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Author Archives: asdjfdlkf

“Deluge” movie fully restored – now streaming

19 Sunday Apr 2020

Posted by asdjfdlkf in Films & trailers, Historical context

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Further to my recently look at S. Fowler Wright and his biography and influence on Lovecraft, I’m pleased to see a post today lauding the restored 1933 movie of Fowler Wright’s science-fiction disaster classic Deluge (1927). It’s now available to stream…

Once a lost film and for decades only available in an Italian language print with English subtitles, it was recently restored from a newly-discovered 35mm nitrate negative with the English language soundtrack by Serge Bromberg’s Paris-based Lobster Films. Kino Repertory picked up the film for a limited theatrical re-release in the U.S. and now Kino Lorber Studio Classics presents the stateside disc debut of the Lobster restoration. It looks very good for its age, especially considering the original elements suffered partial decomposition. Digital tools have restored much of the image and the sharpness and the soundtrack is even more impressive, with a clarity not often heard in orphaned films of this vintage and a dynamic range to the musical score. The Blu-ray and DVD Kino Lorber release also features new audio commentary by film historian Richard Harland Smith and a bonus feature: the 1934 B-movie Back Page, a newspaper drama starring Peggy Shannon.

Apparently the movie’s distributor went bankrupt shortly after it was released in 1933, and then the movie was abruptly pulled from cinemas and cannibalised — the spectacular and costly special-effects scenes were extracted and crafted into new “Destruction of New York!” shorts that could generate long-term profits for creditors. This catastrophe scuppered any hope of a Hollywood script-writing career for S. Fowler Wright, and he returned to England.

Did Lovecraft see it? Well, after a long hiatus Lovecraft had returned to movie-going circa the winter of 1932-33, as the quality of movies rapidly improved. He was later wowed by the historical time-travel drama Berkeley Square in 1933 for instance. It’s thus quite possible that the prospect of seeing the ‘pest zone’ of New York entirely destroyed and swept away would have enticed him to a 1933 viewing of Deluge (the movie’s makers had swopped out the English Cotswolds for New York).

Though the Barlow letters suggest that Lovecraft was often tardy in such things, waiting until the very end of a film’s local run before visiting the cinema. Presumably there was less of a noisy distracting crowd in the cinema during the last few days of screening, and that was the way he liked it. Perhaps the tickets were also cheaper at such times. Such tardiness may well have meant he missed Deluge, it being abruptly pulled from release before he could see it. I know of no evidence that he managed to catch the movie before it was pulled.

He somewhat sporadically continued to attend cinema shows, for instance adoring the 18th century British Empire romance-adventure Clive of India (1935) showing the founding of the British Empire in India. This he held up to Barlow, alongside Berkeley Square, as a movie that had given him a ‘real kick’. In such continued cinema-going it’s not impossible he may have, at some point in 1934-36, seen and enjoyed one of the “Destruction of New York!” shorts that Deluge became.

New book: Aliens, Robots & Virtual Reality Idols in the Science Fiction of H.P. Lovecraft, Isaac Asimov and William Gibson

18 Saturday Apr 2020

Posted by asdjfdlkf in New books, Scholarly works

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A new book, due later in 2020…

My new book: Aliens, Robots & Virtual Reality Idols in the Science Fiction of H.P. Lovecraft, Isaac Asimov and William Gibson is due to be published on October 30th of this year”

The core idea seems to be that some of us enjoy imagining extreme aliens/robots, encountered under extreme conditions. Such ideas then both threaten and reinforce the reader’s ideas about ‘what it is to be human’. One can certainly see how such repeated literary lessons might have been useful for a certain kind of young nerd in the 1930s-80s.

Brawn n’ spawn

17 Friday Apr 2020

Posted by asdjfdlkf in Lovecraftian arts

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Dark Worlds Quarterly riffles through the old comics boxes and whisks out… Swords vs. Tentacles, being a large gallery of tentacles on the covers of various sword-and-sorcery comics.

Gil Kane, cover for Kull #21, summer 1977. Sadly he didn’t also do the interior story.

Providence Police Station

17 Friday Apr 2020

Posted by asdjfdlkf in Picture postals

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More possibly-useful photo-reference for Lovecraftian graphic novels set in Providence. The Providence Police Station, of which I’ve never seen a postcard before.

I have several times been in a police station — usually to inquire about stolen property, & once to see the Chief of Police about the banning of a client’s magazine from the stands — but never in the part devoted to cells.” — Lovecraft to J. Vernon Shea, 29th May 1933.

In both these instances this was in New York. He had had all his suits and Loveman’s radio stolen by youths, while living at a squalid rooming house in Red Hook. The magazine was the ‘banned in Indiana’ issue of Weird Tales.

If he ever had cause to step inside Providence Police Station appears to be unknown. The stern frontage and lingering litter/trash does not make it look like the sort of place that would encourage a 14 year old Lovecraft to venture in during Winter 1904/5, to enquire about his lost cat Trigger-ban — though a graphic novel of his life might plausibly include such a scene — the staunch young Lovecraft weaving through the drunks and leering ner-do-wells to enquire about his beloved feline. Nevertheless, the Police Station was no doubt part of his mental geography of his city, both topographically and via the drip-feed of police news headlines he glanced at daily in the local newspaper. He did not actually read the ‘Police News’ pages, as he told his friend Moe in a letter of 1923, but one imagines some of the more front-page headlines of crime were unavoidable.

Lone Star Fictioneer #1 and 4

16 Thursday Apr 2020

Posted by asdjfdlkf in Odd scratchings, REH

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Here’s a good look at a fine Solomon Kane cover by Steve Fabian, for the launch of Lone Star Fictioneer #1. This is the apparently-rare 1975 first-issue of the R.E. Howard fanzine produced by Byron L. Roak. Contents list.

Search suggests that the ‘zine is not on Archive.org or the usual fanzine archives, but issue #4 is online at Georgia Tech as a student digitisation and Omeka familiarisation project.

R.E. Howard and Amir Timur

15 Wednesday Apr 2020

Posted by asdjfdlkf in REH, Scholarly works

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New on Cyberlenika, the main Russian open scholarly repository, a short paper which examines…

the image of [Amir] Timur the Great [aka Tamerlane] and description of his epoch in the story Lord of Samarcand by well-known American writer Robert E. Howard.

The paper is in reasonable English and is under Creative Commons Attribution, and thus an English-language journal might be interested in publishing a re-formatted and expanded version. One imagines that public-domain maps and illustrations could be found to illustrate it, along with relevant sections from the letters and the Weird Tales sister title Magic Carpet.

The Early Wells – in Kindle

15 Wednesday Apr 2020

Posted by asdjfdlkf in Odd scratchings

≈ 1 Comment

Back in 2012 I created a handy bundle of ebooks for the classic early science fiction and fantastic fiction of H.G. Wells.

This was hosted as a .ZIP on one of my now-lapsed domains, and as such hasn’t been available for a few years now. So I’ve dug it out and uploaded it to archive.org in perpetuity. This .ZIP file contains the following ebooks…

The early science fiction novels:

The Time Machine (1895)
The Island of Doctor Moreau (1896)
The Invisible Man (1897)
The War of the Worlds (1898)
When the Sleeper Wakes (1899)
The First Men in the Moon (1901)
The Food of the Gods and How It Came to Earth (1904)
In the Days of the Comet (1906)
The War in the Air (1908)
The Sleeper Awakes (Wells’s 1910 revision of When the Sleeper Wakes, the first being said to be the best)

Short story collection:

The Country of the Blind and Other Stories. (You only really need this one collection. Wells wrote that this particular story collection covers: “all the short stories by me that I care for any one to read again”. The stories the collection contains were all written between 1894 and 1910.)

Download.

These Kindle versions were checked and viewed and found to be good texts and free of errors. Just unzip and copy the .MOBI files to your Kindle. These works are in the public domain, and were gleaned, downloaded and repackaged for your convenience from open sources.

They won’t be a swishy as the Penguin Classics or other editions, but they’re free and they may save you an hour of hunting and confusion on the Web. It can be especially difficult to find such things by search, as there’s a lot of crapware when it comes to public domain books. That goes for Amazon too, where you’re highly likely to be mis-directed multiple times in such a search.

Also, one might usefully pair these with the early journalistic ‘science writing’ the young Wells was publishing in newspapers and small journals at this time. For which see the book H. G. Wells: Early Writings in Science and Science Fiction (University of California Press), also freely available at Archive.org in Kindle .MOBI format.

Kittee Tuesday: Hannes Bok

14 Tuesday Apr 2020

Posted by asdjfdlkf in Kittee Tuesday

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Another return, possibly only temporary, for this blog’s ‘Kittee Tuesday’ feature. A Hannes Bok cat cover for Fantasy Fiction #1, 1953.

There’s no satisfactory scan online, re: the balance of colour and contrast. A version in blues, perhaps a re-creation, sold at auction in 2019…

Fowler Wright as an inspiration for “Shadow Out of Time”

13 Monday Apr 2020

Posted by asdjfdlkf in Historical context, New discoveries

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WARNING: CONTAINS SPOILERS

Well, I’ve finished the classic S. Fowler Wright book The Amphibians / The World Below in its Galaxy Novel form.

I first wondered if Tolkien had read it, as there are a couple of similarities with The Lord of the Rings…

1) The vivid opening action recalls what happens the instant Galdalf steps onto the threshold of Moria. It has some resemblance to The Amphibians, when a slight step off the path triggers a ferocious tentacle attack…

her left foot pressed for a second on the purple soil beyond. As it did so, with the speed of light itself, the nearest of the bright-green globes shot open in a score of writhing tentacles, of which one caught the slipping foot

The similar scene from The Lord of the Rings…

He strode forward and set his foot on the lowest step. But at that moment several things happened. Frodo felt something seize him by the ankle, and he fell with a cry. … the waters of the lake seething, as if a host of snakes were swimming up from the southern end. Out from the water a long sinuous tentacle had crawled; it was pale-green and luminous and wet. Its fingered end had hold of Frodo’s foot and was dragging him into the water. Sam on his knees was now slashing at it with a knife. The arm let go of Frodo, and Sam pulled him away, crying out for help. Twenty others arms came rippling out. The dark water boiled, and there was a hideous stench.

2) There are some passages that remind me of the entrance and walk into Lorien in The Lord of the Rings. A peaceful wood of yellow but-vitally living leaves, the troop of elf-warriors heading out to deal with the orcs, the freeing of the Fellowship from worry or grief…

I could not say if the others slept, for I knew nothing more till I woke bewildered in a dim golden light, with my comrade of the night touching my hand to rouse me. The rest of the troop had begun to move forward already.

I was sunk deeply in the soft moss, which was of a very close texture, and of so dark a green as to look black in the shadow. The branches overhead spread low and wide, as do those of a beech. The leaves also were beech-like, but of a golden yellow. Not the yellow of Autumn, but one of an abundant vitality. I noticed the fragrance which had soothed my exhaustion when we entered. It gave me now a sense of contentment and physical well-being such as I had never experienced.

Indeed, there seemed to me a general kinship between Wright’s Amphibians and Tolkien’s elves, in terms of i) their tall superhuman movement, sight and agility; ii) their method of ‘waking sleeping’; iii) various aspects of their ‘strangeness’; and iv) the ability of some of their kind to perceive the minds of others. The Amphibians are also sea-dwellers and thus, in their venture onto land, have a “sea-longing” akin to Tolkien’s elves. If in circa 1930 Tolkien had been looking for a way to get his elves out of diminutive Edwardian fairyland, he would have found here several possibilities.


I also spotted a rather firmer and more likely inspiration, but this time for H.P. Lovecraft, re: his “The Shadow Out of Time” (written Nov 1934 – Feb 1935). In the first book Wright offers…

In the interior where they live, the Dwellers have captive specimens of the inhabitants of many bygone ages. These they keep under such conditions as approximate to those from which they come, so that they may study their habits and acquire their knowledge, if they should have any which may be worth recording.

The similarity with the modus operandi of The Great Race in “The Shadow Out of Time” is quite obvious.

The dating also fits. A letter shows that Lovecraft had The World Below as a Christmastime gift in December 1932 or January 1933 (I allow for the vagaries of the mail at such a busy time), and presumably he then found time to read it sometime in 1933 or even into 1934. Which would mean he read the book before he wrote “The Shadow Out of Time”.

Update: Derleth letters. Lovecraft writing to Derleth in January 1933, gave brief critical comments suggesting he had read the book over the 1932/33 winter.

Wright’s initial idea about ‘captive minds from many bygone ages’ is only very loosely developed in the second book, The World Below. Firstly there is some cursory introduction of ‘display windows’ showing cinema-like fragments of time (a dinosaur-era pool, a calm ice-age scene, a giant-bird hunting scene possibly from an intermediate future). These are seen as the hero passes through The World Below, being displayed on tunnel walls by some undetermined method of the Dwellers. But they reveal little and are concluded to be akin to decorative wall-hangings for solemn contemplation by the morose Dwellers. The first book’s idea of there being many captive minds from many ages is only alluded to at the end of the second book, when the hero learns of a method of sanctuary from the Dwellers, in one of the library-temples…

if you can then make your way to the Place of the Seekers of Wisdom, you will be in a sanctuary from which none will seek to remove you. They will question you of the life you left, and so long as you can tell them of new things they will be very sure to keep you in safety.

The hero goes there, but the ending of the second and final book is very cursory and must have been frustrating for Lovecraft…

I was with the Seekers of Wisdom many months, till the year was completed. During that time I was examined incessantly on every detail of the civilisation from which I came. … But to write of these in detail would be to begin a book when it is time for the ending.

We learn nothing of the Seekers, their temple-like Place, and there is no mention of the other minds from other times that (if the retentive reader remembers a brief aside given in the first book) must also be held there.

There are a few other similarities, beyond the obvious time travel (here going forward, rather than back). Such as the weirdly verdant setting, the vast library, and the wider scenario re: a millennia-past global conflict and its apparently fragile and fearful resolution — which is breached while the time-travelling hero is there, when the feared monsters attack again…

they [the Dwellers, the dominant race] passed through a period of warfare with the inhuman population of other portions of the earth’s surface, in the course of which many of them were destroyed, and which remained as a continuing menace when the actual conflict ceased.

Their enemy takes the form of huge…

… monstrous insects flying low over the water. As it neared the conflict, its head drew back into a neck-like collar, which shone with a metallic lustre, similar to that of the wing-sheathes. The front pair of sheathes lifted and adjusted their positions, till they formed a vertical shield to the advancing monster.

These are battled with what are in effect giant blue laser-beams, which once fired, form into living “wil o’ the wisps” that act like a wolf-pack. Again, one thinks of “The Shadow Out of Time”, in which the Great Race greatly fears the resumption of a war by…

a final successful irruption of the Elder Beings. Mental projections down the ages had clearly foretold such a horror, and the Great Race had resolved that none who could escape should face it. … the Great Race maintained its cautious vigilance, with potent weapons ceaselessly ready despite the horrified banishing of the subject from common speech and visible records.” Their weapons being… “camera-like weapons which produced tremendous electrical effects”

And then there are Lovecraft’s own beetles…

After man there would be the mighty beetle civilisation, the bodies of whose members the cream of the Great Race would seize when the monstrous doom overtook the elder world.

Gou Tanabe’s “Innsmouth” begins publishing in May 2020

13 Monday Apr 2020

Posted by asdjfdlkf in Lovecraftian arts, New books

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That cult manga graphic novelist Gou Tanabe was adapting “The Shadow Over Innsmouth” has been known for some time now. He’s already done The Hound and Other Stories, and At The Mountains of Madness, and others, to much acclaim from manga readers. Now it’s been announced via some English manga blogs that his “Innsmouth” adaptation will debut in Japanese in the Japanese-language Comic Beam (link may not be ‘Safe for Work’ in western countries) in May, and conclude in November 2020. I can find no formal announcement / previews on the magazine’s site, but among the magazine’s ‘kawaii’ and ‘suggestive schoolgirl’ covers, there are occasional Lovecraft covers such as this “Shadow Out of Time” cover from May 2018…

His “Time” completed in Japanese serial form in November 2018, and was then published in two volumes in 2019. It is available in French as Dans L’abime du Temps, but I don’t yet see it in an official English version.

Etidorhpa

13 Monday Apr 2020

Posted by asdjfdlkf in Historical context

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Public domain illustrations from the novel Etidorhpa (1895)…

Lovecraft and his circle knew it… “that strange old novel “Etidorhpa” once pass’d around our Kleicomolo circle and perus’d with such varying reactions”.

The Drafts from Beyond

12 Sunday Apr 2020

Posted by asdjfdlkf in New books

≈ 1 Comment

A forthcoming book from the REH Foundation…

Collected here for the first time are three surviving drafts of Howard’s section of the story [the round-robin “The Challenge from Beyond”, with Lovecraft as one participant], all from Howard’s typescripts, and the final version, as published in Fantasy Magazine for September 1935. Taken together, these drafts reveal a writer who isn’t just pounding out a few pages for a fan publication, but one who is painstaking in his decisions and interested in presenting his own worldview, even in just a little more than three pages. Coming soon — with cover art by Tim Truman!

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