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~ News & scholarship on H.P. Lovecraft

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Author Archives: asdjfdlkf

It’s 1955, and L. Sprague de Camp is reviewing The Lord of the Rings…

28 Friday Feb 2020

Posted by asdjfdlkf in de Camp, Historical context

≈ 2 Comments

In August 1955 L. Sprague de Camp reviewed new Conan books and The Fellowship of the Ring, in Science Fiction Quarterly, August 1955.

Worth reading right across the spread, as it’s ‘all of a piece’. For those who have somehow not yet enjoyed The Lord of the Rings, note that his review has plot spoilers for the first volume. At that time the second of the three volumes was not yet published.

Camp must surely have here been the first to draw the comparison between the modus operandi of the ring in the Conan novelette “The Phoenix on the Sword” (1932) and The Lord of the Rings. Had he had the other two volumes, he might also have compared other aspects of LoTR with the Conan novel The Hour of the Dragon. But at that time de Camp was set for a tantalising wait to read the third volume, The Return of the King, which appeared in 1956.

Another interesting bit of historical trivia is that de Camp remarks that “Conan the Conquerer has been published by Boardman” in the UK in 1954, and of course the first volume of The Lord of the Rings appeared in July 1954. I can’t discover exactly when in 1954 the British Conan book was published, but it was obviously a good year to be a young British fantasy reader — if one was savvy enough to avoid the juvenile disaster of confusing 1954’s The Lord of the Flies with The Lord of the Rings.

Less than a year later de Camp went on to note the second volume of The Lord of the Rings, The Two Towers, in the Science Fiction Quarterly for May 1956. Complete with what must have been a very annoying salvo of massive plot-spoilers for the unwary reader…

It appears that de Camp never similarly reviewed The Return of the King, and thus the entire epic. Which is curious. I can’t find even a brief mention of it from him, which one might have expected after all the build-up he’d given it. But according to The Lord of the Rings, 1954-2004: Scholarship in Honor of Richard E. Blackwelder (2006)…

L. Sprague de Camp, in Science Fiction Quarterly, reviewed only the first two volumes.

A dastardly plot by the commies of the time, to suppress the book? Something like that happened to some extent and informally over the following decade, but no… it’s more likely that de Camp just quit reviewing for the magazine circa 1957. Because the magazine’s distributor went bust in 1957, and less copies on the news-stands meant that the magazine was only able to struggle on until February 1958. There were no more issues after that.

L. Sprague de Camp does, however, mention the final volume of LoTR in his book Literary Swordsmen and Sorcerers: the Makers of Heroic Fantasy (1976), where he has a chapter on Tolkien. By then the mood of the times had changed very radically, and 1976 was certainly not 1956. A version of the book’s chapter appeared in Fantastic: Sword & Sorcery and Fantasy Stories for November 1976 (Vol. 25, No. 5), under the title “White Wizard in Tweeds”. This wastes about half the article, first in a tedious defence against the ever-tedious Edmund Wilson (he hated Tolkien, as well as Lovecraft — for him The Lord of the Rings was “juvenile trash”). Then in explaining hobbits to the Fantastic reader who had somehow not heard of them by that time, and giving creaky plot-summaries of each volume. After some potted biography and a too-short account of his one-off meeting with Tolkien, he picks like an antsy fanboy at apparent logic-holes in LoTR. We don’t get any real sense of the “lascivious” passion that de Camp had evidently felt 20 years earlier, on first reading most of LoTR. Perhaps his 1976 article’s comment that “one can find flaws on re-reading” explains his lack of personal sentiment, in all but his obligatory-laudatory final line of the essay (“Few have equalled…” etc). Personally I find that The Lord of the Rings improves and deepens like a coastal shelf on re-reading, if one is paying close attention, but I get the feeling that in his old age de Camp kept getting hung up on what he perceived as niggling surface “flaws”.

Call: 2020 Pulpster

28 Friday Feb 2020

Posted by asdjfdlkf in Scholarly works

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The 2020 issue of the PulpFest’s annual journal The Pulpster is seeking articles. The lead theme for 2020 is “Ray Bradbury”, but the editors state they already have enough articles in-hand about his life and work.

If you have a proposal for an article, please contact editor Bill Lampkin. Articles and artwork must be submitted by the end of April. Bill can be reached at bill@thepulpster.com.

For advertising, please contact PulpFest marketing and programming director and THE PULPSTER publisher Mike Chomko at mike@pulpfest.com.

Added to Open Lovecraft

28 Friday Feb 2020

Posted by asdjfdlkf in Scholarly works

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Added to the Open Lovecraft page on this blog…

* J. E. Stephens, “The Expert as Character in the Work of Le Fanu and Lovecraft: Spirituality, Empiricism, and Rationality”, B.A. degree dissertation for the University of Arizona, December 2019.

* G. Harman, “Horror of Phenomenology: Lovecraft and Husserl”, Philosophy, Ethics, Religious Studies, #5, 2019. (In Russian. Drawing on and presenting in Russian some of the Lovecraftian ideas of Graham Harman, relating to Lovecraft, the object and its ‘objectivity’. Appears to be a translation of a text by Harman?)

And not yet on the page, but set for release to open access in December 2020, “The Geography of Horror: Lovecraft’s (Re)construction of New England”.

The Miskatonic Scholarship

27 Thursday Feb 2020

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings

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George R.R. Martin (A Game of Thrones) has announced he is offering The Miskatonic Scholarship… “for a promising writer of Lovecraftian cosmic horror”. The winner gets an intensive six-week workshop retreat for “aspiring writers of science fiction, fantasy, and horror” in New Hampshire. Entrants will need to complete a Financial Need Statement which is due to be available 1st April 2020.

Scroll down the page to also find details another fund for the same New Hampshire retreat…

Applicants from the New York Metropolitan Area (including New Jersey) who are accepted into Odyssey [the New Hampshire writing retreat) are eligible to apply for a scholarship from the Donald A. and Elsie B. Wollheim Memorial Scholarship Fund.

“the process of handwriting is no effort at all”

27 Thursday Feb 2020

Posted by asdjfdlkf in Lovecraftian arts

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Learning Everyday Penmanship in the 1920s. Quite a craft, it appears, requiring a 90-page how-to manual with lessons!

According to Lovecraft…

“the process of handwriting is no effort at all unless one aims for great legibility & ornamentation. The reason moderns think handwriting is hard, is that they have never practiced it enough to get used to it.” — H.P. Lovecraft, Selected Letters III.

Tour the Brown campus

26 Wednesday Feb 2020

Posted by asdjfdlkf in Podcasts etc.

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New on Archive.org, “A Sense of Place: David Macaulay surveys the Brown University campus”. A campus production dated 2010, newly uploaded…

Our guide for this look at the Brown campus is David Macaulay … view one of America’s historic campus landscapes through the lens of a camera and the eyes of one of America’s best-known illustrators.

Or not. It seems that Brown has managed to lock the actual media file on archive.org, and only its generic graphic can be downloaded. However, one can still grab the 340Mb audio podcast as a public download from here. It turns out to be a 26-minute VHS quality video. It’s also on YouTube, with what appears to be even higher compression.

Call: Papers on the Fantastic

26 Wednesday Feb 2020

Posted by asdjfdlkf in Scholarly works

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The Northeast Alliance for Scholarship on the Fantastic and the Allied Fantastic Areas (NAS-FAFA?) is calling for papers for a conference at Southern New Hampshire University, in October 2020. Deadline: 1st June 2020. The venue is said to be “two hours from Providence”, by American reckoning of such things.

1) Specifically they want new papers that highlight ‘Wonder and the Marvellous’…

the more positive aspects of the fantastic genre … texts that bring about a sense of wonder in their receivers through their representation of the marvellous

Which seems to fit Lovecraft’s Dreamlands tales, and opens the door for a rare appreciation of tales such as “Iranon”, “The Cats of Ulthar”, and even “Hypnos”, or a survey of the quite extensive influence of his Dreamlands in rock music and comics from circa 1966-1986. “Hypnos”, especially, has been curiously neglected by critics. For instance, neither Joshi or Klinger have annotated it despite its rich vein of references and allusions. But I have an annotated version about 70% done, which will fill that gap, and which may perhaps be released for Lovecraft’s 2020 birthday.

2) The other part of the call is for ‘Monsters & the Monstrous’. But specifically papers on the scariness of such things, and how in devising such scariness an artist can draw on other traditions…

the things, whether mundane or marvelous, that scare us [discussed in papers which offer] fresh explorations into [how creatives have drawn on and transformed] texts from various countries, time periods, and media.

Which may offer some possibilities for paper on Lovecraft’s uses of the Classical tradition, and Lovecraft’s creative transformation of his fear of seeing the tradition’s dissolution in the face of modernity.

Enchanted: A History of Fantasy Illustration

26 Wednesday Feb 2020

Posted by asdjfdlkf in Odd scratchings

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Opening 6th June 2020, Enchanted: A History of Fantasy Illustration at the Norman Rockwell Museum in the USA.

Robots, Rayguns, and Alternate Views of Reality

25 Tuesday Feb 2020

Posted by asdjfdlkf in Odd scratchings

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Until 7th March 2020 in Maryland, USA: “Robots, Rayguns, and Alternate Views of Reality: Experiencing Art Through the Sci-Fi Paperback Collection in the SMCM Archives”.

And ending 29th March 2020 over in Oklahoma, the exhibition “Cosmic Culture: Intersections of Art and Outer Space”. The Olklahoman has an excellent long interview and gallery from the show.

eBay – PayPal problems, and a solution

25 Tuesday Feb 2020

Posted by asdjfdlkf in Odd scratchings

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eBay sellers of books etc may be encountering problems that appear to have been ongoing for several weeks now. Customers may be contacting you telling you they can’t pay, with far more silently abandoning their cart. Specifically, the problem is that eBay Checkout never passes the customer over to PayPal, as the log-on popup hangs forever at the ‘spinning disc’. If that’s the case, then tell them to add the following URLs to their ad-blocker whitelist…

That solved the problem for me. It appears that recent updates to Web browers adblockers, the popular UBlock Origin specifically, means that these URLs have to be whitelisted afresh. pay.ebay also looks new to me, and may be the real stumbling block. Your customer’s native Web browser ‘tracking protection’ / adblocker / pop-up blocking may need to be turned off, as well as secondary adblocking add-ons such as Fair AdBlocker. The generic ‘accept cookies’ pop-up may also need to be accepted, over at PayPal.

New PEAPS

24 Monday Feb 2020

Posted by asdjfdlkf in Odd scratchings

≈ Leave a comment

The Pulp Era Amateur Press Society (PEAPS) reportedly has member vacancies…

Since 1987, members of the Pulp Era Amateur Press Society have offered research and commentary on the pulp magazines, their contributors, and their legacy. PEAPS — founded by Lynn Hickman in 1987 and still running today — focuses on all aspects of the pulp magazine hobby and related topics. Current members and alumni include some of the most accomplished pulp magazine fans and professionals in the world, including Al Tonik, Glenn Lord, Howard DeVore, Jerry Page, George Evans, Rusty Hevelin, Mike Ashley, Doug Ellis, Will Murray, Anthony Tollin, Brian Earl Brown, and Curt Phillips.

Membership is limited to 28 and it involves quarterly printed-paper mailings, presumably to some far-flung places if the membership is global.

Line and Frame: A Survey of European Comic Art

23 Sunday Feb 2020

Posted by asdjfdlkf in Lovecraftian arts

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News of a new spring exhibition in New York City, “Line and Frame: A Survey of European Comic Art”. It opens with a Thursday evening launch event on 27th February 2020 (6pm-8pm) at Danese/Corey (511 West 22nd Street) and then runs until 14th March 2020.

The show will feature the work of 40 comics artists “who specialize in science fiction and fantasy”, including Moebius, Bilal, Breccia, Druillet, Nicole Claveloux, Guido Crepax, Milo Manara, among others. I doubt there’s a chance of seeing Lovecraft related art, but names such as Moebius, Bilal, and Breccia certainly overlap with Lovecraft comics.

Well-timed, the show comes at a point when the continental European comics industry is making a very belated push to produce and market more English translations in the USA. The show is supported by the various national cultural agencies in France, Belgium, Spain, etc.

Sketch by Moebius, being used to promote the show.

In other quality comics news, a “new 250-page graphic-novel Monsters from British writer/ artist Barry Windsor-Smith” is apparently due sometime in 2020 from an as-yet-unknown publisher. The basic premise, originating in a rejected pitch to Marvel for a Hulk storyline, is that… “an abandoned Nazi project in genetic engineering had been covertly revived by the U.S. government”. Judging from the sparse publicity it now appears to have become a graphic-novel somewhat similar to Alan Moore’s Providence, in terms of its adult nature and ambition. Just my guess, but I wonder if there may be some back-story links into aspects of the Lovecraft mythos?

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