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Tentaclii

~ News & scholarship on H.P. Lovecraft

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Author Archives: asdjfdlkf

New Barlow book will be twice the size of the 2002 edition

25 Wednesday Mar 2020

Posted by asdjfdlkf in New books, Podcasts etc., Scholarly works

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S.T. Joshi’s blog has updated. He reports that His Own Most Fantastic Creation (stories featuring Lovecraft) is shipping, and usefully offers the contents-list.

His new blog post also reports that the forthcoming Barlow book will be a “vastly augmented edition” of Eyes of the God (2002)…

has been expanded to more than twice its size, coming to close to 550 pages and including a number of unpublished works of fiction and much other matter, including several essays on Barlow written in the 1950s and 1960s. Expect this volume later this year (I hope)!

The new podcast Wyrd Transmissions has bagged a long talk with S.T. Joshi, for episode #2.

New book: H. P. Lovecraft: El caminante de Providence

25 Wednesday Mar 2020

Posted by asdjfdlkf in New books, Scholarly works

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A new Spanish biography of Lovecraft, by Roberto Garcia-Alvarez, H. P. Lovecraft: El caminante de Providence. The 490-page book has an introduction by S.T. Joshi, and appears to be a substantial update of the 2016 first edition. It was due for release 19th March 2020, but publication has been postponed. The local press in Malaga, Spain, has additional details…

In 2016, the GasMask publishing house in Malaga published what is considered to be the most comprehensive and ambitious biography of this American author, The Walker of Providence, the work of Asturian writer Roberto Garcia-Alvarez. [Now comes] a new, expanded and revised edition of The Walker of Providence, with a foreword by the American writer and critic S.T. Joshi. [However, the book is now] delayed until the arrival [of printed copies] in bookshops is possible.

I’m currently working on the assumption that the end of May should see things starting to return to normal, so hopefully the Spanish won’t have too many weeks to wait.

Journal of Juvenilia Studies

25 Wednesday Mar 2020

Posted by asdjfdlkf in New books, Scholarly works

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An article by Ken Faig Jr. in the latest issue of The Fossil (January 2020) reveals a new journal from the International Society of Literary Juvenilia, the Journal of Juvenilia Studies. I’m pleased to see that the new journal is open-access, and has so far produced three issues and includes book reviews. It’s been added to my JURN search-engine, which enables the discovery of articles in open-access arts & humanities journals.

The journal is devoted to discussion of the works of young writers, and of the juvenilia of famous writers when they were young, rather than literature for ‘juveniles’ (as Lovecraft’s era termed them, though marketeers and librarians would today refer to them as ‘young adults’). This makes the journal relevant to The Fossil and the history of amateur journalism, and also to Lovecraft because so many of the producers of amateur publications were youngsters. The Journal of Juvenilia Studies could thus be the place to land an article on this aspect of Lovecraft’s complex network of postal ‘zines / correspondence / book-borrowing / letters-pages / boy-printers and so on.

As for The Fossil, this also offers a publication opportunity — the editor remarks in the latest issue that he’s keen to see more “articles related to amateur journalism” from new hands.

At the Margins

24 Tuesday Mar 2020

Posted by asdjfdlkf in Odd scratchings

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“At the Margins”, a new essay on the pleasures of adding one’s own marks to a physical book, from the smallest marginalia to full-blown annotating.

Lovecraftian Anime

24 Tuesday Mar 2020

Posted by asdjfdlkf in Lovecraftian arts, New books

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The H.P. Lovecraft Literary Podcast veers off the ancient track and dives into a survey of Japanese animation, in the new “Lovecraftian Anime” episode.

Along similar lines is the new “Reading the Bible with Horror” podcast, interviewing the author of a book-length survey of all the ‘monster horror’ bits of the Bible. The blurb for this also reveals a new project, The Oxford Handbook of Biblical Monsters.

New book: Rattle of Bones

23 Monday Mar 2020

Posted by asdjfdlkf in New books, REH

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I don’t normally feature Kickstarters, but I’ll make an exception for a sumptuous one-volume collection of Robert E. Howard’s horror stories. Rattle of Bones is “already fully funded” at $17k and is now adding the fancy trimmings.

Asenath in Uniform

23 Monday Mar 2020

Posted by asdjfdlkf in New discoveries, Odd scratchings

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I’m now part of the way through reading O Fortunate Floridian, Lovecraft’s letters to Barlow. Only a few surprises so far, but I’m only up to late summer 1933 and they’re just getting warmed up.

One of the surprises was Lovecraft’s seemingly rather extensive cinema-going circa summer 1933, probably triggered by his spending Christmas 1932/33 in New York and seeing a number of the new movies there.

For instance, who knew that aspects of “The Thing on the Doorstep” were inspired by Lovecraft’s viewing at the cinema of the notorious Madchen in Uniform — just a month before the story was written?

The Marvellous A. Merritt

23 Monday Mar 2020

Posted by asdjfdlkf in Historical context

≈ 1 Comment

Who was “The Marvellous A. Merritt”? And why was he quite so popular among the cognoscenti in Lovecraft’s time? Sam Moskovitz investigated in 1960, in a detailed survey and appraisal which found its way into a British magazine…

Lovecraft met the famous author in January 1934 in New York, and proffered a copy of his “The Rats in The Walls” for consideration. In a letter to Barlow of 10th? February 1934, Lovecraft told Barlow he had found Merritt “genial and interesting … sincerely and deeply interested in the weirdness he portrays”. He later wrote to Galpin…

Among other new people I met was the fairly famous fantastic magazine writer A. Merritt, whose “Moon Pool” I have admired ever since its appearance in 1918.” — letter to Galpin, 28th April 1934.

The February letter to Barlow reveals that he had not yet read Merritt’s novel The Metal Monster (first version, 1920), since Lovecraft mentions it and implies he had not yet read it. At that point Barlow was offering to send him either The Metal Monster or the later version The Metal Emperor.

The Metal Monster had been left unread until that time, because Lovecraft had been told in 1920 that it was dull…

… The Metal Monster, which I had never read before because Eddy told me it was dull. The damn’d fool! (nephew — not our late bibliophilick friend [‘Uncle’ Eddy, the Providence bookseller]). Actually, the book contains the most remarkable presentation of the utterly alien and non-human that I have ever seen. I don’t wonder that Merritt calls it his “best and worst” production. The human characters are commonplace and wooden – just pulp hokum – but the scenes and phaenomena… oh, boy!” — letter to Morton, 6th March 1934.

Incidentally, Lovecraft’s mention above of “our late bibliophilick friend” is another confirmation for Uncle Eddy of Providence, and faintly implies Uncle Eddy was not just a sour dealer in but also a lover of books.

Comparing the dating of this and the Barlow letter suggests that Lovecraft probably read the novel around the end of February 1934. Which version did Lovecraft read? He could have been sent the yellowing 1920 magazine pages by Barlow, but there was also a 1927-28 version that might have arrived instead…

“The Metal Monster” was serialized a second time in a Gernsback magazine, Science and Invention, from October 1927 to August 1928. (There were eleven parts in all.) The story was revised somewhat and re-titled “The Metal Emperor.”

This matters because “the first two chapters [are] missing in later prints”. Thus if one doesn’t have the 1920 magazine version, it’s a different beast. A very different beast, since…

“for [1927-28] Science & Invention magazine, Merritt really tore into the body of text, creating an entirely new version … This version focused on the sciency stuff, with Merritt backing-off the purple prose for which he is renowned.”

This strongly suggests that Barlow would have sent Lovecraft the original 1920 version, probably as tear-sheets. Barlow was likely savvy enough about such things to prefer The Metal Monster over The Metal Emperor. [Update: Yes, a 1934 postcard from Lovecraft reveals “The Metal Monster” was sent and read February 1934].

The original 1920 magazines containing “The Metal Monster” are not on Archive.org, but you may be pleased to learn that the original can now be had for $15 from Hippocampus Press.

Later in 1934, an August letter to Barlow reveals that Merritt had been given up as “hopeless”, in terms of a Lovecraft-Merritt correspondence. At the January meeting Lovecraft had given Merritt a copy of his “The Rats in the Walls”, but in August was still waiting for the tale to spark a letter and thus a possible correspondence between the two masters.

Lovecraft and Haggard

22 Sunday Mar 2020

Posted by asdjfdlkf in Historical context, New books, Scholarly works

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The International Walter Pater Society has announced Studies in Walter Pater and Aestheticism No. 4, which was due to be published November 2019…

The issue includes a cluster of articles on ‘Decadence and the Weird’, guest edited by Dustin Friedman and Neil Hultgren. Friedman questions gay identity in Teleny. Hultgren turns to proto-modernist form in Arthur Machen’s prose. Jessica Straley traces the threat and promise of anthropomorphized flora as depicted in Algernon Blackwood’s stories. Molly Youngkin argues that the women populating Rider Haggard’s tales inspired the later weird fiction of H. P. Lovecraft.

On Haggard, Lovecraft did at least try to dip into the famous author but may have succeeded only in reading She. He wrote to Kleiner in early February 1920 that…

Cook has also been kind, outlining a reading course in Haggard. I shall not tackle the gentleman in question till I am through with Algernon Blackwood, whose rather mediocre fantasies I am absorbing one after another. When I do read She, I will report my critical impressions in detail.

However, it appears he did not go on to assemble and then peruse Cook’s course. Since Joshi notes that Haggard’s most famous work was left unread for many years…

HPL did not read the novel [She] until 1926, and obtained his personal copy of the book still later.

Specifically he had to read She, probably at some speed and along with many others, to prepare his Supernatural Literature survey essay. A letter to Derleth, 31st October 1926, further illuminates…

I’ve recently begun reading the work of Sir H. Rider Haggard for the first time. ‘She’ is very good, & if the others are at all commensurate, I have quite a treat ahead”.

Yet, with the resources available to me, I can find no evidence that he read anything of Haggard other than She. Certainly Joshi’s Lovecraft’s Library lists only She, thus I assume there is no other evidence of Haggard to be found anywhere else in Lovecraft’s letters. If Lovecraft had read some of Haggard’s other books, one would have thought he would have mentioned them to at least one correspondent.

But if he did read some after She, what might they have been?

Obvious candidates are the She sequel Ayesha, the Return of She; and the well-known adventure King Solomon’s Mines and its sequel Allan Quatermain. The vivid Ancient Egyptian settings of Morning Star and (in part) The Wanderer’s Necklace might have appealed, and their publication dates would have put them on Cook’s 1920 “reading course”. The other possibility that Cook would surely have noted is Doctor Therne (1898), a ‘tormented scientist’ confessional about a plague that sweeps England. It might have been hard to obtain by circa 1926, but Cook was reputed to have a vast library until 1930 and would probably have lent it. It may interest some to know that Therne is told from Dunchester, a name which evokes the similar-sounding Dunwich.

In The Mouth of Madness

21 Saturday Mar 2020

Posted by asdjfdlkf in New books, Scholarly works

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Dark Arts reviews Devil’s Advocates: In The Mouth of Madness (2018), a 124-page film studies monograph. The book focuses on Lovecraft’s influence on movie-maker John Carpenter, and specifically his under-studied In The Mouth of Madness (1995). The book’s author, the reviewer finds…

… suggests that In the Mouth of Madness is a critical reading of the way in which audiences of horror often treat the genre with the same ardor as followers of religion do. While the religious discussion in the book was fantastic, I thought it was a shame to have not linked it with Lovecraft’s Cthulhu Mythos, especially in relation to the dream-like sequences of the film. Nevertheless, the religious argument was highly compelling.

Call for papers: The Worlds of Giger

20 Friday Mar 2020

Posted by asdjfdlkf in Scholarly works

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Call for papers: The Worlds of Giger: between literature and the arts. Deadline: 26th April 2020, for a (hopefully) post-virus conference in France on 25th-27th November 2020. It appears it won’t be wall-to-wall Alien…

Hans Ruedi Giger (1940-2014) is undoubtedly one of the most famous Swiss artists … But there is a pre-Alien Giger as well. His work includes paintings, drawings, sculptures, designed objects, and comics [and in such work he] often paid homage to one of the masters of the genre, H.P. Lovecraft. It is the first time an international conference has been devoted to him…

Blank card

19 Thursday Mar 2020

Posted by asdjfdlkf in Odd scratchings

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A nice blank that, printed at 5 inches or so on off-white cardstock, might be of use to RPG gamers as a prop. I’ve up-scaled it to 300dpi…

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