler well and had “ploughed through” even the toughest of his poems, and his Hudibras was a special favourite. Lovecraft owned the extensively footnoted 1864 edition of this large and allusive work. The 1864 edition’s annotator does not actually name “swans” in this case, but he refers to the Bishop and his ganzas (a fictional super-powerful breed of swan) on page 286…

There is also the more general theory, lightly held my many learned men until the 17th century, that many types of birds migrated to the Moon in winter. Again, this was the sort of early proto-scientific theory that Lovecraft would have been aware of. As for finding cats on the Moon, as in Dream-quest, the 12 year old Lovecraft already delighted in the idea of other nearby worlds populated by his beloved cats, and so this seems to have been his original idea, part whimsy and part science — the idea of creatures on Venus or Mars was then still a topic on which reputable scientists could speculate in the press.

Fossil #386

15 Monday Feb 2021

Posted by asdjfdlkf in Historical context, Scholarly works

≈ Leave a comment

A new January 2021 issue of The Fossil, free and available now in PDF. In the long lead article David Goudsward goes in search of “The Other Miniter” and discovers a trove of information about the pre-Lovecraft life of Mrs. Miniter. As Miniter-expert Ken Faig writes elsewhere in the issue…

“indefatigable literary detective and Fossil David Goudsward has shed some much ­needed light on Edith’s husband John Miniter.”

New documentary on Rosaleen Norton

14 Sunday Feb 2021

Posted by asdjfdlkf in Historical context

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Newly released, a new feature documentary about the Australian Rosaleen Norton, The Witch of King’s Cross. It appears to have been made from a wide-eyed occultist perspective…

“Allegations of satanic rituals, obscene art and sex orgies in 1950s Sydney. Inspired by the work of Aleister Crowley, bohemian artist Rosaleen Norton…”

Before that mumbo-jumbo the young Norton was a possible Lovecraft correspondent, and certainly a far-flung acolyte. At age 15 in 1934 she wrote and published three tales that tried to closely mimic the master, but nothing thereafter. One of these tales echoed the lost 1907 Lovecraft story “The Picture”, and we know Lovecraft would send this story as ‘a re-write test’ to promising young writers such as Bloch. See my 4,000-word essay on the possibilities, in my book Historical Context #4.

On Xuchotl

09 Tuesday Feb 2021

Posted by asdjfdlkf in Historical context, Podcasts etc., REH

≈ Leave a comment

A new deep-dive by a R.E. Howard scholar into the question: “Red Nails”: Did Howard Create the City of Xuchotl From a Real-Life Inspiration? The case is unproven one way or the other, but it’s an interesting and well-illustrated investigation, and touches on a comment he made to H.P. Lovecraft.

LibriVox has a free audiobook of the long tale, at around 3.5 hours depending on how you nudge the playback speed. See also my R.E. Howard audio books for Conan in story-world order, to see where this story fits in the Conan timeline.

“Calling W5DAV, calling W5DAV…”

08 Monday Feb 2021

Posted by asdjfdlkf in Historical context, New discoveries

≈ Leave a comment

Here’s a snippet possibly of interest to some on a dull Monday morning, re: the mystery of ‘whatever happened to Winifred V. Jackson?’ after she collaborated with H.P. Lovecraft.

First, some background. The last known contact between Lovecraft and Jackson was July 1921, and Lovecraft’s wife Sonia apparently stated that she stole Lovecraft away from Jackson, re: marriage. A small-ad I found earlier suggests that Jackson was likely working for a New York advertising agency in 1920 and was then seeking an assistant. This seems to place her in New York City by that time. She was said to be living in Boston circa 1926 (see the booklet Ancestors and Descendants of Joshua Williams, 1927). Based on these slim filaments of evidence my feeling is that she was into New York City perhaps four years before Lovecraft, finding a living there in advertising. But that she probably did not ‘stick’ and returned to Boston. If she tried again in 1924, as Lovecraft did, is unknown. Even if she got back in, then she was likely out of the big city at about the same time as Lovecraft departed it.

But now a new discovery of data. In Spring 1935 and Spring 1936, two directory listings for a ham radio operator and their call-sign…

W5DAV — Portable, Winifred V. Jackson, 527 29th Av., Meridian, Miss.

Meridian was then a medium-sized city in Mississippi, 100 miles north of New Orleans. The American term is “city”, but it was not as big and grand as that makes it sound. The British would call it a large town. Number 527 has been swept away by a long ugly road flyover, and the fields opposite have vanished under now-shabby late-1950s industrial units. But 615 29th Av. remains near to the foot of the flyover on the same side of the Avenue, and the trim house (right) gives a flavour of what was lost. The setting might have reminded Winifred of her childhood place, which had been the sleepy and rural Great Pond, Maine.

Now the obvious objection is that Lovecraft’s Winifred was a Boston lady who died in “Mass.” in 1959. My research question is then: could the radio listing be a typo for “Meridian, Mass”? There is no such place in Mass., other than “Meridian St., East Boston”, and this Boston address has no possible “527 29th Av.” connected with it. The listing stands then, and appears unchanged for two years in the Mississippi section of the magazine. If this “Miss.” was Lovecraft’s Winifred, she presumably had an amateur radio station for access to more stimulating conversations than the edge of a Mississippi town could provide after sundown.

It certainly looks like this could be the same Winifred V. Jackson, still involved in amateur affairs but now of the amateur radio sort. It might be that — with her obvious talents — she was connected in some way with the town’s Meridian Star (1914-) newspaper. But that’s just a guess and we will likely never know, because The Library of Congress is missing the 1929-1936 run of that title.

But what was she doing in Mississippi, if she is indeed Lovecraft’s Winifred? Well, consider that in 1935 she was aged about 59 or 60. In the depths of the Great Depression the Social Security Act of 1935 had just set the U.S. retirement age to 65 years for citizens in private employment. She thus had a gap of some five years to fill, and perhaps even more if she had been in the habit of fudging her age downward (as was common in those days, e.g. Lovecraft’s friend Mrs Miniter). She might therefore have been a paid companion/secretary to some elderly amateur journalist, for a few years, and done some occasional work for the town’s newspaper. But my best guess is that 527 29th Av. was only an over-wintering address, a place for her and her elderly mother to avoid the brutal Boston winters. Meanwhile the Boston home could have been let out for cash, which would have been very welcome in the depths of the Great Depression.

There is oblique confirmation of this theory, from the 1930 U.S. Census. There is no Winifred + Jackson in Mississippi at that date, on two 1930 census search-engines (admittedly limited ones, as the full Census access appears to be paywalled). Thus I do not appear to have lighted on a young namesake who had grown up in Mississippi and happened to develop an interest in radio.

Some printing and typographic skills were involved in such hobbies, which again gives slight supporting evidence. For instance, here is a typical 1935 example of the sort that amateur radio hams would exchange by mail after long-distance conversations over the airwaves. Such cards would be hand-stamped on heavy blank postcards with rubber-stamps and coloured ink-pads, and with the call-sign prominent.

The case is tantalizing but unproven. Yet if I am correct then it would be amusing to imagine that Lovecraft’s own dial-twiddling on the short-wave radio at that date might, accidently via a blip in the cosmic ionosphere, have once again brought Jackson’s voice to his ears.

More on Winifred Virginia Jackson

02 Tuesday Feb 2021

Posted by asdjfdlkf in Historical context, Lovecraftian arts

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Deep Cuts in a Lovecraftian Vein continues the ‘Her Letters To Lovecraft’ series with a look at the Winifred Virginia Jackson letters. Interestingly, we’re reminded that Lovecraft discovered she was an ardent Irish Nationalist who…

does secretarial work at the [Sinn Fein] offices two or three days every week without remuneration.

He had already had experience of these strong Irish sentiments in the Providence group of Amateurs he attempted to nurture. I can add that she was perhaps doing more than simply typing, as I’ve found she appears to have been working for a New York ad agency circa 1920. Seemingly as a copywriter, then in need of an assistant.

There might be an article for The Fossil in such trends. A wide survey of the overlap between amateurdom and political publications of various kinds (Irish Nationalist, Germanophile, Anglophile, varieties of Anarchism, Prohibitionist, early gay-rights, free-love and birth-control etc.) before the advent of hardline 1930s-style Communism and Nazism. Articles by Ken Faig in The Fossil have already covered some of the ground, as I recall.

Incidentally, Deep Cuts also has the 2021 posting schedule all mapped out. Impressive. July should be especially interesting, with a series of summer reviews of some obscure “Non-English Mythos Comics”.

The Other Pulp Heroes

02 Tuesday Feb 2021

Posted by asdjfdlkf in Historical context

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Originally in The Pulpster HPL issue for PulpFest 2015, a long article newly online. Larry Latham surveys some of “The Other Pulp Heroes” from the pulp era, to be found in Britain, Germany and France.

Three years before Doc Savage appeared on the stands, Rolf Torring’s Abenteuer (Adventurer) was discovering lost cities, lost races, touring the South Seas, fending off telepathic Tibetans, and battling were-tigers and living mummies.

Marblehead in ebook

30 Saturday Jan 2021

Posted by asdjfdlkf in Historical context, Lovecraft as character

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I see that Richard A. Lupoff’s long novel Marblehead: A Novel of H.P. Lovecraft is now available as a budget £1.99 Kindle ebook from the Gateway imprint (Gollancz), where it is saddled with the initially puzzling Amazon title of Marblehead: Lovecraft Book 2.

Turns out this is Lupoff’s full 160,000-word version of his shorter novel Lovecraft’s Book, which Gateway is now calling Lovecraft’s Book: Lovecraft Book 1 in an Amazon ebook listing with a price-tag of £2.99. Hence the puzzling title for the second book.

But what is the actual relationship between Book 1 and Book 2? There’s a complex publication history. Originally this tale of Lovecraft-in-1927 was a 160,000-word doorstopper written in a year and destined for the large publisher Putnam, back in the days when short novels were the fashion. A total rewrite was then undertaken, at Putnam’s request, to shorten the book. On getting the far shorter re-write novel Putnam were still not happy, and so the re-write went to the post-Derleth Arkham House and was published in 1985. The original 160,000-word typescript was lost in the shuffle, until a carbon was found in a cellar in 2000. It was then republished in 2007 titled Marblehead: A Novel of H.P. Lovecraft. This appears to have seen a second edition in 2009. Possibly the latter was the paperback, to the earlier hardback?

It’s not stated which edition the current Marblehead ebook originates with, but I assume it’s the second edition. In my experience Gateway OCRs its shovelware from print, and as such I’d guess there may well be quite a few unfixed OCR errors.

The novel purports to cover Lovecraft’s life in 1927, and imagines him being hired as a ghost-writer by the (real) German propagandist and poet George Sylvester Viereck. Sounds good, but the review of Lovecraft’s Book by Darrell Schweitzer in Amazing Stories (Spring 1987) rather dampens my enthusiasm…

the Lovecraft character is no more convincing than the H.G. Wells of the movie Time After Time, a famous name and little more. There is even a scene in which Lovecraft gets drunk (during Prohibition, no less!) … The plot, involving the early Nazis and the Ku Klux Klan, makes entirely too much of Lovecraft’s alleged racism. … Lupoff’s novel, while adequate as fiction, only distorts the memory of Lovecraft the man.

The central conceit then throws a curious new light on author Lupoff’s apparent real-life recall of a rooftop conversation with Frank Belknap Long, during which Long is said to have remarked that Viereck was once Lovecraft’s arch-enemy…

It took only the mention of Viereck’s name and Howard’s face would turn beet red, his neck would swell until you thought he was going to burst, and he would practically foam at the mouth!

Readers of Tentaclii will recall that I spotted this item a few weeks ago, while looking at Long’s John Carstairs series. Lupoff had written an introduction to a new collection of these pulp tales, and the Long anecdote was included there.

But surely if this reminiscence were correct, and not just invented to conveniently ‘fit’ with the subject matter of Lupoff’s old novel, we would have something else on Viereck from Lovecraft or Long or his correspondents? So far as I can tell we have nothing, and Viereck is not in the index of Joshi’s I Am Providence.

When exactly did this rooftop conversation with Long occur? It’s stated by Lupoff that it happened some 25 years after the “the early 1950s” publication of the British paperback for Long’s John Carstairs: Space Detective. This had been a boyhood favourite for Lupoff, but had since been lost. Yet that edition was actually published 1959, something the writer of the introduction to the current John Carstairs collection must have known, since he evidently re-acquired it — being able to remark on the text of the paperback in comparison to that of the hardback.

If the young Lupoff had originally sourced that paperback from England circa 1960 (transatlantic shipping took time in those days) then that would place the rooftop conversation with Long in circa 1985, the very year Arkham House issued Lovecraft’s Book. Why then should Lupoff make the mistake of placing the paperback’s publication back in the “early 1950s”? Well, it could fit a narrative he might have wished to imply or bolster — add the stated 25 years and you get to a rooftop interview with Long in circa the mid 1970s, just before Lupoff started writing Marblehead. It’s known that at this time Lupoff did interview many who had memories of Lovecraft, including Long. It’s thus being implied in the John Carstairs Introduction that Lupoff had the Viereck information from Long at that time, and that this nugget of actual fact was what started him researching and writing his novel about Viereck and Lovecraft. Yet the 1959 British publication date of John Carstairs rather belies this.

Ornaments in Jade

30 Saturday Jan 2021

Posted by asdjfdlkf in Historical context, Podcasts etc.

≈ 1 Comment

New to me, Ornaments in Jade by Arthur Machen. Now on Librivox as a free 100-minute audiobook read by Chuck Williamson.

Ornaments in Jade is a collection of short narrative experiments from Arthur Machen, ten dreamlike tales that are in equal parts enigmatic, sumptuous, and phantasmagoric…

Interesting. Issued in 1924 by Alfred A. Knopf of New York, in a 1000-copy limited edition. Turn-of-the-century literary decadence was coming back into view at that time, as the taint of the trial of Oscar Wilde faded. With this trend and Knopf’s publicists behind it, one imagines that the bookmen of New York City were at least aware of this edition when Lovecraft first arrived in the city. Lovecraft first discovered Machen’s work in the summer of 1923, so he may well have discovered news of it by himself.

If he was then able to see a copy of Jade must remain debatable. Yet, according to Joshi, he likely learned of Machen through Frank Belknap Long and a letter reveals he was “rereading” Long’s Machen collection in 1926. Long would have had both the savvy and contacts to be aware of the limited-edition being issued on his doorstep in 1924, and would also have had the funds to purchase it. Thus is seems reasonable to suppose that Lovecraft at least perused the book in 1926, if not soon after publication in 1924. It could also have become available for reading circa 1925, in the reading-rooms of the larger libraries in the city. This leads to the possibility that aspects of it may have inspired or influenced his own Dream Quest.

Centipede Press nicely reprinted the book a few years ago, and S.T. Joshi had his copy up for bags at $30 in 2018.

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