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Tentaclii

~ News & scholarship on H.P. Lovecraft

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Author Archives: asdjfdlkf

Hommage a H.P. Lovecraft, Paris 1979

17 Sunday Sep 2023

Posted by asdjfdlkf in Lovecraftian arts

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Quite a rarity, new on Honest Abe’s site…

Science-Fiction aux Etats-Unis. – Quatre artistes contemporains (8 février – 17 mars 1979) – Suivi de : Hommage à H.P. Lovecraft Published by Centre In-8° broché, Culturel Américain, Paris, 1979

A 24-page booklet issued for what might have been a four-man exhibition at the American Cultural centre in Paris in 1979, of Lovecraft inspired SF art. I must say three of the small images don’t look especially inspiring, but some readers may be interested. Especially if they know that one of the artists became more well-known than the others.

The other Lovecraft Film Festival

17 Sunday Sep 2023

Posted by asdjfdlkf in Films & trailers, Lovecraftian arts, Odd scratchings

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The other Lovecraft Film Festival, the 28th Annual H.P. Lovecraft Film Festival in Portland, has dates: 6th-8th October 2023…

three days of the best new independent short and feature films in the cosmic horror genre, classic screen gems, special Guest speakers, author readings, panel discussions, art, live events

S.T. Joshi’s blog has also noted that the 2023 Portland (Oregon, USA) version of the annual Festival will have a “Lovecraft and Cats” discussion panel.

There are also plans to take the Festival to Mobile, Alabama in November.

Fables comics IP goes public-domain

16 Saturday Sep 2023

Posted by asdjfdlkf in Odd scratchings

≈ 1 Comment

Nice…

As of now, 15th September 2023, the comic book property called Fables, including all related Fables spin-offs and characters, is now in the public domain. What was once wholly owned by Bill Willingham is now owned by everyone, for all time.

It’s the result of strong dissatisfaction with the publisher DC comics…

The one thing in our contract the DC lawyers can’t contest, or reinterpret to their own benefit, is that I am the sole owner of the intellectual property. I can sell it or give it away to whomever I want. I chose to give it away to everyone.

His Substack has the full details about his giving away a best-selling, long-running and Eisner Award-winning property, which Comic Book Treasury summarises as…

The series is about people from fairy tales and folklore who really exist in magical realms, but they were forced out of their worlds by The Adversary… and now live in exile in ours!

A sample page…

The already existing comics volumes themselves (at least 22 collected trade editions) are presumably not public domain, due to the involvement of others in their making. I assume it’s the formerly Bill Willingham-owned IP (characters, costumes, names, powers, world, storylines, backstory, settings) which is now freely usable. There’s a handy 256-page Encyclopedia for the series.

The old Courthouse, and lane

15 Friday Sep 2023

Posted by asdjfdlkf in Picture postals

≈ 1 Comment

Following last week’s steeple picture, another bell-tower. The old Courthouse in a misty picture placed online by the Providence Public Library, here cleaned and colorised. This was presumably where the arrangements for the Lovecraft divorce were made, with Eddy Jr. giving testimony.

It was however gone by the time Lovecraft moved into No. 66, replaced by a new neo-Georgian Court House which retained the bell-tower.

In Letters to Wilfred B. Talman, on page 86 Lovecraft remarks that he especially likes ‘survivals’ rather than ‘restorations’ in antiquities, and he makes the distinction between the two. An example of a cherished survival is “a lingering bit of the past [such as] the lane back of the Athenaeum” in Providence. In the above picture we see the start of this lane, on the near right of the picture…

Here we see the lane in a more familiar view, looking up College Street…

The map shows the lane as quite long, and giving access to many back-gardens, presumably via gates…

This lane was still there when Lovecraft was in No. 66. Because here we also see the start of the same little lane at the back of the Athenaeum, although the time is the early 1930s and the new Courthouse is under construction beyond…

This picture suggests that by circa 1931 the lane had been “improved”, with new fencing and what looks like a stern sign which says “No (something)”. Possibly “No Parking”, as the blight of mass car-ownership was then spreading. It seems to still be there today, though no Street View camera has ventured down it…

As seen above, the 1870s building was replaced in the early 1930s by a new Courthouse. Here we see the Benefit Street ‘top level’ corridor inside that new building, and the entrance to the elevator.

Elderly ladies, and perhaps some elderly gents such as Lovecraft when with visitors or his aunt, could enter at South Main Street (street market, former Old Brick Row, and a car park by the mid 1930s) on the lowest level, and then ascend by elevator to the higher Benefit Street exit, thus bypassing the steepest part of the climb up College Street. Here we see the imposing corridor which the intrepid elevator-hopper would then have to brave to reach the top exit.

This would also have been the long walk made to arrange matters involved in the disposal of Lovecraft’s estate.

Cthulhu Cantata / Colour on stage

14 Thursday Sep 2023

Posted by asdjfdlkf in Lovecraftian arts

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New to me, Cthulhu Cantata on the HPLHS Store…

It’s weird, it’s classical. HPL would probably have loved it. We think you will too. Composer Richard Thomas Hill (b. 1969) fuses a baroque sacred music form with 21st century musical language using prose and poetry of H.P. Lovecraft as well as original lyrics by the composer and Charles Moore, Jr. The result is a piece of ritual music worthy of the cult, featuring stunning vocal performances from professional singers well versed in baroque and classical music as well as modern techniques.

Performed by “The Arkham Virtual Chamber Orchestra” and singers, and Bandcamp has it as being released there 31st October 2022. HPLHS has the CD.

Meanwhile, in Manchester UK in November 2023, a stage adaptation of The Colour Out of Space at The Edge Theatre…

MAYT Theatre, in association with The Edge presents The Colour Out of Space. A collaboratively devised adaptation of H.P. Lovecraft’s cosmically thrilling short story.

AI declaration rules at Amazon

13 Wednesday Sep 2023

Posted by asdjfdlkf in AI, Odd scratchings

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Amazon’s has new ‘AI declaration’ rules, currently only being applied to ebooks…

We define AI-generated content as text, images, or translations created by an AI-based tool. If you used an AI-based tool to create the actual content (whether text, images, or translations), it is considered “AI-generated,” even if you applied substantial edits afterwards.

Book creators must declare any use such of generated AI, even if later heavily edited by a human.

Thus it seems important not to have book covers that include any AI created elements. Even if you use a stock AI-created backdrop for a book cover, and it’s only 20% of the final cover, Amazon requires the whole book be labelled “AI generated”.

If not labelled then there seems a real risk it will be pulled from the store. This will be especially relevant when AI watermarking is rolled out, as Amazon’s bots will then be able to auto-detect the AI. In the meanwhile there’s also a risk with content that might attract the attention of activists of either the right or the left, seeking a way to have it ‘cancelled’. They might pounce on an undeclared use of AI.

AI translation is also covered. Thus if a scholar uses an AI-powered translation service to translate just one required quote (from Latin, say), then presumably again the whole book has to be labelled “AI generated”. AI-made abstracts, tables-of-contents, cover blurbs (and eventually AI generated back-of-the-book indexes) could also fall foul of the new rules. Even if heavily edited by a human.

And you might say… how will they tell? Ah, well… AI output from the main corporate tools is set to be invisibly watermarked, with Google already rolling out its version of the watermarking last week. Nvidia just signed up to watermarking, raising the prospect of embedding at the graphics-card level. Steganography… look it up.

And where such labelling leads to is very uncertain. For instance, having your book labelled “AI generated” might soon mean it doesn’t appear in search, or is only to be found on the Amazon store with difficulty. You may even find it’s blocked by some third-party Web browser add-on, cooked up by an AI-hater.

An example is DeviantArt’s AI declaration, required of people posting pictures. This seemed benign at first… until it wasn’t. Some weeks later, users found they could block all those “AI” tagged images. Those who had been honest and trusting of the company suddenly found their work being automatically ‘disappeared’.

Baranger’s illustrated The Dunwich Horror

13 Wednesday Sep 2023

Posted by asdjfdlkf in Lovecraftian arts

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Baranger’s illustrated The Dunwich Horror is now available for pre-order on Amazon UK, with a publisher shipping date of 3rd October 2023, though they expect delivery perhaps 23rd October 2023. For some reason it doesn’t show up in a search for Baranger Lovecraft. But it’s there. This is the English edition. The French edition appeared as L’abomination de Dunwich illustre in October 2022.

Those who know his “The Call of Cthulhu” (2019) or “At the Mountains of Madness” (2 volumes, 2021) will know what to expect. Fully illustrated with big lavish cinematic illustrations. Created by hand, I should add in this new age of AI.

A 50 pence ebook edition is listed from the page, which was interesting. Although it turns out to be Amazon mis-selling an unrelated shovelware edition of the story.

NecronomiCon Providence dates

12 Tuesday Sep 2023

Posted by asdjfdlkf in Odd scratchings

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NecronomiCon Providence dates. 15th-18th August 2024 in Providence, and “2024 convention passes will begin to go on sale ~January 2024”.

Eldritch Zookeeper

11 Monday Sep 2023

Posted by asdjfdlkf in Lovecraftian arts

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The Eldritch Zookeeper is a videogame for Windows PCs, due in early 2024…

that combines elements from several videogame genres in order to simulate the life of a zoo manager. The player keeps in his zoo creatures taken directly from the literary works on Lovecraft. New monsters are delivered on a daily basis and it is up to the player to build the appropriate containment, and make sure they do not escape.

Said to be February 2024. Great concept, but… then one finds really off-putting toony graphics as promo pictures. And it looks like the makers have just adapted regular llamas and elephants to be faux Lovecraftian.

Still, an idea that others may want to do properly.

Letters to Wilfred B. Talman – the fourth set of notes

10 Sunday Sep 2023

Posted by asdjfdlkf in Odd scratchings

≈ 3 Comments

Letters to Wilfred B. Talman – the fourth set of notes:

My fourth set of notes on the book of Lovecraft’s Letters to Wilfred B. Talman and Helen V. and Genevieve Sully. These notes cover letters from July 1931 to May 1932. Lovecraft is still writing to Talman, at this point in the book.

Page 180. A mis-transcription or perhaps a sleepy ‘slip of the pen’. I’d suggest that “retroactivity” should, for sense, read “radioactivity”…

It would take radioactivity to do that [i.e. fully awaken him in time to catch the 9am coach departure] after the Rip van Winkle coma from which I’ve just emerged.

At that time, radioactivity could still be thought of as a personal tonic rather than a deadly poison.

Page 180. It’s July 1931 and he has apparently only just learned the trick of pressing his trousers by putting them under the mattress in a hotel. He learned it from a “comic picture”, which might mean a comic-strip, a cartoon or even an animated short at the cinema. I seemed to recall he said somewhere he learned it from Arthur Leeds or Everett McNeil, but apparently not.

Page 182. 10th September 1932. Steam pipes and radiators are being fitted at Barnes St., at last. There was apparently no such heat before, and I seem to recall that even afterwards the pipes did not extend to certain upper visitor rooms.

Page 183. Talman has sent Lovecraft a card with “proof symbols” on it, which will be “invaluable” for proof reading. It’s interesting that Lovecraft had not used these before October 1931, despite his extensive revising and proof reading work. But perhaps it was the card that was “invaluable”, rather than the already-known symbols.

Pages 186-87. In late October he writes of a visit to Norwich, “an ineffably fascinating old town on the steep terraces that rise over the river Thames”. The story “The Shadow Over Innsmouth” is written a few weeks later, and thus perhaps Norwich played a small part in building the atmosphere of Innsmouth? Norwich, USA, is 25 miles SW of Providence, at the end of a long navigable inlet from the sea.

Page 187. Lovecraft is obviously familiar with the painted cat postcards of Wain.

Fittingly, in Spain the translation of Lovecraft’s “Cats and Dogs” has a Wain cat on the cover.

Page 189. He hears a public lecture at Brown from Willem de Sitter, on the new discoveries about the size of the universe. Sitter speaks ably and with good English.

Page 191. Talman was contributing articles to Seabury Quinn’s magazine.

Page 191. His friend Cook’s library is now gone, “due to his financial collapse”. It seems that the collector who the gang called ‘The Colossus of the North’ had been forced to sell most of his collection as the Great Depression deepened.

Page 191. Lovecraft recommends the rare book Dealings With The Dead by Sargent, on funeral, burial and mortuary practices through history.

Page 192. “My breakfast each morning consists of doughnuts & cheese … 365 days a year” except when in ‘nut-free places. He states the ‘nuts were always shop-bought, never home-made.

Page 193. Talman had sent Lovecraft the Argosy issue with the headlining “Voodoo Express” story. Lovecraft read it and partly approved… “it does pack a punch at intervals. That train alone is worth anybody’s dime.” Lovecraft wants to see the book The Cat in the Mysteries of Religion and Magic.

Page 205. Lovecraft is attending the Marshall Woods public lecture series at Brown.

Page 205. Lovecraft had a direct ancestor, son of Mike Phillips I, who built… “Mowbra Castle (still standing) near Wickford”. This is not the Wickford in Ireland, so there is no connection to the story “The Moon Bog”. The place is described thus…

In Belleville, still on the Post Road, stands the Phillips house, known as “Mowbra Castle”. It was probably built about 1695-1700 by Michael Phillips, who came from Newport. Its plan somewhat resembles that of the Arnold house at Moshassuck, but the chimney is nearly square, and the fireplace in the side room is at an angle of ninety degrees with that in the main room.” (Early Rhode Island Houses).

Page 209. Rimel’s horror tale “The Curse Wheel” was set in the “Ramapaugh” region. The story appears to be lost.

Page 209. Lovecraft has been tipped off that a New York City magazine called Weird Whispers might be a market.

Page 210. Lovecraft has visited the “Germanic Museum” in Boston, and urges Talman to see the Romanesque interior. This was a large and well-funded teaching museum dedicated to illustrating the civilised arts, created from early medieval times onwards, by the nations of “Germany, Holland, Switzerland, Scandinavia, England (and later Australia)”. It opened in 1921, and was especially known for its fine replicas of some of the most treasured medieval carvings and sculpture.

Born digital

09 Saturday Sep 2023

Posted by asdjfdlkf in Odd scratchings

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Spotted in the news, and of possible interest to historians researching the biographies and families of British creatives…

Until recently, if you wanted to buy records from the [UK’s official] General Register Office you had to pay £11 to order a [birth or death etc] certificate through the post, or £7 to download a PDF. But for the first time it’s selling [instantly available] digital images of records, and at an affordable price – just £2.50 per image.

Births to 1922, deaths to 1887.

More graphic novels

09 Saturday Sep 2023

Posted by asdjfdlkf in Lovecraftian arts

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More graphic novels. Kind of. Actually several of these appear to be more like heavily illustrated tales.

1) The indie Alien Books’ Horror Pulp Stories is set to ship on 4th October 2023, a one-off publication including Lovecraft’s “The Call of Cthulhu” with…

the chilling illustrations of master of horror Salvador Sanz

2) Keys Of Cthulhu One Shot #1. Sounds a bit tenuous, initially. A witch called Avril Williams visits a “mysterious South American island teeming with evil” and… Cthulhu. In 48 pages of actual story. Though elsewhere we learn that it’s just part of a larger set of tales, and that it…

brings the Grimm Universe one step closer to the climactic finale of ‘The Year of Lovecraft’, as Dagon slowly gathers the keys necessary to unlock Cthulhu’s prison.

3) The new Strange Horror #1 comics anthology has an adaptation of Lovecraft’s “The Music of Zahn” by Bill Bryan…

updates H.P. Lovecraft’s 1922 tale to 1973 cosmic punk. Bill Bryan pictures [early proto-punk band] characters looking for action who find more than they can handle.

Sounds like it combines “Zann” with “The Terrible Old Man”? The preview PDF also has a tease for…

Welcome to Dunwich is an H.P. Lovecraft homage I have since expanded to a 108-page monster book, that some day someone may want to publish.

4) This week the Deep Cuts blog looks at Vagen till Necronomicon (2017)…

While some sellers have categorized this book as a graphic novel, it would probably be more correct to label this an illustrated novel [which is an] expansion of Lovecraft’s “The History of the Necronomicon,” retaining the essential elements of the story but expanding the narrative of Abdul Alhazred, adding a Vathek– or 1,001 Nights-style doomed romance.

5) The “first Cthulhu by Gaslight novel is set for summer 2024″ from Chaosium, “revealing sinister forces threatening the very heart of terror-struck Victorian London.” I’d imagine it will be fairly well illustrated, though it is not a graphic novel.

6) And finally, an exhibition. “National Bestiary: Creatures of the Argentine Imaginary” is apparently a mix of South American folklore and imaginary creatures from Argentinian comics (for instance, Lovecraft artist Breccia gave a public talk a few days ago). The exhibition runs until 24th September 2023, in the Juan L. Ortiz room of the Argentine National Library.

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