Monthly Archives: September 2024

HPLinks #7 – Esquire, Bok, the voice of CAS, dogs and cats, Shadow Out of Time movie, and more

30 Monday Sep 2024

Posted by in HPLinks, Lovecraftian arts

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HPLinks #7.

* With thanks to ‘Eastman’, fresh scans of “Lovecraft cultist” by J.C. Henneberger as published in Esquire magazine, March 1946. Also “The Ten-cent Ivory Tower” by John Wilstach in Esquire magazine, in the Christmas issue dated January 1946 (with a continuation on page 160). And an author’s rebuttal in Esquire, June 1946. I commented at length on these back in 2020, though the post’s images were later lost in the site-move.

* New from the HPLHS store, the book Night-Black Deeds, being an “enriched” edition of Lovecraft’s “The Shunned House”.

* A new Hannes Bok LORA, being an illustration-style add-on for Flux. Flux is the latest ‘hot thing’ in AI image-generators, and more stable than the wayward Stable Diffusion.

* Deep Cuts takes a lengthy look into Lovecraft collaborator Hazel Heald’s Letters To August Derleth.

* Insolita: Revista Brasileira de Estudos Interdisciplinares do Insolito, da Fantasia e do Imaginario (‘Insolita: Brazilian Journal of Studies of the Unusual, Fantastic and Imaginary’). In open-access, with seven issues all in Portuguese. Very much focused on horror and the weird, and with a strong tilt toward screen culture. Articles have included ‘Cyclopean Games: the Lovecraftian heritage in games’, and the latest issue has an article on the film adaptation of “The Colour Out of Space”.

* New on YouTube, Clark Ashton Smith Reads a Letter to H.P. Lovecraft (1930). Genuine letter? Who knows, but the voice is well done. I assume AI-generated + some kind of ‘olde time radio’ audio filters, but perhaps not.

* New from Psilowave Records, a 70-piece, 8-figure, “Colour out of Space” custom 8-inch figure set. Ordering now.

* 2024 illustrations and storyboarding roughs for the Lovecraft story “Cats of Ulthar”. By a student at the Academy of Applied Arts, University of Rijeka, Hungary. Also a short account of his making of an illustrated book. Freely available online, though not free to re-use.

* Another interactive game which adapts Lovecraft’s “Dagon” is due for release on 10th October 2024. Announcement Trailer on YouTube.

* A new free audiobook on LibriVox, an A-Z Bibliography of the Science-Fantasy Novel (1953). The focus of the tome was on American books, and each entry included a plot digest. On pursuing it on Archive.org one finds a whole lot of best-forgotten 1920s and 30s novels of lost races and ‘princesses in need of rescue’, but also some works that may interest. This is the format used for entries…

As you can see… plot spoilers.

* Horror comics have risen from the dead. The latest Comics Experience podcast peers nervously through the cemetery gates.

* Slightly misleading… the official George Kuchar (1942-2011) bibliography lists “Graphic Classics: H.P. Lovecraft, Vol. 4, Eureka Productions, 2002. (2nd edition includes Kuchar’s bio of H.P. Lovecraft, originally published in Arcade in 1975, [and this 2nd edition was dated] 2007)”. But I see that the 2002 edition also had a reprint of the tendentious 1970s ‘underground comix’ bio-strip.

* A U.S. legal case has reportedly led to the… “U.S. Patent and Trademark Office cancelling Marvel and DC Comics’ joint trademark for the word ‘Super Hero'”. Superhero, super-hero, and variants were also covered, until now. Creators and publishers are now free to trade using the word(s) in the U.S. Springing to mind… “HPL: Supine-hero!”.

* The International Documentary Association has a review of the acclaimed art-house ‘Lovecraft meets Pessoa’ movie Telepathic Letters, reviewed by a fellow film-maker… “In the film, Lovecraft says, ‘The universe may be a dream, but it cannot be considered a human dream'”.

* The IMDb is listing The Shadow Out of Time (2025), a $500k low-budget movie from Weird Howard Films. Due for release October 2025.

* At the Philippe Labaune Gallery in New York City, “Hell, Ink & Water: The Art Of Mike Mignola”. From 19th September – 26th October 2024. The gallery has an online one-page version of the ‘for sale’ items in the show, though it takes a while to load.

* At the Heath Robinson Museum on the western outskirts of London (UK), the large exhibition “The Art of Sidney H. Sime, Master of Fantasy”. From 28th September – 5th January 2025.

* And finally, I’ve ordered the volume of Lovecraft’s letters to Toldridge, which should arrive before mid October. I’ll hope to post some notes on these letters by late October and then into November. These letters are more cheery, by all accounts, than the Sully letters — and thus not such a show-stopper as those were.

HPLinks #6 – LitFest, Dongbei, MythCon, and a mysteriously foxy map in HPL’s own hand

23 Monday Sep 2024

Posted by in HPLinks, Lovecraftian arts, Scholarly works

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Welcome to HPLinks #6.

* A short Q&A interview with the Innsmouth Literary Festival organisers. The event happens here in the UK on 28th September 2024, and will bring together Mythos writers, publishers, editors and collectors of weird fiction.

* Daily Spanish newspaper El Pais this week has a new feature article on “Dias felices e impios en el club de lectura Lovecraft” (‘Happy, Ungodly Days at the Lovecraft Book Club’) ($ paywall, in Spanish). The Club being a group of fans who apparently strike the journalist as unusually cheerful for Lovecraftians.

* According to Amazon UK, Francois Baranger’s oversized L’Ombre sur Innsmouth illustre releases in French in mid October 2024, not 2025 as was mooted earlier in the year.

The French Druillet – Lovecraft artbook and the English edition of Tanabe’s Cthulhu manga are expected about the same time.

* A recent long podcast on “Modern Religion and H.P. Lovecraft”, with Christopher Ruocchio and Austin Freeman. Freeman is the editor of the excellent recent book on Lovecraft and aspects of theology and the Bible.

* From Brazil in open-access, the new article “Lovecraft e a logica dos transitos culturais” (‘Lovecraft and the logic of cultural transits’). Examines his transits into and consequent… “massive penetration [into the culture, and how this disturbs] “classic dichotomies and dominant philosophical and aesthetic perspectives”.

* A new bibliography of Lovecraft in Hebrew translation, via S.T. Joshi. Who, in the same post, reveals he has finished his massive survey history of atheism.

* From Indonesia in English, an open-access journal article on Lovecraftian Elements in the Writing of Three Icons of the Dongbei Renaissance…

Literary works based on Dongbei (China’s Northeast) or composed by Dongbei-born writers have been playing a preponderant role in modern Chinese literature” […] “the three leading neo-Dongbei writers portray preternatural creatures, and their narratives convey fear of the unknown and nameless approximations of form” and thus their work “bears resemblance to the Cthulhu Mythos”.

* Partial online proceedings of the recent Mythcon 53 (August 2024), with videos and transcripts, plus some PDF papers. About 75% Tolkien, but with other papers. Such as: “Clifford Simak’s Big Front Yard”; “Fantasist of Middle America: L. Frank Baum and his Works”; “Middle West and the Pastoral Ideal in the American Artistic Landscape”; “The Tragic Life and Misconstrued Work of Jules Verne”; and “Wisdom and Life Lessons in the Works of Edgar Rice Burroughs, Ray Bradbury, and David R. Slayton”. Freely available online, though they still await some PDFs.

* Talking of Simak, it’s good to learn that the long-awaited final two volumes of The Complete Short Fiction of Clifford D. Simak were released in 2023. Though (of the set) these two still appear to lack Kindle editions on Amazon UK. 14 volumes in total. #13 was Buckets of Diamonds (tales of strange events in otherwise ordinary American towns) and the final #14 was Epilog (Simak’s robot stories).

* A pleasing new quick-sketch of Klarkash Ton by MrZarono, at DeviantArt.

* A John Carter of Mars audio series, now fully funded on Kickstarter. The $84k+ raised will enable… “the first dramatic audio adaptation”, multi-cast and with lush soundscapes. Though note it’s an ‘adaptation’, rather than an ‘unabridged reading’ + cast and FX.

* A slick new directory of 920 illustrators understood by Midjourney, the popular paid-for online AI image-generator. Illustrated, and with a search-box, so you can quickly look for the names of long-ago pulp artists.

* Compare the above with Arcanorium at DeviantArt, a huge and magnificent selection of old-school painted fantasy art. No AI involved.

“Wizard’s Revenge” by Don Maitz.

* And finally, rather less prettily, my cleaning of Lovecraft’s map of “Foxfield”. This being his unused setting for a weird tale. Found on the back of one of the letters whose paper was used to write “The Dreams in the Witch House” in early 1932. The letter he used for this map is dated 25th October 1930, therefore this map must have been drawn between then and early 1932. Here I’ve carefully removed the typed letter in Photoshop, to leave you with only the pencil map…

His “1932 | 1692” note suggests the likely years that could have been involved with a Foxfield tale: an investigation in 1932 of events in that place in 1692 — the year in which the Salem Witch Trials began. Thus one might think of it as a fold-out visual addition to his Commonplace Book of story-ideas. (With thanks to ‘Eastman’ for the Web link to the Brown repository page containing the scan). (Update: Cthulhu & Co. has a transcription online).

Dark LORAs

22 Sunday Sep 2024

Posted by in AI

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Some more newly-released Lovecraft-adjacent add-ons, which I spotted on CivitAI. For download and local use as style-guides with AI image-generation models derived from Stable Diffusion 1.5. All free, as is the software needed to generate the images (ComfyUI, InvokeAI, etc).

* Declassified Documents LORA.

* Another Limbo Style LORA, based on the visual style of the seminal videogame called Limbo.

* Back-side Light LORA for a creepy or film-noir portrait in darkness.

At low levels, ‘Back-side Light’ could be combined with the new Dystopian City LORA.

HPLinks #5 – Endowed Fellowship, shadow-puppets, strange climates, weird law, and more

17 Tuesday Sep 2024

Posted by in HPLinks, Lovecraftian arts, Scholarly works

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HPLinks #5.

* Applications for The S.T. Joshi Endowed Research Fellowship in H.P. Lovecraft, at Brown University in Providence, are due by 17th January 2025.

* I note that Brown University has a list of theses and dissertations that were done at Brown and relate to Brown and the parts of Providence adjacent to the university campus. Of possible interest to Lovecraft researchers are: Fox Point: the disintegration of a neighborhood and the related Community building: The Azorean, Cape Verdean, and Continental Portuguese in Fox Point, 1900-1940; Arsenic contamination in Providence’s East Side (relevant to “Colour”?); The problem of academic reputation at Brown University in the 1930’s which might perhaps marginally illuminate Lovecraft’s presence on the edge of the campus at that time; and Choosing Genes: the eugenics of Herbert Eugene Walter [1867-1945]. The latter was a full Biology professor at Brown from 1923, a leading heredity expert, and he later also taught at the Marine Biological Institute of the Brooklyn Institute of Arts and Sciences. As such he sounds like a rather interesting figure to include as a character, or to at least reference, in a 1930s New England Mythos adventure.

* H.P. Lovecraft Film Fest Kickstarter, live and… already funded in a flash! The event is now set for 3rd-6th October, and note that the online “Streaming Program is 18th-22nd October” 2024.

* Nighttide Mag has a report on Dreams of Light and Shadow: TL Wiswell’s Shadow Puppet performances… “At this year’s NecronomiCon, Tonnvane ‘TL’ Wiswell performed shadow play adaptations of two of H.P. Lovecraft’s weirder short stories.”

* The Rise of Cthulhu blog has the post “NecronomiCon Providence 2024 part 1” which has notes on the panels he attended. Part two remembers the spectacular Lovecraftian WaterFire parade of 2013 in Providence.

* In France, Actualitte takes a closer peep at the handsome new Druillet et Lovecraft artbook.

* An Italian Lovecraftian points out that Lovecraft and Barlow did alarmist ‘global warming’ fiction first, with “Till A’ the Seas” (January 1935, for publication in the Californian for summer 1935).

* A call to contribute to The Pulpster #34, which for 2025 will have the theme of ‘Masters of Blood and Thunder’. The theme centering being the writers Edgar Rice Burroughs (John Carter of Mars, Tarzan etc), Rafael Sabatini (Captain Blood), and Edgar Wallace (Sanders of the River, crime novels, original King Kong movie script). The editors also seek articles on your favourite villain from the pulps.

* The new paper “The Law is Weirder than AI” (2024)… “Primarily through the lens of author H.P. Lovecraft’s weird tales, I argue that the law is very weird [and this then leads me] to an assessment of the weird claims surrounding ‘artificial intelligence’.” Freely available online.

* From the Ukraine, a new short discussion paper on “The horrors of Lovecraft: disgust and repulsion”. In English and freely available online.

* Egregoric Times has a blog post that briefly considers “H.P. Lovecraft, Horror Writing and ‘Transliminality’. The author wonders if there may be neurological basis for openness to what appears on the surface to be “paranormal or extrasensory experiences”, especially in certain conducive places and atmospheres. I recall I read a weak one-page guest-article on a very similar topic, in New Scientist magazine, a few weeks ago.

* DMR reviews The Best of Jules De Grandin by Seabury Quinn, one of the most popular Weird Tales writers… “I kept thinking, ‘How on earth was this guy more popular than Robert E. Howard or H.P. Lovecraft?'”.

* Coming in October from Hippocampus, the book Where the Silent Ones Watch, a chunky anthology in which… “twenty-seven authors and poets visit William Hope Hodgson’s worlds and concepts, to dig deep into his mythologies and delve into fresh mysteries in unexpected times, locations, and interpretations.”

* The following paperback covers are completely new to me. I had thought (though not as a collector) that I was broadly familiar by now with the 1970s paperbacks of the British publisher Panther. But who knew they put out two volumes of Machen? Not me. Vol. 2 being dated 1975. Neither appeared later in the used bookshops I frequented, in all the time I was assiduously browsing and purchasing. Ah, for the long-lost days of the 50-pence second-hand paperback, or ‘three for £1’…

* Also new to me, I see The Meeplesmith has a nice line in Lovecraftian miniatures for tabletop gaming. Lots of them, relatively affordable and nothing ‘sold out’ as yet. There’s a tiny figure of Lovecraft himself. But there’s no stylised Lovecraft Circle (imagine: a bespectacled young Barlow, the old anarchist Morton, the New York dandy Belknap Long, straight-man Leeds leading his freak-show friends, etc) as yet, and no Erich Zann-like figure that I could see. Which seems a missed opportunity.

* A real-life “Sahara Expedition – In Search of the Unknown 2024”, happening 23rd – 27th Oct 2024 in Tunisia. A 1930s Lovecraftian LARP adventure in a real desert.

* And finally, the sometime-Lovecraftian creative Alan Moore on language…

Q: Could you disclose to our readers some of your favourite and most interesting occult artifacts?

A: My most powerful, without a doubt, is the Random House Dictionary of the English Language, unabridged. That is the best book anyone will ever read. To understand language is to understand what is hidden, which is to say, the occult.

Moore also has his own book coming soon, The Moon and Serpent Bumper Book of Magic.

Heating and freezing futures

14 Saturday Sep 2024

Posted by in Astronomy, Historical context

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An Italian Lovecraftian this week points out that Lovecraft and Barlow did alarmist ‘global warming’ fiction first, with their tale “Till A’ the Seas” (January 1935, for the Californian Summer 1935 issue). The Earth is slipping imperceptibly closer to the Sun, in their fictional future-scenario, and heating up accordingly.

The Italian author observes that… “When this story was written, fears of this kind were certainly much less present in society”. Sort-of, I’d add. While it’s true that the “fears” were not then both widespread and hysterical, there was concern that verged on alarmist. A quick scoot around the Web shows such worries were then quite prominent in the press, and such reports presumably prompted the tale. A few examples (sans CO2) will suffice…

L.A. Times summary of the year

An agency wire-report from Switzerland, reported as far afield as Australia.

British Met Office reportedly anticipating half of England being wiped off the map by flooding.

Thus, when I say they did “alarmist” fiction first, I mean they did fiction that was published in a timely manner and amplified the popular alarmist press coverage.

One can now see that this was the 1920s/30s flipside of a widespread Victorian / Edwardian false consensus of a gradual and unavoidable cooling. Here is H.G. Wells on the topic in 1931, remembering the way that this belief hobbled the optimism of the late Victorians and early Edwardians, and indeed the world…

… the geologists and astronomers of that time told us dreadful lies about the “inevitable” freezing up of the world — and of life and mankind with it. There was no escape it seemed. The whole game of life would be over in a million years or less. They impressed this upon us with the full weight of their authority, while now Sir James Jeans in his smiling [book] Universe Around Us waves us on to millions of millions of years. Given as much as that man will be able to do anything and go anywhere, and the only trace of pessimism left in the human prospect today is a faint flavour of regret that one was born so soon.

This is from his 1931 preface to a new edition of his famous book The Time Machine (1895). Wells refers to the idea that the Sun only had a limited store of material to burn, and must inevitably cool as it would use this material up before another million years had gone by — and with its depletion the Earth was also forever cooling and would relatively soon become inhospitable to life. Here is the younger Wells of 1894 in a leading London paper, noting the consensus of his day…

On the supposition, accepted by all scientific men, that the earth is undergoing a steady process of cooling …” (“Another Basis for Life”, Saturday Review, 22nd December 1894).

Just as many Tentaclii readers will have lived in times which saw scientists flip (in our case between the 1970s panic about a new Ice Age, and the current greenhouse warming), it appears Lovecraft and his generation lived through a similar flip.

27-minute Horrorbabble reading of “Till A’ the Seas” audiobook, free on YouTube.

HPLinks #4 – table-trembling translations, Polish letters, Martians in 1924, ‘Little Bobby’, Tom Sutton, Lovecraftian tabletop gaming, and more

09 Monday Sep 2024

Posted by in Films & trailers, HPLinks, Lovecraftian arts, New books, Scholarly works

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HPLinks #4.

* French publisher Gallimard is to publish a huge table-trembling single-volume slab of Lovecraft’s tales in French. Recits (‘Tales’) is due shortly before Halloween 2024, and has 29 new translations in 1,408-pages. I’m told the La Pleiade imprint being used is highly prestigious in France.

* A new Polish edition of Lovecraft’s selected letters, Lovecraft Listy Wybrane 1906-1927 (‘Lovecraft: Selected Letters 1906-1927’). Due for publication in a 544-page hardback by Vesper, on 13th September 2024. The book’s cover doesn’t inspire, but I dug up the publisher’s page and this reassured me. At the end of the blurb found there, one reads that…

The letters were selected and translated by Mateusz Kopacz. He is a Lovecraft expert and translator of, among others, the major Lovecraft biography by S.T. Joshi.

* Edgar Pera’s new feature-length film Telepathic Letters (2024, 69 mins), now on the film festival circuit. It’s getting a lot of flak from the AI-haters, it seems, as he used Stable Diffusion to make the movie.

   i) The Trailer.

   ii) An ICS review… “avatars of Pessoa and Lovecraft speak to one another … Pera introduces two thematic threads that both Pessoa and Lovecraft believed to be the foundation of humanity – fear and madness – and explores how they both influence artistic expression”.

   iii) A Cineuropa review of Telepathic Letters… “The film seamlessly shifts between documentary and portmanteau horror, and its multifaceted formalism could also be seen as a video-art piece – a collage of bizarre, unsettling and otherworldly imagery”.

   iv) The Hollywood Reporter had an interview with Edgar Pera about the new film, in English. ($ possible paywall, but I had the whole interview).

… while preparing The Nothingness Club, about Pessoa’s heteronyms, I found many more invisible links between them. Now I have tons of their books, [where I have] written in the margins “Link Lovecraft” or “Link Pessoa.” And since we were already preparing then The Spiral of Fear, a Lovecraft feature, I thought that making a film about them might be a good way to make Pessoa and Lovecraft readers meet.” (Pera)

   v) A long interview on Telepathic Letters in the open-access journal Rotura, with choice screenshots. In Portuguese.

   vi) The Portuguese newspaper Espresso has what might be a new profile-interview with Pera, but it’s behind a $ paywall.

* Postscripts to Darkness has a new long article on “”The dread contemplation of infinity”: Some Thoughts on George M. Gould and Cosmic Horror Before Lovecraft”. Continued in the follow-on long post “Lovecraft, Lucretius, and Leonard’s Locomotive-God: Further Thoughts on Cosmic Horror”. The latter essay…

further explores Lovecraft’s developing conception of cosmic horror by focusing on another of Lovecraft’s under-recognized contemporary influences; namely, the American professor, poet, memoirist, and translator, William Ellery Leonard.

* Centauri Dreams tunes in to “The ‘Freakish Radio Writings’ of 1924”. In August 1924 the earth seemed to be receiving radio messages from a fast-approaching Mars, at least according to credulous press reports. It was actually bona-fide research that…

was serious SETI for its day. A dirigible was launched from the U.S. Naval Observatory carrying radio equipment for these observations, with the capability of relaying its signals back to a laboratory on the ground. A military cryptographer was brought in to monitor […] any signals from [the closely approaching] Mars as detected by the airship

Very likely to have been a point of discussion with Lovecraft at the Kalem Club, I would imagine. And even today it may be a real-life hook on which some Mythos writers could hang a 1920s story.

* Congratulations to all involved with The Fossil, journal of the historians of amateur journalism. It has now reached issue 400 (July 2024). The issue is freely available online in PDF, and includes… “Past Editors Ken Faig, Jr. (2024-2012) and Don Peyer (1996-1997) recalling their years editing The Fossil, and Monica Wasserman describing the involvement of Sonia Greene Lovecraft in amateur journalism.” Plus a note about the mysterious listing of a “H.P. Lovecraft in the 1917 Los Angeles City Directory”. Another real-life hook which may interest some Mythos writers, I’d suggest.

* Wormwoodiana reviews the new book L’Affaire Barlow: H.P. Lovecraft and the Battle for His Literary Legacy…

Anyone interested in how a modern literary estate was usurped can learn from the vitriol and scheming profusely detailed in this book. […] Derleth comes across as scheming, duplicitous, and extremely petty. The evidence is all here.

* Deep Cuts has a new long article on the scholarly Mexican work of Lovecraft’s young friend Barlow, “Deeper Cut: R.H. Barlow & the Codex Huitzilopochtli”.

* An article in the Italian open-access journal Classica Vox, “Exotika e Outer Ones”, sees a connection between a 1927 lecture heard by Lovecraft, given by Sir James Rennell Rodd on classical antiquity, and the story “The Whisperer in Darkeness”. In Italian, with English abstract.

* New on Archive.org, a scan of the French journal Revue Roumaine for April 1966. In a review of a volume of the poetry of Emil Botta, one finds…

For in Emil Botta’s poetry there is nothing more striking than this feeling of perpetual flight towards a ‘beyond’ that the poet tries to evoke. Botta’s poetry is an attempt to fly over a territory, completely unknown, in a strange and sad universe above a “no man’s land” located between life and death. Let us note a striking resemblance, although devoid of any material possibility of filiation, between Botta’s lyrical adventures and the dreams of another great dreamer of our time, Lovecraft. There are almost disturbing correspondences here that seem to suggest a coherence of their dream universe. But while Lovecraft is a narrator whose descents into the depths of dreams are pregnant with dark events, Botta’s poetry pilots brief, violent, exhausting plunges into this obscure empire of shadows.

* The Spanish open-access journal Helice: Critical Thinking on Speculative Fiction publishes in Spanish and some English. Of special note is the 2023 English article “A Century of High Fantasy in Latin Europe (1838-1938), and Beyond: A Historical Overview”. Freely available online.

* DMR has new review of Tom Sutton’s “The Dream-Quest of Unknown Kadath” Portfolio (1978). An item new to me, and with impressive penmanship judging by the scans shown…

See also the 2023 Dark Worlds Quarterly article “The Lovecraftian Tom Sutton at Charlton Comics”. I think I actually had a couple of his Charlton issues in my collection, back in the day. Long lost, now. But I see that a 148-page collection of the best of Tom Sutton’s Creepy Things (Charlton) was issued in 2015, and still appears to be available in a $90 hardback in the USA.

* Said to be newly available on a streaming movie service in the USA, the HPLHS movie adaptations The Call of Cthulhu and The Whisperer in Darkness. Though they seem to be region-locked, and thus are not yet available for me in the UK…

* The religious multi-author online magazine Protestia reports “Oldest Baptist Church in America Hosts Cthulhu For Horror-Themed NecronomiCon”, with some interior pictures of the event. Reports ‘with a frown’ and a wry tone, I note. But that modest reaction in itself shows how far we’ve come, from the foaming-at-the-mouth of the 1980s evangelical ‘satanic panic’.

* Mysteries of Montreal has a short overview of the NecronomiCon 2024 RPG gaming-related panel discussions which he attended, and some criticisms.

* RPG maker Chaosium’s Fall and Winter Releases list for 2024. Includes a new Investigator’s Guide for Cthulhu by Gaslight (the Lovecraftian RPG set in late Victorian / early Edwardian Britain, as I recall). I imagine this may interest both Mythos and Sherlock Holmes writers, as well as the intended audience of RPG players. Also due from Chaosium before Christmas is At The Mountains of Madness for Beginning Readers, which looks amusing.

* And finally, an online museum dedicated to the various felines Famous On th InterWebz. Lovecraft’s cat not yet among them.

HPLinks #3 – revisions, the Lovecraft Annual, Old Worm, Lovecraftian theatre in Hamburg, telepathic letters and more

02 Monday Sep 2024

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Welcome to HPLinks #3.

* New as a limited-edition hardcover book from Hippocampus, Lovecraft’s Collected Fiction Volume 4 (Revisions and Collaborations): A Variorum Edition…

“this final collection includes all known revisions and collaborations undertaken by Lovecraft on behalf of his friends and clients. As with previous volumes in this series, the texts preserved herein scrupulously follow archival manuscripts, typescripts, or original publications, and constitute the definitive edition of these stories. For the first time, students and scholars of Lovecraft can see at a glance all the textual variants in all relevant appearances of a story—manuscript, first publication in magazines, and first book publications. The result is an illuminating record of the textual history of the tales, in an edition that supersedes all those that preceded it.”

The Eddy collaboration tales, which I seem to recall are now out-of-copyright, are able to be included.

* The latest Lovecraft Annual scholarly journal also appears to be shipping from Hippocampus Press. Or at least, Amazon UK says it can whizz me a next-day copy if needed, and Joshi reports that he has had his editor’s copies in the mail.

I see that the 2024 contents list includes an essay by Joshi on “The Lovecraft Letters Project”, as well as an advance review of the forthcoming book A Sense of Proportion: The Letters of H.P. Lovecraft and Frank Belknap Long.

Note: If you can’t get to the Hippocampus Press website, change your DNS provider in your Web browser. Cloudflare in particular doesn’t seem to be able to access the site.

* A new book-chapter by philosopher Graham Harman “The Weird and the Absurd” ($ paywall, but with a free abstract). He contrasts the weird (H.P. Lovecraft) with the absurd (Dali), with a view to characterising the contours of knowledge itself.

* EuroSiberia has a new long essay on “Lovecraft and Multipolarity”.

* From Switzerland, a long article in French on “Le naturaliste danois qui avait ete ressuscite par Lovecraft” (‘The Danish naturalist who was resurrected by Lovecraft’). Which means Olaus Wormius (1588-1654), ‘Old Worm’.

* From the Ukraine’s Forum for Linguistic Studies, a new multi-author paper on “Proper Names as Presupposition Triggers in the Horror Story — Semantic and Functional Aspects”. Being a linguistic study of the names in Lovecraft’s “The Lurking Fear”. Freely available online, in English.

* The new short book, Ripples from Carcosa: H.P. Lovecraft, Haunted Landscapes, and True Detective (July 2024) is now available as a 142-page paperback. The Amazon blurb is not especially illuminating. However, the back-cover blurb is much clearer and more enticing. This suggests a close and fan-friendly scholarly study of the sources for the first season of the U.S. True Detective TV series (2014, eight episodes). Of which… “first and foremost, there is H.P. Lovecraft…”. No reviews that I can find as yet, though I see that in 2023 S.T. Joshi perused an advance copy. He described it as… “a searching examination of the first season of True Detective and the influence of Lovecraft, Ligotti, and Chambers upon it.” (Note: buyers should not confuse it with the Chaosium RPG book of the same name).

* I don’t normally note the ongoing wealth of Lovecraftian anthologies, but since I enjoy Sherlock Holmes tales I’ll make an exception for the new Sherlock & Friends: Eldritch Investigations (June 2024). The book arises from a successful $3,000 crowd-funder, and offers “nine adventures” across some 80,000 words. Publisher Tule Fog Press has the contents list, and this also notes the protagonist(s) in each story, e.g. “The Adventure of the Cats of Ulthar” is a tale of “Miss Lois Cayley, a spirited young bicycling adventuress”. No reviews as yet, but one of the editors usefully added on his blog that the aim was for a collection of… “tales [which] ‘channel the spirits’ of the Victorian and Edwardian detectives who graced the dime novels and pulp magazines”. Sounds fun. A free-sample and a £5 Kindle ebook makes it less of a gamble, should you be tempted.

* Also of note, but also an unknown quantity, the anthology Bound in Blood: Stories of Cursed Books, Damned Libraries and Unearthly Authors (Sept 2024).

* Also coming in September 2024, a Kindle ebook in Italian, Atlante delle terre del sogno di Lovecraft (‘Atlas of Lovecraft’s Dreamlands’). The blurb has it as… “compiled by Carlo Baja Guarienti, aided by the pencil of Alberto Ponticelli, with an afterword by S.T. Joshi and the map drawn by Francesca Baerald.” It’s to be an ebook equivalent to 155 pages, according to Amazon. Sounds to me like a gazetteer of places, with a single map, rather than an atlas with lots of map-plates.

* Hamburg, Germany, again. The city seems to have a thing for Lovecraft theatre. Indeed, they now actually have a Lovecraft theatre. In Hamburg… “the new Miskatonic Theater opens on September 6th with the play “The Call of Cthulhu” based on the tale by H.P. Lovecraft.”

The new theatre building, the only dedicated horror theatre in the world, here looking very suitable as a home for a ‘Miskatonic Theater’.

Sadly, after a great deal of hard work to open this new venue, the nearly fitted-out theatre was then gutted by burglars. Who appear to have stolen everything not nailed down. Apparently the police had no cameras in the area, since “unknown persons” is the only description of the crime that I can find. Anyway… no-one has recovered the stolen property and thus the Theatre now has a crowd-funder campaign to replace what was stolen. This campaign is currently only half-way to raising 15,000 euros and still needs support.

* A new movie from the acclaimed director Edgar Pera, billed as Telepathic Letters (2024, 69 mins), imagines that letters flowed between the Portuguese poet Fernando Pessoa and H.P. Lovecraft. But via the dreamlands, and… “with a dreamer’s logic [in which] Pessoa’s multiple personalities meet the nightmare creations of Lovecraft”. The film is currently appearing on the German film-festival circuit, with a mid September date in Oldenburg. I’ll try to link reviews in next week’s HPLinks #4.

* The Ephemeral New York blog investigates a topographic aspect of Lovecraft in New York City, and finds a hidden courtyard and 1820s backhouse, in… “the secret Village behind brick walls, embowering trees, iron fences, and horsewalk doorways”. With photographs.

* A new 23-minute making-of video on YouTube, “Making a Lovecraft-inspired light-up water-well diorama”, as in the well and well-sweep from “The Colour Out of Space”.

* New to me, from France, the free open-access academic journal Imaginaires (2019—). Special issues since 2019 have included: ‘Gothic, Teen, and Pop Culture’ and ‘Ireland: Spectres and Chimeras’.

* At VoegelinView, “The Theology of Fantasy”, reviewing the book Theology, Fantasy, and the Imagination (2023).

* And finally, one of the more pleasing bits of Yog-Sothery I cooked up with the AI image-generator Stable Diffusion, and which was then tickled with Photoshop. Feel free to colorise, use as a book cover or album cover, etc. I place this image under Creative Commons Attribution.