• About
  • Directory
  • Free stuff
  • Lovecraft for beginners
  • My Books
  • Open Lovecraft
  • Reviews
  • Travel Posters
  • SALTES

Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Monthly Archives: February 2022

‘Picture Postals’ from Lovecraft: High Bridge and the 1925 eclipse

11 Friday Feb 2022

Posted by asdjfdlkf in Astronomy, Historical context, Picture postals

≈ 3 Comments

After last week’s ‘Picture Postals’ visit to sunny climes in New Orleans, this week I look at a frozen New York City.

In one of my earliest blog-essays on Lovecraft, way before I knew as much as know now, I suggested that his 1925 solar eclipse viewing from High Bridge or nearby hill might have provided a dramatic sight of a distant New York City. A city plunged into a sinister darkness, giving an appearance akin to R’lyeh risen from the waves. Whatever the facts of the matter, as set out below, this still seems a poetic image of likely use to future bio-pic makers and graphic novelists. Lovecraft gibbering and stuttering with the severe cold, sinking to his knees like a cultist, as a vision of New York as a R’lyeh-like city emerges from the cold mists under the en-darkening eclipse.

But what of the hard facts? I now revisit my old suggestion, and see if I can glean any more data. My thanks to Horace Smith for reminding me of my old post, and prompting me to look again at the relevant entry in Lovecraft’s 1925 Diary.


We know that an initial intention of the Lovecraft eclipse expedition of 24th January 1925 appears to have been to rise from their beds very early, then travel into the ‘zone of totality’ to reach the High Bridge aqueduct. Kirk invites his girlfriend to join the expedition thus…

… we’ll go up to Yonkers and take [smoked] glasses along and walk up on an aqueduct

The distant tower and grey wall below it are part of a gigantic elevated reservoir, and the bridge carries its Old Croton Aqueduct.

This aqueduct / pedestrian bridge was once a haunt of Poe, it being said that… “a walk to High Bridge was one of his favorite and habitual recreations” while living at Fordham. It would thus have a double-attraction for the Lovecraft expedition — to view the eclipse on the bridge where Poe walked.

Poe on the High Bridge.

At the end of January 1925 New York City was still in the depths of a bitter and snowy winter, which had arrived with the worst snowstorm in living memory at the start of January. About the third week of January Lovecraft peered out of Loveman’s picture-window at the cityscape. He noted in a letter that another ‘ponderous’ snowstorm appeared set for imminent arrival. However, his other New York letters from January suggest it was still relatively easy to get around the city. That said, it is quite possible that High Bridge was closed by the authorities for public safety due to the likelihood of surging crowds and icy conditions.

Anyway, such was the apparent plan and the seasonal weather. But what of the actual day? Lovecraft’s 1925 Diary is cryptic on the matter, the January 1925 entry being…

Up 3:30 [a.m.] — to SL’s [Loveman’s] & Van Ct. [Van Cortlandt St] with GK [Kirk] — meet JFM [Morton], Dench, Leeds. M & D [Morton and Dench] walk, [the] rest ride [public transport to] Getty Sq. [Into] Yonkers. Walk up hills — ECLIPSE

This entry indicates that Kirk was staying over at Loveman’s, at whose apartment Lovecraft perhaps arrived 5am. Loveman presumably had to work that day, a Tuesday. Lovecraft and Kirk then went to Van Cortlandt (Lovecraft the antiquarian is using the archaic ‘Van’ in the street name in his Diary, and abbreviating Cortlandt to Ct.). Here we see Van Cortlandt St. in the 1930s, a quarter mile west of the Brooklyn Bridge and with the street running below the 9th Avenue Elevated station.

It was a natural place to meet up at 6 a.m., having a key train station on the Elevated. This was presumably serviced by several nearby early-morning cafes. It was on the verge of becoming a famous place in early mass media. In 1925 Oscar Nadel (‘the king of Cortlandt Street’) had opened his famous ‘Oscars Radio Shop’ there. The shop would trigger a cascade of activity which meant that by 1930 the street was a thriving radio broadcasting and radio retail-sales quarter, a place now known to media historians as ‘Radio Row’. In the following 1925 picture we see a wide view from further back, looking into Cortlandt Street and with the Elevated station just about visible in the deep shadows under the new skyscrapers.

Lovecraft’s friend Morton did not yet have his museum job, and would have been travelling in from Harlem. Dench would have been coming in from Sheepshead Bay. After the expedition had all met up and fuelled up on coffee, the Diary shows that Morton and Dench then walked from Van Cortlandt to Getty Square in Yonkers. If these ardent hikers were walking 12 miles directly north, moving at speed along a well-gritted and otherwise deserted shoreline path, then they might have taken 90 minutes. That then implies that Leeds, Kirk and Lovecraft waited for them for an hour or so in a known-to-all breakfast eatery at Getty Square, after having travelled there in comfort.

We see here a Yonkers candidate for the cafe, ‘Counes’ on the central corner of Getty Square, an establishment offering soda and ‘quality candy’ and likely indicative of the many sugary delights available at this central transport hub…

By January 1925 Lovecraft had chuffed one too many candies. As he later recalled for Morton, he was a bit plump at that point…

that eclipse morning occurred whilst I was still a problem for Sheraton chair-makers, yet scant comfort did my proteid integuments afford me! [in that chill]

This soda bar is a possibility, and perhaps was likely to be open earlier than usual to serve the eclipse crowds. Though a cheaper coffee / ‘all-day lunch’ shop was probably the more likely choice. Here we see several options on Getty Square, circa 1920…

Lovecraft’s “Walk up hills” diary entry implies multiple hills. But this does not get us much further as to the viewing location, because the terrain of Yonkers rather assumes that any route out from Getty Square would have been up and over some rolling hills. Yonkers was well known, then as now, for its many steep hills. As Joseph J. Conte recalled of his 1940s boyhood in his memoir Flies in My Spaghetti…

Wintertime was a great time of the year and, with all the hills in Yonkers, we had a big choice of where we would take our sleds.

In 1932 Lovecraft was no more precise, recalling…

… some of us tramped up into the cold of northern Yonkers to see the January eclipse.

Another letter I found recently states that a hillside was the observation point, equally vague.

If the expedition had left their Getty Square cafe and were on the road out of the urban nexus by 8.a.m., then they would have had 70 minutes left to find a suitable spot. This photo is indicative of the initial trek up Main Street from Getty Square in the “marrow-congealing” ice and snow. It shows the top of Main St. as seen circa the 1920s, climbing up from Getty Square below…

But if High Bridge was still the aim of the expedition, as Kirk’s diary suggests, then one has to assume a walk or tram-ride four miles south from Getty Square through Yonkers to reach the High Bridge. Why do it like this? It would enable them to look out for suitable hillside spots facing east and without encumbering trees or buildings (the sun would be quite low at the ‘totality’), while they walked south. Here then are the likely spots marked by me on a terrain map, spots facing east and not wooded or built-up.

And here we see the above terrain continued down to High Bridge. This map extract is from the 1947 USGS 1:24000 map for the Central Park area. It too has the required elevation contours and heights.

Inwood Hill Park, seen on the top map and here located a little off the north of this map extract, was (at least in 1947) too heavily wooded at the high points to provide good views. If the expedition did hike the four miles through from Getty Square to High Bridge, they would pass two or three 200ft east-facing spots just to the north of the reservoir end of the High Bridge. Again, these are marked on the above map.

Of course, it may well be that the expedition never even reached High Bridge or its nearby hills, as was seemingly initially planned. They could have found a better spot on the way there, or run out of time. Or perhaps they simply chose one of the candidate hills a mile or two back from Getty Square, if they had researched their location or read about likely spots in the newspaper beforehand. This latter idea is supported fairly strongly by the fact that Lovecraft’s 1925 Diary continues after the word “ECLIPSE”, indicating post-Eclipse visits to two local landmarks…

Philipse Manor [a restored Dutch manor house just off Getty Square, with fine interiors], St. John [Episcopal Church, with fine exterior fancy-stonework and fancy roof tiling] home — Tiffany [his regular everyday cafe, near his room on the edge of Red Hook] — rest

Philipse Manor. The plain exterior was probably enhanced a bit by snow and ice.

These items must argue against the High Bridge having been reached or even walked toward, unless they shuttled back up to Getty Square on public transport. That they visited two sites just off Getty Square after the eclipse would seem to indicate that the “hills” would have been those within a few miles of that place. Which at least narrows the choice of the hill in Yonkers down to a few.

But even this data is vague and we shall probably never know the exact viewing spot now, unless a new letter or postcard comes to light. But the red dots above show the likely candidates. Take your pick.

We do however have this evocative picture, seen below. It clearly indicates the elevation of the sun in the east relative to the ground, and the snowy ground conditions in New York City. It also demonstrates that the rather low sun at the totality would present viewers with potential problems re: finding a suitable east-facing observing site that was well free of obscuring trees or buildings.

Adolf Fassbender, “Sun’s Total Eclipse. January 24th, 1925, 9:11 a.m. Bronx Park, N.Y.C.” Original held by the New York Historical Society. Here Photoshopped to repair damage and emulsion silvering due to age.

Years later a letter from Lovecraft to Morton described in some detail his second and rather fine solar-eclipse experience in Newburyport. During this account Lovecraft recalled that the flaring corona around the ‘dark sun’ had been very bright in 1925, and thus the earth below had not become as en-darkened as he had expected. This seems to be borne out by the above photograph. The wide blanket of white snow probably kept light levels high, with a bright corona. Note also that the above picture suggests the air was rather still, as the branches are not blurred by wind-movement even in the low light.

Kirk’s diary suggests a further aspect of the experience, and a key reason for seeking an open hillside — the “rushing shadow”. Apparently this is a well-known aspect of viewing a total eclipse. Kirk tried to entice his girlfriend to come on the expedition by noting that…

… it is said that to be on a hill in open country and to see the rushing shadow thrown to Miss Moon is to marvel.

Joshi lecture in May

10 Thursday Feb 2022

Posted by asdjfdlkf in Scholarly works

≈ Leave a comment

A forthcoming lecture by S.T. Joshi on “The Recognition of H.P. Lovecraft”, on the 8th May 2022. UK evening time, since it’s in partnership with a London museum. Booking now.

Florida in the springtime

09 Wednesday Feb 2022

Posted by asdjfdlkf in New books, Scholarly works

≈ Leave a comment

The latest edition of The Fossil (January 2022) has no Lovecraft-related articles, this time around. But there is a short activity-report which brings a snippet of good news on the forthcoming Florida book…

Adventurous Liberation: H.P. Lovecraft in Florida has finally gone to the editor for final review. The book should be out in late spring.

Behind the camera, the likely cross-country stop at which Lovecraft would have arrived, in the centre of De Land.

Encyclopedia of Weird Westerns

08 Tuesday Feb 2022

Posted by asdjfdlkf in Scholarly works

≈ Leave a comment

Here’s one more I missed back in 2016. The Encyclopedia of Weird Westerns had an expanded second edition in 2016. It’s from McFarland, so one has to double-check to see if it’s not one of their duff ones (the Dune encyclopedia, etc). But it’s reassuring to see that True West magazine gave the first edition a good review.

The second edition appears to have had no online reviews, other than a single Amazon U.S. one and a short one on a blog. Which carps on and on about ‘masked cowboys’ not being included, so it’s not much use. The lack of proper reviews seems a pity, and the book might be a candidate for someone casting around for a book to review.

By 2025 there’ll likely be a need for a third edition, given all the Weird West material that’ll have appeared in the decade since 2015. Even in the last five five years in comics, the task of updating would appear to be substantial, so a new edition is probably something for a dedicated ‘tracking blog’ to build up to over the next few years.

Lovecraftian People and Places listed

07 Monday Feb 2022

Posted by asdjfdlkf in New books, Scholarly works

≈ Leave a comment

The new book Lovecraftian People and Places by Ken Faig, Jr. now has a listing page at Hippocampus Press. $25, and all the essays have been revised and updated for the new volume. Hippocampus’s site has been and still is ‘up and down’ in terms of access from the UK. So here’s a screenshot for those who can’t access it…

Eno as weirdist

06 Sunday Feb 2022

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings, Podcasts etc.

≈ Leave a comment

The Weird Studies podcast’s latest Episode 115 drifts into the observation lounge of Brian Eno’s famous and seminal album Ambient 1: Music for Airports.

This album followed the instrumentals on Another Green World and Before and After Science, and the instrumentals on the Bowie collaboration albums. It then heralded a small but perfectly formed set of such music spread across three solo albums and two made with Cluster.

Much of this then-new type of music could certainly evoke a sense of big weird empty landscapes.

The introductory listening-list of albums would be, in date order:

Another Green World (just the instrumentals)

Before and After Science (just the instrumentals)

Low (with David Bowie, just the instrumentals)

Heroes (with David Bowie, just the instrumentals)

Then the albums:

Ambient 1: Music for Airports

Music for Films

Cluster & Eno (with Cluster)

After the Heat (with Cluster)

Ambient 2: The Plateaux of Mirror

An argument might also be made that Eno’s early lyrics are also profoundly weird, if in a dreamy ‘British surrealist’ way rather than horror-shocker kind of way. But that’s for another post.

News from Germany

05 Saturday Feb 2022

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings

≈ Leave a comment

The Deutsche Lovecraft Gesellschaft’s report for January 2022 notes two items of interest.

Their free open-source Lovecraft RPG now has a website at https://fhtagn-rpg.de/. The site is in dual English/German, but the rulebook translation to English is not yet complete. As part of this overall project they have a wiki and are currently calling for German-language wiki contributions about the writers Lovecraft classed as his ‘idols’ during his lifetime.

They also notice what sounds like a substantial German screen/theatre piece which will open a major festival in early May 2022…

The summer season of the Kreuzgangspiele begins on 5th May 2022 with a special premiere for Alexander Ourth and Ulrich Westermann’s theatre project based on the work of American author H. P. Lovecraft, considered the most important author of fantastic horror literature of the 20th century and one who influenced numerous successors. There are performances in the Regina Lichtspiele on 5th, 6th and 7th May 2022, each at 8 p.m.

‘Picture postals’ from Lovecraft: New Orleans

04 Friday Feb 2022

Posted by asdjfdlkf in Historical context, Picture postals

≈ Leave a comment

This week in ‘Picture Postals’ I take a look at somewhere warm and sunny. As America and the UK shiver (at the huge rise in heating bills, as much as the cold) it seems that this may be welcome.

In June 1932 Lovecraft reached the city of New Orleans on his travels, and there enjoyed a lengthy visit with the help of local resident and fellow Weird Tales writer E. Hoffman Price. Lovecraft was much taken with the old French Quarter, then gentrifying in parts.

Price later recalled that he “skipped the concubines entirely”, and thus Lovecraft would not have seen all in the city. Gentrifying the place may have been, and Lovecraft later recalled it as such. But several candid b&w street pictures from the mid 1920s show that litter (trash) was a problem even in the business parts, and that side-streets could still be seedy-looking and wild with street children.

The Lovecraft-Price letters have recently been published but I don’t yet have that volume. So I may be missing some further data here on locations. But for now here is a StreetView of the relevant street corner, with Price’s No. 305 a few steps away down the same side of the street.

Appropriately enough, No. 305 Royal Street is now a gallery at the heart of the Quarter. Run by, of all people, Nathan Myhrvold. And curiously dedicated to ‘food photography’. Which seems somehow appropriate for a place where H.P. Lovecraft ate nuclear chilli-con-carne and Price brewed his own beer.

The ground floor looks like it has been ‘shelled’ inside for retail, but the historic frontage still gives a good indication of the place that Lovecraft visited and in which he had epic conversations and epic curries with his friend Price. This would also have been the rendezvous point for a meeting with R.E Howard… but REH couldn’t afford the trip.

We can see here that there would have been a street balcony and we can probably assume abundant balcony plants too, more abundant than seems the case today. This postcard is indicative of the plant life and views from such balconies…

The bird-cages indicate that the twittering of birds would have been part of the ambience, enhanced due to the relative lack of noisy cars and taxis at that time. What we don’t get to see is the back courtyard, if there was one, but this fine picture of the back of No. 633 Royal Street may be somewhat indicative.

Lovecraft was not staying overnight at Price’s No. 305. He was in a “third-class” hotel nearby. This was on St. Charles Street. The closest I can get visually is this small hotel on St. Charles St., and a picture of an eatery at 125 Charles St. Both of which may be indicative.

Ray Bradbury: Novels & Story Cycles

03 Thursday Feb 2022

Posted by asdjfdlkf in New books, Podcasts etc.

≈ 2 Comments

I’m pleased to see that the Library of America is giving Ray Bradbury the same fine production values they gave Lovecraft a while back. Bradbury gets two volumes, the first being out now as a $40 900-page table-trembler titled Ray Bradbury: Novels & Story Cycles (2021).

It includes “Bradbury’s settled intention” for the final-cut of the famous Martian Chronicles. Google Books can provide no contents list, but according to one interview with the venerable editor this means it includes the show-stopping satirical “Usher II” horror-story, probably best skipped the first time around.

If you want some ‘starter Bradbury’ that’s a little lighter on the wrists, a fine theatrical audiobook version of The Martian Chronicles is the five and a half hour full-cast audio by Colonial Radio Theatre (they use the British spelling for Theatre). Created for direct-to-CD in 2011, rather than lopped-and-chopped to fit a broadcast time-slot. They spent a lot of time making sure the sequence fitted Bradbury’s final intentions. Again, you might do best to skip “Usher II” on the first hearing.

Call: Space and Time in Tolkien

03 Thursday Feb 2022

Posted by asdjfdlkf in Scholarly works

≈ Leave a comment

Call for Papers: Space and Time in Tolkien, a theme which may interest some readers of Tentaclii. Regrettably the German site is covered up by extremely vicious ‘EU cookies crap’ overlays, so here’s a screenshot with javascript turned off…

The Zanetti Mystery

03 Thursday Feb 2022

Posted by asdjfdlkf in Historical context, New books

≈ Leave a comment

Lovecraft was not the only one ghostwriting popular fiction for Houdini in the mid 1920s. A new book on the topic is The Zanetti Mystery: Plus candidates for ghostwriting the story (December 2021). The book is a $25 paperback, and is shipping now.

The author republishes the ‘Houdini’ detective thriller novel The Zanetti Mystery (1925), with the original magazine serial illustrations, apparently for the first time since it appeared. He also asks, and with new research… ‘who was the likely ghostwriter?’ Candidates include Eddy Jr. and Lovecraft himself. But they are not the only candidates, and it seems to me a little unlikely that an ‘Eddy + Lovecraft lightly revising’ detective novel could have escaped notice until now. True, Lovecraft was experimenting with speed-writing a detective-like tale at about this time (“Red Hook”), but there was a romance element to The Zanetti Mystery which would not have been congenial.

That said, some Tentaclii readers may still be interested in this new book’s evaluation of the most-likely authorship.

Angelo Patri

02 Wednesday Feb 2022

Posted by asdjfdlkf in Historical context, New discoveries

≈ Leave a comment

New on Archive.org is a run of the journal Atlantica. August 1931 has a profile and photo of Angelo Patri, who I’d be willing to bet was a friend of Everett McNeil of the Lovecraft Circle. It’s good to be able to put a face to the name of the man I encountered while writing my book on McNeil.

Patri certainly championed McNeil in reviews and articles, and (though we’ll probably never know now) I suspect they were friends in New York by around the time of the appearance of McNeil’s Tonty novel.

← Older posts
Newer posts →

 

Please become my patron at www.patreon.com/davehaden to help this blog survive and thrive.

Or donate via PayPal — any amount is welcome! Donations total at Easter 2025, since 2015: $390.

Archives

  • March 2026
  • February 2026
  • January 2026
  • December 2025
  • November 2025
  • October 2025
  • September 2025
  • August 2025
  • July 2025
  • June 2025
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • April 2023
  • March 2023
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • August 2015
  • July 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • August 2012
  • July 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • February 2012
  • January 2012
  • December 2011
  • November 2011
  • October 2011
  • September 2011
  • August 2011
  • July 2011
  • June 2011
  • May 2011
  • April 2011
  • March 2011
  • February 2011
  • January 2011
  • December 2010
  • November 2010
  • October 2010
  • September 2010
  • August 2010
  • July 2010

Categories

  • 3D (14)
  • AI (70)
  • Astronomy (70)
  • Censorship (14)
  • de Camp (7)
  • Doyle (7)
  • Films & trailers (101)
  • Fonts (9)
  • Guest posts (2)
  • Historical context (1,095)
  • Housekeeping (91)
  • HPLinks (76)
  • Kipling (11)
  • Kittee Tuesday (92)
  • Lovecraft as character (58)
  • Lovecraftian arts (1,628)
  • Lovecraftian places (19)
  • Maps (70)
  • NecronomiCon 2013 (40)
  • NecronomiCon 2015 (22)
  • New books (966)
  • New discoveries (165)
  • Night in Providence (17)
  • Odd scratchings (984)
  • Picture postals (276)
  • Podcasts etc. (431)
  • REH (184)
  • Scholarly works (1,469)
  • Summer School (31)
  • Unnamable (87)

Get this blog in your newsreader:
 
RSS Feed — Posts
RSS Feed — Comments

H.P. Lovecraft's Poster Collection - 17 retro travel posters for $18. Print ready, and available to buy — the proceeds help to support the work of Tentaclii.

Proudly powered by WordPress Theme: Chateau by Ignacio Ricci.