A new carnivorous plant has been named after Derleth’s Cthugha, Dionaea Cthugha (2020)…
Defined by a very mutant and deformed trap which becomes deep red.
20 Saturday Jan 2024
Posted Odd scratchings
inA new carnivorous plant has been named after Derleth’s Cthugha, Dionaea Cthugha (2020)…
Defined by a very mutant and deformed trap which becomes deep red.
20 Saturday Jan 2024
Posted Odd scratchings
inIn the first news post of 2024, S.T. Joshi reports that August Derleth’s main regionalist fiction is back in print in Joshi-scrutinised editions. These being Place of Hawks (1935), Evening Spring (1941), Shield of the Valiant (1945), part of the set known as the Sac Prairie saga. Joshi also reports that…
I have now completed work on a volume of previously uncollected Sac Prairie stories, Gently in the Autumn Night
A half dozen or so Sac Prarie volumes can also be found on Archive.org in scans of varying quality, “to borrow”. In a 1963 book, Derleth lists the titles of his Sac Prarie saga…
Talking of Derleth, I took another look for a Solar Pons collection, Derleth’s Sherlock Holmes -alike detective. Back in 2020 I determined in a Derleth survey that The Original Text Solar Pons Omnibus would be the best collection, being the one from 2000 with uncorrupted text, but it was then ridiculously expensive. Now also unavailable, I find.
To my 2020 survey I can now add that he wrote the less heavy “Gus Elker Stories”, these being rather more amusing stories of Wisconsin country life than those of Sac Prarie. But these had to wait a long time to be collected, as Country Matters (1996). For which the blurb read…
Here are 35 rolicking misadventures of Sac Prairie’s most engaging characters, Gus Elker, Great-aunt Lou and Great-uncle Joe Stoll. Nineteen of these stories have never appeared in any book or anthology. Since this collection was released, 17 additional unpublished stories have been found and will be published in the near future.
I can’t immediately find news of the second Gus Elker volume, so there may be an opportunity there for a publisher to pick it up? Or perhaps produce an audiobook with all the stories?
19 Friday Jan 2024
Posted Scholarly works
inNew on Archive.org, a scan of The Armchair Detective for June 1976. Has a few items of interest…
* “Wicked Dreams: The World of Sheridan Le Fanu”
* “Edmund Wilson and the detective story”. The arch critic’s judgement on the best of the genre was just as dismal as on Lovecraft and Tolkien, it appears.
* “An Informal Survey of Cover Art of the Seventies”.
Also a mention of Lovecraft in an article on Chesterton’s Father Brown detective character, noting a circa early-1930s story…
he [Brown] remains untouched by “The Blast of the Book” (an amusing take-off on Necronomicon-like things, although whether Chesterton ever read H.P. Lovecraft is unknown to me) because he is not superstitious
19 Friday Jan 2024
Posted Picture postals
inThis week for ‘Picture Postals from Lovecraft’, letters, or rather letter-boxes. We know all about Lovecraft’s letters and postcards, but what exactly did his posting them look like? Or indeed, what did a U.S. public mailbox look like at that time?
He certainly had one nearby, and a mighty capacious box it must have been to cater to the champion letter-writer of the 20th century. But only once does Lovecraft refer in passing to his “outgoing mail-box” in a 1927 letter to Belknap Long, in the letters I have searchable access to. He does not use the British form “post-box” or “postbox”.
Lovecraft would have first encountered the collection mail-boxes of Providence in his middle childhood circa 1900, and begun using them to write to his family and cousin soon after. From 1897 until 1905 they might have looked rather space-age to our eyes, done in silver aluminium paint with red lettering. This national re-painting of the boxes was in fact a corrupt make-work scheme with cash kick-backs for officials, but Lovecraft and his young pals weren’t to know that. Most likely the boxes were at that time on short posts and sited on street corners. Very garish and out-of-place the silver boxes might have looked to the frowning matrons of College Hill. But in a certain light the combination of a cosmic star-glitter and blood-red might have been quite alluring, to boys inclined to imagine far places.
So far as I can tell he would have encountered three types of box-shape during his life. Here we see two key ones together…
Perhaps more likely for College Hill, circa 1905 as his correspondence grew, would be the smaller ‘Doremus’ type seen above. These were re-done in dark green enamel paint and white lettering, probably much to the relief of the aesthetic guardians of College Hill, from 1905 until his death.
As he grew older and became involved in amateur journalism, many of his items would be larger packets. Thus he would either have to find one of the larger box types, called “package boxes” (also seen above), or visit a Post Office — where he could also have purchased stamps but would also have to endure a queue.
It would be amusing to imagine the Providence postmaster puffing and blowing about having to install a special larger box, just to accommodate Lovecraft’s daily flow of correspondence and packages. Possibly also with a late evening collection time (10:30pm seems to have been possible in Providence, judging by Lovecraft’s postmarks). But so far as I know we have no evidence of that happening.
Later, I’m not sure how much later, photographs suggest that the larger style of box could also be used for bag-storage by mailmen on their delivery rounds. But that conversion may have occurred after his death.
The larger collection boxes were so ugly, further marred by cheap ‘Army style’ stencil lettering, that some places asked that they be concealed from sight as much as possible. The move to dark green paint no doubt helped in their concealment in residential streets, with greenery grown either side.
The smaller “style B” box (seen below) was issued in 1912 and was in use into the 1960s. Cast iron was used for these from 1924, for added security. It wasn’t until 1955 that the Postmaster General had these by-then ageing boxes freshly re-painted in a patriotic red, white, and blue scheme — which we see in this vintage auction item…
Give the above dates it’s not impossible that Lovecraft returned from New York City to find that the older type had been replaced by the new 1924 cast-iron “style B” in the city, in dark green. Though older smaller ‘Doremus’ boxes, again green but with older faded paint, might have been retained in sedate places like College Hill. Or was it sedate, in terms of mail? Recall that Brown University is at the centre of the Hill. Its traffic in erudite letters and bulging packets must have been constant during term-time.
Thus it appears that when Lovecraft went out to mail letters he slipped them into mailboxes like the ones above.
Today it seems that the U.S. still uses much the same larger-type design, but since 1970 these have been a dark blue with some white logos plus red warning labels and flashes.
Further reading: USPS, “Mail Collection Boxes: A Brief History”.
18 Thursday Jan 2024
Posted Lovecraftian arts
inOld Time Music reviews and explicates The Meaning Behind The Song: “To Life”, a show tune devised and performed a while ago by the H.P. Lovecraft Historical Society. The song can be sampled online.
17 Wednesday Jan 2024
Posted Odd scratchings
inA new Terror Tales LORA for the Stable Diffusion 1.5 AI. A LORA is a ‘plug-in’ that aims to steer SD’s image generation towards a certain character or type of artwork. In this case the covers of the 1930s Terror Tales pulp magazine. SD is going to mess up the typography, but you could probably cut out the best images and paste onto a template made by vectorising one of the original covers.
Also note the new backdrop generator LORAs Realms of Darkness (generic medieval — streets, castle dungeons, old cemeteries, etc) and Fantasy Underground (generic fantasy) and Fantasy Tavern (generic fantasy). These do look very generic and formula, but you might be able to get something more interesting out of them.
Joschek’s Artstyles: Caspar David Friedrich, possibly useful for eerie sea-views of Innsmouth and its reef. If a full set of Friedrich works was used to train the LORA. Untested by me, as yet.
16 Tuesday Jan 2024
Posted REH
inThe Robert E. Howard Days organisers have the event’s 2024 hour-by-hour schedule available.
16 Tuesday Jan 2024
Posted Kittee Tuesday, Lovecraftian arts
inAn early 1970s Lovecraft book cover I’d not seen before, complete with kitties from Ulthar. De Droomwereld Van Kadath (1972) from Holland. Translates as ‘The Dreamworld of Kadath’, the book being a translation of The Dreamquest of Unknown Kadath.
Looking at the fungi also on the cover, I’m wondering if they also popped in a translation of the “Fungi from Yuggoth”?
15 Monday Jan 2024
Posted New books, Scholarly works
inThe Pulp Super-Fan super-swoops, cape rippling in the breeze, down onto the new book L’Affaire Barlow: H.P. Lovecraft and the Battle for His Literary Legacy…
This is a well-researched work, and I look forward to further works by this author, who is working on a biography of Barlow. […] The whole story about this affair is pretty sad as many people behaved badly. They pulled in others they shouldn’t have, attacked not only Barlow but others, and led to several proposed publications never seeing the light of day. Worse, some of those are lost, as the only copies were destroyed in a fire.
Meanwhile, down in Mexico the Tabasco Herald compares Tolkien and Lovecraft. I thought this was a review of the new Italian book on the topic, but it seems not.
14 Sunday Jan 2024
Posted Odd scratchings, Scholarly works
inCurtis Wright Maps has a copy of Off the Ancient Track: A Lovecraftian Guide to New England and Adjacent New York and offers some nice interior scans of the $150 item. This is the first edition, not the revised edition.
13 Saturday Jan 2024
Posted Lovecraftian arts
inBritish Lovecraftians of a certain age will fondly recall the Panther paperback editions. The cover-artist for two of these is having a exhibition of his 1970s covers, in his home town. Bob Fowke did the covers for the books The Horror in the Burying Ground and The Horror in the Museum.
Also for Poul Anderson’s A Midsummer Tempest, one of Poul Anderson’s English and northern fantasies. I had wondered who did that cover, and thought it might have been one of the Ruralists.
His “exhibition of 70s sci-fi art” runs for three days only, part of the Open Studios in the town of Bishop’s Castle, Shropshire, on the border between England and Wales and about 40 miles west of Birmingham. The dates are 16th, 17th & 18th February 2024.
12 Friday Jan 2024
Posted Picture postals
inA suitably seasonal ‘picture postals from Lovecraft’ post this week. Lovecraft moved into his under-heated “dismal hovel” of a room at 169 Clinton Street on the edge of Red Hook, on the 31st December (he was then “half moved”) – 1st January 1925 (“moved final load”). In that he was lucky, for if only a little later he would have run smack into the first of the “Worst Snowstorms In New York History”, beginning with two days of “howling gusts” though the city’s canyons on 2rd-3rd…
“New York City was the unwelcome recipient of 27.4 inches of snow [in the month], the most ever recorded for any January up to that time. … A relentless snowstorm that lasted two days occurred from January 2rd-3rd [and landed 12 inches on the city]. On January 12th the city required 12,000 shovelmen to tackle another snowstorm that clogged the streets. January 20th New York City was hit with two blizzards in one day. January 27th more snow fell and then the coup de grace; the giant storm on January 30th that affected the metropolitan area.
Lovecraft’s letter home, his first in January, seems all but oblivious to this. Though his 1925 Diary laconically has “snowstorm” on the 2nd. But possibly he did not wish to alarm his aunts. Also, he was well used to the severe New England winters of the time, and knew how to wrap up if he had to go out. On the 3rd he was out meeting Kirk and the gang at a cafeteria.
Atlantic Avenue, a few blocks east along from the Atlantic Avenue – Clinton St. intersection where his favoured grocery was. But nevertheless the picture evokes Lovecraft venturing out to “send express package” which he did first thing on 5th January.
After all, despite the duration and windiness of the great storm, its 12 inches of snow was a trifle by the weather standards of the period. And it would have been drifted and banked heavily by the extreme winds.
More curious is the 12th January, re: the above “On January 12th the city required 12,000 shovelmen to tackle another snowstorm that clogged the streets”. Lovecraft’s letters mention this date and “to Loveman’s over the icy pavement”, and his Diary has himself “visit[ing] SL [Loveman] in ice storm” and then… he goes strolling over the frozen Brooklyn Bridge with Kirk!
After leaving SL at his airy domicile, and starting on a walk over the Brooklyn Bridge & up through Chinatown, Kirk and I decided to surprise Loveman with a birthday gift…
Not impossible I guess, if thousands of “shovelmen” had been at work at clearing it since 5am, the pedestrian walkways had been gritted, and the storm had just passed leaving a sparkling day and few people to crowd the bridge and obstruct strolling. According to the Diary he reaches and “walk[s] Chinatown” with Kirk. Not bad, for a cold-averse old gent!
Brooklyn Bridge in snow, by Max Kuehne.
And finally here is a picture by Lena Gurr of Brooklyn, possibly made in the 1920s (she was was roughly the same age as Lovecraft), evoking the more salubrious snowy side-streets of Brooklyn once they were made walkable again…
Again, the picture evokes Lovecraft, this time with one of ‘the gang’.