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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Author Archives: asdjfdlkf

Lovecraft Annual on JSTOR

12 Thursday Mar 2020

Posted by asdjfdlkf in Scholarly works

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The Lovecraft Annual is now on JSTOR, as the full run. Reviews are fully separated and itemised by book title, as are the Briefly Noted paragraphs. JSTOR is a sort of ‘all you can eat buffet’ of a list of selected journals, which most academic libraries give their students and full-time staff free access to. Inclusion is a mark of high quality, and should help boost citations for those for whom such things matter. Those who have been quietly scourged in the book reviews may not be quite so happy.

As for me, I’m only two issues away from having a complete set in paper, needing only 2008 and 2010.

Update: I just remembered that JSTOR do offer limited access to off-site independent researchers. It seems this scheme is still in operation, though when last heard of it was limited to selected journal titles only.

Good news for books and journals in the UK

12 Thursday Mar 2020

Posted by asdjfdlkf in Odd scratchings

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Good news for authors and publishers in the UK’s Spring budget speech in Parliament…

From 1st December 2020 [UK] ebooks, newspapers, magazines or academic journals will have no VAT to pay.”

VAT is the UK’s main UK sales tax, and printed publications are already exempt from the tax. At present it’s uncertain if digital audiobooks will also be exempt.

New book: Tracking Classical Monsters in Popular Culture

11 Wednesday Mar 2020

Posted by asdjfdlkf in New books, Scholarly works

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Theofantastique notices a new book-length survey from an academic, Tracking Classical Monsters in Popular Culture…

a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in detail at the afterlives of the Medusa and the Minotaur.

Also, the latest French open-access journal Leaves No. 9 is a special themed issue on the afterlife of Shelley’s Frankenstein in comics and sci-fi, etc. All in French, but since it’s open-access a translator-bot is only a click away.

Two Gentlemen Meet at Midnight

10 Tuesday Mar 2020

Posted by asdjfdlkf in Historical context, Lovecraftian arts, Night in Providence, Odd scratchings

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New on Archive.org, August Derleth’s Arkham Sampler #4 (Autumn 1948). The journal ran for eight issues. This issue’s highlight, today, is a ‘poem for voices’ by Derleth. Inspired by reading Lovecraft’s letters he imagines the shades of Lovecraft and Poe meeting at last, one night in Providence.

And here’s a picture to set the mood for a reading. It’s not been seen here before at Tentaclii, and is from my late summer 2019 haul of such pictures showing Lovecraft’s 66 College St and its surroundings. The two men are at the Van Wickle Gates at the top of College Street, only a moment’s walk from 66 College Street. In fact, given the timing in the 1940s, one wonders if the picture wasn’t inspired by Derleth’s 1948 poem.

I don’t know who holds Derleth’s copyrights these days, but if they’re sensible descendents then there may be potential here for a musical album. Of soundscape / found-sounds / low-key ‘night music’, combined into tracks evoking Providence at night in the 1930s/40s leading into a dramatised vocal performance of this poem with FX. Perhaps earlier in the album one might also have some of Poe’s more ‘cosmic’ lyrics and then Lovecraft’s churchyard letters/poem, both mentioned in the above poem, done in the same way.

New book: His Own Most Fantastic Creation

10 Tuesday Mar 2020

Posted by asdjfdlkf in Historical context, Lovecraft as character, Lovecraftian arts, New books, Scholarly works

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I don’t usually cover anthology slabs here at Tentaclii, but I’ll make an exception for a fun one that features Lovecraft as a character, edited by the venerable S.T. Joshi. His Own Most Fantastic Creation is a £25 (about $40) hardcover from PS Publishing, and is pre-ordering now for shipping in April 2020.

The blurb is usefully descriptive…

Darrell Schweitzer focuses on Lovecraft’s childhood, when he was plagued with dreams of “night-gaunts” and was left bereft by the early death of his father. John Shirley depicts Lovecraft as a gawky teenager evolving his notions of “cosmicism”, while Scott Wiley emphasises Lovecraft’s devotion to cats. Stephen Woodworth and Donald R. Burleson ring changes on the Lovecraftian theme of personality exchange. Lovecraft famously collaborated with Harry Houdini on a story. Donald Tyson and Jonathan Thomas write very different stories on the association of these two figures. Mark Samuels focuses on Lovecraft’s creation of imaginary tomes of forbidden lore, while the stories by Richard Gavin, David Hambling, Jason V. Brock, and S. T. Joshi supply broader ruminations on the origins of Lovecraft’s revolutionary motifs. While eschewing Lovecraft himself as a character, the tales by W. H. Pugmire and Simon Strantzas exhibit figures who reveal strikingly Lovecraftian elements while probing the psyche of the man from Providence.

Super. It’s perhaps a pity that there’s not also an essay comprehensively surveying the uses of Lovecraft-as-character and Lovecraft-alikes in fiction, comics and poetry up to about 1969. Perhaps also appending the 1970-2020 titles in a simple checklist form. But I guess that might belong in a companion volume collecting such early stories and poems. However, Joshi does mention just a few of them in his short introduction…

Lovecraft the man has served as an inspiration for fiction writers as early as Edith Miniter (“Falco Ossifracus’ 1921), Frank Belknap Long (“The Space-Eaters’ 1928), and Robert Bloch (“The Shambler from the Stars:’ 1935) in his own day”.

What’s new on DeviantArt

09 Monday Mar 2020

Posted by asdjfdlkf in Lovecraftian arts

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Another survey of what’s new on DeviantArt…

Azathoth, the demon sultan by Taisteng.

Lovecraft and Barlow by Loneanimator.

Iranon by FluoriteAmphibian.

Necronomicon 5 by Libriproibiti.

“Ketched in the rain, be ye?” by SamInabinet.

The Gilman House by MaestroMorte.

The Cats From Ulthar a mini-sculpture by DeterFArt. More.

Cthulhu in digital oil by Stayinwonderland. “This is the first in a series of paintings … I’m imagining a coastal town in England where a Cthulhu cult emerged. Either prior to, or in parallel with, the Innsmouth story and set close to 1900.”

H.P. Lovecraft by AnnaHSzymborska.

647 Manton Ave.

09 Monday Mar 2020

Posted by asdjfdlkf in Historical context, Picture postals

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I’ve found the actual street number of the quarry owned by Lovecraft…

DeMagistris, Mariano, Providence Crushed Stone & Sand Co., 647 Manton Ave.

“647” had eluded me in my post on Lovecraft’s Quarry, but doesn’t change my identification of the site…

Having the number may perhaps help someone locate a photo of the place, which was effectively ‘on the other side of Federal Hill’ from Lovecraft.

In the meantime here’s a postcard that’s Rhode Island but not of Lovecraft’s quarry, though it pretty much sums up how I imagine it would have looked…

Also found by chance, the ‘Colour out of Westerly’…

Lovecraft en el comic

08 Sunday Mar 2020

Posted by asdjfdlkf in Lovecraftian arts, Podcasts etc.

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La Casa de EL 143 – Lovecraft en el comic (Lovecraft in comics). A new 100 minute podcast survey in Spanish, with a focus on the obvious names.

Protected: Go Long

08 Sunday Mar 2020

Posted by asdjfdlkf in Historical context

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“Traumas et conflits symboliques dans l’oeuvre de Robert E. Howard”

07 Saturday Mar 2020

Posted by asdjfdlkf in REH, Scholarly works

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Patrice Louinet, Traumas et conflits symboliques dans l’oeuvre de Robert E. Howard (“Traumas and Symbolic Conflicts in the Work of Robert E. Howard”), a PhD thesis in French for the Sorbonne. Successfully defended 22nd November 2019, and now with a new record page online with English abstract…

“This study explores the fiction of Robert E. Howard [and] calls into question what is seen as the purely escapist nature of his tales and challenge the notion that his fiction is representative of the sub-genre he is considered to have initiated. [The thesis presents] the theory that Howard’s fiction is escapist only in the sense that it avoids writing about a traumatic episode dating from the author’s childhood. Focusing at first on apparently inconsequential details such as the characters’ names or the colour of their eyes, the present work identifies the literary traces and manifestations of the trauma we postulate, to reveal an elaborate, if hidden, architecture that informs the entire body of his fiction. This, in turn, offers new perspectives on Howard’s contribution to American fantasy and leads us to conclude that the very form of the genre proceeds from trauma.”

Archaeological Fantasies

07 Saturday Mar 2020

Posted by asdjfdlkf in Historical context, Podcasts etc.

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Was H.P. Lovecraft To Blame for All Things Pseudo-archaeological? The new Archaeological Fantasies, Episode 113 podcast investigates.

Art by Abelov2014.

“The little imp!”

06 Friday Mar 2020

Posted by asdjfdlkf in Historical context

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As the spring arrives I’ve started dipping at random into Lovecraft’s letters to Barlow, O Fortunate Floridian. Immediately one finds important nuggets of fact such as, just ahead of their first meeting in Florida on 2nd May 1934…

I fancy I shall be able to recognise you from the clear-cut snap you sent” (10th April 1934, page 124)

“Snap” being slang for photograph. What does “clear-cut” mean, as an example of the photographic terminology of the period? A “bright and clear-cut picture”, properly exposed and free from damage and obscuring shadows, spots, scratches etc. Sharp and clean, with the subject matter clear. It was probably inherited from the slang of engravers.

This rather deflates the dramatic storyteller’s notion (sometimes encountered or implied in faulty biographies, hazy magazine articles, graphic novels, etc) that Lovecraft was utterly surprised at the boyish appearance of then fifteen year-old “splendid little chap”, when they first met in person after an epic cross-country bus trip. Lovecraft can’t have been that surprised, if he had seen a photo of Barlow beforehand and studied the “clear cut” photograph at leisure and with his excellent magnifiers. Although it is, I suppose, possible that Barlow had artfully framed and lit the photo so as to appear a little older. I’m not sure if we still have the exact photo that was sent, and proof that it is the one? Is it the cover of this new book? If so then it seems clear enough…

The “snap” arrived in Providence mid-October 1933, according to the letters in O Fortunate Floridian.

Also, in a letter of July 1933 he tell Barlow (shortly after a detailed discussion of Madchen in Uniform, of all things), that…

your youthfulness will not count against you [as a prospect for a long-distance face-to-face visit], for I like youth very much even though I have left that condition very far behind. I enjoy seeing a new generation spring up and blossom out…

Here the implication is that Lovecraft knew Barlow was a “youth”, because Barlow had told him. Although it seems that Barlow had not explicitly told Lovecraft his exact age during their initial correspondence, and Lovecraft had not asked. This is evidenced by a later letter to Sully…

As for my host [Lovecraft was then staying at the Barlow residence in Florida] … He always evaded statements regarding his age, but it now turns out that he only turned sixteen last Friday. The little imp!” (Lovecraft to Sully, 26th May 1934).

Thus there was an element of surprise for Lovecraft, most likely as the 18th May 1934 approached and preparations for Barlow’s 16th birthday became evident. But it was most likely not the dramatic “stepping off the bus” moment of shocked realisation, such as we may one day see pictured in the big-screen movie of Lovecraft’s life.

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