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~ News & scholarship on H.P. Lovecraft

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Author Archives: asdjfdlkf

A spectral murmur

23 Monday Jan 2012

Posted by asdjfdlkf in Odd scratchings

≈ Leave a comment

An interesting divination of the aether by a savvy publisher’s editor…

“Catherine Burke, the editorial director of Sphere, said there was a “surge of interest from readers” in ghost stories, and agents were receiving more submissions in the genre. With high-profile releases expected to be popular this year, she predicts we will see even more ghost stories in 2013.”

It doesn’t necessarily have to be nostalgic “men in frock-coats chasing white sheets in English country churchyards”, although we may get some of that from TV producers.

Perhaps fiction has already done this (*) but one of the interesting things about recent Doctor Who is how the writers and monster concept artists have pointed out how to very effectively ‘re-invent the ghost’ (e.g. The Silence, numerous SF-y ‘haunted’ houses with haunted rooms) while keeping it roughly within a sort-of scientific framework. It’s an interesting and popular hybridity between horror and SF, of the sort that Lovecraft might have appreciated.

(Incidentally, it’s such a pity that the most recent Doctor Who series made such a dog’s dinner of the central ‘Silence’ plotline. Someone really needs to make a four-hour fan-edit of that series that just focuses on the central/core storyline).

(*) I’m really not well-read in modern horror, preferring SF, although I’m slowly noting the anthologies that need to be read…

New York City in the 1930s, a cartoon guide

22 Sunday Jan 2012

Posted by asdjfdlkf in Historical context

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A complete new scan of a cartoon guide book to New York City in the late 1930s, more than a decade after Lovecraft departed the city, but with the city still much the same as the one Lovecraft would have experienced…

The Shadow knows…

22 Sunday Jan 2012

Posted by asdjfdlkf in Lovecraftian arts

≈ 2 Comments

What if… Lovecraft had developed a recognisable continuing character? Here’s John Spelling‘s delicious take on the idea of remixing The Shadow with Lovecraft…

Museum of Fantastic Specimens

21 Saturday Jan 2012

Posted by asdjfdlkf in Lovecraftian arts

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The online Museum of Fantastic Specimens (in Japanese, but Google Chrome should automatically translate the page from Japanese to English). The Tokyo Drift Museum of the South Seas gallery is a special treat, although all the pictures are relatively small…

  [ Hat-tip: Propnomicon ]

Grotesque Animals (1872)

21 Saturday Jan 2012

Posted by asdjfdlkf in Historical context, Lovecraftian arts, New books

≈ Leave a comment

Monster Brains unearths an online copy of Edward William Cooke’s Grotesque Animals (1872).

WSJ on As If and Lovecraft

21 Saturday Jan 2012

Posted by asdjfdlkf in New books

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The Wall Street Journal Bookshelf’s Tom Shippey reviews As If: Modern Enchantment and the Literary Prehistory of Virtual Reality (Oxford Uni Press, 2012)…

“Mr. Saler counterpunches vigorously against the whole edifice of literary snobbery [against SF, fantasy and the weird]. What he has to say is so self-evidently right that the fact he has to say it makes one wonder how the critical profession has managed, for so long, to cultivate such a large blind spot. His book should be essential reading in every graduate school of the humanities. But it’s much more fun than that recommendation suggests.”

Selected Letters set with 2nd Ed. Index

20 Friday Jan 2012

Posted by asdjfdlkf in Odd scratchings

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A London bookseller appears to have a set of first edition Selected Letters available, complete with the expanded second edition of the Index, for £300.

Facsimile Dust Jackets for Lovecraft

20 Friday Jan 2012

Posted by asdjfdlkf in Unnamable

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Missing the dust-jacket to your Arkham Press rarity? Facsimile Dust Jackets claims to be able to supply you with the requisite wrapper for H.P. Lovecraft titles…

Or you could just frame them?

Three Messages and a Warning – new Mexican anthology

20 Friday Jan 2012

Posted by asdjfdlkf in New books

≈ Leave a comment

Launching on 26th Jan in Texas at the Creativity and the Brain conference, a new doorstopper 300-page anthology Three Messages and a Warning: Contemporary Mexican Stories of the Fantastic. It’s from Small Beer Press, and the book is in English…

“Thirty four all-original Mexican science fiction and fantasy features ghost stories, supernatural folktales, alien incursions, and apocalyptic narratives, as well as science-based chronicles of highly unusual mental states in which the borders of fantasy and reality reach unprecedented levels of ambiguity. Introduction by Bruce Sterling.”

Here’s Alberto Chimal reading his story from the anthology, “Variation on a Theme of Coleridge”…

[vimeo 34914275]

Amazon USA currently has the paper version available for pre-order at an enticing $10 with free shipping, for those who own surgical wrist supports. No news of any lighter-weight Kindle edition, although there will be a $10 PDF edition for tablet PC users.

Frankenstein’s Moon

19 Thursday Jan 2012

Posted by asdjfdlkf in Podcasts etc.

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Given Lovecraft’s interest in astronomy, and his use of it in fiction, this new 28 minute BBC Radio 4 documentary might interest — Frankenstein’s Moon (“Listen Again” online in the UK)…

“Did the Moon shining into Mary Shelley’s bedroom in June 1816 play a part in the genesis of her Frankenstein story? Adam Rutherford explores this and other influences cast by astronomical phenomena on the work of writers and artists, such as Galileo’s painter friend Ludovico Cigoli, Arthur Conan Doyle, and modern Sherlock creator Mark Gatiss.”

January

19 Thursday Jan 2012

Posted by asdjfdlkf in Odd scratchings

≈ Leave a comment

“Of course, it’s in January that I really dig down into the nethermost recesses of my burrow,” — H.P. Lovecraft, Selected Letters: Volume 2.

Intersectionality and Lovecraft

19 Thursday Jan 2012

Posted by asdjfdlkf in Unnamable

≈ Leave a comment

Roundtable: Intersectionality and Lovecraft, from a 12th Jan Locus Online roundtable. “Intersectionality” is a feminist theory term that suggests one’s different social and cultural identities — being a woman, being lesbian, being black, being disabled, being a daughter — interact in society to form more intractable tangles of discrimination. It has since been ported more generally into a variety of leftist academic approaches such as sociology and cultural studies, where it knocks around with subtler theories of hybridity, ‘fluid identity’ versions of queer, and various ideas on how online identities are lived out.

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