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Tentaclii

~ News & scholarship on H.P. Lovecraft

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Author Archives: asdjfdlkf

Cthulhu Cantata / Colour on stage

14 Thursday Sep 2023

Posted by asdjfdlkf in Lovecraftian arts

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New to me, Cthulhu Cantata on the HPLHS Store…

It’s weird, it’s classical. HPL would probably have loved it. We think you will too. Composer Richard Thomas Hill (b. 1969) fuses a baroque sacred music form with 21st century musical language using prose and poetry of H.P. Lovecraft as well as original lyrics by the composer and Charles Moore, Jr. The result is a piece of ritual music worthy of the cult, featuring stunning vocal performances from professional singers well versed in baroque and classical music as well as modern techniques.

Performed by “The Arkham Virtual Chamber Orchestra” and singers, and Bandcamp has it as being released there 31st October 2022. HPLHS has the CD.

Meanwhile, in Manchester UK in November 2023, a stage adaptation of The Colour Out of Space at The Edge Theatre…

MAYT Theatre, in association with The Edge presents The Colour Out of Space. A collaboratively devised adaptation of H.P. Lovecraft’s cosmically thrilling short story.

AI declaration rules at Amazon

13 Wednesday Sep 2023

Posted by asdjfdlkf in AI, Odd scratchings

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Amazon’s has new ‘AI declaration’ rules, currently only being applied to ebooks…

We define AI-generated content as text, images, or translations created by an AI-based tool. If you used an AI-based tool to create the actual content (whether text, images, or translations), it is considered “AI-generated,” even if you applied substantial edits afterwards.

Book creators must declare any use such of generated AI, even if later heavily edited by a human.

Thus it seems important not to have book covers that include any AI created elements. Even if you use a stock AI-created backdrop for a book cover, and it’s only 20% of the final cover, Amazon requires the whole book be labelled “AI generated”.

If not labelled then there seems a real risk it will be pulled from the store. This will be especially relevant when AI watermarking is rolled out, as Amazon’s bots will then be able to auto-detect the AI. In the meanwhile there’s also a risk with content that might attract the attention of activists of either the right or the left, seeking a way to have it ‘cancelled’. They might pounce on an undeclared use of AI.

AI translation is also covered. Thus if a scholar uses an AI-powered translation service to translate just one required quote (from Latin, say), then presumably again the whole book has to be labelled “AI generated”. AI-made abstracts, tables-of-contents, cover blurbs (and eventually AI generated back-of-the-book indexes) could also fall foul of the new rules. Even if heavily edited by a human.

And you might say… how will they tell? Ah, well… AI output from the main corporate tools is set to be invisibly watermarked, with Google already rolling out its version of the watermarking last week. Nvidia just signed up to watermarking, raising the prospect of embedding at the graphics-card level. Steganography… look it up.

And where such labelling leads to is very uncertain. For instance, having your book labelled “AI generated” might soon mean it doesn’t appear in search, or is only to be found on the Amazon store with difficulty. You may even find it’s blocked by some third-party Web browser add-on, cooked up by an AI-hater.

An example is DeviantArt’s AI declaration, required of people posting pictures. This seemed benign at first… until it wasn’t. Some weeks later, users found they could block all those “AI” tagged images. Those who had been honest and trusting of the company suddenly found their work being automatically ‘disappeared’.

Baranger’s illustrated The Dunwich Horror

13 Wednesday Sep 2023

Posted by asdjfdlkf in Lovecraftian arts

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Baranger’s illustrated The Dunwich Horror is now available for pre-order on Amazon UK, with a publisher shipping date of 3rd October 2023, though they expect delivery perhaps 23rd October 2023. For some reason it doesn’t show up in a search for Baranger Lovecraft. But it’s there. This is the English edition. The French edition appeared as L’abomination de Dunwich illustre in October 2022.

Those who know his “The Call of Cthulhu” (2019) or “At the Mountains of Madness” (2 volumes, 2021) will know what to expect. Fully illustrated with big lavish cinematic illustrations. Created by hand, I should add in this new age of AI.

A 50 pence ebook edition is listed from the page, which was interesting. Although it turns out to be Amazon mis-selling an unrelated shovelware edition of the story.

NecronomiCon Providence dates

12 Tuesday Sep 2023

Posted by asdjfdlkf in Odd scratchings

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NecronomiCon Providence dates. 15th-18th August 2024 in Providence, and “2024 convention passes will begin to go on sale ~January 2024”.

Eldritch Zookeeper

11 Monday Sep 2023

Posted by asdjfdlkf in Lovecraftian arts

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The Eldritch Zookeeper is a videogame for Windows PCs, due in early 2024…

that combines elements from several videogame genres in order to simulate the life of a zoo manager. The player keeps in his zoo creatures taken directly from the literary works on Lovecraft. New monsters are delivered on a daily basis and it is up to the player to build the appropriate containment, and make sure they do not escape.

Said to be February 2024. Great concept, but… then one finds really off-putting toony graphics as promo pictures. And it looks like the makers have just adapted regular llamas and elephants to be faux Lovecraftian.

Still, an idea that others may want to do properly.

Letters to Wilfred B. Talman – the fourth set of notes

10 Sunday Sep 2023

Posted by asdjfdlkf in Odd scratchings

≈ 3 Comments

Letters to Wilfred B. Talman – the fourth set of notes:

My fourth set of notes on the book of Lovecraft’s Letters to Wilfred B. Talman and Helen V. and Genevieve Sully. These notes cover letters from July 1931 to May 1932. Lovecraft is still writing to Talman, at this point in the book.

Page 180. A mis-transcription or perhaps a sleepy ‘slip of the pen’. I’d suggest that “retroactivity” should, for sense, read “radioactivity”…

It would take radioactivity to do that [i.e. fully awaken him in time to catch the 9am coach departure] after the Rip van Winkle coma from which I’ve just emerged.

At that time, radioactivity could still be thought of as a personal tonic rather than a deadly poison.

Page 180. It’s July 1931 and he has apparently only just learned the trick of pressing his trousers by putting them under the mattress in a hotel. He learned it from a “comic picture”, which might mean a comic-strip, a cartoon or even an animated short at the cinema. I seemed to recall he said somewhere he learned it from Arthur Leeds or Everett McNeil, but apparently not.

Page 182. 10th September 1932. Steam pipes and radiators are being fitted at Barnes St., at last. There was apparently no such heat before, and I seem to recall that even afterwards the pipes did not extend to certain upper visitor rooms.

Page 183. Talman has sent Lovecraft a card with “proof symbols” on it, which will be “invaluable” for proof reading. It’s interesting that Lovecraft had not used these before October 1931, despite his extensive revising and proof reading work. But perhaps it was the card that was “invaluable”, rather than the already-known symbols.

Pages 186-87. In late October he writes of a visit to Norwich, “an ineffably fascinating old town on the steep terraces that rise over the river Thames”. The story “The Shadow Over Innsmouth” is written a few weeks later, and thus perhaps Norwich played a small part in building the atmosphere of Innsmouth? Norwich, USA, is 25 miles SW of Providence, at the end of a long navigable inlet from the sea.

Page 187. Lovecraft is obviously familiar with the painted cat postcards of Wain.

Fittingly, in Spain the translation of Lovecraft’s “Cats and Dogs” has a Wain cat on the cover.

Page 189. He hears a public lecture at Brown from Willem de Sitter, on the new discoveries about the size of the universe. Sitter speaks ably and with good English.

Page 191. Talman was contributing articles to Seabury Quinn’s magazine.

Page 191. His friend Cook’s library is now gone, “due to his financial collapse”. It seems that the collector who the gang called ‘The Colossus of the North’ had been forced to sell most of his collection as the Great Depression deepened.

Page 191. Lovecraft recommends the rare book Dealings With The Dead by Sargent, on funeral, burial and mortuary practices through history.

Page 192. “My breakfast each morning consists of doughnuts & cheese … 365 days a year” except when in ‘nut-free places. He states the ‘nuts were always shop-bought, never home-made.

Page 193. Talman had sent Lovecraft the Argosy issue with the headlining “Voodoo Express” story. Lovecraft read it and partly approved… “it does pack a punch at intervals. That train alone is worth anybody’s dime.” Lovecraft wants to see the book The Cat in the Mysteries of Religion and Magic.

Page 205. Lovecraft is attending the Marshall Woods public lecture series at Brown.

Page 205. Lovecraft had a direct ancestor, son of Mike Phillips I, who built… “Mowbra Castle (still standing) near Wickford”. This is not the Wickford in Ireland, so there is no connection to the story “The Moon Bog”. The place is described thus…

In Belleville, still on the Post Road, stands the Phillips house, known as “Mowbra Castle”. It was probably built about 1695-1700 by Michael Phillips, who came from Newport. Its plan somewhat resembles that of the Arnold house at Moshassuck, but the chimney is nearly square, and the fireplace in the side room is at an angle of ninety degrees with that in the main room.” (Early Rhode Island Houses).

Page 209. Rimel’s horror tale “The Curse Wheel” was set in the “Ramapaugh” region. The story appears to be lost.

Page 209. Lovecraft has been tipped off that a New York City magazine called Weird Whispers might be a market.

Page 210. Lovecraft has visited the “Germanic Museum” in Boston, and urges Talman to see the Romanesque interior. This was a large and well-funded teaching museum dedicated to illustrating the civilised arts, created from early medieval times onwards, by the nations of “Germany, Holland, Switzerland, Scandinavia, England (and later Australia)”. It opened in 1921, and was especially known for its fine replicas of some of the most treasured medieval carvings and sculpture.

Born digital

09 Saturday Sep 2023

Posted by asdjfdlkf in Odd scratchings

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Spotted in the news, and of possible interest to historians researching the biographies and families of British creatives…

Until recently, if you wanted to buy records from the [UK’s official] General Register Office you had to pay £11 to order a [birth or death etc] certificate through the post, or £7 to download a PDF. But for the first time it’s selling [instantly available] digital images of records, and at an affordable price – just £2.50 per image.

Births to 1922, deaths to 1887.

More graphic novels

09 Saturday Sep 2023

Posted by asdjfdlkf in Lovecraftian arts

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More graphic novels. Kind of. Actually several of these appear to be more like heavily illustrated tales.

1) The indie Alien Books’ Horror Pulp Stories is set to ship on 4th October 2023, a one-off publication including Lovecraft’s “The Call of Cthulhu” with…

the chilling illustrations of master of horror Salvador Sanz

2) Keys Of Cthulhu One Shot #1. Sounds a bit tenuous, initially. A witch called Avril Williams visits a “mysterious South American island teeming with evil” and… Cthulhu. In 48 pages of actual story. Though elsewhere we learn that it’s just part of a larger set of tales, and that it…

brings the Grimm Universe one step closer to the climactic finale of ‘The Year of Lovecraft’, as Dagon slowly gathers the keys necessary to unlock Cthulhu’s prison.

3) The new Strange Horror #1 comics anthology has an adaptation of Lovecraft’s “The Music of Zahn” by Bill Bryan…

updates H.P. Lovecraft’s 1922 tale to 1973 cosmic punk. Bill Bryan pictures [early proto-punk band] characters looking for action who find more than they can handle.

Sounds like it combines “Zann” with “The Terrible Old Man”? The preview PDF also has a tease for…

Welcome to Dunwich is an H.P. Lovecraft homage I have since expanded to a 108-page monster book, that some day someone may want to publish.

4) This week the Deep Cuts blog looks at Vagen till Necronomicon (2017)…

While some sellers have categorized this book as a graphic novel, it would probably be more correct to label this an illustrated novel [which is an] expansion of Lovecraft’s “The History of the Necronomicon,” retaining the essential elements of the story but expanding the narrative of Abdul Alhazred, adding a Vathek– or 1,001 Nights-style doomed romance.

5) The “first Cthulhu by Gaslight novel is set for summer 2024″ from Chaosium, “revealing sinister forces threatening the very heart of terror-struck Victorian London.” I’d imagine it will be fairly well illustrated, though it is not a graphic novel.

6) And finally, an exhibition. “National Bestiary: Creatures of the Argentine Imaginary” is apparently a mix of South American folklore and imaginary creatures from Argentinian comics (for instance, Lovecraft artist Breccia gave a public talk a few days ago). The exhibition runs until 24th September 2023, in the Juan L. Ortiz room of the Argentine National Library.

Tentaclii for August 2023

08 Friday Sep 2023

Posted by asdjfdlkf in Odd scratchings

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A bit late, here’s my quick round-up of Tentaclii activity for August and a bit more.

Late August and early September have at last ushered in a beautiful English summer. The mighty walls of Tentaclii Towers has so far basked in a rare full week of fine weather. Cool-enough early mornings leading to days that are hot but not-too-hot. Nor is everything frazzled to an ugly brown crisp, as happens in the British Isles at the end of some summers. Since paid work still eludes me, these fine mornings have thus been used for a litter-picking of the entire Towers estate and even The Sinister Fringes That Lie Beyond. This mammoth task is now complete, just as the weather now grows increasingly misty and possibly-thundery. Unusual fungi have started to appear, heralding the autumn…

Not much news in books this month, but S.T. Joshi announced the anthology The Weird Cat. Amazon UK has this shipping in mid October and thus in time for Halloween.

In my weekly ‘Picture Postals from Lovecraft’ posts on Tentaclii I looked at: Lower Manhattan from Brooklyn Heights, and came fairly close to a vintage picture illustrating the opening of “He”; I probed the vampiric under-crypts of St. John’s, Providence; I was pleased to find more pictures of Eddy’s bookshop on Weybosset, although not the shop-front or basement interior; and I found and colourised a fine and revealing view of the town end of his long and beloved Angell Street, which revealed another reason for Lovecraft to think fondly of the city’s First Baptist Church steeple.

A patron’s question spurred the long post “Lovecraft and Vermont”, in which I surveyed the likely places there that a Lovecraftian might want to visit today. With pictures.

With the Lovecraft Annual 2023 almost due to ship, I posted a long review of the Lovecraft Annual 2022. Joshi has accepted my 2024 submission for the Annual (calling it “brilliant”, which was pleasing) and I now just have to find the time to whittle all the references and bibliography into the required format. Also in journals news, it seems that the purchasable run of old Crypt of Cthulhu PDFs have gone offline, along with the more recent 2017-2022 run. This means modern scholars have lost access not only to most of Lovecraft Studies, but also to most of Crypt.

Over in Middle-earth I published Tolkien Gleanings issue 6, my free PDF news ‘zine for Tolkien scholars. I finally pushed my big scholarly Tolkien book Tree & Star out in Lulu paperback alongside the earlier ebook edition. I also made Little Delvings in the Marsh, a search tool for Tolkien scholars.

Various choice items turned up on Archive.org or in Creative Commons, and were duly noted here.

In Germany, Lovecrafter and Lovecraft Online called for new staff, and released their annual double-issue Lovecrafter 11 and 12. I produced a quick English summary of what’s in #11 and #12. The Germans also have a new translation of Lovecraft’s Fungi from Yuggoth.

In events, The R.E. Howard ‘Howard Days’ announced 2024 dates. The Providence wing of the Lovecraft Film Festival should be booking soon, if it’s not booking already.

In Lovecraftian arts, not much in August. But more recently I was pleased to find the free Wrath of the Elder Gods pinball table (digital, videogame emulation), and the forthcoming French graphic novel Le dernier jour de Howard Phillips Lovecraft. Both look like quality, each in their own way. Another post on new Lovecraft comics is coming soon.

I’ve also been doing more learning and tinkering with AI, as much as I can using free services (I don’t have the RTX 2080 8Gb graphics card I need to do it locally, nor the price of the resulting electric bill). The key problem in AI image generation is still getting repeatable / pose-able characters, for storytelling purposes. Specifically for hyper-critical graphic-novel readers. Though my long-standing interest in the Poser software (the proper desktop software, not the unrelated mobile app of the same name) makes me think that Poser + AI will be a possible solution. Poser can do real-time comic-book renders from 3D figures and handles Python 3 very easily, so an AI plugin for Poser seems quite feasible. The trick would be make the real-time comic-book renders quickly look “in the style of Gil Kane” or “in the style of Jack Kirby”.

In audio, for Lovecraft’s birthday I offered an enhanced audiobook reading of Lovecraft’s “Vermont, a first impression”, enhanced with music and SFX. Also for this year’s birthday, the French play Lovecraft, mon amour was kindly released in full on YouTube (though with no good English subtitles). In podcasts, ‘Lovecraft & Astronomy’ was the topic of Talking Weird #52. Two of the PulpFest 2023 Lovecraft-relevant presentations appeared online as audio and were also linked.

A very kind benefactor has funded me for £56 worth of ‘thermals’ for the winter (top and leggings), a winter which will again have to be heater-less due to the massive electric bills and inflation that we’re all suffering with. They are the “max” thermals, supposedly good down to minus 15 degrees. The UK is overdue an Arctic winter, and I’m now better prepared if that happens. A £10 per hour job that can pay electric bills would of course be nicer to have, but no-one even wants to interview me… so the thermals and a scarf will have to do for now. As always, donations and new patrons are welcome. PayPal or an Amazon voucher code are two of the easy ways to make one-off donations.

That’s it, onwards into September!

Through the gates

08 Friday Sep 2023

Posted by asdjfdlkf in Lovecraftian arts, Picture postals

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This one seems suitably timed for a ‘back to school’ / ‘back to uni’ Picture Postals post. The postcard shows an especially lively view of the Brown University gates at the top of College street (the ‘Van Wickle gates’). These were a stone’s throw from Lovecraft’s last home behind the John Hay Library, and he would have used them when accessing the campus grounds. He visited for public lecture series, and I recall he sometimes took a walk around the fine architecture and parkland campus with his aunt. Here we also see the John Hay, later to house the Lovecraft Collection.

I’ve colorised the picture.

And here are the gates from the other side, the road side. Showing the hint of white marble Roman columns behind, something Lovecraft would have appreciated.

And here is Lovecraft sitting in a nook in the same gates in the 1930s.

The gates as the basis for the cover of Lovecraft Studies #5, and re-imagined as an entrance to Miskatonic University…

R.E. Howard

07 Thursday Sep 2023

Posted by asdjfdlkf in REH

≈ 1 Comment

I’ve fixed some linkrot on my links-list of free R.E. Howard audio books, originally posted 2014.

Also in REH, I see that last month Michael K. Vaughan had a YouTube podcast/video which explained the Robert E. Howard Del Rey Editions and why they’re important and much-loved.

Also, new this week at Law & Liberty magazine, “The Flame and Cycle of Civilization in Robert E. Howard’s Weird Fiction”.

Man Myth Magic

06 Wednesday Sep 2023

Posted by asdjfdlkf in Scholarly works

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John Coulthart brings a link to “all 3,144 pages” of Man Myth Magic magazine, now on Archive.org. Actually more of a reference encyclopaedia, but issued in the once-popular (and apparently very profitable, when done right) British ‘collect the partwork’ manner. The work had a stellar contributor list which included Katharine Briggs for the folklore articles. Half way through the post we learn that the scans are of a “revised and reprinted” version, though it seems not much was changed.

The 21 volumes weigh in at just under 1Gb in a single PDF file.

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