Early 1920s issues from the Scientific American 1845-2016 microfilm run are now starting to appear on Archive.org.

11 Monday Oct 2021
Posted in Historical context
Early 1920s issues from the Scientific American 1845-2016 microfilm run are now starting to appear on Archive.org.

10 Sunday Oct 2021
Posted in New books
The 1920 novel A Voyage to Arcturus is set to be an “illuminated edition” from cartoonist Jim Woodring, due for publication as a $100 slipcover edition in Spring 2022. Introduction by Alan Moore.

10 Sunday Oct 2021
Posted in Odd scratchings
Michel Houellebecq’s early Lovecraft essay is now available in translation in Argentina, and this triggers a local newspaper to note that a copy of the Necronomicon once resided at the University of Buenos Aires, and that the nation’s favourite son Jorge Luis Borges was influenced by Lovecraft. The translation gets colloquially fuzzy from that point on, but seems to imply that Borges once faked and placed a library card for the Necronomicon in the national library card catalogue (libraries used to be indexed with long wooden boxes of paper-cards, kids). What follows then appears to be an amusingly scattergun Borgesian attempt to link Lovecraft with the apparently well-known local pop-singer Gustavo Cerati, so perhaps the article is not quite to be taken at face value.
09 Saturday Oct 2021
Posted in Lovecraftian arts, New books
Gary Gianni’s illustrated “The Call of Cthulhu” book is shipping. 112 pages with 100+ pencil drawings plus colour inserts. Designed with Marcelo Anciano, it apparently seeks to…
push the boundaries of illustrated books and explore graphic storytelling.
Direct from the publisher Flesk seems the best way to get one before they sell out the print-run.
08 Friday Oct 2021
Posted in Historical context, Picture postals
This week, one of Lovecraft’s favourite places, or rather the back of it. It was one of the last places he visited in his final summer.



Text of post lost, due to the WordPress swop-over.
07 Thursday Oct 2021
Posted in Podcasts etc., Scholarly works
The Save Ancient Studies Association will be hosting a discussion with a leading Lovecraft scholar S.T. Joshi, who will explore how the ancient world inspired the work of horror author H.P. Lovecraft.” 30th October 2021.
Sounds good. Hopefully they’ll post a recording on their YouTube channel.
Also, Save Ancient Studies seems a very worthy cause, and worth supporting and promoting if it’s within your orbit.
07 Thursday Oct 2021
Posted in New books, Scholarly works
Miskatonic Missives, a spin-out paper publication from the Voluminous podcast…
each issue of Miskatonic Missives serves as an ideal companion guide for exploring one of H.P. Lovecraft’s most fascinating letters. Every issue includes a reproduction of the full text of the letter in question, supported by a variety of relevant reference material, including contemporary and modern fiction, academic writing, poetry, and artwork.

Hmmm, “contemporary and modern fiction”? I presume that must be new unpublished work then?
06 Wednesday Oct 2021
Posted in Scholarly works
Great news, I see that the second edition of the Lovecraft autobiography Lord of a Visible World can now be had from Amazon as a £5 ebook. The “Look Inside” preview re-assures that it is the real thing (rather than some Amazon database snaffle), albeit shorn of the nice Ohio University Press design/formatting of the first-edition hardback.
05 Tuesday Oct 2021
Posted in Lovecraftian arts
Inktober 2021 is here. I’d completely forgotten about it, what with the global Internet melting into a puddle from 1st October onward (better now, including a vital local SSL root certificate Windows/Opera fix, here at Tentaclii).

Obviously potential for Lovecraftian doodling and dwiddling. It’s often assumed that some hand-ground oak-gall inks and hand-plucked swan-quills are required for Inktober, but there’s no reason you can’t join in with more affordable digital tools.
05 Tuesday Oct 2021
Posted in Scholarly works
The Finnish journal Research in Arts and Education plans a special issue on ‘Fungi in Contemporary Art and Research’…
articles or visual essays dealing with artistic research, art practice or theoretical and critical viewpoints on contemporary art with plants, lichen, bryophytes, and fungi.
Sadly the deadline has gone, but the issue is set to appear in February 2022. The journal appears to be open access.

A creepy future eco-‘shroom building.
04 Monday Oct 2021
Posted in Historical context
The Voluminous podcast returns with “The Wind That Is in the Grass”, at 90 minutes. In which Lovecraft prepares for his epic bus journey down to Florida, to meet the fifteen year-old Robert H. Barlow for the first time. Lovecraft…
offers travel tips, thoughts on mental health, and a robust breakdown of the latest issue of Weird Tales in preparation for his trip to visit his young friend.

Judging by postcards, the commercial and traffic centre and the first view that travellers would have encountered on stepping down from the bus. Note the end of a long bus seen parked on the left, seeming to indicate a bus terminus. The picture looks like the mid/late 1930s and near enough in time to the 2nd May 1934 point when Barlow and Lovecraft first met. Lovecraft calls the place “De Land” in letters, but the 1920s newspaper title DeLand Sun News suggests it was DeLand locally. Here the picture is newly and imperfectly colourised, due to laying an older colorised postcard over the 1930s b&w, and blending for colour.
Here is the view looking in the other direction (note the same Drugs and Coca-Cola sign) in the 1940s, and the large clock again suggests a terminus.
*
03 Sunday Oct 2021
Posted in Housekeeping
September proved to be a moist month here in the English Midlands. A grey mantle of rain often covered even the top-most turrets of Tentaclii Towers, and down below the rain encouraged unctuous fungi to coil above the dewy lawns. But for now the sun shines, picking out treetops of fallow gold among the still-green swathes of surrounding woodland. Faintly from beyond these woods one sometimes hears the grumbling of peasants, as they queue for their meagre doles of donkey-fuel. Thankfully the Towers needs no donkeys and the great estate is, of course, powered purely by cosmic rays and shoe-leather.
This month the Tentaclii ‘Picture Postals’ posts sat with Lovecraft on the shore at Sakonnet, waited for the night bus in Providence, journeyed to Cykranosh (Saturn) with Barlow, squinted through the keyhole-of-time at his friend Everett McNeil, and dug out the forgotten location of Dana’s Bookshop in Providence. The latter being the last resting place of the remains of Lovecraft’s library, until it burned. I suspect Cthulhu cultists.
The original handwritten “Pickman’s Model” is up for auction with Heritage Auctions. It currently has about 11 days to before the hammer, and is at $6,000. But will surely go much higher. I’d expect that you’ll need to cash in at last three Bitcoin to be in with a chance of carrying it off.
The Lovecraft Annual 2021 appears to be emerging now from the cargo-hold of its Atlantic tramp-steamer, or is just about to (Amazon UK seems uncertain on that point). It is mooted be an excellent issue. Joshi’s new Penumbra mega-journal has now reached No. 2, and has at least five articles that may interest Lovecraftians. The R.E. Howard journal The Dark Man is also now available for summer 2021 and has several items of interest. It seems worth obtaining, at just £5 in paper.
S.T. Joshi announced the imminent arrival of his insider-history book The Recognition of H.P. Lovecraft. The Lovecraft/Long travel book collaboration for Long’s aunt, Old World Footprints, is now available as an affordable ebook. It appears that the Italians have released Io Sono Providence, vol. 3, this being their final volume of the eminent Lovecraft biography I Am Providence in translation. The French can look forward to their Lovecraftian ‘Campus Miskatonic’ event later in October. The Germans bagged the second volume of Klinger’s annotated Lovecraft in translation.
I found several scholarly journals new to me, the Journal of Science Fiction and Philosophy; Volupte: Interdisciplinary Journal Of Decadence Studies; and Iris, a long-running French journal “to promote and to disseminate research in the field of myths, images, symbols and cultural history”. New scholarly-popular books were spotted, on Poe and Science, and 18th century hoaxes — both relevant to Lovecraft. A call-for-papers was spotted from the Taiwan’s Wenshan Review of Literature and Culture (special issue on the Asian Gothic, some of which Lovecraft has influenced). Several museum exhibitions were noted, including major shows for the macabre dream-artist Redon and Sir Walter Scott (a minor influence on Lovecraft, though at a formative time).
New fan journals noted here included the newly magazine-ized Cthulhu Libria #2 (German, Lovecraft and railways theme), the slick oversized SICK #5 (English, Lovecraft special ‘designer arts’ issue), Bare.Bones #7 (English, leads with a Lovecraft in the movies essay), and Providence Tales No. 8 (Italian, a Mearle Prout special). In old journals arriving on Archive.org I spotted the substantial biographical article “Hannes Bok: Artist and Man”.
In audio, Libribox released a three-part “An appreciation of Poe” reading, giving a useful pre-PC appraisal of one of Lovecraft’s key influences; the Italian podcast Voice of Arda completed an epic 12-part Tolkien and Lovecraft comparison series of short podcasts; Morgoth’s Review had a pithy podcast lecture on “Lovecraft, Nyarlathotep And Our Changing World”; and the prolific Horrorbabble read “The Space-Eaters” by Frank Belknap Long. I wondered if the 1928 cartoon header for this story was the first public ‘cartoonizing’ of Lovecraft as a character.
In Lovecraftian arts I spotted Providence Blue, a major new novel featuring Lovecraft (and possibly Wilum Pugmire) as a character and written from a Catholic perspective; I found a major new Lovecraft graphic novel of Dream-Quest, H.P. Lovecraft: Kadath (in Spanish); the fine stop-motion “Report From the Ghooric Zone” animation had an extensive ‘making of’ post; Junji Ito has a new and ambitious Lovecraftian 240-page graphic novel called Sensor; and manga master Gou Tanabe announced and dated his forthcoming adaptation of Lovecraft’s “The Dunwich Horror”.
I posted another ‘New on DeviantArt’ survey, and found a fine new 3D rigged Cthulhu on ArtStation Marketplace. I dug out and looked back at the covers for Kaja Saudek’s Lovecraft editions and for various editions of Bilal’s early semi-Lovecraftian Le Bol Maudit. I discovered a lengthy ‘Timeline of Botanical Fictions’, mostly weird or science-fiction and also encompassing fungi and spores.
I completed my series of posts on ‘Notes on Letters to Family’. I pondered the best season for pavement pounding walking in what remains of Lovecraft’s Providence. I gave readers some advice on translation add-ons and bulk PDF download from Archive.org. Not yet mentioned on the blog, this month I was pleased to discover the old abandonware Digital Film Tools Rays 2.1.2.2 plugin for Photoshop, that being the last version. Their DFT 55mm I know well, but I had no idea their old Rays plugin was so powerful. Definitely one for spooking up your Halloween pictures, if you can get hold of it. Though I daresay there’s now some phone-app that can do something similar.
And finally, the next issue of the free Digital Art Live magazine will be a bumper Halloween issue themed “The Gothic”, and is currently in progress. This is, I think, the first time we’ve strayed into the macabre for a full issue.
That’s it for September. What with a hard winter in the offing, I’m holding fire on book purchases at present. But having a few more generous Patreon patrons could encourage me to spring for selected bargains. Even a dollar or two extra per month is an encouragement. One-off PayPal donations are also very welcome — you can always find the PayPal button on the sidebar of this blog. Many thanks.